<SPAN name="startofbook"></SPAN>
<br/><br/>
<h1> THE CHARING CROSS MYSTERY </h1>
<br/>
<h4>
BY
</h4>
<h3> J. S. FLETCHER </h3>
<br/><br/>
<h3> HERBERT JENKINS LIMITED <br/> 3 YORK STREET, LONDON, S.W.1 </h3>
<br/><br/><br/>
<h4>
A HERBERT JENKINS' BOOK
</h4>
<br/><br/>
<h5>
Sixth printing completing 46,825 copies
</h5>
<br/><br/>
<h5>
Printed in Great Britain by Butler & Tanner Ltd., Frome and London
</h5>
<br/><br/><br/><br/>
<h2> CONTENTS </h2>
<table ALIGN="center" WIDTH="80%">
<tr>
<td ALIGN="right" VALIGN="top">CHAPTER</td>
<td ALIGN="left" VALIGN="top"> </td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">I. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap01">THE LAST TRAIN EAST</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">II. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap02">WHOSE PORTRAIT IS THIS?</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">III. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap03">THE POTENTIAL FORTUNE</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">IV. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap04">THE DIAMOND NECKLACE</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">V. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap05">THE POLICE RETURN</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">VI. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap06">SAMPLES OF INK</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">VII. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap07">BLACK VELVET</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">VIII. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap08">FLIGWOOD'S RENTS</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">IX. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap09">THE MEDICINE BOTTLE</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">X. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap10">THE MYSTERIOUS VISITOR</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">XI. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap11">LADY RIVERSREADE</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">XII. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap12"><i>ALIAS</i> MADAME LISTORELLE</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">XIII. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap13">WHO WAS SHE?</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">XIV. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap14">IS IT BLACKMAIL?</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">XV. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap15">REVELATIONS</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">XVI. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap16">STILL MORE</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">XVII. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap17">THE TORN LABELS</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">XVIII. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap18">THE TELEGRAM</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">XIX. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap19">THE LONDON ROAD</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">XX. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap20">CONVERGING TRACKS</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">XXI. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap21">THE ORDER IN WRITING</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">XXII. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap22">THE HIGHLY-RESPECTABLE SOLICITOR</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">XXIII. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap23">THE LANDLADY OF LITTLE SMITH STREET</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">XXIV. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap24">THE HOUSE IN THE YARD</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">XXV. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap25">DEAD!</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">XXVI. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap26">WATERLOO</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">XXVII. </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap27">THE ASSURANCE</SPAN></td>
</tr>
</table>
<br/><br/><br/>
<SPAN name="chap01"></SPAN>
<h2> THE CHARING CROSS MYSTERY </h2>
<br/>
<h3> CHAPTER I </h3>
<h4>
THE LAST TRAIN EAST
</h4>
<p>Hetherwick had dined that evening with friends who lived in Cadogan
Gardens, and had stayed so late in conversation with his host that
midnight had come before he left and set out for his bachelor chambers
in the Temple; it was, indeed, by the fraction of a second that he
caught the last east-bound train at Sloane Square. The train was
almost destitute of passengers; the car which he himself entered, a
first-class smoking compartment, was otherwise empty; no one came into
it when the train reached Victoria. But at St. James's Park two men
got in, and seated themselves opposite to Hetherwick.</p>
<p>Now Hetherwick was a young barrister, going in for criminal practice,
in whom the observant faculty was deeply implanted; it was natural to
him to watch and to speculate on anything he saw. Because of this, and
perhaps because he had just then nothing else to think about, he sat
observing the new-comers; he found interest, amusement, and not a
little profit in this sort of thing, and in trying to decide whether a
given man was this, that, or something else.</p>
<p>Of the two men thus under inspection, the elder was a big, burly,
fresh-coloured man of apparently sixty to sixty-five years of age. His
closely cropped silvery hair, his smartly trained grey moustache, his
keen blue eyes and generally alert and vivacious appearance, made
Hetherwick think that he was or had been in some way or other connected
with the army; this impression was heightened by an erect carriage,
square-set shoulders and something that suggested a long and close
acquaintance with the methods of the drill-yard and the parade ground.
Perhaps, thought Hetherwick, he was a retired non-commissioned officer,
a regimental sergeant-major, or something of that sort; this idea,
again, was strengthened by the fact that the man carried a handsome
walking-cane, the head of which, either of gold or of silver-gilt, was
fashioned like a crown. There was something military, too, about the
cut of his clothes; he was a smartly dressed man, from his silk hat,
new and glossy and worn a little rakishly on the right side of his
head, to his highly polished boots. A well-preserved, cheery-looking,
good-humoured sort of person, this, decided Hetherwick, and apparently
well satisfied with himself and full of the enjoyment of life, and
likely, from all outward sight, to make old bones.</p>
<p>The other man came into a different category. The difference began
with his clothes, which, if not exactly shabby, were semi-shabby, much
worn, ill-kept and badly put on: he was evidently a careless man, who
scorned a clothes-brush and was also indifferent to the very obvious
fact that his linen was frayed and dirty. He was a thin, meagre man,
of not one-half the respectable, well-fed bulk of his companion; his
sallow-complexioned face was worn, and his beard thin and irregular:
altogether he suggested some degree of poor circumstances. Yet, in
Hetherwick's opinion, he was a person of something beyond ordinary
mental capacity; his eyes were large and intelligent, his nose was
well-shaped, his chin square and determined. And his ungloved hands
were finely moulded and delicate of proportion; the fingers were long,
thin and tapering. Hetherwick noticed two facts about those fingers:
the first, that they were restless; the second, that they were much
stained, as if the man had recently been mixing dyes or using
chemicals. And then he suddenly observed that the big man's hands and
fingers were similarly stained—blue and red and yellow, in patches.</p>
<p>These men were talking when they entered the compartment; they
continued to talk as they settled down. Hetherwick could not avoid
hearing what they said.</p>
<p>"Queerest experience I've ever had in my time!" the big man was saying
as he dropped into a corner seat. "Tell you, I knew her the instant I
clapped eyes on that portrait! After—how many years will it be, now?
Ten, I think—yes, ten. Oh, yes! Knew her well enough. When we get
to my hotel, I'll show you the portrait—I cut it out and put it
aside—and you'll identify it as quick as I did—lay you aught you like
on it! No mistaking that!"</p>
<p>This was said in a broad North Country accent, in full keeping, thought
Hetherwick, with the burly frame of the speaker. But the other man
replied in tones that suggested the born Londoner.</p>
<p>"I think I shall be able to recognise it," he said softly. "I've a
very clear recollection of the lady, though, to be sure, I only saw her
once or twice."</p>
<p>"Aye, well, a fine-looking woman—and a beauty!—like that's not soon
forgotten," declared the other. "And nowadays the years don't seem to
make much difference to a woman's age. Anyway, I knew her!—'That's
you, my fine madam,' says I to myself, as soon as ever I unfolded that
paper. But, mind you, I kept it to myself! Not a word to my
granddaughter, though she was sitting opposite to me when I made the
discovery. No—not to anybody!—till to-night. Not the sort of thing
to blab about—that!"</p>
<p>"Just so," said the smaller man. "Of course, you'd remember that I was
likely to have some recollection of her and of the circumstances.
Odd!—very. And I suppose the next thing is—what are you going to do
about it?"</p>
<p>"Oh, well!" replied the big man. "Of course, ten years have elapsed.
But as to that, it wouldn't matter, you know, if twenty years had
slipped by. Still——"</p>
<p>At that point he sank his voice to the least of a whisper, bending over
to his companion, and Hetherwick heard no more. But it seemed to him
that the little man, although he appeared to be listening intently,
was, in reality, doing nothing of the sort. His long, stained fingers
became more restless than ever; twice, before the train came to
Westminster, he pulled out his watch and glanced at it; once, after
that, Hetherwick caught the nervous hand again shaking towards the
waistcoat pocket. And he got an idea that the man was regarding his
big, garrulous companion with curiously furtive glances, as if he were
waiting for some vague, yet expected thing, and wondering when it would
materialise: there was a covert watchfulness about him, and though he
nodded his head from time to time as if in assent to what was being
whispered to him, Hetherwick became convinced that he was either
abstracted in thought or taking no interest. If eyes and fingers were
to be taken as indications, the man's thoughts were elsewhere.</p>
<p>The train pulled up at Westminster, lingered its half-minute, moved
onward again; the big man, still bending down to his companion, went on
whispering; now and then, as if he were telling a good story or making
a clever point, he chuckled. But suddenly, and without any warning, he
paused, coming to a dead, sharp-cut stop in an apparently easy flow of
language. He stared wildly around him: Hetherwick caught the flash of
his eye as it swept the compartment, and never forgot the look of
frightened amazement that he saw in it; it was as if the man had been
caught, with lightning-like swiftness, face to face with some awful
thing. His left hand shut up, clutching at his breast and throat; the
other, releasing the gold-headed cane, shot out as if to ward off a
blow. It dropped like lead at his side; the other arm relaxed and
fell, limp and nerveless, and before Hetherwick could move, the big,
burly figure sank back in its corner and the eyes closed.</p>
<p>Hetherwick jumped from his seat, shouting to the other man.</p>
<p>"Your friend!" he cried. "Look!"</p>
<p>But the other man was looking. He, too, had got to his feet, and he
was bending down and stretching out a hand to the big man's wrist. He
muttered something that Hetherwick failed to catch.</p>
<p>"What do you say?" demanded Hetherwick impatiently. "Good heavens!—we
must do something! The man's—what is it? A seizure?"</p>
<p>"A seizure!" answered the other. "Yes—that's it—a seizure! He'd had
one—slight giddiness—just before we got in. A—the train's stopping,
though. Charing Cross? I—I know a doctor close by."</p>
<p>The train was already pulling up. Hetherwick flung open the dividing
door between his compartment and the next—he had seen the conductor
down there and he beckoned to him.</p>
<p>"Quick!" he called. "Here!—there's a man ill—dying, I think! Come
here!"</p>
<p>The conductor came—slowly. But when he saw the man in the corner, he
made for the outer door and beckoned to men on the platform. A
uniformed official ran up and got in.</p>
<p>"What is it?" he asked. "Gentleman in a fit? Who's with him?
Anybody?"</p>
<p>Hetherwick looked round for the man with the stained fingers. But he
was already out of the carriage and on the platform and making for the
stairs that led to the exit. He flung back a few words, pointing
upward at the same time.</p>
<p>"Doctor!—close by!" he shouted. "Back in five minutes!—get him out."</p>
<p>But already there was a doctor at hand. Before the man with the
stained fingers had fairly vanished, other men had come in from the
adjoining compartments; one pushed his way to the front.</p>
<p>"I am a medical man," he said curtly. "Make way, please."</p>
<p>The other men stood silently watching while the new-comer made a hasty
examination of the still figure. He turned sharply.</p>
<p>"This man's dead!" he said in quick, matter-of-fact tones. "Is anyone
with him?"</p>
<p>The train officials glanced at Hetherwick. But Hetherwick shook his
head.</p>
<p>"I don't know him," he answered. "There was another man with him—they
got in together at St. James's Park. You saw the other man," he
continued, turning to the conductor. "He jumped out as you came in
here, and ran up the stairs, saying that he was going for some doctor,
close by."</p>
<p>"I saw him—heard him, too," assented the conductor. He glanced at the
stairs and the exit beyond. "But he ain't come back," he added.</p>
<p>"You had better get the man out," said the doctor. "Bring him in to
some place on the platform."</p>
<p>A station policeman had come up by that time; he and the railwaymen
lifted the dead man and carried him across the platform to a
waiting-room. Hetherwick, feeling that he would be wanted, followed in
the rear, the doctor with him. It struck Hetherwick with grim irony
that as soon as they were off it, the train went on, as if careless and
indifferent.</p>
<p>"Good heavens!" he muttered, more to himself than to the man at his
side. "That poor fellow was alive, and, as far as I could see, in the
very best of health and spirits, five minutes ago!"</p>
<p>"No doubt!" observed the doctor dryly. "But he's dead now. What
happened?"</p>
<p>Hetherwick told him briefly.</p>
<p>"And the other man's—gone!" remarked the doctor. "Um! But I suppose
nobody thought of detaining him. Now—if he doesn't come back—eh?"</p>
<p>"You don't suspect foul play?" exclaimed Hetherwick.</p>
<p>"The circumstances are odd," said his companion. "I should say the man
just died! Died as suddenly as man can die—as if he'd been shot dead
or literally blown to fragments. That's from what you tell me, you
know. And it may be—a case of poisoning. Will that other man come
back? If not——"</p>
<p>By that time Hetherwick was beginning to wonder if the other man would
come back. He had not come at the end of ten minutes; nor of fifteen;
nor of thirty. But other men had come, hurrying into the drab-walled
waiting-room and gathering about the table on which the dead man had
been laid. They were mostly officials and police, and presently a
police surgeon arrived and with him a police inspector, one
Matherfield, who knew Hetherwick. While the two doctors made another
examination, this man drew Hetherwick aside. Hetherwick retold his
story; this time with full details. Matherfield listened and shook his
head.</p>
<p>"That second man won't come back!" he said. "Gone half an hour now.
Do you think he knew the man was dead before he cleared out?"</p>
<p>"I can't say," replied Hetherwick. "The whole thing was so quick that
it was all over before I could realise what was happening. I certainly
saw the other man give the dead man a quick, close inspection. Then he
literally jumped for the door—he was out of it and running up the
stairs before the train had come to a definite stop."</p>
<p>"You can describe him, Mr. Hetherwick?" suggested the inspector.</p>
<p>"Describe him?—yes. And identify him, too," asserted Hetherwick. "He
was a man of certain notable features. I should know him again,
anywhere."</p>
<p>"Well, we'll have to look for him," said Matherfield. "And now we'll
have to take this dead man to the mortuary and have a thorough
examination and see what he's got on him. You'd better come, Mr.
Hetherwick—in fact, I shall want you."</p>
<p>Hetherwick went—in the tail of a sombre procession, himself and the
two medical men walking together. He had to tell his tale again, to
the police surgeon; that functionary, like all the rest who had heard
the story, shook his head ominously over the disappearance of the
sallow-faced man.</p>
<p>"All an excuse, that," he said. "There's no doctor close by. You
didn't get any idea—from their conversation, I mean—of the dead man's
identity? Any name mentioned?"</p>
<p>"I heard no name mentioned," answered Hetherwick. "They didn't address
each other by name. I've no idea who the man is."</p>
<p>That was what he wanted to know. Somewhere, of course, this dead man
had friends. He had spoken of his hotel—there, perhaps, somebody was
awaiting his coming; somebody to whom the news of his death would come
as a great shock, perhaps, and terrible trouble. And he waited with a
feeling that was little short of personal anxiety while the police
searched the dead man's pockets.</p>
<p>The various articles which were presently laid out on a side-table were
many. There was a purse, well stocked with money; there was loose
money in the pockets. There was a handsome gold watch and a heavy
chain and locket. There was a pocket-book, stuffed with letters and
papers. And there were all the things that a well-provided man
carries—a cigar-case, a silver matchbox, a silver pencil-case, a
pen-knife, and so on; clearly, the dead man had been in comfortable
circumstances. But the articles of value were brushed aside by the
inspector; his immediate concern was with the contents of the
pocket-book, from which he hastened to take out the letters. A second
later he turned to Hetherwick and the two doctors, nodding his head
sidewise at the still figure on the table.</p>
<p>"This'll be the name and address," he said, pointing to the envelopes
in his hand. "Mr. Robert Hannaford, Malter's Private Hotel, Surrey
Street, Strand. Several letters, you see, addressed there, and all of
recent date. We'll have to go there—there may be his wife and people
of his there. Wonder who he was?—somebody from the provinces, most
likely. Well——"</p>
<p>He laid down the letters and picked up the watch—a fine gold-cased
hunter—and released the back. Within that was an inscription,
engraved in delicate lettering. The inspector let out an exclamation.</p>
<p>"Ah!" he said. "I half suspected that from his appearance. One of
ourselves! Look at this—'<i>Presented to Superintendent Robert
Hannaford, on his retirement, by the Magistrates of Sellithwaite</i>.'
Sellithwaite, eh?—where's that, now?"</p>
<p>"Yorkshire," replied one of the men standing close by. "South-West
Riding."</p>
<p>Matherfield closed the watch and laid it by.</p>
<p>"Well," he remarked, "that's evidently who he is—ex-Superintendent
Hannaford, of Sellithwaite, Yorkshire, stopping at Malter's Hotel.
I'll have to go round there. Mr. Hetherwick, as you were the last man
to see him alive, I wish you'd go with me—it's on your way to the
Temple."</p>
<p>Something closely corresponding to curiosity, not morbid, but
compelling, made Hetherwick accede to this request. Presently he and
Matherfield walked along the Embankment together, talking of what had
just happened and speculating on the cause of Hannaford's sudden death.</p>
<p>"We may know the exact reason by noon," remarked Matherfield.
"There'll be a post-mortem, of course. But that other man!—we may get
to know something about him here. And I wonder whom we shall find
here? Hope it's not his wife...."</p>
<br/><br/><br/>
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