<h2><SPAN name="CHAPTER_XV" id="CHAPTER_XV"></SPAN>CHAPTER XV</h2>
<h3>THE GATE AJAR</h3>
<div class="poem"><div class="stanza">
<span class="i0">Oh, live!<br/></span>
<span class="i0">So endeth faint the low pathetic cry<br/></span>
<span class="i0">Of love, whom death hath taught, love cannot die.'<br/></span></div>
<div class="stanza">
<span class="i0"><i>Poems by the Author of 'John Halifax.'</i><br/></span></div>
</div>
<div class="poem"><div class="stanza">
<span class="i0">'His dews drop mutely on the hill,<br/></span>
<span class="i0">His cloud above it saileth still,<br/></span>
<span class="i0">Though on its slope men sow and reap:<br/></span>
<span class="i0">More softly than the dew is shed,<br/></span>
<span class="i0">Or cloud is floated overhead,<br/></span>
<span class="i0">He giveth His beloved sleep.'—<span class="smcap">E. B. Browning.</span><br/></span></div>
</div>
<hr style="width: 65%;" />
<p>The fever had run its course,—never virulent or excessive, there had
still been no abatement in the unfavourable symptoms, and, as the
critical days approached, Mildred's watchfulness detected an increased
gravity in Dr. Heriot's manner. Always assiduous in his attentions, they
now became almost unremitting; his morning and evening visits were
supplemented by a noonday one; by and by every moment he could snatch
from his other patients was spent by Olive's bedside.</p>
<p>A silent oppression hung over the vicarage; anxious footsteps crept
stealthily up to the front door at all hours, with low-whispered
inquiries. Every morning and evening Mildred telegraphed signals to Roy
and Polly as they stood on the other side of the beck in Hillsbottom,
watching patiently for the white fluttering pendant that was to send
them away in comparative tranquillity. Sometimes Roy would climb the low
hill in Hillsbottom, and lie for hours, with his eyes fixed on the broad
projecting window, on the chance of seeing Mildred steal there for a
moment's fresh air. Roy, contrary to his usual light-heartedness, had
taken Olive's illness greatly to heart; the remembrance of his hard
words oppressed and tormented him. Chriss often kept him
company—Chriss, who grew crosser day by day with suppressed
unhappiness, and who vented her uncomfortable feelings in contradicting
everything and everybody from morning to night.</p>
<p>One warm sunshiny afternoon, Mildred, who was sensible of unusual
languor and oppression, had just stolen to the window to refresh her
eyes with the soft green of the fellsides, when Dr. Heriot, who had been
standing thoughtfully by the bedside, suddenly roused himself and
followed her.</p>
<p>'Miss Lambert, do you know I am going to assert my authority?'</p>
<p>Mildred looked up inquiringly, but there was no answering smile on her
pale face.</p>
<p>'I am going to forbid you this room for the next two hours. Indeed,' as
Mildred shook her head incredulously, 'I am serious in what I say; you
have just reached the limit of endurance, and an attack of faintness may
possibly be the result, if you do not follow my advice. An hour's fresh
air will send you back fit for your work.'</p>
<p>'But Olive! indeed I cannot leave Olive, Dr. Heriot.'</p>
<p>'Not in my care?' very quietly. 'Of course I shall remain here until you
return.'</p>
<p>'You are very kind; but indeed—no—I cannot go; please do not ask me,
Dr. Heriot;' and Mildred turned very pale.</p>
<p>'I do not ask, I insist on it,' in a voice Mildred never heard before
from Dr. Heriot. 'Can you not trust me?' he continued, relapsing into
his ordinary gentle tone. 'Believe me, I would not banish you but for
your own good. You know'—he hesitated; but the calm, quiet face seemed
to reassure him—'things can only go on like this for a few hours, and
we may have a very trying night before us. You will want all your
strength for the next day or two.'</p>
<p>'You apprehend a change for the worse?' asked Mildred, drawing her
breath more quickly, but speaking in a tone as low as his, for Richard
was watching them anxiously from the other end of the room.</p>
<p>'I do not deny we have reason to fear it,' he returned, evasively; 'but
there will be no change of any kind for some hours.'</p>
<p>'I will go, then, if Richard will take me,' she replied, quietly; and
Richard rose reluctantly.</p>
<p>'You must not bring her back for two hours,' was Dr. Heriot's parting
injunction, as Mildred paused by Olive's bedside for a last lingering
look. Olive still lay in the same heavy stupor, only broken from time to
time by the imperfect muttering. The long hair had all been cut off, and
only a dark lock or two escaped from under the wet cloths; the large
hollow eyes looked fixed and brilliant, while the parched and blackened
lips spoke of low, consuming fever. As Mildred turned away, she was
startled by the look of anguish that crossed Richard's face; but he
followed her without a word.</p>
<p>It was a lovely afternoon in July, the air was full of the warm
fragrance of new-mown hay, the distant fells lay in purple shadow. As
they walked through Hillsbottom, Mildred's eyes were almost dazzled by
the soft waves of green upland shining in the sunshine. Clusters of pink
briar roses hung on every hedge; down by the weir some children were
wading among the shallow pools; farther on the beck widened, and flowed
smoothly between its wooded banks. By and by they came to a rough
footbridge, leading to a little lane, its hedgerows bordered with ferns,
and gay with rose-campion and soft blue harebells, while trails of
meadow-sweet scented the air; beyond, lay a beautiful meadow, belting
Podgill, its green surface gemmed with the starry eyebright, and golden
in parts with yellow trefoil and ragwort.</p>
<p>Mildred stooped to gather, half mechanically, the blue-eyed gentian that
Richard was crushing under his foot; and then a specimen of the
soft-tinted campanella attracted her, its cluster of bell-shaped
blossoms towering over the other wildflowers.</p>
<p>'Shall we go down into Podgill, Aunt Milly, it is shadier than this
lane?' and Mildred, who was revolving painful thoughts in her mind,
followed him, still silent, through the low-hanging woods, with its
winding beck and rough stepping-stones, until they came to a green
slope, spanned by the viaduct.</p>
<p>'Let us sit down here, Richard; how quiet and cool it is!' and Mildred
seated herself on the grass, while Richard threw himself down beside
her.</p>
<p>'How silent we have been, Richard. I don't think either of us cared to
talk; but Dr. Heriot was right—I feel refreshed already.'</p>
<p>'I am glad we came then, Aunt Milly.'</p>
<p>'I never knew any one so thoughtful. Richard, I want to speak to you;
did you ever find out that Olive wrote poetry?'</p>
<p>Richard raised himself in surprise.</p>
<p>'No, Aunt Milly.'</p>
<p>'I want to show you this; it was written on a stray leaf, and I ventured
to capture it; it may help you to understand that in her own way Olive
has suffered.'</p>
<p>Richard took the paper from her without a word; but Mildred noticed his
hand shook. Was it cruel thus to call his hardness to remembrance? For a
moment Mildred's soft heart wavered over the task she had set for
herself.</p>
<p>It was scrawled in Olive's school-girl hand, and in some parts was hard
to decipher, especially as now and then a blot of teardrops had rendered
it illegible; but nevertheless Richard succeeded in reading it.</p>
<div class="poem"><div class="stanza">
<span class="i0">'How speed our lost in the Unknown Land,<br/></span>
<span class="i0">Our dear ones gone to that distant strand?<br/></span>
<span class="i2">Do they know that our hearts are sore<br/></span>
<span class="i0">With longing for faces that never come,<br/></span>
<span class="i0">With longing to hear in our silent home<br/></span>
<span class="i2">The voices that sound no more?<br/></span>
<span class="i0">There's a desolate look by the old hearth-stone,<br/></span>
<span class="i0">That tells of some light of the household gone<br/></span>
<span class="i2">To dwell with the ransomed band;<br/></span>
<span class="i0">But none may follow their upward track,<br/></span>
<span class="i0">And never, ah! never, a word comes back<br/></span>
<span class="i2">To tell of the Unknown Land!<br/></span></div>
<div class="stanza">
<span class="i0">'We know by a gleam on the brow so pale,<br/></span>
<span class="i0">When the soul bursts forth from its mortal veil,<br/></span>
<span class="i2">And the gentle and good departs,<br/></span>
<span class="i0">That the dying ears caught the first faint ring<br/></span>
<span class="i0">Of the songs of praise that the angels sing;<br/></span>
<span class="i2">But back to our yearning hearts<br/></span>
<span class="i0">Comes never, ah! never, a word to tell<br/></span>
<span class="i0">That the purified spirit we love so well<br/></span>
<span class="i2">Is safe on the heavenly strand;<br/></span>
<span class="i0">That the Angel of Death has another gem<br/></span>
<span class="i0">To set in the star-decked diadem<br/></span>
<span class="i2">Of the King of the Unknown Land!<br/></span></div>
<div class="stanza">
<span class="i0">'How speed our lost in the realms of air<br/></span>
<span class="i0">We would ask—we would ask, Do they love us there?<br/></span>
<span class="i2">Do they know that our hearts are sore,<br/></span>
<span class="i0">That the cup of sorrow oft overflows,<br/></span>
<span class="i0">And our eyes grow dim with weeping for those—<br/></span>
<span class="i2">For those who shall "weep no more "?<br/></span>
<span class="i0">And when the Angel of Death shall call,<br/></span>
<span class="i0">And earthly chains from about us fall,<br/></span>
<span class="i2">Will they meet us with clasping hand?<br/></span>
<span class="i0">But never, ah! never a voice replies<br/></span>
<span class="i0">From the "many mansions" above the skies<br/></span>
<span class="i2">To tell of the Unknown Land!'<SPAN name="FNanchor_1_1" id="FNanchor_1_1"></SPAN><SPAN href="#Footnote_1_1" class="fnanchor">[1]</SPAN><br/></span></div>
</div>
<p>'Aunt Milly, why did you show me this? and Richard's eyes, full of
reproachful pain, fixed themselves somewhat sternly on her face.</p>
<p>'Because I want you to understand. Look, there is another on the next
leaf; see, she has called it "A little while" and "for ever." My poor
girl, every word is so true of her own earnest nature.'</p>
<div class="poem"><div class="stanza">
<span class="i0">'"For ever," they are fading,<br/></span>
<span class="i2">Our beautiful, our bright;<br/></span>
<span class="i0">They gladden us "a little while,"<br/></span>
<span class="i2">Then pass away from sight;<br/></span>
<span class="i0">"A little while" we're parted<br/></span>
<span class="i2">From those who love us best,<br/></span>
<span class="i0">Who gain the goal before us<br/></span>
<span class="i2">And enter into rest.<br/></span></div>
<div class="stanza">
<span class="i0">'Our path grows very lonely,<br/></span>
<span class="i2">And still those words beguile,<br/></span>
<span class="i0">And cheer our footsteps onward;<br/></span>
<span class="i2">'Tis but a little while.<br/></span>
<span class="i0">'A little while earth's sorrow,—<br/></span>
<span class="i2">Its burdens and its care,<br/></span>
<span class="i0">Its struggles 'neath the crosses,<br/></span>
<span class="i2">Which we of earth must bear.<br/></span></div>
<div class="stanza">
<span class="i0">'There's time to do and suffer—<br/></span>
<span class="i2">To work our Master's will,<br/></span>
<span class="i0">But not for vain regretting<br/></span>
<span class="i2">For thoughts or deeds of ill.<br/></span>
<span class="i0">Too short to spend in weeping<br/></span>
<span class="i2">O'er broken hopes and flowers,<br/></span>
<span class="i0">For wandering and wasting,<br/></span>
<span class="i2">Is this strange life of ours.<br/></span></div>
<div class="stanza">
<span class="i0">'Though, when our cares oppress us,<br/></span>
<span class="i2">Earth's "little while" seems long,<br/></span>
<span class="i0">If we would win the battle<br/></span>
<span class="i2">We must be brave and strong.<br/></span>
<span class="i0">And so with humble spirit,<br/></span>
<span class="i2">But highest hopes and aim,<br/></span>
<span class="i0">The goal so often longed for<br/></span>
<span class="i2">We may perhaps attain.<br/></span></div>
<div class="stanza">
<span class="i0">'"For ever" and "for ever"<br/></span>
<span class="i2">To dwell among the blest,<br/></span>
<span class="i0">Where sorrows never trouble<br/></span>
<span class="i2">The deep eternal rest;<br/></span>
<span class="i0">When one by one we gather<br/></span>
<span class="i2">Beneath our Father's smile,<br/></span>
<span class="i0">And Heaven's sweet "for ever"<br/></span>
<span class="i2">Drowns earth's sad "little while."'<SPAN name="FNanchor_2_2" id="FNanchor_2_2"></SPAN><SPAN href="#Footnote_2_2" class="fnanchor">[2]</SPAN><br/></span></div>
</div>
<p>'Well, Richard?'</p>
<p>But there was no answer; only the buzzing of insects in giddy circles
broke the silence, mingled with the far-off twitter of birds. Only when
Mildred again looked up, the paper had fluttered to their feet, and
Richard had covered his face with his shaking hands.</p>
<p>'Dear Cardie, forgive me; I did not mean to pain you like this.'</p>
<p>'Aunt Milly,' in a voice so hoarse and changed that Mildred quite
started, 'if she die, if Olive die, I shall never know a moment's peace
again;' and the groan that accompanied the words wrung Mildred's tender
heart with compassion.</p>
<p>'God forbid we should lose her, Richard,' she returned, gently.</p>
<p>'Do not try to deceive me,' he returned, bitterly, in the same low,
husky tones. 'I heard what he said—what you both said—that it could
not go on much longer; and I saw his face when he thought he was alone.
There is no hope—none.'</p>
<p>'Oh, Richard, hush,' replied Mildred, in uncontrollable agitation;
'while there is life, there is hope. Think of David, "While the child
was yet alive I fasted and wept;" he could not tell whether God meant to
be gracious to him or not. We will pray, you and I, that our girl may be
spared.'</p>
<p>But Richard recoiled in positive horror.</p>
<p>'I pray, Aunt Milly? I, who have treated her so cruelly? I, who have
flung hard words to her, who have refused to forgive her? I——' and he
hid his pale, convulsed face in his hands again.</p>
<p>'But you have forgiven her now, you do her justice. You believe how
truly she loved, she will ever love you.'</p>
<p>'Too late,' he groaned. 'Yes, I see it now, she was too good for us; we
made her unhappy, and God is taking her home to her mother.'</p>
<p>'Then you will let her go, dear Cardie. Hush, it would break her heart
to see you so unhappy;' and Mildred knelt down on the grass beside him,
and stroked back the dark waves of hair tenderly. She knew the pent-up
anguish of weeks must have its vent, now that his stoical manhood had
broken down. Remorse, want of rest, deadly conflict and anxiety, had at
last overcome the barrier of his reserve; and, as he flung himself down
beside her, with his face hidden in the bracken, she knew the hot tears
were welling through his fingers.</p>
<p>For a long time she sat beside him, till his agitation had subsided; and
then, in her low, quiet voice, she began to talk to him. She spoke of
Olive's purity and steadfastness of purpose, her self-devotedness and
power of love; and Richard raised his head to listen. She told him of
those Sunday afternoons spent by her mother's grave, that quiet hour of
communion bracing her for the jars and discords of the week. And she
hinted at those weary moods of perpetual self-torture and endless
scruple, which hindered all vigorous effort and clouded her youth.</p>
<p>'A diseased sensibility and overmuch imagination have resulted in the
despondency that has so discouraged and annoyed you, Richard. She has
dwelt so long among shadows of her own raising, that she has grown a
weary companion to healthier minds; her very love is so veiled by
timidity that it has given you an impression of her coldness.'</p>
<p>'Blind fool that I was,' he ejaculated. 'Oh, Aunt Milly, do you think
she can ever forgive me?'</p>
<p>'There can be no question of forgiveness at all; do not distress her by
asking for it, Richard. Olive's heart is as simple as a little child's;
it is not capable of resentment. Tell her that you love her, and you
will make her happy.'</p>
<p>Richard did not answer for a minute, his thoughts had suddenly taken a
new turn.</p>
<p>'I never could tell how it was she read me so correctly,' he said at
last; 'her telling my father, and not me, was so incomprehensible.'</p>
<p>'She did not dare to speak to you, and she was so unhappy; but, Richard,
even Olive does not hold the clue to all this trouble.'</p>
<p>He started nervously, changed colour, and plucked the blades of grass
restlessly. But in his present softened mood, Mildred knew he would not
repulse her; trouble might be near at hand, but at least he would not
refuse her sympathy any longer.</p>
<p>'Dear Cardie, your difficulty is a very real one, and only time and
prayerful consideration can solve it; but beware how you let the wishes
of your dead mother, dear and binding as they may be to you, prove a
snare to your conscience. Richard, I knew her well enough to be sure
that was the last thing she would desire.'</p>
<p>The blood rushed to Richard's face, eager words rose to his lips, but he
restrained them; but the grateful gleam in his eyes spoke volumes.</p>
<p>'That is your real opinion, Aunt Milly.'</p>
<p>'Indeed it is. Unready hands, an unprepared heart, are not fit for the
sanctuary. I may wish with you that difficulties had not arisen, that
you could carry out your parents' dedication and wish; but vocation
cannot be forced, neither must you fall into Olive's mistake of
supposing self-sacrifice is the one thing needful. After all, our first
duty is to be true to ourselves.'</p>
<p>'Aunt Milly, how wise you are!' he exclaimed in involuntary admiration.
'No one, not even my father, put it so clearly. You are right, I do not
mean to sacrifice myself unless I can feel it my duty to do so. But it
is a question I must settle with myself.'</p>
<p>'True, dear, only remember the brave old verse—</p>
<div class="poem"><div class="stanza">
<span class="i0">"Stumbleth he who runneth fast?<br/></span>
<span class="i0">Dieth he who standeth still?<br/></span>
<span class="i0">Not by haste or rest can ever<br/></span>
<span class="i0">Man his destiny fulfil."<br/></span></div>
</div>
<p>"Never hasting, never resting," a fine life-motto, Cardie; but our time
is nearly at an end, we must be going now.'</p>
<p>As they walked along, Richard returned of his own accord to the subject
they had been discussing, and owned his indecision was a matter of great
grief to him.</p>
<p>'Conscientious doubts will find their answer some day,' replied Mildred;
'but I wish you had not refused to confide them to your father.'</p>
<p>Richard bit his lip.</p>
<p>'It was wrong of me; I know it, Aunt Milly; but it would have been so
painful to him, and so humiliating to myself.'</p>
<p>'Hardly so painful as to be treated like a stranger by his own son. You
have no idea how sorely your reserve has fretted him.'</p>
<p>'It was cowardly of me; but indeed, Aunt Milly, the whole question was
involved in difficulty. My father is sometimes a little vague in his
manner of treating things; he is more scholarly than practical, and I
own I dreaded complication and disappointment.'</p>
<p>Mildred sighed. Perhaps after all he was right. Her brother was
certainly a little dreamy and wanting in concentration and energy just
now; but little did Richard know the depth of his father's affection.
Just as the old war-horse will neigh at the sound of the battle, and be
ready to rush into the midst of the glittering phalanx, so would Arnold
Lambert have warred with the grisly phantoms of doubt and misbelief that
were leagued against Richard's boyish faith, ready to lay down his life
if need be for his boy; but as he sat hour after hour in his lonely
study, the sadness closed more heavily round him—sadness for his lost
love in heaven, his lost confidence on earth.</p>
<p>Dr. Heriot gave Mildred and Richard a searching glance as they
re-entered the room. Both looked worn and pale, but a softened and
subdued expression was on Richard's face as he stood by the bedside,
looking down on his sister.</p>
<p>'No change,' whispered Mildred.</p>
<p>'None at present; but there may be a partial rally. Where is Mr.
Lambert, I want to speak to him;' and, as though to check further
questioning, Dr. Heriot reiterated a few instructions, and left the
room.</p>
<p>The hours passed on. Richard, in spite of his aunt's whispered
remonstrances, still kept watch beside her; and Mr. Lambert, who as
usual had been praying by the side of his sick child, and had breathed
over her unconsciousness his solemn benediction, had just left the room,
when Mildred, who was giving her nourishment, noticed a slight change in
Olive, a sudden gleam of consciousness in her eyes, perhaps called forth
by her father's prayer, and she signed to Richard to bring him back.</p>
<p>Was this the rally of which Dr. Heriot spoke? the brief flicker of the
expiring torch flaming up before it is extinguished? Olive seemed trying
to concentrate her drowsy faculties, the indistinct muttering became
painfully earnest, but the unhappy father, though he placed his ear to
the lips of the sinking girl, could connect no meaning with the
inarticulate sounds, until Mildred's greater calmness came to his help.</p>
<p>'Home. I think she said home, Arnold;' and then with a quick intuitive
light that surprised herself, 'I think she wishes to know if God means
to take her home.'</p>
<p>Olive's restlessness a little abated. This time the parched and
blackened lips certainly articulated 'home' and 'mother.' They could
almost fancy she smiled.</p>
<p>'Oh, do not leave me, my child,' ejaculated Mr. Lambert, stretching out
his arms as though to keep her. 'God is good and merciful; He will not
take away another of my darlings; stay a little longer with your poor
father;' and Olive understood him, for the bright gleam faded away.</p>
<p>'Oh, father, she will surely stay if we ask her,' broke in Richard in an
agitated voice, thrusting himself between them and speaking with a
hoarse sob; 'she is so good, and knows we all love her and want her. You
will not break my heart, Livy, you will forgive me and stay with us a
little?' and Richard flung himself on his knees and buried his head on
the pillow.</p>
<p>Ah, the bright gleam had certainly faded now; there was a wandering,
almost a terrified expression in the hollow, brilliant eyes. Were those
gates closing on her? would they not let her go?</p>
<p>'Cardie, dear Cardie, hush, you are agitating her; look how her eyelids
are quivering and she has no power to speak. Arnold, ask him to be
calm,' and Mr. Lambert, still holding his seemingly dying child, laid
his other hand on Richard's bent head.</p>
<p>'Hush, my son, we must not grieve a departing spirit. I was wrong. His
will be done even in this. He has given, and He must take away; be
silent while I bless my child again, my child whom I am giving back to
Him and to her mother,' but as he lifted up his hands the same feeble
articulation smote on their ear.</p>
<p>'Cardie wants me—poor Cardie—poor papa—not my will.'</p>
<p>Did Mildred really catch those words, struggling like broken
breaths?—was it the cold sweat of the death-damp that gathered on the
clammy brow?—were the fingers growing cold and nerveless on which
Richard's hot lips were pressed?—were those dark eyes closing to earth
for ever?</p>
<p>'Mildred—Richard—what is this?'</p>
<p>'"Lord, if he sleep he shall do well!" exclaimed the disciples.'</p>
<p>'Hush; thank God, this is sleep, natural sleep,—the crisis is passed,
we shall save her yet,' and Dr. Heriot, who had just entered, beckoned
the father and brother gently from the room.</p>
<hr style="width: 65%;" />
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