<h2><SPAN name="VII" id="VII"></SPAN>VII</h2>
<h3>PRISONERS OF THE PARTERRE</h3>
<p><span style="margin-left: 2em;">Prim little scholars are the flowers of her garden,</span><br/>
<span style="margin-left: 3em;">Trained to stand in rows, and asking if they please.</span><br/>
<span style="margin-left: 2em;">I might love them well but for loving more the wild ones:</span><br/>
<span style="margin-left: 3em;">O my wild ones! they tell me more than these.</span><br/>
<span style="margin-left: 15em;"><span class="smcap">Meredith.</span></span><br/></p>
<p><span class="smcap">The</span> domestication of plants, as of animals, is a concern of such
practical importance that in most minds it quite transcends whatever
interest may be felt in the beauty of wildflowers. But the many delights
of the garden ought not to blind us to the fact that there is in the
wild a peculiar quality which the domesticated can never reproduce, and
that the plant which is free, even if it be the humblest and most
common, has a charm for the nature-lover which the more gorgeous
captives of the garden must inevitably lack. If much is gained by
domestication, much is also lost. This, doubtless, is felt less strongly
in the taming of plants than of animals, but in either case it holds
true.</p>
<p>To some of us, it must be owned, zoological gardens are a nightmare of
confusion, and the now almost equally popular "rock-garden" a place
which<span class="pagenum"><SPAN name="Page_59" id="Page_59">[Pg 59]</SPAN></span> leaves an impression of dulness and futility; for while we fully
recognize the interest, such as it is, of inducing Alpines to grow under
altered conditions of climate, there is an irrelevance in the assembling
of heterogeneous flowers in one enclosure, which perplexes and wearies
the mind. For just as a cosmopolitan city is no city at all, and a Babel
is no language, so a multifarious rock-garden, where a host of alien
plants are grouped in unnatural juxtaposition, is a collection not of
flowers but of "specimens." For scientific purposes—the determination
of species, and viewing the plants in all stages of their growth—it may
be most valuable: to the mere flower-lover, as he gazes on such a
concourse, the thought that arises is: "What's Hecuba to him, or he to
Hecuba?" It is a museum, a herbarium, if you like; but hardly, in any
true sense, a garden.</p>
<p>I once had the experience of living next door to a friend who was
smitten with the mania for rock-gardening, and from my study window I
overlooked the process from start to finish—first the arrival of many
tons of limestone blocks and chips; then the construction of artificial
crags and gullies, moraines and escarpments, until a line of miniature
Alps rose to view; and lastly the planting of various mountain flowers
in the situations suited to their needs. Then followed many earnest
colloquies between the creator of this fair scene and a neighbour
enthusiast, as they walked about the garden together<span class="pagenum"><SPAN name="Page_60" id="Page_60">[Pg 60]</SPAN></span> and inspected it
plant by plant, much as a farmer goes his rounds to examine his oats or
turnips. They surveyed the world, botanically speaking, from China to
Peru. Yet somehow I felt that, just as I would rather see a sparrow at
large than an eagle in captivity, so to be shown round that
well-fashioned rockery was less entertaining than to show oneself round
the most barren of the adjacent moors. "Herbes that growe in the
fieldes," wrote a fifteenth-century herbalist, "be bettere than those
that growe in gardenes."<SPAN name="FNanchor_8_8" id="FNanchor_8_8"></SPAN><SPAN href="#Footnote_8_8" class="fnanchor">[8]</SPAN></p>
<p>This, however, is by no means the common opinion; on the contrary, there
is in most minds a disregard or veritable contempt for wildflowers as
being, with a few exceptions, "weeds," and quite unworthy of comparison
with the inmates of a garden.</p>
<p>In her <i>Haunts of the Wild Flowers</i>, Anne Pratt has recorded how she was
invited by a cottager to throw away a bunch of "ordinary gays" that she
was carrying, and to gather some garden flowers in their stead.</p>
<p>I once took a long walk over the moors in Derbyshire in order to visit
certain rare flowers of the limestone dales, among them the
speedwell-leaved whitlow-grass (<i>draba muralis</i>), a specimen of which I
brought home. This little crucifer is very insignificant in appearance;
and the fact that anyone should plod many miles to gather it so upset
the gravity of an extremely demure and respectful servant<span class="pagenum"><SPAN name="Page_61" id="Page_61">[Pg 61]</SPAN></span> girl, when
she saw it on my mantelpiece, that to her own visible shame and
confusion she broke into a loud giggle, somewhat as Bernard Shaw's
chocolate-cream soldier failed to conceal his amusement when the
portrait of the hero of the cavalry charge was shown to him by its
possessor.</p>
<p>Even in the case of those wildings whose beauty or scent has made them
generally popular, it is thought the highest compliment to domesticate
them, to bring them—poor waifs and strays that they are—from their
forlorn savage state into the fold of civilization, just as a
"deserving" pauper might be received into an almshouse, or an orphan
child into one of Dr. Barnardo's homes. And strange to say, this
reverential belief in the garden, as enhancing the merits of the wild,
has found its way into many of the wildflower books: for instance, in
Johns's well-known work, <i>Flowers of the Field</i> (of the <i>field</i>, be it
noted), we are informed that the lily of the valley is "a universally
admired garden plant, and that the sweet-brier is "deservedly"
cultivated.</p>
<p>The more refined wildflowers, it will be seen, can thus rise, as it
were, from the ranks, at the cost of their freedom, which happens to be
the most interesting thing about them, to be enrolled in the army of the
civilized; and the result has been that some of the more distinguished
plants, such as the <i>daphne mezereum</i>, are fast losing their place among
British wildflowers, and becoming nothing better than<span class="pagenum"><SPAN name="Page_62" id="Page_62">[Pg 62]</SPAN></span> prisoners and
captives of the parterre. This disdain that is felt for whatever is
wild, natural, and unowned, is largely responsible for the unscrupulous
digging up of any attractive plants that may be discovered, a subject of
which I propose to speak in the next chapter.</p>
<p>The absurdity of the typical gardener's attitude toward wildflowers is
well illustrated by some remarks in Delamer's <i>The Flower Garden</i> (1856)
with reference to that exceedingly beautiful plant, the tutsan. "Tutsan
is a hardy shrubby St. John's-wort, largely employed by gardeners of the
last century; but it has now, for the most part, retired from business,
in consequence of the arrival of more attractive and equally serviceable
newcomers. One or two tutsan bushes may be permitted to help to form a
screen of shrubs, in consideration of the days of auld lang syne."</p>
<p>Fortunately the tutsan is not "retiring from business" in Nature's
garden. It seems to me that, instead of carrying more and more
wildflowers into captivity, it would be much wiser to set at liberty the
many British plants that are now under detention. I would instruct my
gardener (if I had one) to lift very carefully the daphnes, the lilies
of the valley, the tutsans, the cornflowers, the woodruffs, and the rest
of the native clan, and to plant them out, each according to its taste,
by bank or hedgerow, in field, common, or wood.<span class="pagenum"><SPAN name="Page_63" id="Page_63">[Pg 63]</SPAN></span></p>
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