<div><span class='pageno' title='119' id='Page_119'></span><h1>CHAPTER IX</h1></div>
<p class='noindent'><span class='dropcap'>A</span><span class='sc'>fter</span> leaving Clementina, Tommy went for a
long brisk walk in order to clear his mind,
and on his homeward way along the
Embankment, branched off to the middle of old Chelsea
Bridge in order to admire the moonlight view; he
also took off his hat in order to get cool. The
treacherous May wind cooled him effectually and
sent him to bed for three days with a chill.</p>
<p class='pindent'>Clementina sat by his rueful bedside and rated him
soundly. The idea of one just recovering from pneumonia
setting his blood boiling hot and then cooling
himself on a bridge at midnight in the bitter north-east
wind! He was about as sane as his uncle. They
were a pretty and well-matched pair. Both ought to
be placed under restraint. A dark house and a whip
would have been their portion in the good old times.</p>
<p class='pindent'>“I’ve got ’em both now,” said Tommy, grinning.
“This confounded bedroom is my dark house and your
tongue is the whip.”</p>
<p class='pindent'>“I hope it hurts like the devil,” said Clementina.</p>
<p class='pindent'>Tommy wrote from his sick bed a dignified and manly
letter to his uncle, and, like Brutus, paused for a
reply. None came. Quixtus read it, and his warped
vision saw ingratitude and hypocrisy in every line.
He had already spoken to Griffiths about the office-stool
in the Star Insurance Company. Tommy’s
emphatic refusal to sit on it placed him in an awkward
position with regard to Griffiths. Openings in a large
insurance office are not as common as those for hop-pickers
in August. Griffiths, a sour-tempered man at
times, would be annoyed. Quixtus, encouraged by
Vandermeer, regarded himself as an ill-used uncle,
and not only missed all the thrill of his deed of wickedness,
but accepted Tommy’s decision as a rebuff to
his purely benevolent intentions. He therefore added
the unfortunate Tommy to the list of those whom he
had tried and found wanting. He had a grievance
against Tommy. Such is the topsyturvydom of man
after a little thread has snapped in his brain.</p>
<p class='pindent'>Now, it so happened that, on the selfsame day
that Tommy crawled again into the open air,
Clementina, standing before her easel and painfully
painting drapery from the lay figure, suddenly felt
the whole studio gyrate in a whirling maelstrom into
whose vortex of unconsciousness she was swiftly
sucked. She fell in a heap on the floor, and remained
there until she came to with a splitting headache and a
sensation of carrying masses of bruised pulp at various
corners of her body instead of limbs. Her maid,
Eliza, finding her lying white and ill on the couch to
which she had dragged herself, administered water—there
was no such thing as smelling-salts in Clementina’s
house—and, on her own responsibility, summoned
the nearest doctor. The result of his examination was
a diagnosis of overwork. Clementina jeered. Only
idlers suffered from overwork. Besides, she was as
strong as a horse. The doctor reminded her that she
was a woman, with a woman’s delicately adjusted
nervous system. She also had her sex’s lack of restraint.
A man, finding that he was losing sleep, appetite,
control of temper and artistic grip, would abandon
work and plunge utterly unashamed into hoggish
idleness. A woman always feels that by fighting against
weakness she is upholding the honour of her sex,
and struggles on insanely till she drops.</p>
<p class='pindent'>“I’m glad you realise I’m a woman,” said
Clementina.</p>
<p class='pindent'>“Why?”</p>
<p class='pindent'>“Because you’re the first man who has done so for
many years.”</p>
<p class='pindent'>The doctor, a youngish man, very earnest, of the
modern neuropathic school, missed the note of irony.
This was the first time he had seen Clementina.</p>
<p class='pindent'>“You’re one of the most highly strung women
I’ve ever come across,” said he, gravely. “I want
you to appreciate the fact and not to strain the tension
to breaking-point.”</p>
<p class='pindent'>“You wrap it up very nicely,” said Clementina,
“but, to put it brutally, your honest opinion is that
I’m just a silly, unreasonable, excitable, sex-ridden
fool of a female like a million others. Isn’t that so?”</p>
<p class='pindent'>The young doctor bore the scrutiny of those glittering,
ironical points of eyes with commendable professional
stolidity.</p>
<p class='pindent'>“It is,” said he, and in saying it he had the young
practitioner’s horrible conviction that he had lost
an influential new patient. But Clementina stretched
out her hand. He took it very gladly.</p>
<p class='pindent'>“I like you,” she said, “because you’re not afraid
to talk sense. Now I’ll do whatever you tell me.”</p>
<p class='pindent'>“Go away for a complete change—anywhere will
do—and don’t think of work for a month at the very
least.”</p>
<p class='pindent'>“All right,” said Clementina.</p>
<p class='pindent'>When Tommy, looking very much the worse for his
relapse, came in the next day to report himself in
robust health once more, Clementina acquainted
him with her own bodily infirmities. It was absurd,
she declared, that she should break down, but absurdity
was the guiding principle of this comic planet. Holiday
was ordained. She had spent a sleepless night thinking
how she should make it. Dawn had brought solution
of the problem. Why not make it in fantastic fashion,
harmonising with the absurd scheme of things?</p>
<p class='pindent'>“What are you going to do?” asked Tommy.
“Spend a frolicsome month in Whitechapel, or put
on male attire and go for a soldier?”</p>
<p class='pindent'>“I shall hire an automobile and motor about
France.”</p>
<p class='pindent'>“It’s sporting enough,” said Tommy, judicially,
“but I should hardly call it fantastic.”</p>
<p class='pindent'>“Wait till you’ve heard the rest,” said Clementina.
“I had originally intended to take Etta Concannon
with me; but since you’ve come here looking like
three-ha’porth of misery, I’ve decided to take
you.”</p>
<p class='pindent'>“Me?” cried Tommy. “My dear Clementina,
that’s absurd.”</p>
<p class='pindent'>“I thought you would agree with me,” said
Clementina, “but I’m going to do it. Wouldn’t you
like to come?”</p>
<p class='pindent'>“I should think so!” he exclaimed, boyishly.
“It would be gorgeous. But——”</p>
<p class='pindent'>“But what?”</p>
<p class='pindent'>“How can I afford to go motoring abroad?”</p>
<p class='pindent'>“You wouldn’t have to afford it. You would be my
guest.”</p>
<p class='pindent'>“It’s delightful of you, Clementina, to think of
it—but it’s impossible.”</p>
<p class='pindent'>Whereupon an argument arose such as has often
arisen between man and woman.</p>
<p class='pindent'>“I’m old enough to be your grandmother, or at
least you think so, which comes to the same thing,”
said Clementina.</p>
<p class='pindent'>Tommy’s young pride would not allow him to accept
largesse from feminine hands, however elderly and
unromantic.</p>
<p class='pindent'>“If I had a country house and hosts of servants and
several motor-cars and asked you to stay, you’d come
without hesitation.”</p>
<p class='pindent'>“That would be different. Don’t you see for
yourself?”</p>
<p class='pindent'>Clementina chose not to see for herself. Here was
a dolorous baby of a boy disinherited by a lunatic
uncle, emaciated by illness and unable to work, refusing
a helping hand just because it was a woman’s. It was
preposterous. Clementina grew angry. Tommy held
firm.</p>
<p class='pindent'>“It’s merely selfish of you. Don’t you see I want a
companion?”</p>
<p class='pindent'>Tommy pointed out the companionable qualities
of Etta Concannon. But she would not hear of Etta.
The sight of Tommy’s wan face had decided her, and
she was a woman who was accustomed to carry out
her decisions. She was somewhat dictatorial, somewhat
hectoring. She had taken it into her head to play
fairy godmother to Tommy Burgrave, and she resented
his repudiation of her godmotherdom. Besides, there
were purely selfish reasons for choosing Tommy rather
than Etta, which she acknowledged with inward
candour. Tommy was a man who would fetch and
carry and keep the chauffeur up to the mark, and
inspire gendarmes and custom-house officials and
maitres-d’hotel with respect, and, although Clementina
feared neither man nor devil, she was aware of the value
of a suit of clothes filled with a male entity as a
travelling adjunct to a lone woman. With Etta the
case would be different. Etta would fetch her motor-veil
and carry her gloves with the most adoringly submissive
grace in the world; but all the real fetching and
carrying for the two of them would have to be done by
Clementina herself. Therein lay the difference between
Clementina and the type generally known as the
emancipated woman. She had no exaggerated notions
of the equality of the sexes, which in feminine logic
generally means the high superiority of women.
Circumstance had emancipated her from dependence
upon the other sex, but on the circumstance and
the emancipation she cast not too favourable an
eye. She had a crystal clear idea of the substantial
usefulness of men in this rough and not always ready
cosmic scheme. Therefore, for purposes of utility,
she wanted Tommy. In her usual blunt manner she
told him so.</p>
<p class='pindent'>“You run in here at all hours of the day and night,
and it’s Clementina this and Clementina that until
I can’t call my soul my own—and now, the first time
I ask you to do me a service you fall back on your
silly little prejudices and vanity and pride, and say
you can’t do it.”</p>
<p class='pindent'>“I’m very sorry,” said Tommy, humbly.</p>
<p class='pindent'>“I tell you what it is,” said Clementina, with a
curiously vicious feminine stroke, “you’d come if I
was a smart-looking woman with fine clothes who
could be a credit to you—but you won’t face going
about with an animated rag-and-bone shop like me.”</p>
<p class='pindent'>Tommy flushed as pink as only a fair youth can
flush; he sprang forward and seized her wrists and,
unwittingly, hurt her in his strong and indignant
grip.</p>
<p class='pindent'>“What you’re saying is abominable and you ought
to be ashamed of yourself. If I thought anything
like that I’d be the most infernal cur that ever trod
the earth. I’d like to shake you for daring to say
such things about me.”</p>
<p class='pindent'>He flung away her hands and stalked off to the other
end of the studio, leaving her with tingling wrists
and unfindable retort.</p>
<p class='pindent'>“If you really think I can be of service to you,”
he said, in a dignified way, having completed the return
journey, “I shall be most happy to come.”</p>
<p class='pindent'>“I don’t want you to make a martyr of yourself,”
she snapped.</p>
<p class='pindent'>Tommy considered within himself for a moment or
two, then broke into his boyish laugh.</p>
<p class='pindent'>“I’m an ungrateful pig, and I’ll follow you all over
the world. Dear old Clementina,” he added, more
seriously, putting his hand on her shoulder, “forgive
me.”</p>
<p class='pindent'>Clementina gently removed his hand. She preferred
the grip on the wrists that hurt. But, mollified, she
forgave him.</p>
<p class='pindent'>So in a few days they started on their travels.</p>
<hr class='tbk'/>
<p class='pindent'>The thirty-five horse-power car whirled them, a
happy pair, through the heart of summer. Above
the blue sky blazed, and beneath the white road
gleamed a shivering streak. The exhilarating wind
of their motion filled their lungs and set their tired
pulses throbbing. Now and then, for miles, the great
plane trees on each side of the way formed the never-ending
nave of an infinite cathedral, the roof a miracle
of green tracery. Through quiet, sun-baked villages
they passed, at a snail’s pace, hooting children and
dogs from before their path—and because they proceeded
slowly and Tommy was goodly to look upon,
the women smiled from their doorways, or from the
running laundry stream where they knelt and beat the
wet clothes, or from the fountain in the cool, flagged
little square jutting out like a tiny transept from the
aisle of the street. Babies stared stolidly. Here and
there a bunch of little girls, their hair tied in demure
pigtails, the blue sarrau over their loud check frocks;
would laugh and whisper, and one more daring than
the rest would wave an audacious hand, and when
Tommy blew her a kiss from his fingers there came
the little slut’s gracious response, amid mirth and
delight unspeakable. Men would look up from their
dusty, bare, uneven bowling-alley beneath the trees
and watch them as they went by. An automobile,
in spite of its frequency, is always an event in a French
village. If it races mercilessly through; there is reasonable
opportunity to curse which always gladdens the
heart of man. If it proceeds slowly and shows deference
to the inhabitants, it is an event rare enough to command
their admiration. Instead of shutting their
eyes against a sort of hell-chariot in a whirlwind;
they can observe the gracefully built car and its
stranger though human occupants, which is something
deserving a note in the record of an eventless day.
If they stopped and quitted the car so as to glance
at leisure at old church or quaint fountain—and in
many an out-of-the-way village in France the water
of the community gushes forth from a beautiful work
of art—all the idlers of the sunny place clustered round
the car, while the British chauffeur stood by the
radiator, impeccably vestured and unembarrassed as
a Fate. At noon came the break for déjeuner; preferably
in some little world-forgotten townlet, where,
after the hors-d’œuvre, omelette, cutlet, chicken, and
fruit—and where is the sad, plague-stricken hamlet
of France that cannot, in the twinkling of an eye,
provide such a meal for the hungry wayfarer?—they
loved to take their coffee beneath the awning
of a café on the shady side of the great, sleepy square,
and absorb the sleepy, sunny, prosperous spirit of the
place; the unpainted bandstand in the centre, the
low-lying houses with sleepy little shops and cafés—Heavens!
how many cafés!—around it, the modern,
model-built Hôtel de Ville, the fine avenue of plane
trees without which no Grande Place in France could
exist, and, above the roofs of the houses, the weather-beaten,
crumbling Gothic tower of the church
surmounted by its extinguisher-shaped leaden belfry
alive with vivid yellows and olives. And then the
road again past the rapidly becoming familiar objects;
the slow ox-carts; the herd of wayside goats in charge
of a dirty, tow-headed child; the squad of canvas-suited
soldiers; the great lumbering waggons drawn
by a string of three gaudily and elaborately yoked
horses, the driver fast asleep on the top of his mountainous
load; the mongrel dogs that sought, and happily
found not, euthanasia beneath the wheels of the modern
car of Juggernaut; the sober-vested peasant women
bending beneath their burdens with the calm unexpressive
faces of caryatides grown old and withered.
Towards the late afternoon was reached the larger
town where they would halt for the night: first came
the eternal, but grateful, outer boulevard cool with
foliage, running between newly built, perky houses
and shops and then leading into the heart of the older
city, grey, narrow-streeted, picturesque. As the
automobile clattered through the great gateway of
the hotel into the paved courtyard, out came the decent
landlord and smiling landlady, welcomed their guests,
summoned unshaven men in green-baize aprons—who,
at dinner, were to appear in the decorous garb
of waiters, and in the morning, by a subtle modification
of costume (dingy white aprons instead of green-baize)
were to do uncomplaining work as housemaids—to
take down the luggage, and showed the travellers to
their clean, bare rooms. After the summary removal
of the journey’s dust came the delicious saunter
through the strange old town; the stimulus of the
sudden burst into view of the west front of a cathedral,
with its deeply recessed and sculptured doorways,
and its great, flamboyant window struck by
the westering sun; the quick, indrawn breath of
delight when, in a narrow, evil-smelling, cobble-paved
street, they came unexpectedly upon some marvel
of an early Renaissance façade, with its refined riot
of ornament, its unerring proportions, its laughing
dignity—laughing all the more and with all the
more dignity, as became its mocking, aristocratic
soul, because the ground floor was given up to a
dingy tinsmith and its upper storeys to the same
class of easy-going, slatternly folk who sat at the
windows of the other unconsidered houses in the
sallow and homely street; the gay relief of emerging
from such unsavoury and foot-massacring by-ways
into the quarter of the town on which the
Syndicat d’Initiative prides itself—the wide, well-kept
thoroughfare or <span class='it'>place</span> with its inevitable greenery,
its flourishing cafés thick with decorous folk beneath
the awnings, its proud and prosperous shops, its
Municipal Theatre, Bourse, Hôtel de Ville, its generously
spouting fountain, its statue of the great son—poet,
artist, soldier—of the locality; its crowd of well-fed
saunterers—fat and greasy citizens, the supercilious
aristocrat and the wolf-eyed anarchist might perhaps
join together in calling them—but still God’s very
worthy creatures; its general expression, not of
the joy of life, for a provincial town is, as a whole,
governed by conditions which affect only a part of a
great capital, but of the undeniable usefulness and
pleasurableness of human existence. Then, after
dinner, out again to the cool terrace of a café—in
provincial France no one lounges over coffee and
tobacco in an hotel—and lastly to bed, with wind and
sun in their eyes and in their hearts the peace of a
beautiful land.</p>
<p class='pindent'>They had planned the first part of their route—Boulogne,
Abbeville, Beauvais, Sens, Tonnerre, Dijon,
through the Côté d’Or and down the valley of the
Rhone to Avignon. After that the roads of France
were open to them to go whithersoever they willed.
The ground, the experience, the freedom, all were
new to them. To Clementina France had practically
been synonymous with Paris—not Paris of the Grands
Boulevards, Montmartre, and expensive restaurants,
but Paris of the Left Bank, of the studios, of struggle
and toil—a place not of gaiety but grimness. To
Tommy it meant Paris, too—Paris of the young
artist-tourist, a museum of great pictures—the Louvre,
the Luxembourg, the Pantheon immortalised by
Puvis de Chavannes; also Dieppe, Dinard, and such-like
dependencies of Britain. But of the true France
such as they beheld it now they knew nothing, and
they beheld it with the wide-open eyes of children.</p>
<p class='pindent'>After a few days the weariness fell from Clementina’s
shoulders; new life sped through her veins. Her hard
lips caught the long-forgotten trick of a smile. She
almost lost the art of acid speech. She grew young
again.</p>
<p class='pindent'>Tommy held the money-bag.</p>
<p class='pindent'>“I’m not going to look like a maiden aunt treating
a small boy to buns at a confectioner’s,” she had
declared. “I’m going to be a real lady for once and
see what it’s like.”</p>
<p class='pindent'>So Clementina did nothing in the most ladylike
manner, while Tommy played courier and carried
through all arrangements with the impressive air of
importance that only a young Briton in somebody
else’s motor-car can assume. He had forgotten the
little sacrifice of his pride, he had forgotten, or at
least he disregarded, with the precious irresponsibility
of three-and-twenty, the fact that his income was
reduced to the negligible quantity of a pound a week;
he gave himself up to the enjoyment of the passing
hour, and if ever he did cast a forward glance at the
clouded future, behold! the clouds were rosy with
the reflections of the present sunshine.</p>
<p class='pindent'>He was proud of his newly discovered talent as a
courier, and boasted in his boyish way.</p>
<p class='pindent'>“Aren’t you glad you’ve got me to take care of
you?”</p>
<p class='pindent'>“It’s a new sensation for me to be taken care of.”</p>
<p class='pindent'>“But you don’t dislike it?”</p>
<p class='pindent'>He was arranging at the bottom of the car a pile
of rugs and wraps as a footstool for Clementina, at
the exact height and angle for her luxurious comfort.</p>
<p class='pindent'>Clementina sighed. She was beginning to like it
very much indeed.</p>
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