<h4><SPAN name="CHAPTER_III">III</SPAN></h4>
<p class="center">CONTINUATION OF THE LETTER TO MADAME<br/>
HEUDEBERT.</p>
<p>I go on with my letter which sleep forced me to leave off last night,
and, as it is only nine o'clock and as I do not see the Marchioness
before noon, I have all the intervening time to complete the details
which will be necessary to post you as to my situation.</p>
<p>But it seems to me that I have described the Marquis to you
sufficiently, and that you can now very well represent him to yourself.
To answer all your questions, I am going to tell you how my days are
passed.</p>
<p>The first fortnight was a little hard, I confess, now that I have
obtained a very necessary modification of my duties. You know how much
need I have of exercise, and how active I have been for the last six
years; but here, alas! I have no house to keep in order and to run over
from top to bottom a hundred times a day, no child to walk with and to
make play, not even a dog with which I can run, under the pretext of
amusing it. The Marchioness has a horror of animals; she goes out but
once or twice a week to ride up and down the avenue of the
Champs-Élysées. She calls that taking exercise. Infirm and unable to go
up stairs, except with the aid of a servant's arm,—a thing dreadful
enough to her, for she was once let fall in doing it,—she pays no
visits, though she passes her life in receiving them. All the activity,
all the vigor of her existence, is in her head, and much in her speech;
she talks remarkably well and she knows it; but she is not on that
account guilty of any weak vanity, and thinks less of making herself
heard than of venting the ideas and sentiments which agitate her.</p>
<p>She has, you see, an energetic nature and a singular earnestness in her
opinions of all things, even of those which seem to me of very little
account. She could never be quite happy; she has been seeking to be so
too long; and living with her incessantly is tiresome, in spite of the
attraction which she exercises. Her hands are perfectly idle;
nevertheless her sight is sharp and her fingers are still nimble, for
she plays tolerably upon the piano; but she eschews everything that
interferes with talking and no longer asks me to read or to play. She
says that she holds my talents in reserve for the country, where she
finds herself more alone and whither we are to go in two months. I look
forward to this change with real pleasure, as here the life of the body
is too much suppressed. And then the good Marchioness has the habit of
living in a temperature of Senegal, besides covering herself with
perfumes, and her apartment is filled with the most odorous of flowers;
they are very beautiful to see, but in the absence of air, it is not so
easy a thing to breathe.</p>
<p>Moreover I have to be idle, like her. I tried at first to embroider
while with her; that, I saw very soon, disturbed her nerves. She asked
me if I was working by the day, if there was any hurry for what I was
doing, if it was very useful, and she interrupted a dozen times with no
other motive than to see me stop the work which annoyed her. At last I
had to abandon it altogether or it would have thrown her into a fit of
illness. She was well pleased at this, and in order to insure herself
against a renewal of the attempt on my part, she gave me a very frank
exposition of her way of thinking in such matters. She holds that women
who busy their hands and eyes with needlework put a great deal more of
their minds into it than they are themselves willing to acknowledge. It
is, according to her, a way of stultifying one's self in order to escape
the tedium of existence. She does not understand it except in the hands
of unhappy persons and of prisoners. And then she sweetened the draught
for me by adding that this sort of work gave me the appearance of a
lady's maid and that she wished me to be in the eyes of all her visitors
her companion and her friend. So she puts me forward in conversation,
referring to me frequently in order to force me to "show my
intelligence,"—what I am especially careful not to do, for I feel
that I have none at all when people are looking at me and listening to me.</p>
<p>I do my best, however, not to sit stolidly motionless, and I regret
deeply that my old friend—since my friend she really is—does not
consent to receive from me the most trifling service; she even rings for
her maid to pick up her pocket-handkerchief, unless I hasten to seize
it, and yet she reproaches me with devoting myself to her too much, not
perceiving that I suffer for the want of something to which I can devote
myself.</p>
<p>You may ask why, therefore, she has taken me into her service; I will
tell you: she does not receive before four o'clock, and up to that
time—that is, as soon as the Marquis leaves her—she hears the
reading of the newspapers and attends to her correspondence; it is I, then,
who read and write for her. Why she does not read and write herself, I am
sure I do not know, for she is very able to do both. I think, however,
I can see that she cannot endure solitude, and that the dread with which
it inspires her cannot be counteracted by any occupation whatever.
Certainly there is in her something strange which does not appear, but
which exists in the secret places of her heart or head. Hers is perhaps
a nature a little perverted by the relations it has been forced to
sustain toward others. It is too late to teach her to be busy, and
perhaps she cannot even think when she is alone.</p>
<p>It is certain that when I enter her apartment at the stroke of noon I
find her very different from what I left her the night before in the
midst of her drawing-room. She seems to grow ten years older every
night. I know that her maids make a long toilet for her, during which
she does not speak a single word to them, for she has a great contempt
for people whose language is vulgar. She becomes so annoyed by the
presence of these poor women (perhaps she has been sleepless, which also
annoys her desperately), that she appears half dead and is frightfully
pale when I first see her; but at the end of ten minutes this is no
longer the case; she becomes thoroughly waked up, and by the time the
Marquis arrives she has regained the ten years of the night.</p>
<p>Her correspondence, of which I ought to say nothing, although there is
not the least secret about it, is by no means a necessity of her
position or of her interests. It merely gratifies her need to talk with
her absent friends. It is, she says, a manner of speaking, of exchanging
ideas, which varies the only pleasure she knows, namely, that of being
in continual communication with the minds of others.</p>
<p>So be it! but, for my part, that would not be my taste, if I were
troubled with leisure. I would please myself only with those I loved,
and certainly the Marchioness cannot love very much the forty or fifty
persons to whom she writes, and the two or three hundred whom she
receives every week.</p>
<p>My taste, however, does not come into the question, and I will not
criticise her to whom I have given my liberty. That would be cowardly,
for, after all, if I did not esteem or respect her, I should be free to
betake myself elsewhere. Besides, supposing my respect and esteem are
cumbered by the endurance of certain eccentricities,—as I might
everywhere meet with eccentricities, and probably worse things,—I do
not see why I should look with a magnifying-glass upon those which I
want to put up with cheerfully and philosophically. Then, dear sister,
if I have happened to blame or ridicule any one or anything here, take
it as having escaped me inadvertently, and believe that with you I have
not cared to restrain myself; for, be assured, nothing troubles me or
gives me any real suffering.</p>
<p>The gist of all this is that in the soul of the Marchioness there is
something strong, warm, and therefore sincere, which really attaches me
to her and causes me to accept without the least repugnance the task of
diverting her and keeping her cheerful. I know very well, whatever she
may say, that I am something much worse than an attendant; I am a slave;
but I am so by my own will, and therefore I feel in my conscience as
free as the air. What is freer than the spirit of a captive, or of one
proscribed for his faith?</p>
<p>I had not reflected upon all this when I left you, my sister; I believed
that I would have to suffer a great deal. Well, I have reflected upon it
now, and, save the want of exercise, which is altogether a physical
matter, I have not suffered at all. That little suffering will be spared
me hereafter; do not torment yourself about it. I was forced to
acknowledge it to you. Henceforth I shall be permitted to go to sleep
early enough, and I can walk in the garden of the hotel, which is not
large, but in which I succeed in going a good way, while thinking of you
and our wide fields. Then I imagine myself there, with you and the
children around me,—a beautiful dream, which does me good.</p>
<p>But I perceive that I have told you nothing yet of the Duke; I now come
to that subject.</p>
<p>It was no more than three days ago that I finally got sight of him. I
will confess that I was not very impatient to see him. I could not help
feeling a sort of horror of the man who has ruined his mother, and who,
it is said, is adorned with every vice. Well, my surprise was very
great, and if my aversion to his character abides, I am forced to say
that his person is not, as I had pictured it, disagreeable to me.</p>
<p>In my dread I had endowed him with claws and horns. Nevertheless, you
shall see how I approached this demon without recognizing him. I must
tell you first that nothing could be more irregular than his relations
with his mother. There are weeks, months even, in which he comes to see
her almost every day; then he disappears, is not spoken of for months or
weeks, and when he appears again there is no more explanation on one
side or the other than if he had gone away the night before. I do not
know yet how the Marchioness takes this. I have sometimes heard her
mention her eldest son as calmly and respectfully as if she were
speaking of the Marquis, and you may well suppose that I have never
permitted myself to ask the least question upon a subject so delicate.
She merely related once in my presence, but without any sort of comment,
what I have just told you about the capricious irregularity of his
visits.</p>
<p>I had indeed expected him sooner or later to make some sudden or
mysterious appearance, but I was not thinking at all of him when,
entering the drawing-room after dinner, as I usually do, to see that
everything is arranged to suit the Marchioness, I did not notice a
personage quietly installed there in a corner upon a small sofa. When
the Marchioness has dined she returns to her apartment, where her maids
ply her with a little white and rouge, and she remains there a quarter
of an hour, while I inspect the lamps and flower-stands of the
drawing-room. I was therefore absorbed in that grave duty, and profiting
by the chance to give myself a little exercise, I moved to and fro very
quickly, singing one of our home songs, when I found myself confronted
by a pair of large blue eyes of unusual clearness. I bowed, asking
pardon. The owner of the eyes arose, apologizing in turn, and, left to
do the honors, but not knowing what to say to a new face which seemed to
be asking me who I was, I chose the part of saying nothing at all.</p>
<p>The man having attained his feet, turned his back to the mantel-piece,
and followed me with his eyes with an air of kindness rather than
astonishment. He is tall, somewhat heavy-made, with a large face,
and—what is most surprising—very attractive features. He could
not have a sweeter, a more humane, even a more candid expression; the tone
of his voice is subdued and tender, and there are in his pronunciation,
as in his manners, the unmistakable marks of high-breeding. I will say
even that there is a certain suavity in the slightest movements of this
rattlesnake, and that his smile is like a child's.</p>
<p>Do you begin to understand something of the truth? For my part I was so
far from suspecting it that I went nearer to the mantel-piece, feeling
myself drawn thither, as it were, by the kindliness with which he
regarded me, and I stood ready to reply in the most affable manner if he
should feel inclined to speak to me. He appeared desirous to begin, and
did so very frankly.</p>
<p>"Is Mlle Esther ill?" he asked in his soft voice and with a very polite
intonation.</p>
<p>"Mlle Esther has not been here for two months," I answered. "I never
knew her. It is I who have taken her place."</p>
<p>"O no!"</p>
<p>"Pardon me."</p>
<p>"Say that you have succeeded her! Spring does not take the place of
winter; it causes it to be forgotten."</p>
<p>"Winter can nevertheless have good in it."</p>
<p>"O, you did not know Esther! She was sharp as the north-wind of
December, and when she came near you you felt the approach of
rheumatism!"</p>
<p>Then he went into a description of the poor Esther which was very
lively, though not at all malicious, and it was altogether so droll that
I could not restrain a burst of laughter.</p>
<p>"That's right!" he rejoined; "but do you laugh? Then we shall hear
laughter here! I hope you laugh often?"</p>
<p>"Certainly, when there is a good occasion."</p>
<p>"There never was a good occasion for Esther. After all she was right: if
she had laughed she would have shown her teeth. Ah! but do not hide
yours. I have seen them, and yet I shall say nothing about them. I know
nothing sillier than compliments. Would it be impertinent to ask your
name? But no; do not tell me it. I guessed Esther's: I baptized her
Rebecca. You see that I detected the race. I want to guess yours."</p>
<p>"Come, then, guess."</p>
<p>"Well, a very French name,—Louise, Blanche, Charlotte?"</p>
<p>"That's it; my name is Caroline."</p>
<p>"There! you see—and you come from one of the provinces?"</p>
<p>"From the country."</p>
<p>"But see! why have n't you red hands? Do you like it here in Paris?"</p>
<p>"No, not at all."</p>
<p>"I will lay a wager your relatives have compelled you—"</p>
<p>"No, no one has compelled me."</p>
<p>"But you find it tedious here? Confess now that you do."</p>
<p>"O no; I never find it tedious anywhere."</p>
<p>"You are no longer frank."</p>
<p>"I assure you I am."</p>
<p>"You are then very reasonable?"</p>
<p>"I pride myself on being so."</p>
<p>"And positive, perhaps?"</p>
<p>"No."</p>
<p>"Romantic, though?"</p>
<p>"Still less."</p>
<p>"What then?"</p>
<p>"Nothing."</p>
<p>"How nothing?"</p>
<p>"Nothing that merits the slightest attention. I can read, write, and
reckon. I thrum a little on the piano. I am very obedient. I am
conscientious in the discharge of my duties, and that is all it is
important that I should be here."</p>
<p>"Well, now, you do not know yourself. Do you want me to tell you what
you are? You are a person of intelligence and an excellent soul."</p>
<p>"You believe so?"</p>
<p>"I am sure of it. I see very quickly, and I judge tolerably well. And
you? Do you form an idea of people at first sight?"</p>
<p>"O yes, more or less."</p>
<p>"Well, then, what do you think of me, for example?"</p>
<p>"Naturally I think of you what you think of me."</p>
<p>"Is that out of gratitude or of politeness?"</p>
<p>"No, it is from a sort of instinct."</p>
<p>"Indeed? I thank you for it. Now I will tell you what really gives me
pleasure: not brightness of mind, by any means; almost everybody can
have that; it can at least in a measure be acquired; but thorough
goodness,—you do not think me very bad, do you? Then,—come,
will you let me take your hand?"</p>
<p>"What for?"</p>
<p>"I will tell you directly. Do you refuse me? There is nothing more
honest in the world than the sentiment which causes me to ask that favor
of you."</p>
<p>There was something so true and so touching in the face and accent of
this man, that, in spite of the strangeness of his demand and the still
greater strangeness of my consent, I put my hand in his with confidence.
He pressed it gently, detaining it but a second; but tears came to his
eyes and he faltered as if with suffocation, "Thanks; take good care of
my poor mother!"</p>
<p>And I, comprehending at last that this was the Duke d'Aléria, and that
I had just been touching the hand of this soulless profligate, this
undutiful son, this heartless brother, in a word this man without
restraint or conscience, I felt my limbs giving way under me and I
leaned upon the table, becoming so exceedingly pale that he noticed it,
and made a movement toward sustaining me, while he exclaimed, "What! are
you ill?"</p>
<p>But he paused when he perceived the dread and disgust with which he
inspired me, or perhaps merely because his mother was just entering the
room. She saw my trouble, and looked at the Duke as if to demand of him
the cause. He answered only by kissing her hand in the most tender and
respectful manner, and by asking the news about herself. I immediately
retired, as much to collect myself as to leave them alone together.</p>
<p>When I re-entered the drawing-room several persons had arrived, and I
entered into conversation with a certain Madame de D——, who is
particularly kind to me, and who appears to be an excellent woman. She
cannot, however, endure the Duke, and it is she who has told me all the
evil I know of him. A feeling of reaction against the sympathy with
which he had inspired me caused me, no doubt, to seek now the society of
this lady.</p>
<p>"Well," she said, as if she had divined what was passing in me, while
she regarded the Duke, then engaged in conversation not far from his
mother, "you have at last seen him, the 'beloved child'? What have you
to say of him?"</p>
<p>"He is amiable and handsome, and that is what in my eyes condemns him
all the more."</p>
<p>"Yes, is it not so? His is certainly a fine organization, and it is
incredible that he should be so well preserved and so intellectually
bright after the life he has led; but do not go to trusting him. He is
the most corrupt being that exists, and he is perfectly able to play the
good apostle with you in order to compromise you."</p>
<p>"With me? O no! The humbleness of my position will preserve me from his
attention."</p>
<p>"Not at all. You will see. I will not tell you that your merit raises
you above your position, since that is evident to everybody; but to know
that you are honest will be enough to inspire him with a desire to lead
you astray."</p>
<p>"Do not attempt to frighten me; I would not stay here an hour, Madame,
if I thought I were going to be insulted."</p>
<p>"No, no; that is not what you need apprehend. He is always gentlemanly
in the society of gentle and pure people, and you will never have to
guard yourself from any impropriety on his part. Quite the contrary; if
you are not careful he will persuade you that he is a repentant angel,
perhaps even a saint in disguise, and—you will be his dupe."</p>
<p>Madame de D—— said these last words in a compassionate tone
which wounded me. I was going to reply, but I remembered what I had
heard another old lady say, namely, that a daughter of Madame de
D—— had been very much compromised by the Duke. The
poor woman must suffer horribly at the sight of him, and I thus explain
to myself how a person so indulgent toward all the world speaks of him with
such bitterness; but I do not so easily explain to myself why, in spite of
her repugnance at seeing him and hearing him named, she speaks of him to me
with a sort of insistence every time she can get me aside. One would indeed
think that I were destined to be taken in the snares of this Lovelace, and
that she sought her revenge in disputing my poor soul with him.</p>
<p>A moment of reflection led me to regard her excessive fear as a trifle
ridiculous, and wishing neither to make her angry with me nor to remind
her of her own griefs, I have from that moment avoided speaking of her
enemy. Besides, the Duke did not say another word to me that evening,
and since that evening he has not made his appearance. If I am in any
<i>danger</i> I have not perceived it yet; but you can be as much at rest
on that subject as I am myself, for I have not the least fear of people
whom I do not esteem.</p>
<p><br/></p>
<p>In the rest of the letter Caroline treats of other persons and
circumstances that had more or less excited her attention. As those
details do not connect directly with our story, we suppress them now,
though expecting our narrative to lead us back to them.</p>
<p><br/><br/><br/></p>
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