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<h1>Plain Mary Smith</h1>
<h2>A Romance of Red Saunders</h2>
<h2>By Henry Wallace Phillips</h2>
<h3>With Illustrations<br/> By Martin Justice</h3>
<h3>New York<br/> The Century Co.<br/> 1905</h3>
<h3>Copyright, 1905, by<br/> <span class="smcap">The Century Co.</span></h3>
<h3>Copyright, 1905, by<br/> <span class="smcap">Frank Leslie Publishing House</span><br/> (Incorporated)</h3>
<h3><i>Published October, 1905</i></h3>
<h3>THE DE VINNE PRESS</h3>
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<h3>"I grabbed cans of tomatoes, and pasted the heap"</h3>
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<h2>CONTENTS</h2>
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<p><SPAN href="#I">I. "<span class="smcap">But wasn't it a Gorgeous Smash!</span>"</SPAN><br/>
<SPAN href="#II">II. "<span class="smcap">The Village Pride</span>"</SPAN><br/>
<SPAN href="#III">III. <span class="smcap">Sandy Gray</span></SPAN><br/>
<SPAN href="#IV">IV. <span class="smcap">The Fight</span></SPAN><br/>
<SPAN href="#V">V. "<span class="smcap">On my Bureau was a Knife</span>—"</SPAN><br/>
<SPAN href="#VI">VI. "<span class="smcap">I'm Mary Smith</span>"</SPAN><br/>
<SPAN href="#VII">VII. "<span class="smcap">Save me, Arthur!</span>"</SPAN><br/>
<SPAN href="#VIII">VIII. <span class="smcap">Archie out of Aspinwall</span></SPAN><br/>
<SPAN href="#IX">IX. <span class="smcap">Enter Brother Belknap</span></SPAN><br/>
<SPAN href="#X">X. "<span class="smcap">Your Life, if You Hurt Him!</span>"</SPAN><br/>
<SPAN href="#XI">XI. <span class="smcap">Saxton's Story</span></SPAN><br/>
<SPAN href="#XII">XII. <span class="smcap">Bill Meets a Relative</span></SPAN><br/>
<SPAN href="#XIII">XIII. <span class="smcap">Red Makes a Few Remarks</span></SPAN><br/>
<SPAN href="#XIV">XIV. <span class="smcap">Brother Belknap's Revolution</span></SPAN><br/>
<SPAN href="#XV">XV. <span class="smcap">Tomatoes by the Quart</span></SPAN><br/>
<SPAN href="#XVI">XVI. <span class="smcap">Red Plays Trumps</span></SPAN><br/></p>
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<h2>LIST OF ILLUSTRATIONS</h2>
<p><SPAN href="#illus1">"I grabbed cans of tomatoes, and pasted the heap"</SPAN></p>
<p><SPAN href="#illus2">"'You git married and shuck them clothes'"</SPAN></p>
<p><SPAN href="#illus3">"'You fight that boy fair'"</SPAN></p>
<p><SPAN href="#illus4">"I left home ... mother and father both waving me good-by in the road"</SPAN></p>
<p><SPAN href="#illus5">"The <i>Matilda</i> saw a whale, or something, and shied"</SPAN></p>
<p><SPAN href="#illus6">"He grabbed up his wooden box and made a miracle"</SPAN></p>
<p><SPAN href="#illus7">"'Still wearing your legs cut short, I see'"</SPAN></p>
<p><SPAN href="#illus8">"I laid two strong hands on Archie's mane"</SPAN></p>
<p><SPAN href="#illus9">"I crowded my victim down against the saddle with my left hand"</SPAN></p>
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<h2>PLAIN MARY SMITH</h2>
<h3>A ROMANCE OF RED SAUNDERS</h3>
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<h2><SPAN name="I" id="I"></SPAN>I</h2>
<h3>"BUT WASN'T IT A GORGEOUS SMASH!"</h3>
<p>Old Foster used to say the reason some women married men they entirely
should not was because nature tried to even up all round. Very likely
that's it, but it's a rocky scheme for the Little Results. When my
mother married my father, it was the wonder of the neighborhood. I don't
fully understand it to this day, as many things as I've seen.</p>
<p>She was a beautiful, tall, kind, proud woman, who walked as if she owned
the world and loved it; from her I get my French blood. Was there a dog
got his foot run over? Here he comes for mother, hollering and
whimpering, showing her the paw and telling her all about it, sure she'd
understand. And she did. 'Twixt her and the brutes was some kind of
sympathy that did away with need of words. Doggy'd look at her with
eyebrows up and wigwag with his tail, "Left hind leg very painful. Fix
it, but touch lightly, <i>if</i> you please."</p>
<p>Father was a gaunt, big man, black and pale; stormy night to her
sunshine. A good man, estimated by what he didn't do (which is a queer
way to figure goodness), but a powerful discourager on the active side.
He believed in Hell first, last, and all the time; I think he felt some
scornful toward the Almighty for such a weak and frivolous institution
as Heaven. How much of this was due to his own nature, and how much to
the crowd he traveled with, I don't know. He had to have it in him to go
with them; still, I like to think they led him off. Left to mother's
influence, he'd have been a different man—more as I remembered him when
I was a little chap. This "church" of his was down on everything that
had a touch of color, a pleasant sound, or a laugh in it: all such was
wickedness. I remember how I got whaled for kissing Mattie. A boy that
wouldn't kiss Mattie if she'd let him should have been trimmed to a
peak. However, I got whaled for anything and everything. In this he was
supported by his fellow church-members, most of 'em high-cheek-boned men
with feverish eyes, like himself. "Take heed to the word, Brother
Saunders," they'd say: "'Spare the rod and spoil the child.'" So
father'd refuse to spare the rod, and he'd spoil me for the time being,
anyhow.</p>
<p>They weren't all men of that stamp, though. You can't get a crowd of
fools to hold together unless there's a rascal to lead them. Anker was
the boss of the business—and a proper coyote he was. A little man, him;
long-nosed and slit-eyed; whispered, mostly, from behind his hand. He
had it in for me, most particular. First place, I nicknamed him "Canker"
and it stuck; next place, one day me and Tom, Mattie's brother, being
then about sixteen apiece, come up from swimming and stopped at Anker's
patch to pull a turnip. While we sat there, cutting off slices and
enjoying it, never thinking of having harmed the man, Anker slides out
to us, so quiet we couldn't hear him till he was right there, and calls
us a pair of reprobates and thieves. I never liked the sound of that
word "thief." He got the turnip. He'd have got worse, too, but Tom slung
the sleeve of his shirt around my neck and choked me down.</p>
<p>The turnip sent him to grass. As he got up, smiling with half his mouth,
and wiping turnip off his manly brow, "You'll regret this, young man,"
says he; "some day you'll be sorry for this."</p>
<p>Poor Tom had his hands full holding me. "Well, you'd better run along,"
says he; "for if this shirt gives way, <i>you'll</i> regret it to-day."</p>
<p>Anker was a man to give advice, generally. When he cast an eye on me,
foaming and r'aring, he concluded he'd take the same, for once, and
ambled out of that.</p>
<p>He kept his word, though. He made me regret it. You'd hardly believe a
man near fifty years old would hold a grudge against a sixteen-year-old
boy hard enough to lie about him on every occasion, and poison the boy's
father's mind, would you? That's the facts. He stirred the old man up by
things he "really didn't like to tell, you know, but felt it his painful
duty"—and so forth. Yes, sir; he made me regret it plenty. You might
say he broke our home up. And so, if ever I meet that gentleman in the
hereafter, above or below, him and me is going to have some kind of a
scuffle—but shucks! There's no use getting excited over it at my age.
The good Lord's attended to his case all right, without any help from
me.</p>
<p>In all kinds of little things mother and father were separated by miles.
Take the case of old Eli Perkins, the tin-peddler, for instance. Mother
used to love to buy things from Eli, to hear him bargain and squirm,
trying his best to give you a wrong steer, without lying right out.
"Well, now, Mis' Saunders," he'd say, "I ain't sayin' <i>myself</i> thet thet
pan is solerd tin; I'm on'y repeatin' of what I bin tolt. I du' know es
it <i>be</i> solerd tin; mebbe not. In thet case, of course, it ain't wuth
nineteen cents, es I was sayin', but about, about ... well, well, now!
I'll tell you what I'll do, ma'am. I'll say fourteen cents and a few of
them Baldwins to take the taste out 'n my mouth—can't do no fairer than
thet now, kin I? Yassam—well, nuthin' more <i>to</i>-day? Thankee, ma'am."
And Eli'd drive off, leaving mother and me highly entertained. But
father'd scowl when his eye fell on Eli. It seems that the poor old cuss
was a child of the devil, because he would take Chief Okochohoggammee's
Celebrated Snaggerroot Indian Bitters for some trouble Eli felt drawing
toward him and tried to meet in time. When Eli got an overdose of the
chief's medicine he had one song. Then you heard him warble:</p>
<div class="poem"><div class="stanza">
<span class="i0">"Retur-n-n-n-i-n' from mar-r-r-ket,<br/></span>
<span class="i0">Thebutterneggsallsold,<br/></span>
<span class="i0">And—will you be so kind, young man,<br/></span>
<span class="i0">And tie 'em up for <i>ME</i>?<br/></span>
<span class="i0">Yaas I will, yaas I will, w'en we git UPon the hill.<br/></span>
<span class="i0">And we joggled erlong tergether singin'<br/></span>
<span class="i0">TOORAL-I-YOODLE-I-AAAAAAAAAAAAY!!"<br/></span></div>
</div>
<p>Well, sir, to hear it, and to see Eli, with his head bent back near to
break off, his old billy-goat whisker wagging to the tune, was to obtain
a pleasant memory. The way that "TOORAL-I-YOODLE-I-AY" come out used to
start old Dandy Jim, the horse, on a dead run.</p>
<p>Another offspring of the same split-hoof parent was Bobby Scott, the
one-legged sailorman that used to whittle boats for us boys when he was
sober, and go home from the tavern Saturday nights at the queerest gait
you ever saw, playing his accordion and scattering pennies to the kids.
I always liked any kind of music; pennies didn't come my way so
often—how were you going to make me believe Old Bob was a wicked
sinner? I didn't, nor that Eli was neither. I thought a heap of both of
'em.</p>
<p>But railroading was what gave me the first wrench from the home tree. It
happened one evening I wandered over the hills to the end of the little
jerk-line that ran our way, and watched the hostler put the engine in
the shed for the night. It was a small tea-pot of an engine that one of
our Western 'Guls could smear all over the track and never know there'd
been an accident, but, man! she looked big to me. And the hostler! Well,
I classed him with the lad that hooked half-dollars out of the air at
the Sunday-school show, and took a rabbit out of Judge Smalley's hat.
But the hostler was a still more wonderful man. I tried to figure if
he'd ever speak to me, and what I should do if he did. Every time I got
the chores done early, I skipped it over to the railroad, till finally
the hostler he sees a long-legged boy eating him with his eyes, and he
says:</p>
<p>"Hello, bub!"</p>
<p>I scuffed my feet and said, "Good morning."</p>
<p>The hostler spit careful over the top of the switch and says, with one
eye shut, "Like a ride?"</p>
<p>Well!!</p>
<p>Howsomever, it seemed manners to me to refuse all pleasant propositions,
so I said "no" and prepared to slide away. But he was a wise man.</p>
<p>"Better come down to the shed," he says. So I climbed aboard with no
more talk.</p>
<p>"This is the throttle," says he. "You pull that and she goes: try it."</p>
<p>Notwithstanding I expected that engine to explode and scatter us the
minute a strange hand was laid on her, I wrastled my nerve together and
moved the lever a tiny bit. "Chow!" says the old engine,
"Chow-chow-chow!" and I near had a fit with pride and scaredness. It
<i>is</i> a great sensation to hold them big critters under your hand. I
never knew an engineer yet that got rid of it entirely.</p>
<p>So there was me, white in the face with grandeur, hogging the engine
into the shed. I couldn't sleep much that night. When I did doze off, it
was to travel a great many miles a minute on a road-bed laid flat
against the side of a mountain, with an engine that had wash-tubs for
drivers, and was run by winding up by a crank, like the old clock in the
hall. Lord! how I whizzed around the turns! Grinding away like a
lunatic, until the road ended—just ended, that's all, and off we went
into the air. From that on I had business at the railroad every evening
I could get off.</p>
<p>I went over to my engine one night. There wasn't a soul around. My
friend was as ingenious a Yank as ever helped make this world a factory.
He'd got up a scheme for a brake, almost the identical thing with the
air-brake they use to-day, except Jerry took pressure into his
brake-pistons straight from the boiler. He spent every cent he had to
get one made and put on his pusher. How he used to explain it to me, and
tell me what we'd do when he sold his patent! For he was a great friend
of mine, Jerry was, and I knew the workings of that brake as well as he
did himself. The reason he wasn't around was that he'd taken the pusher
down the line to show his scheme to some railroad people. So there stood
an engine all alone—the one I was used to, I thought—and it occurred
to me there'd be no particular harm if I got aboard and moved her up and
down the track a foot or two—you see, I'd never had her single-handed.
So I started easy, and reversed her, and played around that way for a
while, till naturally I got venturesome. One stunt that Jerry and I
loved to try was to check her up short with his patent brake. The poor
old pusher never got put to bed without being stood on end a half-dozen
times; that suggested to me that I'd slam her down on the shed doors and
see how near I could come to them without hitting. I backed 'way off,
set her on the corner, yanked the throttle, and we boiled for the shed,
me as satisfied with myself as could be. I didn't leave much margin for
stopping, so there wasn't a lot of track left when I reached down for
the brake-lever, and found—it wasn't there! If some day you reach for
something and find your right arm's missing, you'll know how I felt. In
the little bit of time before the smash, there wasn't a scrap of my
brain working—and then, Holy Jeeroosalum! How we rammed that shed! The
door fell over, cleaning that engine to the boiler; stack, bell,
sand-box, and whistle lay in the dust, and all of the cab but where I
sat. Quicker'n lightning we bulled through the other end, and the rest
of the cab left there. How it come I didn't get killed, I don't
know—all that remained of the shed was a ruin, and that had a list to
port that would have scart a Cape-Horner. I woke up then and threw her
over kerbang, but she went into the bunker squirting fire from her
drivers. I shut her down, took one despairing look, and says out loud,
"I guess I'll go home."</p>
<p>I felt about as bad as falls to the lot of man at any age. Jerry was
sure to get into trouble over it; he'd make a shrewd guess at who did
it, whether I told or not, and his confidence in me would be a thing of
the past—nothing but black clouds on the sky-line, whilst inside of me
some kind of little devil was hollering all the time, "But wasn't it a
gorgeous smash!"</p>
<p>I went home and to bed that night without speaking, resolved to let my
misfortunes leak out when they got ready. That's the kind of resolution
I've never been able to keep—I've got to face a thing, got to get it
done with, swallow my medicine, and clean the table for a new deal.</p>
<p>Next morning I told father. You can imagine how easy it was—me
stumbling and stuttering while he sat there, still as if he'd been
painted for the occasion.</p>
<p>"Have you entirely finished?" says he, when the sound of my words hit my
ears with such a lonesome feeling that I quit talking.</p>
<p>"Yes, sir," I says, "that's about all of it."</p>
<p>"Well, William, I see you're determined to make our name a disgrace
through the community," he begins again. That was out of whooping range
from the truth. I hadn't determined to do anything to our name, nor
nothing else, when I got aboard that engine. Far from me had it been to
determine anything, so I filed a protest.</p>
<p>"Why, father," I says, "it was an accident—it was just as if you'd
hopped into a neighbor's wagon, not noticing the head-stall wasn't on
the horse, and the critter'd run away, and things—" Here again I run
down with a buzz. He wasn't paying the least heed to the sense of what I
said. It only interrupted him. He sailed right on, explaining how I was
the most undiluted scoundrel of his acquaintance, an all-wool villain of
the closest weave, built to hold sin like a Navajo blanket does water.</p>
<p>Now I understand that the old gentleman did think a lot of me, and, of
course, wanted me to be as near like him as possible, as representing
the highest style of man—it was his disappointment he poured on me, not
his judgment. But then, I was sixteen by the clock, and I thought, of
all the fool laying-outs I'd heard, that crossed the rope an easy first.</p>
<p>I wanted to respect my father; you can't guess how much I wanted to, but
when he insisted on talking like Eli Perkins's mule, it simply wasn't
possible. He stood there, black and sullen, and I stood there, red and
sullen.</p>
<p>"Get yourself ready to go with me," he says, turns on his heel, and
walks to the house, his hands clasped behind his back, and his big head
leant forrard,—a fine, powerful chunk of a man, all right. Oh, Lord!
What he could have been if he'd listened to mother instead of Anker!
There wasn't a man in this county more respected, nor whose word was
better thought of on any subject outside of his own family, and that
hydrophobia of a doctrine of his. Honest? Why, he was the savings-bank
of the place. All the old hayseeds around there turned their surplus in
to him to take care of, instead of putting it in a sock,—and I want you
to understand that the real old Yankee farmer, with tobacco juice on his
whiskers, was a man you'd fool just once in a lifetime, and you'd sit up
more'n one night to figure how you got the best of it, then.</p>
<p>Well, down him and me goes to the railroad office, and I have to tell my
tale. I begged hard to be allowed to leave Jerry out of it, but no—that
wouldn't do: it would be a lie. I always stood ready to lie to any
extent to help a friend. I think that hurt me worse than the rest of it.</p>
<p>After some parleying around the offices, we were shown up into a private
room. There sat three men, officers of the company, and Jerry.</p>
<p>My father made few words of his part, simply saying he stood prepared to
pay all damages, although he could ill afford it, and that I would tell
the story.</p>
<p>First off, I was embarrassed, but soon I was flying my arms around, and
letting 'em know all about it, as if we'd played together for years.</p>
<p>Two of those men had been boys once; they had an almighty hard job to
keep an official face on, as some of my interest in engineering, and my
satisfaction in having made a corking old bust-up of her while I was at
it, crept into my discourse. The third man was in an ugly state of
liquor. He let out on me, although the others said, "Come! Come!"
Father's face was something to look at when he saw the only man that
sided with him was three-quarters loaded.</p>
<p>After giving me a blast, this bucko, who I believe was president of the
company, kind of falls over on his desk and opens up on Jerry, while my
heart broke entirely. He was about as reasonable toward Jerry as my
father had been toward me. The other two bit their lips, as if they
weren't going to stand for a whole lot more; everybody that knew Jerry,
liked him.</p>
<p>Howsomever, Jeremiah was a prophet in his own country. He belonged to
that tribe of Yankees that don't seem to be born very fast these days,
but long may they wave! the good-natured, able kind that feared the face
of no man nor the hoof of no jackass, and always had something to say
that wrecked the situation.</p>
<p>He walks carefully over to the side of the room to where the spittoon
was, so's he could talk with freedom, and sidles easily back again, and
says he, "Mr. Hawkins, you've lit on me like a sparrow-hawk. If I
thought you was in condition to make a speech, I'd feel tolerable cast
down. As it is, I advise you to go out and take another snifter,—I
appeal from Cæsar drunk to Cæsar drunker." Well, sir, those other two
let out a yell and fell on the floor; the old president, he r'ars up
with massacre in his eye for a minute, and then it got the best of him.</p>
<p>"Shut your noise, you damn fools," says he to the others; then to Jerry,
"With the loan of your arm, I'll fill your prescription." So off he
toddles to the door. When he got there he turned around, and fixed upon
my father a stern but uncertain eye.</p>
<p>"<i>I'm</i> drunk with liquor, sir," says he, "and there's recovery in that
case; but <i>you're</i> drunk on your own virtue,—may God have mercy on your
soul! Take the boy home and use him right,—there is no bill to pay."</p>
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