<SPAN name="chap23"></SPAN>
<h3> CHAPTER XXIII </h3>
<h3> CONFESSION </h3>
<p>This Wednesday morning Lydia went to her work reluctantly. Thyrza was
so strange; it looked as if she was going to have an illness. Again
there had been a night of sleeplessness; if the girl fell for a moment
into slumber she broke from it with an inarticulate cry as if of fear.
It was now nearly a week since Thyrza had really slept through the
night, but it was growing worse. She was feverish; she muttered, so
that Lydia was terrified lest she had become delirious. And there was
no explaining it all. The excitement of the concert, surely, could not
have such lasting results; indeed, Thyrza seemed no longer to give a
thought to the music. All she begged for was that she might be allowed
to remain alone. She did not wish Mrs. Grail to come up to the room.
She said she would go out in the course of the morning, and that would
do her good.</p>
<p>So Lydia went forth reluctantly. At the entrance to the factory she met
Totty Nancarrow. They just gave each other a good-morning. Totty seemed
dull. She did not run up the stairs as usual, but walked with a tired
step.</p>
<p>Lydia, following her, broke her habit, and spoke.</p>
<p>'Thyrza isn't at all well.'</p>
<p>'Isn't she?' said the other, without turning her head, and in a tone of
little interest.</p>
<p>Lydia bit her lip, vexed that she had said anything.</p>
<p>They came into the work-room. There were a number of tables, at which
girls and women were beginning to seat themselves. A portion of the
room was divided off by a glass partition, and within the little office
thus formed sat the fore-woman, surrounded with felt hats, some
finished, some waiting for the needle to line them and put the band on.
Sitting here, she overlooked the workers, some fifty when all were
assembled.</p>
<p>There was much buzzing and tittering and laughing aloud. All belonged
to the class of needlewomen who preserve appearances; many of them were
becomingly dressed, and none betrayed extreme poverty. Probably a
fourth came from homes in which they were not the only wage-earners,
and would not starve if work slackened now and then, having fathers or
brothers to help them. Whether they liked coming to work or not, all
showed much cheerfulness at the commencement of the day. They greeted
each other pleasantly, sometimes affectionately, and not one who lacked
a story of personal incident to be quickly related to a friend whilst
the work was being given out. So much seemed to happen in the hours of
freedom.</p>
<p>Lydia was much quieter than usual. It was not her wont to gossip of her
own affairs, or to pry into the secrets of her acquaintances; but with
the little group of those with whom she was intimate she had generally
some piece of merriment to share, always marked by kindness of feeling.
She was a favourite with the most sensible girls of her own age. Thyrza
had never been exactly a favourite, though some older than herself
always used to pet her, generally causing her annoyance.</p>
<p>About a quarter of an hour had passed, and work was getting into trim,
when a girl, a late arrival, in coming to her place, handed Lydia a
letter.</p>
<p>'Someone downstairs asked me to give it you,' she whispered. 'You
needn't blush, you know.'</p>
<p>Lydia was too surprised to manifest any such self-consciousness. She
murmured thanks, and looked at the address. It was a man's writing, but
she had no idea whose. She opened the envelope and found Ackroyd's
short note.</p>
<p>What did this mean? It at once flashed across Lydia's mind that there
might be some connection between this and Thyrza's strange disorder.
Old habit still brought Ackroyd and Thyrza together in her thoughts.
Yet how was it possible? Ackroyd was engaged to Totty Nancarrow, and
Thyrza had never shown the least interest when she mentioned him of
late. Was he going to make trouble, now at the last moment, when
everything seemed to have taken the final form?</p>
<p>Since Thyrza's engagement to Gilbert, there was no longer need of
subtle self-deceptions, but, though she might now freely think of him,
Lydia soon found that Ackroyd was not the same in her eyes. The first
rumours of his abandonment to vulgar dissipation she utterly refused to
credit, but before long she had to believe them in spite of herself.
She saw him one night coming out of a public-house, singing a drunken
song. It was a terrible blow to her; she had to question herself much,
and to make great efforts to understand a man's nature. She had thought
him incapable of such things. The vague stories of earlier wildness she
had held no account of. When a woman says 'Oh, that is past,' she means
'It does not exist, and never did exist.'</p>
<p>It surprised her that she still thought of him with heartache. Her
quarrel with Mary Bower seemed an encouragement to the love she kept so
secret. She found a thousand excuses for him; she pitied him deeply;
she longed to go and speak to him. Why could she not do so? Often and
often she rehearsed conversations with him, in which she told him how
unworthy it was to fall so, and implored him for his own sake to be a
man again. She might have realised such a dialogue—though it would
have cost her much—but for the news that he had begun to pay attention
to Totty Nancarrow.</p>
<p>Then she knew jealousy. Of Thyrza she could not be jealous, but to
imagine him giving his affection to a girl like Totty Nancarrow made
her rebellious and scornful. How little could any of her work-room
companions know what was passing in Lydia's breast when she had one of
her days of quietness and bent with such persistence over her sewing!
If spoken to, she raised the same kind, helpful face as ever; you could
not imagine that a minute ago a tear had all but come to her eyes, that
in thought she had been uttering words of indignant passion. They were
rare, those days in which she could not be quite herself. It was not
her nature to yield when weakness tempted.</p>
<p>And now he had written to her. Having read the note, she put it into
the bosom of her dress, and, whilst her fingers were busy, she turned
over every possible explanation in her mind. She knew that he had
abandoned his evil habits of late, and she could be just enough not to
refuse Totty some credit for the change. Gilbert himself had said that
the girl's influence seemed on the whole good. But some mystery was now
going to reveal itself. It concerned Thyrza; she was sure it did. The
fact that the note was delivered in this way, and the request for
secrecy which it contained, made this certain.</p>
<p>At dinner-time, and again in the evening, Thyrza was still in the same
state of depression and feverishness. Lydia said nothing of the
business which would take her out at eight o'clock. When the time came,
and she had to make an excuse, Thyrza said that she too would go out;
she wanted to see Totty.</p>
<p>'You'll tell Gilbert?' Lydia replied, afraid to make any opposition
herself.</p>
<p>'No. He'd say it wasn't good for me to go out, and I want to go. You
won't say anything, Lyddy?'</p>
<p>'I ought to, dear. You're not well enough to go, that's quite certain.'</p>
<p>'I won't be long. I must go just for half an hour.'</p>
<p>'Why do you want to see her?' Lydia asked, masking her curiosity with a
half-absent tone.</p>
<p>'Oh, nothing to explain. I feel I want to talk, that's all.'</p>
<p>From time to time—in her more difficult moments—Lydia had felt a
little hurt that the course of circumstances made no difference in
Thyrza's friendship for Totty. When her truer mind was restored, she
knew that the reproach was a foolish one. More likely it was she
herself who was to blame for having always nourished a prejudice
against Totty. At present, Thyrza's anxiety to go out was another
detail connecting itself with Ackroyd's summons. Something unexplained
was in progress between those three, Totty and Ackroyd and Thyrza. Her
resentment against the first of them revived.</p>
<p>She would soon know what it all meant. Thyrza and she left the house
together and went in opposite directions. Lydia crossed Kennington
Road, and found Luke waiting for her. She approached him with veiled
eyes.</p>
<p>'I'm so glad you've come,' he began, with signs of disturbance, 'It's
kind of you to come. I have a great deal to say, and I can't speak
here. Will you come round into Walcot Square?—it'll be quieter.'</p>
<p>She said nothing, but walked beside him. It was a new and strange
sensation to be thus accompanying Ackroyd.</p>
<p>She was conscious that her pulses quickened. They went on in silence
till they reached the spot which Luke had mentioned, an irregular
little square, without traffic, dark.</p>
<p>'I don't know how to begin to tell you, Miss Trent,' Ackroyd said, when
he stopped and turned towards her. 'It's your sister I have to speak
about.'</p>
<p>She had foreseen truly. Her heart sank.</p>
<p>'What can you have to say about my sister, Mr. Ackroyd?' she asked in a
hard voice.</p>
<p>'I'm not surprised that you speak in that way. I know that I shall seem
a busybody, or perhaps something worse, meddling with things that don't
concern me. It would be easier for me to leave it alone, but I couldn't
do that, because I can't think of you and your sister as strangers.
I've heard something said about Thyrza that you ought to know. Be
friendly to me, and believe I'm only telling you this because I think
it's my duty.'</p>
<p>Lydia was looking at him in astonishment.</p>
<p>'You've heard something? What? What has anybody to say about my sister?'</p>
<p>'I shall make no secret of anything—it's the only way to prove I'm
behaving honestly to you. I was at the club last night, and Bower came
and sat down by me, and he began to talk about Thyrza. He said it
looked strange that she should be alone with Mr. Egremont in the
library every morning. The woman that takes care of the place told him
about it, and he's seen Thyrza himself coming away at dinner-time, when
Mr. Egremont was there. He says she goes to help him to put books on
the shelves. He spoke of it in a way that showed he was telling the
story to all sorts of people, and in a way that means harm. I'd sooner
bite my tongue out than repeat such things about your sister, if it
wasn't that you ought to know. I might have told Grail, but I felt it
was better to see you first. I know I'm making trouble enough any way,
but I believe you will give me credit for acting honestly. Don't think
of me as the kind of man I've seemed since Christmas. You used to think
well of me, and you must do so now, Miss Trent. I'm speaking as a true
friend.'</p>
<p>He hurried out his words of self-justification, for he saw the anger in
her face.</p>
<p>'And you believe this?' Lydia exclaimed, when she could use her voice.
'You believe a man that will go saying things like this about my
sister? Why is he trying to do us harm? Why, there <i>is</i> no books to put
on the shelves! No books have come to the library yet!'</p>
<p>She laughed scornfully, and, before he could speak, continued with the
same vehemence.</p>
<p>'What have we done to Mr. Bower? I suppose it's because we're not so
friendly with them as we were. So he does his best to take away our
good name, and to ruin Thyrza's life! Of course, I knew very well what
you mean. I know what <i>he</i> means. He's a cruel coward! It's a lie that
he's seen Thyrza coming out of the library! Why, I tell you there is no
books there! How could she help to put them on the shelves? You shall
come with me this minute to the Bowers' house! You can't refuse to do
that, Mr. Ackroyd: it's only fair, it's only justice. You shall come
and repeat to them all you've told me, and then see if he'll <i>dare</i> to
say it again. I'm glad you didn't tell Gilbert; you was right to tell
me first. I'm not angry with you; you mustn't think that; though you
speak as if you believed his lies. I should have thought you knew
Thyrza better. Come with me, this minute! You <i>shall</i> come, if you're
an honest man, as you say you are!'</p>
<p>She laid her hand upon his arm. Ackroyd took the hand and held it
whilst he compelled her to listen to him.</p>
<p>'Lydia, we can't go till you've heard everything. I've got more to tell
you.'</p>
<p>'More? What is it? A man that 'll say so much 'll say anything. You've
told me quite enough, I should think, considering it's about my own
sister.'</p>
<p>'But, Lydia, do listen to me, my poor girl! Try and quiet yourself, and
listen to me. There's nothing more of Bower's telling; he didn't say
any more; and there was more harm in his way of telling it than in the
story itself. But I have something to tell you that I've found out
myself.'</p>
<p>She looked him in the face. Her hand she had drawn away.</p>
<p>'And <i>you</i> are going to say harm of Thyrza!' she said under her breath,
eyeing him as though he were her deadliest enemy.</p>
<p>'Think and say of me what you like, Lydia. I've got something that I
must tell you; if I don't, I'd a deal better never have said anything
at all. You're not right about the library. There <i>are</i> books there,
and Mr. Egremont has been busy with them of a morning.'</p>
<p>'But how can <i>you</i> know better than Gilbert?' she cried.</p>
<p>'I know, because I went last night to find out. As soon as I'd heard
Bower's tale, I went. And I was there again to-day, at dinner-time, and
I saw your sister come out of the door.'</p>
<p>She was silent. In spite of her passionate exclamations, a suspicion
had whispered within her from the first, a voice to which she would
lend no ear. Now she was constrained to think. She remembered Thyrza's
lateness at dinner on Monday; she remembered that Thyrza had been from
home each morning this week. And if it were true that books had arrived
at the library, and that Gilbert knew nothing of it—Was <i>this</i> the
explanation of Thyrza's illness, of her inexplicable agitations, of her
sleeplessness?</p>
<p>She could not raise her head. Ackroyd too kept silent. She asked at
length: 'Have you anything more to tell me?'</p>
<p>'Yes, I <i>have</i> something more. It's another thing that I found out last
night, after leaving Bower. Say that you don't accuse me of conduct as
bad as Bower's!' he added, vehemently. 'I <i>must</i> tell you everything,
and it makes me seem as if I told it for the sake of telling. Say you
believe in my honesty, at all events!'</p>
<p>'I don't accuse you of anything,' she replied, still under her breath.
'What is it you have to say?'</p>
<p>'I went to see Miss Nancarrow. I had no thought of repeating the story
to her—you must believe me or not, as you like, but I am telling you
the truth. I wanted to see if she had heard anything from the Bowers,
and I wanted to try and find out, if I could, whether Thyrza had told
her any secret. It wasn't out of a wish to pry into things I'd no
concern with, but because I felt afraid for Thyrza, and because I
wanted to be sure that there was sufficient reason for it before I came
to you to put you on your guard. I said to Totty: 'Have you any reason
to think that Thyrza cares for somebody else more than for Grail?' She
got angry at once, and said she knew all about it, that she'd no
patience with Thyrza, and that she wasn't going to have anything more
to do with the affair. I've told you plainly, Lydia, told you
everything. I hope I've done it for the best.'</p>
<p>She stood as if she heard nothing. Her arms hung down; her eyes were
fixed on the ground. She was thinking that now she understood Thyrza's
urgency in wishing to see Totty. Now she understood everything.</p>
<p>She moved, as if to go away. Ackroyd could find no word. All he had to
say was so much sheer cruelty, and to attempt comfort would be insult.
But Lydia faced him again.</p>
<p>'And you think the worst of my sister?'</p>
<p>Again her look was defiant. She had no enemy in the world like the man
who could accuse Thyrza of guilt. It was one thing to point out that
Thyrza was in danger of being columniated, another to believe that the
evil judgment was merited.</p>
<p>'I <i>don't</i> think the worst of her, Lydia,' he replied, firmly. 'I think
it likely that she has been doing something very thoughtless, and I am
quite sure that that man Egremont has been doing something for which he
deserves to be thrashed. But no more than that. More than that I
<i>won't</i> believe!'</p>
<p>'Thank you, Mr. Ackroyd! A minute ago I hated you, now I know that I
have always been right in thinking you had a good heart. Thyrza may
have been foolish in keeping things from me, but she's no more to blame
than that. You can believe me. I would say it, if it was my life or
death!'</p>
<p>He took her hand and pressed it.</p>
<p>'And you think Mr. Bower is telling everyone?' she asked, her voice
wonderfully changed, for all at once she became a woman, and felt her
need of a strong man's aid.</p>
<p>'I'm afraid so. When he'd done his tale to me last night, I told him
that if he hadn't been a man so much older than myself I'd have struck
him in face of all in the club. I'd perhaps better not have angered
him, but it wouldn't make much difference. He's got ill feeling against
Egremont, I believe.'</p>
<p>Lydia's eyes flashed when she heard of that speech to Bower.</p>
<p>'And you think he's doing this more to harm Mr. Egremont than Thyrza?'</p>
<p>'I do. He's a gossiping fool, but I don't believe he'd plot to ruin a
girl in this way. Still, I'm quite sure the story 'll have got about,
and it comes to the same thing.'</p>
<p>Both stood in thought. Lydia felt as if all the bright future were
blasted before her eyes. Thyrza loved Egremont. Egremont was the
falsest of friends to Gilbert, the most treacherous of men. Her darling
had been artfully drawn by him into this secret intercourse; and how
was it all to end?</p>
<p>'I must go home to Thyrza, Mr. Ackroyd. I don't know what to do, but it
will come to me when I see my sister.'</p>
<p>She reflected a moment, then added:</p>
<p>'She went to see Totty Nancarrow, at the same time when I came out.
Perhaps she'll be there still. If I don't find her at home, I must go
to the other house. Good-bye!'</p>
<p>'I do wish I could be some help to you, Lydia!' he said, holding her
hand and looking very kindly at her.</p>
<p>'You can't. Nobody can help. Whatever happens Thyrza and me will be
together, and I shall keep her from harm. But you've been a good friend
to me to-night, Mr. Ackroyd. I can't do more than say I'm grateful to
you. I shall be that, as long as I live.'</p>
<p>'Lydia—I don't want to pry into anything between you and your sister,
but if I <i>can</i> do anything to be of use to her—or to you—you'll tell
me? You could easily send a message to me.'</p>
<p>'Thank you. I <i>will</i> ask you if there is anything. Let me go home
alone, Mr. Ackroyd.'</p>
<p>She came to the house, and saw that there was no light in the window of
their room. Still, Thyrza might be sitting there. She ran upstairs. The
room was vacant.</p>
<p>Then she hurried to Newport Street. Mrs. Ladds told her that Totty had
not come in yet, and that Thyrza had been and was gone away again. She
turned on her steps slowly, and after a short uncertainty went home
again, in the hope that Thyrza might have returned. As she entered,
Gilbert met her in the passage.</p>
<p>'Is Thyrza come back?' she asked.</p>
<p>'No, she isn't in the house. Where did she go to?'</p>
<p>'She went just to see Totty Nancarrow.' Nothing was to be gained by
concealing this now. 'I've been there, but she's gone away. I dare say
she'll be back in a few minutes.'</p>
<p>Lydia went upstairs, not feeling able to talk. Gilbert, who since
Monday had fallen into ever deeper trouble, left the house and walked
towards Newport Street, hoping to find Thyrza. It was thus that he came
to be met by Egremont. He was back in half an hour. Lydia came down
when she heard him enter.</p>
<p>'Lydia,' he said, gravely, 'you shouldn't have allowed her to go out.
She isn't in a fit state to leave the house.'</p>
<p>'It was wrong, I know,' she said, standing just inside the door of the
parlour.</p>
<p>Gilbert mentioned that he had seen Egremont. Before she could check
herself, Lydia exclaimed:</p>
<p>'Where?'</p>
<p>He looked at her in surprise. She turned very pale. Mrs. Grail was also
gazing at her.</p>
<p>'It was at the end of Newport Street,' Gilbert replied. 'Why are you so
anxious to know where?'</p>
<p>'I'm sure I don't know. I'm worrying so about that child. I spoke
without thinking at all.'</p>
<p>Half an hour more passed, then, as all sat silently together, they
heard the front door opening. Lydia started up.</p>
<p>'Don't move, Gilbert! Let me go up with her. She'll be afraid of being
scolded.'</p>
<p>She went out into the passage. The little lamp hung against the wall as
usual, and when by its light she saw Thyrza, she was made motionless by
alarm. Not only was the girl's face scarcely recognisable; her clothing
was stained and in disorder.</p>
<p>'Thyrza!' she whispered. 'My darling, what has happened?'</p>
<p>The other, with a terrified look at the Grails' door, ran past and up
the stairs, speaking no word. Her sister followed.</p>
<p>In the room, Thyrza did not sit down, though her whole body trembled.
She took off her hat, and tried to undo her jacket.</p>
<p>'What is it?' Lydia asked, coming near to her. 'Where have you been?
What's made you like this?'</p>
<p>She was almost as pale as her sister, and fear pressed on her throat.
Knowing what she did, she imagined some dreadful catastrophe. Thyrza
seemed unable to speak, and her eyes were so wild, so pain-stricken,
that they looked like madness. She tried to smile, and at length said
disconnectedly:</p>
<p>'It's nothing, Lyddy—only frightened—somebody—a drunken
man—frightened me, and I fell down. Nothing else!'</p>
<p>Lydia could make no reply. She did not believe the story. Silently she
helped to remove the jacket, and led Thyrza to a chair. Then she drew
the dear head to her and held it close against her breast.</p>
<p>'You are so cold, Thyrza! Where have you been? Tell me, tell Lyddy!'</p>
<p>'Totty wasn't at home. I walked a little way. Gilbert doesn't know? You
haven't told him?'</p>
<p>'No, no, dear, it's all right. Come nearer to the fire: oh, how cold
you are! Sit on my lap, dearest; rest your head against me. Why have
you been crying, Thyrza?'</p>
<p>There was no answer. Held thus in her sister's arms, Thyrza abandoned
herself, closed her eyes, let every limb hang as it would, tried to be
as though she were dead. Lydia thought at first that she had lost
consciousness, but her cry brought an answer. They sat thus for some
minutes.</p>
<p>Then Thyrza whispered:</p>
<p>'I'm poorly, Lyddy. Let me go to bed.'</p>
<p>'You shall, dear. I'll sit by you. You'll let me stay by you?'</p>
<p>'Yes.'</p>
<p>As her clothes were removed she shook feverishly.</p>
<p>'They won't come up?' she asked several times. 'Mrs. Grail won't come?
Go and tell them I've got a headache, and that it'll be all right in
the morning.'</p>
<p>'They won't come, dear. Get into bed, and I'll go and tell them
directly.'</p>
<p>She could have wept for misery, but she must be strong for Thyrza's
sake. Whatever hope remained depended now upon her own self-command and
prudence. When Thyrza had lain down, Lydia succeeded in showing almost
a cheerful face.</p>
<p>'I'll just go down and say you're poorly. You won't move till I come
back?'</p>
<p>Thyrza shook her head.</p>
<p>Her sister was only away for a minute or two. She reentered the room
panting with the speed she had made. And she sat down at the bedside.</p>
<p>There was no word for a long time. Thyrza's eyes were closed; her lips
quivered every now and then with a faint sob. The golden braid, which
Lydia had not troubled to undo, lay under her cheek.</p>
<p>Lydia held counsel with herself. Something had happened, something
worse, she thought, than a mere fit of wretchedness in the suffering
heart. There was no explaining the disordered state in which the girl
had come back.</p>
<p>Gilbert said that he had met Mr. Egremont at the end of Newport Street.
Was it conceivable that Thyrza had had an appointment with Egremont at
Totty's house? No; that was not to be credited, for many reasons.
Totty—by Luke's account—was angry with Thyrza, and refused to hear
anything of what was going on. Yet it was very strange that he should
be going to see Mr. Bunce just at the same time that Thyrza was there,
and in Totty's absence too.</p>
<p>What to think of Mr. Egremont? There was the central question. She knew
him scarcely at all; had only seen him on that one occasion when she
opened the house-door to him, There was Gilbert's constant praise of
him, but Lydia knew enough of the world to understand that Gilbert
might very easily err in his judgment of a young man in Egremont's
position. Ackroyd seemed to have no doubt at all; he had said at once
that Egremont deserved to be thrashed. Clearly he believed the worst of
Egremont, attributed to him a deliberate plot. If he was right, then
what might not have befallen?</p>
<p>She had said to herself that she would not dishonour her sister by
fearing more than a pardonable weakness. Now there was a black dread
closing in upon her.</p>
<p>How to act with Thyrza? Must she reveal all that Ackroyd told her, and
so compel a confession?</p>
<p>Not that, if it could possibly be avoided. It would drive Thyrza to
despair. No; it must be kept from her that prying eyes had watched her
going and coming. Already it might be too late; the marriage with
Gilbert might be impossible, if only because Thyrza would inevitably
betray her love for Egremont; but there was all the future to think of,
and Thyrza must not be driven to some irreparable folly.</p>
<p>There was one hypothesis which Lydia quite left aside. She did not ask
herself whether Egremont might not truly and honestly love her sister.
It was natural enough that she should not think of it. Every tradition
weighed in favour of rascality on the young man's part, and Lydia's
education did not suffice to raise her above the common point of view
in such a matter. A gentleman did not fall in love with a work-girl,
not in the honest sense. Lydia had the prejudices of her class, and her
judgment went full against Egremont from the outset. He had encouraged
secret meetings, the kind of thing to be expected. He must have known
perfectly what a blow he was preparing for Gilbert, if the fact of
these meetings should be discovered. What did he care for that? His
selfishness was proof against every scruple, no doubt.</p>
<p>She could not argue as an educated person might have done. Egremont's
zeal in his various undertakings made no plea for his character, in her
mind. To be sure, a more subtle reasoner might have given it as little
weight, but that would have been the result of conscious wisdom. Lydia
could only argue from her predisposition regarding the class of
'gentlemen.' We know how she had shrunk from meeting Egremont. Guided
by Gilbert and Thyrza, she had taught herself to think well of him,
but, given the least grounds of suspicion, class-instinct was urgent to
condemn.</p>
<p>Only one way recommended itself to her, and that the way of love. She
must lead Thyrza to confide in her, must get at the secret by
constraint of tenderness. She might seem to suspect, but the grounds of
her suspicion must be hidden.</p>
<p>Having resolved this, she leaned nearer and spoke gentle words such as
might soothe. Thyrza made no response, save that she raised her lids
and looked wofully.</p>
<p>'Dear one, what is it you're keeping from me?' Lydia pleaded. 'Is it
kind, Thyrza, is it kind to me? It isn't enough to tell me you're
poorly; there's more than that. Do you think I can look at you and not
see that you have a secret from me?'</p>
<p>Thyrza had closed her eyes again, and was mute.</p>
<p>'Dear, how can you be afraid of <i>me</i>, your old Lyddy? When there's
anything you're glad of, you tell me; oughtn't I to know far more when
you're in trouble? Speak to me, dear sister! I'll put my head near
yours; whisper it to me! How <i>can</i> I go on in this way? Every day I see
you getting worse. I'm miserable when I'm away at work; I haven't a
minute's peace. Be kind to me, and say what has happened.'</p>
<p>There was silence.</p>
<p>'Do you think there's anything in me but love for you, my dearest, my
Thyrza? Do you think I could say a cruel word, tell me whatever you
might? Do you think I shan't love you only the better, the more unhappy
you are? Perhaps I half know what it is, perhaps—'</p>
<p>Thyrza started and gazed with the same wildness as when she first came
in.</p>
<p>'You know? What do you know? Tell me at once, Lyddy!'</p>
<p>'I don't really know anything, love—it's only that I can't help
thinking—I've noticed things.'</p>
<p>Thyrza raised herself upon one arm. She was terror-stricken.</p>
<p>'What have you noticed? Tell me at once! You've no right to say things
of that kind! Can't I be poorly without you talking as if I'd done
something wrong? What have I done? Nothing, nothing! Leave me alone,
Lyddy! Go downstairs, and leave me to myself!'</p>
<p>'But you don't understand me,' pleaded the other. 'I don't think you've
done anything, but I know you're in trouble—how can I help knowing it?'</p>
<p>'But you said you've noticed things. What do you mean by that? You'd no
right to say it if you don't mean anything! You're trying to frighten
me! I can't bear you sitting there! I want to be alone! If you must
stay in the room, go away and sit by the fire. Haven't you no sewing to
do? You've always got plenty at other times. Oh, you make me feel as if
I should go mad!'</p>
<p>Lydia withdrew from the bedside. She sat down in a corner of the room
and covered her face with her hands.</p>
<p>Thyrza fell back exhausted. She had wrought herself almost to hysteria,
and, though she could not shed tears, the dry sobs seemed as if they
would rend her bosom.</p>
<p>Minutes passed. She turned and looked at her sister. Lydia was bent
forward, propping her forehead.</p>
<p>'Lyddy, I want you.'</p>
<p>Lydia came forward. She had been crying. She fell on her knees by the
bed.</p>
<p>'Lyddy, what did you mean? It's no good denying it, you meant
something. You said you'd noticed things You've no right to say that
and say no more.</p>
<p>'You won't tell me what your secret is without me saying what I've
thought?'</p>
<p>'I've got no secret! I don't know what you mean by secret!'</p>
<p>'Thyrza—have you—have you seen Mr. Egremont tonight?'</p>
<p>They looked at each other. Thyrza's lips were just parted; she drew
herself back, as if to escape scrutiny. The arm with which she
supported herself trembled violently.</p>
<p>'Why do you ask that?' she said, faintly.</p>
<p>'That's what I meant, Thyrza,' the other whispered, with a face of fear.</p>
<p>'Have I seen Mr. Egremont? I don't know what you're thinking of? Why
should I see Mr. Egremont? What have I to do with him?'</p>
<p>Lydia put her hand forward and touched her sister.</p>
<p>'Thyrza!' she cried, passionately. 'Tell me! Tell me everything! I
can't bear it! If you have ever so little love for me in your
heart—tell me!'</p>
<p>Thyrza could no longer keep her raised position. She fell back. Then
with one hand she caught the railing at the head of the bed and held it
convulsively, whilst she buried her face in the pillow.</p>
<p>Lydia bent over her, and said in low, quick tones:</p>
<p>'I think no harm of you! Perhaps you've got to like him too much, and
he's persuaded you to go to meet him. It's only what I've thought to
myself. Tell me, and let me be a sister to you; let me help you! No one
else shall hear a word of it, Thyrza. Only Lyddy! We'll talk about it,
and see what can be done. You shall tell me how it began—tell me all
there is in your heart, poor child. It'll comfort you to speak of it.
The secret is killing you, my darling. There's no harm—none—none! You
couldn't help it. Only let us both know, and talk to each other about
it, like sisters!'</p>
<p>Thyrza's grasp of the iron loosened, and her hand fell. She turned her
face to the light again.</p>
<p>'Lyddy, how do you know this?'</p>
<p>'I thought it. You've been out every morning. You spoke of him in a
way—'</p>
<p>'Has any one said anything to you? Has Gilbert?'</p>
<p>'No, no! Gilbert hasn't such a thought. It's all myself. Oh, what has
he been saying to you, Thyrza?'</p>
<p>A change was coming about in the sufferer. What had at the first
suggestion been a terror now grew upon her as an assuagement of pain.
She clung to her sister's hand.</p>
<p>'I don't know how it began,' she whispered. 'It seems so sudden; but I
think it's been coming for a long time. Ever since I saw him that day
at the library—the first time I ever saw him. Ever since, there hasn't
been a day I haven't thought of him. I never saw any one else that made
me think like that. Day and night, Lyddy! But it didn't trouble me at
first. It was only after I came back from Eastbourne. I seemed to think
of everything in a different way after that. I dreamt of him every
night, and I did so want to see him. I don't know why. Then I saw him
at last—on Monday—at the library.'</p>
<p>'You hadn't met him—alone—before then?'</p>
<p>'No, never since that first time.'</p>
<p>'But why did you go there on Monday?'</p>
<p>'Oh, I can't—can't think! Something seemed to tell me to go there. I
found there was some books come, and he was putting them on the
shelves. He said he didn't want Gilbert to know—just for fun—and I
promised not to say anything.'</p>
<p>'You mean last Monday? This week?'</p>
<p>'Yes. Not before then. And it seems—oh, it seems a month ago, Lyddy!'</p>
<p>She lay back, pressing Lydia's hand against her heart.</p>
<p>'But did he ask you to go again, dear?'</p>
<p>'No, he didn't. It was all myself. Lyddy, I couldn't keep away. I
couldn't. Will you believe I'm telling the truth? I tried—I did try so
hard! I knew I oughtn't to go, because I wanted to so much. I knew it
was wrong. I don't think I should have gone if Mrs. Grail hadn't forced
me to go out for a walk, because she said it would take my headache
away. I was holding myself back all the morning. And when I got out—I
couldn't help it—I was drawn there! And then I asked him if I might
come again to-day. He said I might, but I could see he thought it was
wrong of me. And, Lyddy, he never came. I stayed there waiting. Oh, do
you know what I suffered? I can't tell you!'</p>
<p>'My dearest, I know, I feel with you! But it will be better now you've
told me. And to-night? Didn't you see him to-night?'</p>
<p>'How do you know? Who told you?' she asked, nervously.</p>
<p>'No one, dear. I only think it. The way you came in—'</p>
<p>Thyrza suddenly bent forward, listening.</p>
<p>'Can any one hear us?' she whispered. 'Go and see any one's outside.'</p>
<p>'There's no one, dear.'</p>
<p>'Go and look. I'm afraid.'</p>
<p>Lydia went and opened the door. She closed it again, and came back
shaking her head.</p>
<p>'I didn't think I should see him,' Thyrza continued. 'I was waiting in
Totty's room, and he came to see Mr. Bunce. I heard his voice. When he
went away, I followed him. I couldn't help myself. I would have given
my life for a word from him. I wanted to know why he hadn't come this
morning. I followed him, and walked with him over the bridge. Then he
told me he was going away, somewhere out of England, and I shouldn't
see him again till after—after I was married.'</p>
<p>She choked. Lydia soothed her again, and she continued, with growing
agitation:</p>
<p>'Then he said good-bye—he went away very quickly, after just saying he
hoped I should be happy. Happy! How can I be happy? And when he was
gone, I went somewhere and fell down and cried—somewhere where nobody
could see me. He's gone, Lyddy! How am I to live without him?'</p>
<p>They held each other. Thyrza sobbed out her anguish until strength
failed, then lay in her sister's arms, pale as a corpse.</p>
<p>When there had been utter silence for a while, Lydia asked:</p>
<p>'And he has never said anything to you that—that he oughtn't to have
said!'</p>
<p>'Said? What did you think? You thought he—he loved <i>me</i>?'</p>
<p>'I didn't know, dearest.'</p>
<p>'Oh, if he did! He asked me not to call him 'sir,' and to be his
friend—never more than that. You thought he loved me? How could he
love a girl like me, Lyddy?'</p>
<p>Lydia had followed the unfolding of the tale with growing surprise. It
was impossible to doubt Thyrza's truthfulness. Yet there must be more
on Egremont's part than appeared. Why did he exact secrecy about those
meetings in the library? There was little doubt that Thyrza had
betrayed herself to him. True, he had refrained from keeping the
appointment for this morning, and it seemed he was going away till
after the marriage. But all this was too late.</p>
<p>Still he was innocent of the guilt she had suspected. Thyrza had not
come to the dreaded harm. Though heartbroken, she was saved. Lydia felt
almost joyous for an instant. Bower's gossip might yet be deprived of
its sting, for Mr. Egremont would be gone, and—Monday was so near.</p>
<p>It was the reaction from her terror. She could think of nothing for the
moment but that Thyrza must be preserved from future risk by marriage.</p>
<p>Thyrza was lying exhausted. Lydia, deep in thought, was surprised to
see a faint smile on the beautiful pale face.</p>
<p>'You thought he loved me?' was whispered. 'Oh, if he did! If he did!'</p>
<p>Lydia was still kneeling. New fears were making themselves heard. Was
it possible for Thyrza to marry Gilbert under such circumstances, and
within five days? What if Gilbert heard Bower's story? Nay, in any
case, what of the future? Egremont would be constantly at the library.</p>
<p>'Thyrza, do you never think of Gilbert?'</p>
<p>Thyrza raised herself, again the look of wild dread in her eyes.</p>
<p>'Lyddy, I can't marry him! You know now that I can't, don't you? It
would be wrong. I shall love <i>him</i> as long as ever I live—love him and
think of him every minute. I can't marry Gilbert.'</p>
<p>There was silence. Lydia looked up with tearful, appealing eyes.</p>
<p>My dearest, think—think what that means? How can you break your word
to him—now, when the day's almost here? Think what it'll mean to him.
You'll have to tell him the reason, and then—'</p>
<p>'I'll tell him everything. I'll bear it. Can I help it, Lyddy? Am I
happy?'</p>
<p>'But you haven't thought, Thyrza. It means that Gilbert will have to go
on with his work at the factory.'</p>
<p>'Why? His mother will go and live with him at the library.'</p>
<p>Her voice sank. She began to understand.</p>
<p>'Do you suppose he can take that place from Mr. Egremont after he knows
this, Thyrza?'</p>
<p>Thyrza was mute for a little. Then she said, under her breath:</p>
<p>'He needn't know the reason. He must think it's something else.'</p>
<p>'That's impossible. What a cruel thing it'll be to him! You know how
he's looked forward. And then he loves you; he loves you more than you
think. It will be dreadful! Thyrza, I don't think you'll make poor
Gilbert suffer in that way. You couldn't do that, dear! You know what
love means; have some pity for him!'</p>
<p>'I cant! He shan't know the reason; he shall go to the library just the
same. We'll say it's only put off. I can't marry him on Monday! I'd
sooner kill myself!'</p>
<p>There was a ring of terrible earnestness in the words. Lydia was afraid
to plead any more at present. She affected to admit that there was no
help. Yes, the marriage should be postponed; perhaps that would be a
way.</p>
<p>The hour was late. After her sister's acquiescence Thyrza had fallen
into brooding. She moved constantly. There was fire in her cheeks.</p>
<p>Only a few words were exchanged whilst Lydia undressed and lay down by
her sister. Sleep was impossible to either of them. Yet Thyrza had not
closed her eyes the night before. She was very feverish, could not lie
in one position for more than a few minutes. When neither had spoken
for nearly an hour, she said of a sudden:</p>
<p>'Lyddy, I want you to promise me that you'll never tell Gilbert nor
Mrs. Grail one word of this. I want you to promise.'</p>
<p>'I promise you, dear. How could I think of doing so without your leave?'</p>
<p>There was a pause, then Thyrza resumed:</p>
<p>'I think you'll do as you say. Kiss me, and promise again.'</p>
<p>'I will keep your secret, dearest. I promise you.'</p>
<p>The other sighed deeply, and after that lay still.</p>
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