<h2>CHAPTER VII</h2>
<p class='c007'>Lionel was not listening to his companion any
longer; his mind had wandered from the East-End
to the present scene, and gradually losing
sight of his surroundings, his eyes lingered
rapturously on a feminine form of unsurpassed
beauty. Her elbow resting on an Etruscan vase,
she leaned her soft cheek on the palm of her hand
and looked up inquiringly at a portrait by Lely,
representing the ancestress of one of our fashionable
women. Lionel had never seen such grace,
such simplicity—the word innocence fluttered
on his lips, but soon vanished; he had rarely
connected that quality with any of the women of
his world. But, innocent or not, the form before
him was faultless; the setting of the head on the
shoulders perfect, the Grecian features radiantly
pure. Who could she be? No matter, she was
beauty, womanhood, that was sufficient, and it
filled his heart with beatitude to gaze on such
perfection without having to read the label
attached to it. Dick was right, no guide could
enlighten him as to what were his feelings. He
had never seen her before; no doubt, she was a
foreigner landed here on the day of the storm.
Greece alone could have given birth to such a
symmetric form and such harmony of movements.
He moved away from his porphyry
column as in a trance, leaving Danford to
converse with a celebrity who wanted to know
who someone else was; on his approaching the
unknown beauty, his eyes lingered more intently
on her exquisite face, and he contemplated her
lovely hazel eyes shaded by long dark eyelashes.
It was the only thing a man could contemplate
now—a woman’s face; for, however demoralised a
man might be, he defied him from ever behaving
indelicately to a woman in the state of nature.
As he came close to her, she dropped her eyelids
and levelled her gaze to his; they looked into
each other’s eyes—and they loved.</p>
<p>“Allow me to lead you to a lounge,—you seem
tired.”</p>
<p>“Thank you, I am not tired,” answered a
musical voice; and her velvety eyes drank deep
at the fountain of love that flowed from his eyes.
“I was far away, transported into the world
evoked by this picture. I tried to divine the
thoughts of this notorious beauty at the Stuarts’
Court, and the vision became so vividly real, that
I could see her take up her blue scarf and raise it
in front of her face as she blushed in looking at
my nakedness.”</p>
<p>“I should have thought the model who sat for
this portrait could have easily beheld our
mythological world without having to lift her
scarf to hide her confusion. I do not think she
was renowned for the purity of her life, nor for
the nicety of her language.”</p>
<p>“The more reason for her inability to look
nature in the face. Nature is too amazing to
those trained to artifice. The glory of a sunset
would be blinding to those who never had seen
its reflection but on houses or pavements.”</p>
<p>How adorably sensitive was her mouth; he
remembered having seen, in Florence, expressions
like hers. The divine Urbinite had excelled in
delineating these touching faces.</p>
<p>“It is getting late. If you are thinking of
leaving, will you allow me to escort you?” She
laid her hand on his, and without a word they
left the room.</p>
<p>One by one the guests returned to the secret
bower to say a courteous adieu to the Marquise—a
thing which formerly had not been frequently
witnessed—it had been so irritating to see that
perpetual grin on her lips, that incessant fanning,
and, above all, to watch her sliding
scale of good-byes, which had become alarmingly
tedious.</p>
<p>The Adam and Eve of “London regained”
slowly descended the marble staircase, passed
through the hall, out of the front door, and
found themselves on the pavement as unconcerned
about their surroundings as if they
had dropped straight from a planet. They gazed
at each other, and in that luminous orb of the
visual organ, they discovered the only world for
which it was worth living or dying.</p>
<p>“I do not know who you are, and I do not
desire to know, until you have answered my
questions. This I know, that you love me; my
love is too great not to be echoed by yours. What
we feel for one another is above all worldly considerations,
what we can give each other is beyond
what the world can give or take away. Will you
accept the life devotion of a man who has never
loved until this day? I blush at what I used to
call love—and shall never profane your ears
with a recital of what men call their conquests.”</p>
<p>“I accept the gift of your heart and of your life,
and I give you mine in exchange. I have never
loved either.” She lifted her pure face to his; a
cloud rushed across the sky, leaving the pale moon
to illumine the young couple walking in silence in
their dreamland. After a long pause Lionel
spoke.</p>
<p>“Where shall I escort you? Where is your
home?”</p>
<p>“Will you take me to Hertford Street,
No. 110?”</p>
<p>“Gwendolen!”</p>
<p>“Lionel!”</p>
<p>And both looked down, for the first time suffused
with shame at discovering their identity. Confusion
overwhelmed him, not at their present state,
but at the sudden thought of their past lives of
indelicacy. He was the first to break the silence,
for man, being essentially practical, must at once
know more about what he finds out; and an
Englishman above all must necessarily investigate
his newly-conquered dominion. Perhaps this is
the reason for their being such good colonists;
they do not gaze long at the stars and sunsets
of a new Continent, but very promptly turn to
business, and to what they can make out of their
discovery.</p>
<p>“What have you been doing all these last
weeks, Gwen?”</p>
<p>She told him what her occupations had been;
they were limited, it was true, but they had helped
to open her eyes on a few of life’s problems.</p>
<p>“Have you been shut up in your room ever
since the storm?”</p>
<p>“Nearly, with the exception of the day of the
first exodus, when I felt I must either have some
air, or die. I have been out once or twice since, at
unearthly hours of the morning; but this is the
first party I have been at—I could not risk meeting
you. I had pictured our meeting very differently
from what it has been; I dreaded it, and little
imagined this would be the end of it.”</p>
<p>“No, sweetheart,” interrupted her lover, “you
mean, the beginning of our life. Tell me all you
did at home.”</p>
<p>“I have studied more, my dear Lionel, in these
last weeks than in all my life before, including my
school days. My books have been the sun
rising and setting, the stars and the birds’
twitterings; I have thought of poetry, philosophy,
and history—”</p>
<p>“Poor Gwen, how dull it must have been!
Fancy you studying the works of nature, and
imagining that you are a philosopher!”</p>
<p>“You are cruel, Lionel.”</p>
<p>“Forgive me, Gwen. I am more than cruel, I
am unjust, for I am the last who ought to scoff or
reprove. I stand here as a repentant sinner, only
begging to kiss your hand and to be allowed to
gaze on your beauty.”</p>
<p>“Lionel, believe me, I thought a great deal.”</p>
<p>“Could you not telephone to your friends?”</p>
<p>“Telephone! What for, and to whom? When I
think of the bundle of wires I used to despatch,
and of the trayful of cards and notes the footman
was wont to hand to me; each one in view of
some Ranelagh meeting, a box for a first night, a
Saturday to Monday invitation, and many more
important nothings which formed the <i><span lang="fr" xml:lang="fr">epopée</span></i> of my
London life! But who would have cared to know
of my inner thoughts, of my heart’s desires? We
shall have to learn a new language before we can
write again, Lionel; for the phraseology that
suited the shams of our past life would be inappropriate
in our Paradise regained.”</p>
<p>“Did you see your father?”</p>
<p>“Ah! Lionel, he is the very last one I could
have set eyes on! I have not seen him since the
Islington Tournament. How long ago that
seems. I heard a fortnight ago, through my
guide, Nettie Collins, that he only came home on
the day of the first exodus!”</p>
<p>“Perhaps you have seen him, Gwen, but not
known him again. Guides are no good in these
family relationships.”</p>
<p>“I must say candidly that philosophy was too
much for me. I can, as yet, only grasp what
touches my heart. We shall talk much, think
deeply, you and I, my dearest Ly.”</p>
<p>“Not that name, dearest! It burns your sweet
lips. It was the synthesis of the false life you and
I lived.”</p>
<p>“Then it shall be, Lion. My Lion will you be?”</p>
<p>“Yes, your Lion, my beautiful Una.”</p>
<p>“Tell me; why have you never loved? A man
is free, and has every opportunity to choose; it is
not like us women, who are told from infancy what
we are worth and what kind of market the world
is.”</p>
<p>“Love did not enter into the programme of my
school life, Gwen. Had love been part of education,
I doubt whether our old world would have
lasted as long as it did. It is because love has
had no fair play for centuries that injustice,
hypocrisy and tyranny have ruled unmolested.
Love may be, in words, the principle by which all
things are ordained, but hatred is the real password,
and we are so accustomed to the clever
trickery that we do not detect the fraud.”</p>
<p>“But was not your father fond of you?”</p>
<p>“He took me to Italy several times during my
long vacations. I remember being taken by him
to the Uffizi Gallery and being told to look at the
pictures;—I used to stand transfixed in front of
Raphael’s Madonnas. Then dad would turn up—too
soon—with some Italian lady whom he had
no doubt picked up—by appointment—and my
dream was over.”</p>
<p>“And your mother, Lion, was she pleased when
you came home? You must have been such a
dear boy!”</p>
<p>“Home! Mother! I can hardly articulate the
sacred words.”</p>
<p>“Tell me about her; for of course I have only
heard what the world had to say of her, of her
reckless life and tragic death in the hunting-field;
but I want you to tell me, for between
us there can never be any secret, nor any
subterfuge.”</p>
<p>“Tell you, Gwen; there is so little to tell. The
lives of fashionable women are not so full of
adventures as the lower classes seem to think. It
is not for the things they do they should be
blamed, but for all they do not do. There are a
great many legends about Society women that
are, in fact, but twaddly prose; there is a great
deal of fuss all round a fashionable beauty, and
very little worth fussing about. Spite and vanity
are at the root of many rotten homes. I know
my home was an arid desert, because my father
never forgave my mother for having brought him
to the altar; and she vented her spite on him by
compromising herself with every man available
or unavailable. The more my father showed his
contempt to her, the more she threw herself into
a vortex of frivolity. Her vanity could only
equal her coldness. Her curse was to be incapable
of any love. She never for one instant loved
the man she inveigled into matrimony; she never
cared a jot for her children, and she certainly had
no passion, however ephemeral it might have
been, for any of the men with whom she compromised
herself. In this lies the ghastliness
of such lives. Were there more <i><span lang="la" xml:lang="la">bona-fide</span></i>
passion, there would be less cruelty and less
levity.”</p>
<p>“Go on, Lionel.”</p>
<p>“I never once saw my mother lean over the cot of
her child; she rarely entered the nursery, and we
only came down at stated hours to be looked at by
visitors. These ordeals were painful. To appear
motherly, my mother occasionally laid her hand
on my curly head. Ah! those fingers scintillating
with diamonds and precious stones; those
hard bracelets penetrating into my delicate skin!
How I loathed that hand on my head—it was such
a hard hand.”</p>
<p>“Poor Lionel, but you do not say how your
little sister died.”</p>
<p>“The least said about it the better. There are
noble griefs, and there are ugly sorrows: mine
was of the latter order. When Cicely died, my
mother was at a State Ball. She knew the child
was hopelessly ill before she went, but a dress had
arrived that morning from Paris, and a State Ball
is a duty; in fact, all social functions are duties
which come before mere human feelings. After
so many years, I can still see that gorgeous apparition
as she came into the room to speak to
the hospital nurse. I did not understand the
meaning of it all, but felt awed by the soft murmurs
of the nurse, the dim light, and the haughty
manner of my mother. Next day the nursery
was closed; I was kept in the room of the head
nurse to play with my toys, and told severely not
to make a noise. I asked for Cicely. The under-housemaid,
a good sort of a country girl, took me
by the hand and led me into the room where little
Cicely was laid out. One bunch of narcissus was
lying on her feet; they were the nurse’s last tribute
to her little dead patient. And that was all. I
realised nothing, I was seven years old. The
days that followed were miserable; I missed my
playmate and was daily brought down to my
mother’s boudoir, to be interviewed by simpering
old dowagers who gave me a cold kiss, and
waggish young men who shook hands with me and
called me “old fellow,” as if I had already entered
some crack regiment, or won the Derby. My
mother, in her diaphanous black chiffon, distributed
cups of tea right and left, while she related in
short sentences the end of little Cicely and the
brilliancy of the State Ball.”</p>
<p>“When I think, Lionel, that you and I were on
the eve of repeating that same lamentable
story—”</p>
<p>“Enough of this horrid past, my beautiful
Una; let us forget that it ever existed, and
let us think of the present, of you, and of our
future.”</p>
<p>They had reached Hyde Park Corner.
Gwendolen gave a circuitous glance on the
scene that surrounded them, and remarked that
the Duke of Wellington’s statue had disappeared.</p>
<p>“Where has the statue gone to, Lion?”</p>
<p>“Oh! Did you not know that it had been
removed yesterday? You will never any more
see Nelson on his column, Gordon holding his
Bible, Napier with his gilded spurs, nor Canning,
Disraeli, and so many others, on their pedestals—they
have all been taken to South Kensington,
for the present. The idea is to build a new hall
outside London for all these relics of the past,
where they may be viewed by the very few who
are anxious to study the curios of an old worn-out
civilisation. The Committee has come to the conclusion
that our newly-revealed sense of modesty
must inevitably be shocked by these indecorous
memorials to our great men; and it has decided
that the education of the masses must at once
begin by the removal of objects more fit for a
chamber of horrors than for the contemplation of
pure-minded citizens.”</p>
<p>“But what will they put on the pedestals and
columns?”</p>
<p>“I heard the curator of Walsingham House
say last evening that he meant to suggest a new
departure in monument erection. Instead of
paying a tribute to the man who, as a soldier, a
poet, or a statesman, had but done his duty
during his short visit to this planet, he advised
that monuments should be raised to abstract
principles, and enjoined the Committee to start
by replacing the equestrian Duke of Wellington
with the detruncated statue of Victory in the
Elgin Marbles collection. Gwen, we are at your
door, and we must part. When shall I see you
again, dearest?”</p>
<p>“To-morrow in the Kensington Gardens, under
the shady trees, we shall be able to talk of all the
problems we must solve together.”</p>
<p>“Good-night, my Una. How lovely you are,
thus caressed by the soft rays of the moon. Have
I never gazed into a woman’s face before, that I
seem to see your eyes for the first time? I have
now discovered the secret of inward beauty, and
wherever you are, however surrounded you may
be, I shall know you, for I have seen your soul.
My whole life will be too short in which to express
my rapturous admiration. Forgive me for the
past years of blindness.”</p>
<p>“Lion, it is I who have to beg your forgiveness.
I never knew you—I never knew my own self.
Was it our fault after all? It had never been our
lot to meet as two free citizens of the Universe;
but, like two miserable slaves of Society, we were
trained to trick each other, and to play a
blasphemous parody of love, while malice all the
time was master of our fettered beings.”</p>
<p>The door of No. 110 opened and closed on the
vision of purity. Lionel walked up Park Lane
and soon reached his home; he entered the
library, and once more looked up at his father’s
portrait. Was it fancy? But he thought he saw
the face smile superciliously, and heard these
cold words fall from the thin lips: “My poor
fellow, beware of sentimentality. As I told you,
I preferred being killed to being bored.”</p>
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