<h2><SPAN name="CHAPTER_III" id="CHAPTER_III"></SPAN>CHAPTER III</h2>
<h3>VIÂ TEBAY</h3>
<div class="poem"><div class="stanza">
<span class="i8">'All the land in flowing squares.<br/></span>
<span class="i0">Beneath a broad and equal blowing wind,<br/></span>
<span class="i0">Smelt of the coming summer, as one large cloud<br/></span>
<span class="i0">Drew downward; but all else of heaven was pure<br/></span>
<span class="i0">Up to the sun, and May from verge to verge,<br/></span>
<span class="i0">And May with me from head to heel.<br/></span></div>
</div>
<hr style="width: 45%;" />
<div class="poem"><div class="stanza">
<span class="i8">To left and right<br/></span>
<span class="i0">The cuckoo told his name to all the hills,<br/></span>
<span class="i0">The mellow ouzel fluted in the elm,<br/></span>
<span class="i0">The redcap whistled, and the nightingale<br/></span>
<span class="i0">Sung loud, as though he were the bird of day.'—<span class="smcap">Tennyson.</span><br/></span></div>
</div>
<hr style="width: 65%;" />
<p>'Aunt Milly, I can breathe now. Oh, how beautiful!' and Polly clapped
her hands with girlish glee, as the train slowly steamed into Tebay
Junction, the gray old station lying snugly among the green Westmorland
hills.</p>
<p>'Oh, my dear, hush! who is that tall youth taking off his hat to us? not
Roy, surely, it must be Richard. Think of not knowing my own nephews!'
and Mildred looked distressed and puzzled.</p>
<p>'Now, Aunt Milly, don't put yourself out; if this stupid door would only
open, I would get out and ask him myself. Oh, thank you,' as the youth
in question hurried forward to perform that necessary service, looking
at her, at the same time, rather curiously. 'If you please, Aunt Milly
wants to know if you are Roy or Richard.'</p>
<p>'Roy,' was the prompt answer. 'What, are you Polly, and is that Aunt
Milly behind you? For shame, Aunt Milly, not to know me when I took my
hat off to you at least three minutes ago;' but Roy had the grace to
blush a little over this audacious statement as he helped Mildred out,
and returned her warm grasp of the hand.</p>
<p>'My dear boy, how could you have known us, and Polly, a perfect
stranger, too?'</p>
<p>Roy burst into a ringing laugh.</p>
<p>'Why you see, Aunt Milly, one never loses by a little extra attention;
it always pays in the long run. I just took off my hat at random as the
train came in sight, and there, as it happened, was Polly's face glued
against the window. So I was right, and you were gratified!'</p>
<p>'Now I am sure it is Roy.'</p>
<p>'Roy, Rex, or Sauce Royal, as they called me at Sedbergh. Well, Miss
Polly,' with another curious look, 'we are <i>bonâ fide</i> adopted cousins,
as Dr. John says, so we may as well shake hands.'</p>
<p>'Humph,' was Polly's sole answer, as she gave her hand with the air of a
small duchess, over which Roy grimaced slightly; and then with a cordial
inflection of voice, as he turned to Mildred—</p>
<p>'Welcome to Westmorland, Aunt Milly—both of you, I mean; and I hope you
will like us, as much as we shall like you.'</p>
<p>'Thank you, my boy; and to think I mistook you for Richard! How tall you
have grown, Royal.'</p>
<p>'Ah, I was a bit of a lad when you were down here last. I am afraid I
should not have recognised you, Aunt Milly, but for Polly. Well, what is
it? you look disturbed; there is a vision of lost boxes in your eyes;
there, I knew I was right; don't be afraid, we are known here, and
Barton will look after all your belongings.'</p>
<p>'But how long are we to remain? Polly is tired, poor child, and so am
I.'</p>
<p>'You should have come by York, as Richard told you; always follow
Richard's advice, and you will never do wrong, so he thinks; now you
have two hours to wait, and yourself to thank, and only my pleasing
conversation to while away the time.'</p>
<p>'You hard-hearted boy; can't you see Aunt Milly is ready to drop?' broke
in Polly, indignantly; 'how were we to know you lived so near the North
Pole? My guardian ought to have met us,' continued the little lady, with
dignity; 'he would have known what to have done for Aunt Milly.'</p>
<p>Roy stared, and then burst into his ready, good-humoured laugh.</p>
<p>'Whew! what a little termagant! Of course you are tired—women always
are; take my arm, Aunt Milly; lean on me; now we will go and have some
tea; let us know when the train starts, Barton, and look us out a
comfortable compartment;' and, so saying, Roy hurried his charges away;
Mildred's tired eyes resting admiringly on the long range of low, gray
buildings, picturesque, and strangely quiet, backed by the vivid green
of the great circling hills, which, to the eyes of southerners, invested
Tebay Junction with unusual interest.</p>
<p>The refreshment-room was empty; there was a pleasant jingling of cups
and spoons behind the bar; in a twinkling the spotless white table-cloth
was covered with home-made bread, butter, and ham, and even Polly's brow
cleared like magic as she sipped her hot tea, and brought her healthy
girlish appetite to bear on the tempting Westmorland cakes.</p>
<p>'There, Dr. John or Dick himself couldn't be a better squire of dames,'
observed Roy, complacently. 'Aunt Milly, when you have left off admiring
me, just close your eyes to your surroundings a little while—it will do
you no end of good.'</p>
<p>Roy was rattling on almost boisterously, Mildred thought; but she was
right in attributing much of it to nervousness. Roy's light-heartedness
was assumed for the time; in reality, his sensitive nature was deeply
touched by this meeting with his aunt; his four-months'-old trouble was
still too recent to bear the least allusion. Betha's children were not
likely to forget her, and Roy, warmly as he welcomed his father's
sister, could not fail to remember whose place it was she would try so
inadequately to fill. Jokes never came amiss to Roy, and he had the
usual boyish dislike to show his feelings; but he was none the less sore
at heart, and the quick impatient sigh that was now and then jerked out
in the brief pauses of conversation spoke volumes to Mildred.</p>
<p>'You are so like your mother,' she said, softly; but the boy's lip
quivered, and he turned so pale, that Mildred did not venture to say
more; she only looked at him with the sort of yearning pride that women
feel in those who are their own flesh and blood.</p>
<p>'He is not a bit like Arnold, he is Betha's boy,' she thought to
herself; 'her "long laddie," as she used to call him. I dare say he is
weak and impulsive. Those sort of faces generally tell their own story
pretty correctly;' and the thought crossed her, that perhaps one of Dad
Fabian's womanish angels might have had the fair hair, long pale face,
and sleepy blue eyes, which were Roy's chief characteristics, and which
were striking enough in their way.</p>
<p>Polly, who had soon got over her brief animosity, was now chattering to
him freely enough.</p>
<p>'I think you will do, for a country boy,' she observed, patronisingly;
'people who live among the mountains are generally free and easy, and
not as polished as those who live in cities,' continued Polly, uttering
this sententious plagiarism as innocently as though it were the product
of her own wisdom.</p>
<p>'Such kind of borrowing as this, if it be not bettered by the borrower,
among good authors, is accounted plagiary; see Milton,' said the boy,
fresh from Sedbergh, with a portentous frown, assumed for the occasion.
'Name your reference. I repel such vile insinuations, Miss Polly, as I
am a Westmorland boy.'</p>
<p>'I learnt that in my dictation,' returned Polly, vexed, but too candid
for reticence; 'but Dad Fabian used to say the same thing; please don't
stroke Veteran Rag the wrong way, he does not like it.'</p>
<p>'Poor old Veteran, he has won some scars, I see. I am afraid you are a
character, Polly. Rag and Tatters, and copybook wisdom, well-thumbed and
learnt, and then retailed as the original article. I wish Dr. John could
hear you; he would put you through your paces.'</p>
<p>'Who is Dr. John?' asked Polly, coming down a little from her stilts,
and evidently relenting in favour of Roy's handsome face.</p>
<p>'Oh, Dr. John is Dr. John, unless you choose to do as the world does,
and call him Dr. Heriot; he is Dr. John to us; after all, what's in a
name?'</p>
<p>'I like my guardian to be called Dr. Heriot best; the other sounds
disrespectful and silly.'</p>
<p>'We did not know your opinion before, you see,' returned Roy, with a
slight drawl, and almost closing his eyes; 'if you could have
telegraphed your wish to us three or four years ago it might have been
different; but with the strict conservative feeling prevalent at the
vicarage, I am afraid Dr. John it will remain, unless,' meditating
deeply; 'but no, he might not like it.'</p>
<p>'What?'</p>
<p>'Well, we might make it Dr. Jack, you know.'</p>
<p>'After all, boys are nothing but plagues,' returned Polly, scornfully.</p>
<p>'"Playa, plagua, plague, <i>et cetera, et cetera</i>, that which smites or
wounds; any afflictive evil or calamity; a great trial or vexation; also
an acute malignant febrile disease, that often prevails in Egypt, Syria,
and Turkey, and that has at times prevailed in the large cities of
Europe, with frightful mortality; hence any pestilence." Have you
swallowed Webster's <i>Dictionary</i>, Polly?'</p>
<p>'My dears, I hope you do not mean to quarrel already?'</p>
<p>'We are only sounding the depths of each other's wisdom. Polly is
awfully shallow, Aunt Milly; the sort of person, you know, who utilises
all the scraps. Wait till she sits at the feet of Gamaliel—Dr. John, I
mean; he is the one for finding out "all is not gold that glitters."'</p>
<p>Mildred smiled. 'Let them fight it out,' she thought; 'no one can resist
long the charm of Polly's perfect honesty, and her pride is a little too
thin-skinned for daily comfort; good-natured raillery will be a
wholesome tonic. What a clever boy he is! only seventeen, too,' and she
shook her head indulgently at Roy.</p>
<p>'Kirkby Stephen train starts, sir; all the luggage in; this way for the
ladies.'</p>
<p>'Quick-march; down with you, Tatters; lie there, good dog. Don't let the
grass grow under your feet, Aunt Milly; there's a providential escape
for two tired and dusty Londoners. Next compartment, Andrews,' as the
red-coated guard bore down on their carriage. 'There, Aunt Milly,' with
an exquisite consideration that would have become Dr. John himself, 'I
have deferred an introduction to the squire himself.'</p>
<p>'My dear Roy, how thoughtful of you. I am in no mood for introductions,
certainly,' returned Mildred, gratefully.</p>
<p>'Women never are unless they have on their best bonnets; and, to tell
you the truth,' continued the incorrigible Roy, 'Mr. Trelawny is the
sort of man for whom one always furbishes up one's company manners. As
Dr. John says, there is nothing slip-shod, or in <i>deshabille</i>, in him.
Everything about him is so terribly perfect.'</p>
<p>'Roy, Roy, what a quiz you are!'</p>
<p>'Hush, there they come; the Lady of the Towers herself, Ethel the
Magnificent; the weaver of yards of flimsy verse, patched with rags and
shreds of wisdom, after Polly's fashion. Did you catch a glimpse of our
notabilities, Aunt Milly?'</p>
<p>Mildred answered yes; she had caught a glimpse over Roy's shoulder of a
tall, thin, aristocratic-looking man; but the long sweep of silk drapery
and the outline of a pale face were all that she could see of the lady
with him.</p>
<p>She began to wish that Roy would be a little less garrulous as the train
moved out of Tebay station, and bore them swiftly to their destination;
she was nerving herself for the meeting with her brother, and the sight
of the vicarage without the presence of its dearly-loved mistress, while
the view began to open so enchantingly before them on either side, that
she would willingly have enjoyed it in silence. But Polly was less
reticent, and her enthusiasm pleased Roy.</p>
<p>'You see we are in the valley of the Lune,' he explained, his
grandiloquence giving place to boyish earnestness. 'Ours is one of the
loveliest spots in the whole district. Now we are at the bottom of
Ravenstone-dale, out of which it used to be said that the people would
never allow a good cow to go, or a rich heiress to be taken; and then we
shall come to Smardale Gill. Is it not pretty, with its clear little
stream running at the bottom, and its sides covered with brushwood? Now
we are in my father's parish,' exclaimed Roy, eagerly, as the train
swept over the viaduct. 'And now look out for Smardale Hall on the
right; once the residents were grand enough to have a portion of the
church to themselves, and it is still called Smardale Chapel; the whole
is now occupied by a farmhouse. Ah, now we are near the station. Do you
see that castellated building? that is Kirkleatham House, the Trelawnys'
place. Now look out for Dick, Aunt Milly. There he is! I thought so, he
has spotted the Lady of the Towers.'</p>
<p>'My dear, is that Richard?' as a short and rather square-shouldered
young man, but decidedly good-looking, doffed his straw hat in answer to
some unseen greeting, and then peered inquiringly into their
compartment.</p>
<p>'Ah, there you are, Rex. Have you brought them? How do you do, Aunt
Milly? Is that young lady with you Miss Ellison?' and he shook hands
rather formally, and without looking at Polly. 'I hope you did not find
your long stay at Tebay very wearisome. Did you give them some tea, Rex?
That's right. Please come with me, Aunt Milly; our waggonette is waiting
at the top of the steps.'</p>
<p>'Oh, Richard, I wish you were not all such strangers to me!' Mildred
could not have helped that involuntary exclamation which came out of the
fulness of her heart. Her elder nephew was walking gravely by her side,
with slow even strides; he looked up a little surprised.</p>
<p>'I suppose we must be that. After seven years' absence you will find us
all greatly changed of course. I remember you perfectly, but then I was
fourteen when you paid your last visit.'</p>
<p>'You remember me? I hardly expected to hear you say that,' and Mildred
felt a glow of pleasure which all Roy's friendliness had not called
forth.</p>
<p>'You are looking older—and as Dr. Heriot told us, somewhat ill; but it
is the same face of course. My father will be glad to welcome you, Aunt
Milly.'</p>
<p>'And you?'</p>
<p>His dark face flushed, and he looked a little discomfited. Mildred felt
sorry she had asked the question, it would offend his reticence.</p>
<p>'It is early days for any of us to be glad about anything,' he returned
with effort. 'I think for my father's and the girls' sake, your coming
could not be too soon; you will not complain of our lack of welcome I
hope, though some of us may be a little backward in acting up to it.'</p>
<p>'He is speaking of himself,' thought Mildred, and she answered the
unspoken thought very tenderly. 'You need not fear my misunderstanding
you, Richard; if you will let me be your friend as well as the others',
I shall be glad: but no one can fill her place.'</p>
<p>He started, and drew his straw hat nervously over his brow. 'Thank you,
Aunt Milly,' was all he said, as he placed her in the waggonette, and
took the driver's seat on the box.</p>
<p>'There are changes even here, Aunt Milly,' observed Roy, who had seated
himself opposite to her for the purpose of making pertinent observations
on the various landmarks they passed, and he pointed to the long row of
modern stuccoed and decidedly third-class villas springing tip near the
station. 'The new line brings this. We are in the suburbs of Kirkby
Stephen, and I dare say you hardly know where you are;' a fact which
Mildred could not deny, though recognition dawned on her senses, as the
low stone houses and whitewashed cottages came in sight; and then the
wide street paved with small blue cobbles out of the river, and small
old-fashioned shops, and a few gray bay-windowed houses bearing the
stamp of age, and well-worn respectability. Ah, there was the
market-place, with the children playing as usual round the old pump, and
the group of loiterers sunning themselves outside the Red Lion. Through
the grating and low archway of the empty butter-market Mildred could see
the grass-grown paths and gleaming tombstones and the gray tower of the
grand old church itself. The approach to the vicarage was singularly
ill-adapted to any but pedestrians. It required a steady hand and eye to
guide a pair of spirited horses round the sharp angles of the narrow
winding alley, but the little country-bred browns knew their work. The
vicarage gates were wide open, and two black figures were shading their
eyes in the porch. But Richard, instead of driving in at the gate,
reined in his horses so suddenly that he nearly brought them on their
haunches, and leaning backward over the box, pointed with his whip
across the road.</p>
<p>'There is my father taking his usual evening stroll—never mind the
girls, Aunt Milly. I dare say you would rather meet him alone.'</p>
<p>Mildred stood up and steadied herself by laying a hand on Richard's
shoulder. The sun was setting, and the gray old church stood out in fine
relief in the warm evening light, blue breadths of sky behind it, and
shifting golden lines of sunny clouds in the distance; while down the
quiet paths, bareheaded and with hands folded behind his back, was a
tall stooping figure, with scanty gray hair falling low on his neck,
walking to and fro, with measured, uneven tread.</p>
<p>The hand on Richard's shoulder shook visibly; Mildred was trembling all
over.</p>
<p>'Arnold! Oh, how old he looks! How thin and bowed! Oh, my poor brother.'</p>
<p>'You must make allowance for the shock he has had—that we have all
had,' returned Richard in a soothing tone. 'He always walks like this,
and at the same time. Go to him, Aunt Milly, it does him good to be
roused.'</p>
<p>Mildred obeyed, though her limbs moved stiffly; the little gate swung
behind her; a tame goat browsing among the tombs bleated and strained at
its tether as she passed; but the figure she followed still continued
its slow, monotonous walk.</p>
<p>Mildred shrunk back for a moment into the deep church porch to pause and
recover herself. At the end of the path there were steps and an unused
gate leading to the market; he must turn then.</p>
<p>How quiet and peaceful it all looked! The dark range of school buildings
buried in shadow, the sombre line of houses closing in two sides of the
churchyard. Behind the vicarage the purple-rimmed hills just fading into
indistinctness. Up and down the stone alley some children were playing,
one wee toddling mite was peeping through the railings at Mildred. The
goat still bleated in the distance; a large blue-black terrier swept in
hot pursuit of his master.</p>
<p>'Ah, Pupsie, have you found me? The evenings are chilly still; so, so,
old dog, we will go in.'</p>
<p>Mildred waited for a moment and then glided out from the porch—he
turned, saw her, and held out his arms without a word.</p>
<p>Mr. Lambert was the first to recover himself; for Mildred's tears,
always long in coming, were now falling like rain.</p>
<p>'A sad welcome, my dear; but there, she would not have us grieving like
this.'</p>
<p>'Oh, Arnold, how you have suffered! I never realised how much, till
Richard stopped the horses, and then I saw you walking alone in the
churchyard. The dews are falling, and you are bareheaded. You should
take better care of yourself, for the children's sake.'</p>
<p>'Ay, ay; just what she said; but it has grown into a sort of habit with
me. Cardie comes and fetches me in, night after night; the lad is a good
lad; his mother was right after all.'</p>
<p>'Dear Betha; but you have not laid her here, Arnold?'</p>
<p>He shook his head.</p>
<p>'I could not, Mildred, though she wished it as much as I did. She often
said she would like to lie within sight of the home where she had been
so happy, and under the shadow of the church porch. She liked the
thought of her children's feet passing so near her on their way to
church, but I had no power to carry out her wish.'</p>
<p>'You mean the churchyard is closed?'</p>
<p>'Yes, owing to the increase of population, the influx of railway
labourers, and the union workhouse, deaths in the parish became so
numerous that there was danger of overcrowding. She lies in the
cemetery.'</p>
<p>'Ah! I remember.'</p>
<p>'I do not think her funeral will ever be forgotten; people came for
miles round to pay their last homage to my darling. One old woman over
eighty came all the way from Castlesteads to see her last of "the
gradely leddy," as she called her. You should have seen it, to know how
she was loved.'</p>
<p>'She made you very happy while she lived, Arnold!'</p>
<p>'Too happy!—look at me now. I have the children, of course, poor
things; but in losing her, I feel I have lost the best of everything,
and must walk for ever in the shadow.'</p>
<p>He spoke in the vague musing tone that had grown on him of late, and
which was new to Mildred—the worn, set features and gray hair
contrasted strangely with the vivid brightness of his eyes, at once keen
and youthful; he had been a man in the prime of life, vigorous and
strong, when Mildred had seen him last; but a long illness and deadly
sorrow had wasted his energy, and bowed his upright figure, as though
the weight were physical as well as mental.</p>
<p>'But this is a poor welcome, Milly; and you must be tired and starved
after your day's journey. You are not looking robust either, my
dear—not a trace of the old blooming Milly' (touching her thin cheek
sorrowfully). 'Well, well, the children must take care of you, and we'll
get Dr. Heriot to prescribe. Has the child come with you after all?'</p>
<p>Mildred signified assent.</p>
<p>'I am glad of it. Thank you heartily for your ready help, Milly; we
would do anything for Heriot; the boys treat him as a sort of elder
brother, and the girls are fond of him, though they lead him a life
sometimes. He is very grateful to you, and says you have lifted a
mountain off him. Is the girl a nice girl, eh?'</p>
<p>'I must leave you to judge of that. She has interested me, at any rate;
she is thoroughly loveable.'</p>
<p>'She will shake down among the others, and become one of us, I hope. Ah!
well, that will be your department, Mildred.</p>
<p>I am not much to be depended on for anything but parish matters. When a
man loses hope and energy it is all up with him.'</p>
<p>The little gate swung after them as he spoke; the flower-bordered
courtyard before the vicarage seemed half full of moving figures as they
crossed the road; and in another moment Mildred was greeting her nieces,
and introducing Polly to her brother.</p>
<p>'I cannot be expected to remember you both,' she said, as Olive timidly,
and Christine rather coldly, returned her kiss. 'You were such little
girls when I last saw you.'</p>
<p>But with Mildred's tone of benevolence there mingled a little dismay.
Betha's girls were decidedly odd.</p>
<p>Olive, who was a year older than Polly, and who was quite a head taller,
had just gained the thin ungainly age, when to the eyes of anxious
guardians the extremities appear in the light of afflictive
dispensations; and premature old age is symbolised by the rounded and
stooping shoulders, and sunken chest; the age of trodden-down heels and
ragged finger-ends, when the glory of the woman, as St. Paul calls it,
instead of being coiled into smooth knots, or swept round in faultless
plaits, of coroneted beauty, presents a vista of frayed ends and
multitudinous hair-pins. Olive's loosely-dropping hair and dark cloudy
face gave Mildred a shock; the girl was plain too, though the irregular
features beamed at times with a look of intelligence. Christine, who was
two years younger, and much better-looking, in spite of a rough,
yellowish mane, had an odd, original face, a pert nose, argumentative
chin, and restless dark eyes, which already looked critically at persons
and things. 'Contradiction Chriss,' as the boys called her, was
certainly a character in her way.</p>
<p>'Are you tired, aunt? Will you come in?' asked Olive, in a low voice,
turning a dull sort of red as she spoke. 'Cardie thinks you are, and
supper is ready, and——'</p>
<p>'I am very tired, dear, and so is Polly,' answered Mildred, cheerfully,
as she followed Olive across the dimly-lighted hall, with its
old-fashioned fireplace and settles; its tables piled up with coats and
hats, which had found their way to the harmonium too.</p>
<p>They went up the low, broad staircase Mildred remembered so well, with
its carved balustrades and pretty red and white drugget, and the great
blue China jars in the window recesses.</p>
<p>The study door stood open, and Mildred had a glimpse of the high-backed
chair, and table littered over with papers, before she began ascending
again, and came out into the low-ceiled passage, with deep-set lattice
windows looking on the court and churchyard.</p>
<p>'Chrissy and I sleep here,' explained Olive, panting slightly from
nervousness, as Mildred looked inquiringly at her. 'We thought—at least
Cardie thought—this little room next to us would do for Miss Ellison.'</p>
<p>Polly peeped in delightedly. It was small, but cosy, with a
curiously-shaped bedstead—the head having a resemblance to a Latin
cross, with three pegs covered with white dimity. The room was neatly
arranged—a decided contrast to the one they had just passed; and there
was even an effort at decoration, for the black bars of the grate were
entwined with sprays of honesty—the shining, pearly leaves grouped also
in a tall red jar, on the mantelpiece.</p>
<p>'That is a pretty idea. Was it yours, Olive?'</p>
<p>Olive nodded. 'Father thought you would like your old room, aunt—the
one he and mother always called yours.'</p>
<p>The tears came again in Mildred's eyes. Somehow it seemed but yesterday
since Betha welcomed her so warmly, and showed her the room she was
always to call hers. There was the tiny dressing-room, with its distant
view, and the quaint old-fashioned room, with an oaken beam running
across the low ceiling, and its wide bay-window.</p>
<p>There was the same heartsease paper that Mildred remembered seven years
ago, the same flowery chintz, the curious old quilt, a hundred years
old, covered with twining carnations. The very fringe that edged the
beam spoke to her of a brother's thoughtfulness, while the same hand had
designed the motto which from henceforth was to be Mildred's
own—'<i>Laborare est orare</i>.'</p>
<p>'The lines are fallen to me in pleasant places,' whispered Mildred as
she drew near the window, and stood there spell-bound by the scene,
which, though well-remembered, seemed to come before her with new
beauty.</p>
<p>Underneath her lay the vicarage garden, with its terrace walk and small,
trim lawn; and down below, half hidden by a steep wooded bank, flowed
the Eden, its pebbly beach lying dry under the low garden wall, but
farther on plashing with silvery gleams through the thick foliage.</p>
<p>To the right was the footbridge leading to the meadows, and beyond that
the water-mill and the weir; and as far as eye could reach, green
uplands and sweeps of pasturage, belted here and there with trees, and
closing in the distance soft ranges of fells, ridge beyond ridge, fading
now into gray indistinctness, but glorious to look upon when the sun
shone down upon their 'paradise of purple and the golden slopes atween
them,' or the storm clouds, lowering over them, tinged them with darker
violet.</p>
<p>'A place to live in and die in,' thought Mildred, solemnly, as the last
thing that night she stood looking out into the moonlight.</p>
<p>The hills were invisible now, but gleams of watery brightness shone
between the trees, and the garden lay flooded in the silver light. A
light wind stirred the foliage with a soft soughing movement, and some
animal straying to the river to drink trod crisply on the dry pebbles.</p>
<p>'A place where one should think good thoughts and live out one's best
life,' continued Mildred, dreamily. A sigh, almost a groan, from beneath
her open window seemed to answer her unspoken thought; and then a dark
figure moved quietly away. It was Richard!</p>
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