<p><SPAN name="link2HCH0009" id="link2HCH0009"></SPAN></p>
<h2> CHAPTER IX. WHAT IS NOBLE? </h2>
<p>257. EVERY elevation of the type "man," has hitherto been the work of an
aristocratic society and so it will always be—a society believing in
a long scale of gradations of rank and differences of worth among human
beings, and requiring slavery in some form or other. Without the PATHOS OF
DISTANCE, such as grows out of the incarnated difference of classes, out
of the constant out-looking and down-looking of the ruling caste on
subordinates and instruments, and out of their equally constant practice
of obeying and commanding, of keeping down and keeping at a distance—that
other more mysterious pathos could never have arisen, the longing for an
ever new widening of distance within the soul itself, the formation of
ever higher, rarer, further, more extended, more comprehensive states, in
short, just the elevation of the type "man," the continued
"self-surmounting of man," to use a moral formula in a supermoral sense.
To be sure, one must not resign oneself to any humanitarian illusions
about the history of the origin of an aristocratic society (that is to
say, of the preliminary condition for the elevation of the type "man"):
the truth is hard. Let us acknowledge unprejudicedly how every higher
civilization hitherto has ORIGINATED! Men with a still natural nature,
barbarians in every terrible sense of the word, men of prey, still in
possession of unbroken strength of will and desire for power, threw
themselves upon weaker, more moral, more peaceful races (perhaps trading
or cattle-rearing communities), or upon old mellow civilizations in which
the final vital force was flickering out in brilliant fireworks of wit and
depravity. At the commencement, the noble caste was always the barbarian
caste: their superiority did not consist first of all in their physical,
but in their psychical power—they were more COMPLETE men (which at
every point also implies the same as "more complete beasts").</p>
<p>258. Corruption—as the indication that anarchy threatens to break
out among the instincts, and that the foundation of the emotions, called
"life," is convulsed—is something radically different according to
the organization in which it manifests itself. When, for instance, an
aristocracy like that of France at the beginning of the Revolution, flung
away its privileges with sublime disgust and sacrificed itself to an
excess of its moral sentiments, it was corruption:—it was really
only the closing act of the corruption which had existed for centuries, by
virtue of which that aristocracy had abdicated step by step its lordly
prerogatives and lowered itself to a FUNCTION of royalty (in the end even
to its decoration and parade-dress). The essential thing, however, in a
good and healthy aristocracy is that it should not regard itself as a
function either of the kingship or the commonwealth, but as the
SIGNIFICANCE and highest justification thereof—that it should
therefore accept with a good conscience the sacrifice of a legion of
individuals, who, FOR ITS SAKE, must be suppressed and reduced to
imperfect men, to slaves and instruments. Its fundamental belief must be
precisely that society is NOT allowed to exist for its own sake, but only
as a foundation and scaffolding, by means of which a select class of
beings may be able to elevate themselves to their higher duties, and in
general to a higher EXISTENCE: like those sun-seeking climbing plants in
Java—they are called Sipo Matador,—which encircle an oak so
long and so often with their arms, until at last, high above it, but
supported by it, they can unfold their tops in the open light, and exhibit
their happiness.</p>
<p>259. To refrain mutually from injury, from violence, from exploitation,
and put one's will on a par with that of others: this may result in a
certain rough sense in good conduct among individuals when the necessary
conditions are given (namely, the actual similarity of the individuals in
amount of force and degree of worth, and their co-relation within one
organization). As soon, however, as one wished to take this principle more
generally, and if possible even as the FUNDAMENTAL PRINCIPLE OF SOCIETY,
it would immediately disclose what it really is—namely, a Will to
the DENIAL of life, a principle of dissolution and decay. Here one must
think profoundly to the very basis and resist all sentimental weakness:
life itself is ESSENTIALLY appropriation, injury, conquest of the strange
and weak, suppression, severity, obtrusion of peculiar forms,
incorporation, and at the least, putting it mildest, exploitation;—but
why should one for ever use precisely these words on which for ages a
disparaging purpose has been stamped? Even the organization within which,
as was previously supposed, the individuals treat each other as equal—it
takes place in every healthy aristocracy—must itself, if it be a
living and not a dying organization, do all that towards other bodies,
which the individuals within it refrain from doing to each other it will
have to be the incarnated Will to Power, it will endeavour to grow, to
gain ground, attract to itself and acquire ascendancy—not owing to
any morality or immorality, but because it LIVES, and because life IS
precisely Will to Power. On no point, however, is the ordinary
consciousness of Europeans more unwilling to be corrected than on this
matter, people now rave everywhere, even under the guise of science, about
coming conditions of society in which "the exploiting character" is to be
absent—that sounds to my ears as if they promised to invent a mode
of life which should refrain from all organic functions. "Exploitation"
does not belong to a depraved, or imperfect and primitive society it
belongs to the nature of the living being as a primary organic function,
it is a consequence of the intrinsic Will to Power, which is precisely the
Will to Life—Granting that as a theory this is a novelty—as a
reality it is the FUNDAMENTAL FACT of all history let us be so far honest
towards ourselves!</p>
<p>260. In a tour through the many finer and coarser moralities which have
hitherto prevailed or still prevail on the earth, I found certain traits
recurring regularly together, and connected with one another, until
finally two primary types revealed themselves to me, and a radical
distinction was brought to light. There is MASTER-MORALITY and
SLAVE-MORALITY,—I would at once add, however, that in all higher and
mixed civilizations, there are also attempts at the reconciliation of the
two moralities, but one finds still oftener the confusion and mutual
misunderstanding of them, indeed sometimes their close juxtaposition—even
in the same man, within one soul. The distinctions of moral values have
either originated in a ruling caste, pleasantly conscious of being
different from the ruled—or among the ruled class, the slaves and
dependents of all sorts. In the first case, when it is the rulers who
determine the conception "good," it is the exalted, proud disposition
which is regarded as the distinguishing feature, and that which determines
the order of rank. The noble type of man separates from himself the beings
in whom the opposite of this exalted, proud disposition displays itself he
despises them. Let it at once be noted that in this first kind of morality
the antithesis "good" and "bad" means practically the same as "noble" and
"despicable",—the antithesis "good" and "EVIL" is of a different
origin. The cowardly, the timid, the insignificant, and those thinking
merely of narrow utility are despised; moreover, also, the distrustful,
with their constrained glances, the self-abasing, the dog-like kind of men
who let themselves be abused, the mendicant flatterers, and above all the
liars:—it is a fundamental belief of all aristocrats that the common
people are untruthful. "We truthful ones"—the nobility in ancient
Greece called themselves. It is obvious that everywhere the designations
of moral value were at first applied to MEN; and were only derivatively
and at a later period applied to ACTIONS; it is a gross mistake,
therefore, when historians of morals start with questions like, "Why have
sympathetic actions been praised?" The noble type of man regards HIMSELF
as a determiner of values; he does not require to be approved of; he
passes the judgment: "What is injurious to me is injurious in itself;" he
knows that it is he himself only who confers honour on things; he is a
CREATOR OF VALUES. He honours whatever he recognizes in himself: such
morality equals self-glorification. In the foreground there is the feeling
of plenitude, of power, which seeks to overflow, the happiness of high
tension, the consciousness of a wealth which would fain give and bestow:—the
noble man also helps the unfortunate, but not—or scarcely—out
of pity, but rather from an impulse generated by the super-abundance of
power. The noble man honours in himself the powerful one, him also who has
power over himself, who knows how to speak and how to keep silence, who
takes pleasure in subjecting himself to severity and hardness, and has
reverence for all that is severe and hard. "Wotan placed a hard heart in
my breast," says an old Scandinavian Saga: it is thus rightly expressed
from the soul of a proud Viking. Such a type of man is even proud of not
being made for sympathy; the hero of the Saga therefore adds warningly:
"He who has not a hard heart when young, will never have one." The noble
and brave who think thus are the furthest removed from the morality which
sees precisely in sympathy, or in acting for the good of others, or in
DESINTERESSEMENT, the characteristic of the moral; faith in oneself, pride
in oneself, a radical enmity and irony towards "selflessness," belong as
definitely to noble morality, as do a careless scorn and precaution in
presence of sympathy and the "warm heart."—It is the powerful who
KNOW how to honour, it is their art, their domain for invention. The
profound reverence for age and for tradition—all law rests on this
double reverence,—the belief and prejudice in favour of ancestors
and unfavourable to newcomers, is typical in the morality of the powerful;
and if, reversely, men of "modern ideas" believe almost instinctively in
"progress" and the "future," and are more and more lacking in respect for
old age, the ignoble origin of these "ideas" has complacently betrayed
itself thereby. A morality of the ruling class, however, is more
especially foreign and irritating to present-day taste in the sternness of
its principle that one has duties only to one's equals; that one may act
towards beings of a lower rank, towards all that is foreign, just as seems
good to one, or "as the heart desires," and in any case "beyond good and
evil": it is here that sympathy and similar sentiments can have a place.
The ability and obligation to exercise prolonged gratitude and prolonged
revenge—both only within the circle of equals,—artfulness in
retaliation, RAFFINEMENT of the idea in friendship, a certain necessity to
have enemies (as outlets for the emotions of envy, quarrelsomeness,
arrogance—in fact, in order to be a good FRIEND): all these are
typical characteristics of the noble morality, which, as has been pointed
out, is not the morality of "modern ideas," and is therefore at present
difficult to realize, and also to unearth and disclose.—It is
otherwise with the second type of morality, SLAVE-MORALITY. Supposing that
the abused, the oppressed, the suffering, the unemancipated, the weary,
and those uncertain of themselves should moralize, what will be the common
element in their moral estimates? Probably a pessimistic suspicion with
regard to the entire situation of man will find expression, perhaps a
condemnation of man, together with his situation. The slave has an
unfavourable eye for the virtues of the powerful; he has a skepticism and
distrust, a REFINEMENT of distrust of everything "good" that is there
honoured—he would fain persuade himself that the very happiness
there is not genuine. On the other hand, THOSE qualities which serve to
alleviate the existence of sufferers are brought into prominence and
flooded with light; it is here that sympathy, the kind, helping hand, the
warm heart, patience, diligence, humility, and friendliness attain to
honour; for here these are the most useful qualities, and almost the only
means of supporting the burden of existence. Slave-morality is essentially
the morality of utility. Here is the seat of the origin of the famous
antithesis "good" and "evil":—power and dangerousness are assumed to
reside in the evil, a certain dreadfulness, subtlety, and strength, which
do not admit of being despised. According to slave-morality, therefore,
the "evil" man arouses fear; according to master-morality, it is precisely
the "good" man who arouses fear and seeks to arouse it, while the bad man
is regarded as the despicable being. The contrast attains its maximum
when, in accordance with the logical consequences of slave-morality, a
shade of depreciation—it may be slight and well-intentioned—at
last attaches itself to the "good" man of this morality; because,
according to the servile mode of thought, the good man must in any case be
the SAFE man: he is good-natured, easily deceived, perhaps a little
stupid, un bonhomme. Everywhere that slave-morality gains the ascendancy,
language shows a tendency to approximate the significations of the words
"good" and "stupid."—A last fundamental difference: the desire for
FREEDOM, the instinct for happiness and the refinements of the feeling of
liberty belong as necessarily to slave-morals and morality, as artifice
and enthusiasm in reverence and devotion are the regular symptoms of an
aristocratic mode of thinking and estimating.—Hence we can
understand without further detail why love AS A PASSION—it is our
European specialty—must absolutely be of noble origin; as is well
known, its invention is due to the Provencal poet-cavaliers, those
brilliant, ingenious men of the "gai saber," to whom Europe owes so much,
and almost owes itself.</p>
<p>261. Vanity is one of the things which are perhaps most difficult for a
noble man to understand: he will be tempted to deny it, where another kind
of man thinks he sees it self-evidently. The problem for him is to
represent to his mind beings who seek to arouse a good opinion of
themselves which they themselves do not possess—and consequently
also do not "deserve,"—and who yet BELIEVE in this good opinion
afterwards. This seems to him on the one hand such bad taste and so
self-disrespectful, and on the other hand so grotesquely unreasonable,
that he would like to consider vanity an exception, and is doubtful about
it in most cases when it is spoken of. He will say, for instance: "I may
be mistaken about my value, and on the other hand may nevertheless demand
that my value should be acknowledged by others precisely as I rate it:—that,
however, is not vanity (but self-conceit, or, in most cases, that which is
called 'humility,' and also 'modesty')." Or he will even say: "For many
reasons I can delight in the good opinion of others, perhaps because I
love and honour them, and rejoice in all their joys, perhaps also because
their good opinion endorses and strengthens my belief in my own good
opinion, perhaps because the good opinion of others, even in cases where I
do not share it, is useful to me, or gives promise of usefulness:—all
this, however, is not vanity." The man of noble character must first bring
it home forcibly to his mind, especially with the aid of history, that,
from time immemorial, in all social strata in any way dependent, the
ordinary man WAS only that which he PASSED FOR:—not being at all
accustomed to fix values, he did not assign even to himself any other
value than that which his master assigned to him (it is the peculiar RIGHT
OF MASTERS to create values). It may be looked upon as the result of an
extraordinary atavism, that the ordinary man, even at present, is still
always WAITING for an opinion about himself, and then instinctively
submitting himself to it; yet by no means only to a "good" opinion, but
also to a bad and unjust one (think, for instance, of the greater part of
the self-appreciations and self-depreciations which believing women learn
from their confessors, and which in general the believing Christian learns
from his Church). In fact, conformably to the slow rise of the democratic
social order (and its cause, the blending of the blood of masters and
slaves), the originally noble and rare impulse of the masters to assign a
value to themselves and to "think well" of themselves, will now be more
and more encouraged and extended; but it has at all times an older,
ampler, and more radically ingrained propensity opposed to it—and in
the phenomenon of "vanity" this older propensity overmasters the younger.
The vain person rejoices over EVERY good opinion which he hears about
himself (quite apart from the point of view of its usefulness, and equally
regardless of its truth or falsehood), just as he suffers from every bad
opinion: for he subjects himself to both, he feels himself subjected to
both, by that oldest instinct of subjection which breaks forth in him.—It
is "the slave" in the vain man's blood, the remains of the slave's
craftiness—and how much of the "slave" is still left in woman, for
instance!—which seeks to SEDUCE to good opinions of itself; it is
the slave, too, who immediately afterwards falls prostrate himself before
these opinions, as though he had not called them forth.—And to
repeat it again: vanity is an atavism.</p>
<p>262. A SPECIES originates, and a type becomes established and strong in
the long struggle with essentially constant UNFAVOURABLE conditions. On
the other hand, it is known by the experience of breeders that species
which receive super-abundant nourishment, and in general a surplus of
protection and care, immediately tend in the most marked way to develop
variations, and are fertile in prodigies and monstrosities (also in
monstrous vices). Now look at an aristocratic commonwealth, say an ancient
Greek polis, or Venice, as a voluntary or involuntary contrivance for the
purpose of REARING human beings; there are there men beside one another,
thrown upon their own resources, who want to make their species prevail,
chiefly because they MUST prevail, or else run the terrible danger of
being exterminated. The favour, the super-abundance, the protection are
there lacking under which variations are fostered; the species needs
itself as species, as something which, precisely by virtue of its
hardness, its uniformity, and simplicity of structure, can in general
prevail and make itself permanent in constant struggle with its
neighbours, or with rebellious or rebellion-threatening vassals. The most
varied experience teaches it what are the qualities to which it
principally owes the fact that it still exists, in spite of all Gods and
men, and has hitherto been victorious: these qualities it calls virtues,
and these virtues alone it develops to maturity. It does so with severity,
indeed it desires severity; every aristocratic morality is intolerant in
the education of youth, in the control of women, in the marriage customs,
in the relations of old and young, in the penal laws (which have an eye
only for the degenerating): it counts intolerance itself among the
virtues, under the name of "justice." A type with few, but very marked
features, a species of severe, warlike, wisely silent, reserved, and
reticent men (and as such, with the most delicate sensibility for the
charm and nuances of society) is thus established, unaffected by the
vicissitudes of generations; the constant struggle with uniform
UNFAVOURABLE conditions is, as already remarked, the cause of a type
becoming stable and hard. Finally, however, a happy state of things
results, the enormous tension is relaxed; there are perhaps no more
enemies among the neighbouring peoples, and the means of life, even of the
enjoyment of life, are present in superabundance. With one stroke the bond
and constraint of the old discipline severs: it is no longer regarded as
necessary, as a condition of existence—if it would continue, it can
only do so as a form of LUXURY, as an archaizing TASTE. Variations,
whether they be deviations (into the higher, finer, and rarer), or
deteriorations and monstrosities, appear suddenly on the scene in the
greatest exuberance and splendour; the individual dares to be individual
and detach himself. At this turning-point of history there manifest
themselves, side by side, and often mixed and entangled together, a
magnificent, manifold, virgin-forest-like up-growth and up-striving, a
kind of TROPICAL TEMPO in the rivalry of growth, and an extraordinary
decay and self-destruction, owing to the savagely opposing and seemingly
exploding egoisms, which strive with one another "for sun and light," and
can no longer assign any limit, restraint, or forbearance for themselves
by means of the hitherto existing morality. It was this morality itself
which piled up the strength so enormously, which bent the bow in so
threatening a manner:—it is now "out of date," it is getting "out of
date." The dangerous and disquieting point has been reached when the
greater, more manifold, more comprehensive life IS LIVED BEYOND the old
morality; the "individual" stands out, and is obliged to have recourse to
his own law-giving, his own arts and artifices for self-preservation,
self-elevation, and self-deliverance. Nothing but new "Whys," nothing but
new "Hows," no common formulas any longer, misunderstanding and disregard
in league with each other, decay, deterioration, and the loftiest desires
frightfully entangled, the genius of the race overflowing from all the
cornucopias of good and bad, a portentous simultaneousness of Spring and
Autumn, full of new charms and mysteries peculiar to the fresh, still
inexhausted, still unwearied corruption. Danger is again present, the
mother of morality, great danger; this time shifted into the individual,
into the neighbour and friend, into the street, into their own child, into
their own heart, into all the most personal and secret recesses of their
desires and volitions. What will the moral philosophers who appear at this
time have to preach? They discover, these sharp onlookers and loafers,
that the end is quickly approaching, that everything around them decays
and produces decay, that nothing will endure until the day after tomorrow,
except one species of man, the incurably MEDIOCRE. The mediocre alone have
a prospect of continuing and propagating themselves—they will be the
men of the future, the sole survivors; "be like them! become mediocre!" is
now the only morality which has still a significance, which still obtains
a hearing.—But it is difficult to preach this morality of
mediocrity! it can never avow what it is and what it desires! it has to
talk of moderation and dignity and duty and brotherly love—it will
have difficulty IN CONCEALING ITS IRONY!</p>
<p>263. There is an INSTINCT FOR RANK, which more than anything else is
already the sign of a HIGH rank; there is a DELIGHT in the NUANCES of
reverence which leads one to infer noble origin and habits. The
refinement, goodness, and loftiness of a soul are put to a perilous test
when something passes by that is of the highest rank, but is not yet
protected by the awe of authority from obtrusive touches and incivilities:
something that goes its way like a living touchstone, undistinguished,
undiscovered, and tentative, perhaps voluntarily veiled and disguised. He
whose task and practice it is to investigate souls, will avail himself of
many varieties of this very art to determine the ultimate value of a soul,
the unalterable, innate order of rank to which it belongs: he will test it
by its INSTINCT FOR REVERENCE. DIFFERENCE ENGENDRE HAINE: the vulgarity of
many a nature spurts up suddenly like dirty water, when any holy vessel,
any jewel from closed shrines, any book bearing the marks of great
destiny, is brought before it; while on the other hand, there is an
involuntary silence, a hesitation of the eye, a cessation of all gestures,
by which it is indicated that a soul FEELS the nearness of what is
worthiest of respect. The way in which, on the whole, the reverence for
the BIBLE has hitherto been maintained in Europe, is perhaps the best
example of discipline and refinement of manners which Europe owes to
Christianity: books of such profoundness and supreme significance require
for their protection an external tyranny of authority, in order to acquire
the PERIOD of thousands of years which is necessary to exhaust and
unriddle them. Much has been achieved when the sentiment has been at last
instilled into the masses (the shallow-pates and the boobies of every
kind) that they are not allowed to touch everything, that there are holy
experiences before which they must take off their shoes and keep away the
unclean hand—it is almost their highest advance towards humanity. On
the contrary, in the so-called cultured classes, the believers in "modern
ideas," nothing is perhaps so repulsive as their lack of shame, the easy
insolence of eye and hand with which they touch, taste, and finger
everything; and it is possible that even yet there is more RELATIVE
nobility of taste, and more tact for reverence among the people, among the
lower classes of the people, especially among peasants, than among the
newspaper-reading DEMIMONDE of intellect, the cultured class.</p>
<p>264. It cannot be effaced from a man's soul what his ancestors have
preferably and most constantly done: whether they were perhaps diligent
economizers attached to a desk and a cash-box, modest and citizen-like in
their desires, modest also in their virtues; or whether they were
accustomed to commanding from morning till night, fond of rude pleasures
and probably of still ruder duties and responsibilities; or whether,
finally, at one time or another, they have sacrificed old privileges of
birth and possession, in order to live wholly for their faith—for
their "God,"—as men of an inexorable and sensitive conscience, which
blushes at every compromise. It is quite impossible for a man NOT to have
the qualities and predilections of his parents and ancestors in his
constitution, whatever appearances may suggest to the contrary. This is
the problem of race. Granted that one knows something of the parents, it
is admissible to draw a conclusion about the child: any kind of offensive
incontinence, any kind of sordid envy, or of clumsy self-vaunting—the
three things which together have constituted the genuine plebeian type in
all times—such must pass over to the child, as surely as bad blood;
and with the help of the best education and culture one will only succeed
in DECEIVING with regard to such heredity.—And what else does
education and culture try to do nowadays! In our very democratic, or
rather, very plebeian age, "education" and "culture" MUST be essentially
the art of deceiving—deceiving with regard to origin, with regard to
the inherited plebeianism in body and soul. An educator who nowadays
preached truthfulness above everything else, and called out constantly to
his pupils: "Be true! Be natural! Show yourselves as you are!"—even
such a virtuous and sincere ass would learn in a short time to have
recourse to the FURCA of Horace, NATURAM EXPELLERE: with what results?
"Plebeianism" USQUE RECURRET. [FOOTNOTE: Horace's "Epistles," I. x. 24.]</p>
<p>265. At the risk of displeasing innocent ears, I submit that egoism
belongs to the essence of a noble soul, I mean the unalterable belief that
to a being such as "we," other beings must naturally be in subjection, and
have to sacrifice themselves. The noble soul accepts the fact of his
egoism without question, and also without consciousness of harshness,
constraint, or arbitrariness therein, but rather as something that may
have its basis in the primary law of things:—if he sought a
designation for it he would say: "It is justice itself." He acknowledges
under certain circumstances, which made him hesitate at first, that there
are other equally privileged ones; as soon as he has settled this question
of rank, he moves among those equals and equally privileged ones with the
same assurance, as regards modesty and delicate respect, which he enjoys
in intercourse with himself—in accordance with an innate heavenly
mechanism which all the stars understand. It is an ADDITIONAL instance of
his egoism, this artfulness and self-limitation in intercourse with his
equals—every star is a similar egoist; he honours HIMSELF in them,
and in the rights which he concedes to them, he has no doubt that the
exchange of honours and rights, as the ESSENCE of all intercourse, belongs
also to the natural condition of things. The noble soul gives as he takes,
prompted by the passionate and sensitive instinct of requital, which is at
the root of his nature. The notion of "favour" has, INTER PARES, neither
significance nor good repute; there may be a sublime way of letting gifts
as it were light upon one from above, and of drinking them thirstily like
dew-drops; but for those arts and displays the noble soul has no aptitude.
His egoism hinders him here: in general, he looks "aloft" unwillingly—he
looks either FORWARD, horizontally and deliberately, or downwards—HE
KNOWS THAT HE IS ON A HEIGHT.</p>
<p>266. "One can only truly esteem him who does not LOOK OUT FOR himself."—Goethe
to Rath Schlosser.</p>
<p>267. The Chinese have a proverb which mothers even teach their children:
"SIAO-SIN" ("MAKE THY HEART SMALL"). This is the essentially fundamental
tendency in latter-day civilizations. I have no doubt that an ancient
Greek, also, would first of all remark the self-dwarfing in us Europeans
of today—in this respect alone we should immediately be
"distasteful" to him.</p>
<p>268. What, after all, is ignobleness?—Words are vocal symbols for
ideas; ideas, however, are more or less definite mental symbols for
frequently returning and concurring sensations, for groups of sensations.
It is not sufficient to use the same words in order to understand one
another: we must also employ the same words for the same kind of internal
experiences, we must in the end have experiences IN COMMON. On this
account the people of one nation understand one another better than those
belonging to different nations, even when they use the same language; or
rather, when people have lived long together under similar conditions (of
climate, soil, danger, requirement, toil) there ORIGINATES therefrom an
entity that "understands itself"—namely, a nation. In all souls a
like number of frequently recurring experiences have gained the upper hand
over those occurring more rarely: about these matters people understand
one another rapidly and always more rapidly—the history of language
is the history of a process of abbreviation; on the basis of this quick
comprehension people always unite closer and closer. The greater the
danger, the greater is the need of agreeing quickly and readily about what
is necessary; not to misunderstand one another in danger—that is
what cannot at all be dispensed with in intercourse. Also in all loves and
friendships one has the experience that nothing of the kind continues when
the discovery has been made that in using the same words, one of the two
parties has feelings, thoughts, intuitions, wishes, or fears different
from those of the other. (The fear of the "eternal misunderstanding": that
is the good genius which so often keeps persons of different sexes from
too hasty attachments, to which sense and heart prompt them—and NOT
some Schopenhauerian "genius of the species"!) Whichever groups of
sensations within a soul awaken most readily, begin to speak, and give the
word of command—these decide as to the general order of rank of its
values, and determine ultimately its list of desirable things. A man's
estimates of value betray something of the STRUCTURE of his soul, and
wherein it sees its conditions of life, its intrinsic needs. Supposing now
that necessity has from all time drawn together only such men as could
express similar requirements and similar experiences by similar symbols,
it results on the whole that the easy COMMUNICABILITY of need, which
implies ultimately the undergoing only of average and COMMON experiences,
must have been the most potent of all the forces which have hitherto
operated upon mankind. The more similar, the more ordinary people, have
always had and are still having the advantage; the more select, more
refined, more unique, and difficultly comprehensible, are liable to stand
alone; they succumb to accidents in their isolation, and seldom propagate
themselves. One must appeal to immense opposing forces, in order to thwart
this natural, all-too-natural PROGRESSUS IN SIMILE, the evolution of man
to the similar, the ordinary, the average, the gregarious—to the
IGNOBLE—!</p>
<p>269. The more a psychologist—a born, an unavoidable psychologist and
soul-diviner—turns his attention to the more select cases and
individuals, the greater is his danger of being suffocated by sympathy: he
NEEDS sternness and cheerfulness more than any other man. For the
corruption, the ruination of higher men, of the more unusually constituted
souls, is in fact, the rule: it is dreadful to have such a rule always
before one's eyes. The manifold torment of the psychologist who has
discovered this ruination, who discovers once, and then discovers ALMOST
repeatedly throughout all history, this universal inner "desperateness" of
higher men, this eternal "too late!" in every sense—may perhaps one
day be the cause of his turning with bitterness against his own lot, and
of his making an attempt at self-destruction—of his "going to ruin"
himself. One may perceive in almost every psychologist a tell-tale
inclination for delightful intercourse with commonplace and well-ordered
men; the fact is thereby disclosed that he always requires healing, that
he needs a sort of flight and forgetfulness, away from what his insight
and incisiveness—from what his "business"—has laid upon his
conscience. The fear of his memory is peculiar to him. He is easily
silenced by the judgment of others; he hears with unmoved countenance how
people honour, admire, love, and glorify, where he has PERCEIVED—or
he even conceals his silence by expressly assenting to some plausible
opinion. Perhaps the paradox of his situation becomes so dreadful that,
precisely where he has learnt GREAT SYMPATHY, together with great
CONTEMPT, the multitude, the educated, and the visionaries, have on their
part learnt great reverence—reverence for "great men" and marvelous
animals, for the sake of whom one blesses and honours the fatherland, the
earth, the dignity of mankind, and one's own self, to whom one points the
young, and in view of whom one educates them. And who knows but in all
great instances hitherto just the same happened: that the multitude
worshipped a God, and that the "God" was only a poor sacrificial animal!
SUCCESS has always been the greatest liar—and the "work" itself is a
success; the great statesman, the conqueror, the discoverer, are disguised
in their creations until they are unrecognizable; the "work" of the
artist, of the philosopher, only invents him who has created it, is
REPUTED to have created it; the "great men," as they are reverenced, are
poor little fictions composed afterwards; in the world of historical
values spurious coinage PREVAILS. Those great poets, for example, such as
Byron, Musset, Poe, Leopardi, Kleist, Gogol (I do not venture to mention
much greater names, but I have them in my mind), as they now appear, and
were perhaps obliged to be: men of the moment, enthusiastic, sensuous, and
childish, light-minded and impulsive in their trust and distrust; with
souls in which usually some flaw has to be concealed; often taking revenge
with their works for an internal defilement, often seeking forgetfulness
in their soaring from a too true memory, often lost in the mud and almost
in love with it, until they become like the Will-o'-the-Wisps around the
swamps, and PRETEND TO BE stars—the people then call them idealists,—often
struggling with protracted disgust, with an ever-reappearing phantom of
disbelief, which makes them cold, and obliges them to languish for GLORIA
and devour "faith as it is" out of the hands of intoxicated adulators:—what
a TORMENT these great artists are and the so-called higher men in general,
to him who has once found them out! It is thus conceivable that it is just
from woman—who is clairvoyant in the world of suffering, and also
unfortunately eager to help and save to an extent far beyond her powers—that
THEY have learnt so readily those outbreaks of boundless devoted SYMPATHY,
which the multitude, above all the reverent multitude, do not understand,
and overwhelm with prying and self-gratifying interpretations. This
sympathizing invariably deceives itself as to its power; woman would like
to believe that love can do EVERYTHING—it is the SUPERSTITION
peculiar to her. Alas, he who knows the heart finds out how poor,
helpless, pretentious, and blundering even the best and deepest love is—he
finds that it rather DESTROYS than saves!—It is possible that under
the holy fable and travesty of the life of Jesus there is hidden one of
the most painful cases of the martyrdom of KNOWLEDGE ABOUT LOVE: the
martyrdom of the most innocent and most craving heart, that never had
enough of any human love, that DEMANDED love, that demanded inexorably and
frantically to be loved and nothing else, with terrible outbursts against
those who refused him their love; the story of a poor soul insatiated and
insatiable in love, that had to invent hell to send thither those who
WOULD NOT love him—and that at last, enlightened about human love,
had to invent a God who is entire love, entire CAPACITY for love—who
takes pity on human love, because it is so paltry, so ignorant! He who has
such sentiments, he who has such KNOWLEDGE about love—SEEKS for
death!—But why should one deal with such painful matters? Provided,
of course, that one is not obliged to do so.</p>
<p>270. The intellectual haughtiness and loathing of every man who has
suffered deeply—it almost determines the order of rank HOW deeply
men can suffer—the chilling certainty, with which he is thoroughly
imbued and coloured, that by virtue of his suffering he KNOWS MORE than
the shrewdest and wisest can ever know, that he has been familiar with,
and "at home" in, many distant, dreadful worlds of which "YOU know
nothing"!—this silent intellectual haughtiness of the sufferer, this
pride of the elect of knowledge, of the "initiated," of the almost
sacrificed, finds all forms of disguise necessary to protect itself from
contact with officious and sympathizing hands, and in general from all
that is not its equal in suffering. Profound suffering makes noble: it
separates.—One of the most refined forms of disguise is Epicurism,
along with a certain ostentatious boldness of taste, which takes suffering
lightly, and puts itself on the defensive against all that is sorrowful
and profound. They are "gay men" who make use of gaiety, because they are
misunderstood on account of it—they WISH to be misunderstood. There
are "scientific minds" who make use of science, because it gives a gay
appearance, and because scientificness leads to the conclusion that a
person is superficial—they WISH to mislead to a false conclusion.
There are free insolent minds which would fain conceal and deny that they
are broken, proud, incurable hearts (the cynicism of Hamlet—the case
of Galiani); and occasionally folly itself is the mask of an unfortunate
OVER-ASSURED knowledge.—From which it follows that it is the part of
a more refined humanity to have reverence "for the mask," and not to make
use of psychology and curiosity in the wrong place.</p>
<p>271. That which separates two men most profoundly is a different sense and
grade of purity. What does it matter about all their honesty and
reciprocal usefulness, what does it matter about all their mutual
good-will: the fact still remains—they "cannot smell each other!"
The highest instinct for purity places him who is affected with it in the
most extraordinary and dangerous isolation, as a saint: for it is just
holiness—the highest spiritualization of the instinct in question.
Any kind of cognizance of an indescribable excess in the joy of the bath,
any kind of ardour or thirst which perpetually impels the soul out of
night into the morning, and out of gloom, out of "affliction" into
clearness, brightness, depth, and refinement:—just as much as such a
tendency DISTINGUISHES—it is a noble tendency—it also
SEPARATES.—The pity of the saint is pity for the FILTH of the human,
all-too-human. And there are grades and heights where pity itself is
regarded by him as impurity, as filth.</p>
<p>272. Signs of nobility: never to think of lowering our duties to the rank
of duties for everybody; to be unwilling to renounce or to share our
responsibilities; to count our prerogatives, and the exercise of them,
among our DUTIES.</p>
<p>273. A man who strives after great things, looks upon every one whom he
encounters on his way either as a means of advance, or a delay and
hindrance—or as a temporary resting-place. His peculiar lofty BOUNTY
to his fellow-men is only possible when he attains his elevation and
dominates. Impatience, and the consciousness of being always condemned to
comedy up to that time—for even strife is a comedy, and conceals the
end, as every means does—spoil all intercourse for him; this kind of
man is acquainted with solitude, and what is most poisonous in it.</p>
<p>274. THE PROBLEM OF THOSE WHO WAIT.—Happy chances are necessary, and
many incalculable elements, in order that a higher man in whom the
solution of a problem is dormant, may yet take action, or "break forth,"
as one might say—at the right moment. On an average it DOES NOT
happen; and in all corners of the earth there are waiting ones sitting who
hardly know to what extent they are waiting, and still less that they wait
in vain. Occasionally, too, the waking call comes too late—the
chance which gives "permission" to take action—when their best
youth, and strength for action have been used up in sitting still; and how
many a one, just as he "sprang up," has found with horror that his limbs
are benumbed and his spirits are now too heavy! "It is too late," he has
said to himself—and has become self-distrustful and henceforth for
ever useless.—In the domain of genius, may not the "Raphael without
hands" (taking the expression in its widest sense) perhaps not be the
exception, but the rule?—Perhaps genius is by no means so rare: but
rather the five hundred HANDS which it requires in order to tyrannize over
the [GREEK INSERTED HERE], "the right time"—in order to take chance
by the forelock!</p>
<p>275. He who does not WISH to see the height of a man, looks all the more
sharply at what is low in him, and in the foreground—and thereby
betrays himself.</p>
<p>276. In all kinds of injury and loss the lower and coarser soul is better
off than the nobler soul: the dangers of the latter must be greater, the
probability that it will come to grief and perish is in fact immense,
considering the multiplicity of the conditions of its existence.—In
a lizard a finger grows again which has been lost; not so in man.—</p>
<p>277. It is too bad! Always the old story! When a man has finished building
his house, he finds that he has learnt unawares something which he OUGHT
absolutely to have known before he—began to build. The eternal,
fatal "Too late!" The melancholia of everything COMPLETED—!</p>
<p>278.—Wanderer, who art thou? I see thee follow thy path without
scorn, without love, with unfathomable eyes, wet and sad as a plummet
which has returned to the light insatiated out of every depth—what
did it seek down there?—with a bosom that never sighs, with lips
that conceal their loathing, with a hand which only slowly grasps: who art
thou? what hast thou done? Rest thee here: this place has hospitality for
every one—refresh thyself! And whoever thou art, what is it that now
pleases thee? What will serve to refresh thee? Only name it, whatever I
have I offer thee! "To refresh me? To refresh me? Oh, thou prying one,
what sayest thou! But give me, I pray thee—-" What? what? Speak out!
"Another mask! A second mask!"</p>
<p>279. Men of profound sadness betray themselves when they are happy: they
have a mode of seizing upon happiness as though they would choke and
strangle it, out of jealousy—ah, they know only too well that it
will flee from them!</p>
<p>280. "Bad! Bad! What? Does he not—go back?" Yes! But you
misunderstand him when you complain about it. He goes back like every one
who is about to make a great spring.</p>
<p>281.—"Will people believe it of me? But I insist that they believe
it of me: I have always thought very unsatisfactorily of myself and about
myself, only in very rare cases, only compulsorily, always without delight
in 'the subject,' ready to digress from 'myself,' and always without faith
in the result, owing to an unconquerable distrust of the POSSIBILITY of
self-knowledge, which has led me so far as to feel a CONTRADICTIO IN
ADJECTO even in the idea of 'direct knowledge' which theorists allow
themselves:—this matter of fact is almost the most certain thing I
know about myself. There must be a sort of repugnance in me to BELIEVE
anything definite about myself.—Is there perhaps some enigma
therein? Probably; but fortunately nothing for my own teeth.—Perhaps
it betrays the species to which I belong?—but not to myself, as is
sufficiently agreeable to me."</p>
<p>282.—"But what has happened to you?"—"I do not know," he said,
hesitatingly; "perhaps the Harpies have flown over my table."—It
sometimes happens nowadays that a gentle, sober, retiring man becomes
suddenly mad, breaks the plates, upsets the table, shrieks, raves, and
shocks everybody—and finally withdraws, ashamed, and raging at
himself—whither? for what purpose? To famish apart? To suffocate
with his memories?—To him who has the desires of a lofty and dainty
soul, and only seldom finds his table laid and his food prepared, the
danger will always be great—nowadays, however, it is extraordinarily
so. Thrown into the midst of a noisy and plebeian age, with which he does
not like to eat out of the same dish, he may readily perish of hunger and
thirst—or, should he nevertheless finally "fall to," of sudden
nausea.—We have probably all sat at tables to which we did not
belong; and precisely the most spiritual of us, who are most difficult to
nourish, know the dangerous DYSPEPSIA which originates from a sudden
insight and disillusionment about our food and our messmates—the
AFTER-DINNER NAUSEA.</p>
<p>283. If one wishes to praise at all, it is a delicate and at the same time
a noble self-control, to praise only where one DOES NOT agree—otherwise
in fact one would praise oneself, which is contrary to good taste:—a
self-control, to be sure, which offers excellent opportunity and
provocation to constant MISUNDERSTANDING. To be able to allow oneself this
veritable luxury of taste and morality, one must not live among
intellectual imbeciles, but rather among men whose misunderstandings and
mistakes amuse by their refinement—or one will have to pay dearly
for it!—"He praises me, THEREFORE he acknowledges me to be right"—this
asinine method of inference spoils half of the life of us recluses, for it
brings the asses into our neighbourhood and friendship.</p>
<p>284. To live in a vast and proud tranquility; always beyond... To have, or
not to have, one's emotions, one's For and Against, according to choice;
to lower oneself to them for hours; to SEAT oneself on them as upon
horses, and often as upon asses:—for one must know how to make use
of their stupidity as well as of their fire. To conserve one's three
hundred foregrounds; also one's black spectacles: for there are
circumstances when nobody must look into our eyes, still less into our
"motives." And to choose for company that roguish and cheerful vice,
politeness. And to remain master of one's four virtues, courage, insight,
sympathy, and solitude. For solitude is a virtue with us, as a sublime
bent and bias to purity, which divines that in the contact of man and man—"in
society"—it must be unavoidably impure. All society makes one
somehow, somewhere, or sometime—"commonplace."</p>
<p>285. The greatest events and thoughts—the greatest thoughts,
however, are the greatest events—are longest in being comprehended:
the generations which are contemporary with them do not EXPERIENCE such
events—they live past them. Something happens there as in the realm
of stars. The light of the furthest stars is longest in reaching man; and
before it has arrived man DENIES—that there are stars there. "How
many centuries does a mind require to be understood?"—that is also a
standard, one also makes a gradation of rank and an etiquette therewith,
such as is necessary for mind and for star.</p>
<p>286. "Here is the prospect free, the mind exalted." [FOOTNOTE: Goethe's
"Faust," Part II, Act V. The words of Dr. Marianus.]—But there is a
reverse kind of man, who is also upon a height, and has also a free
prospect—but looks DOWNWARDS.</p>
<p>287. What is noble? What does the word "noble" still mean for us nowadays?
How does the noble man betray himself, how is he recognized under this
heavy overcast sky of the commencing plebeianism, by which everything is
rendered opaque and leaden?—It is not his actions which establish
his claim—actions are always ambiguous, always inscrutable; neither
is it his "works." One finds nowadays among artists and scholars plenty of
those who betray by their works that a profound longing for nobleness
impels them; but this very NEED of nobleness is radically different from
the needs of the noble soul itself, and is in fact the eloquent and
dangerous sign of the lack thereof. It is not the works, but the BELIEF
which is here decisive and determines the order of rank—to employ
once more an old religious formula with a new and deeper meaning—it
is some fundamental certainty which a noble soul has about itself,
something which is not to be sought, is not to be found, and perhaps,
also, is not to be lost.—THE NOBLE SOUL HAS REVERENCE FOR ITSELF.—</p>
<p>288. There are men who are unavoidably intellectual, let them turn and
twist themselves as they will, and hold their hands before their
treacherous eyes—as though the hand were not a betrayer; it always
comes out at last that they have something which they hide—namely,
intellect. One of the subtlest means of deceiving, at least as long as
possible, and of successfully representing oneself to be stupider than one
really is—which in everyday life is often as desirable as an
umbrella,—is called ENTHUSIASM, including what belongs to it, for
instance, virtue. For as Galiani said, who was obliged to know it: VERTU
EST ENTHOUSIASME.</p>
<p>289. In the writings of a recluse one always hears something of the echo
of the wilderness, something of the murmuring tones and timid vigilance of
solitude; in his strongest words, even in his cry itself, there sounds a
new and more dangerous kind of silence, of concealment. He who has sat day
and night, from year's end to year's end, alone with his soul in familiar
discord and discourse, he who has become a cave-bear, or a
treasure-seeker, or a treasure-guardian and dragon in his cave—it
may be a labyrinth, but can also be a gold-mine—his ideas themselves
eventually acquire a twilight-colour of their own, and an odour, as much
of the depth as of the mould, something uncommunicative and repulsive,
which blows chilly upon every passer-by. The recluse does not believe that
a philosopher—supposing that a philosopher has always in the first
place been a recluse—ever expressed his actual and ultimate opinions
in books: are not books written precisely to hide what is in us?—indeed,
he will doubt whether a philosopher CAN have "ultimate and actual"
opinions at all; whether behind every cave in him there is not, and must
necessarily be, a still deeper cave: an ampler, stranger, richer world
beyond the surface, an abyss behind every bottom, beneath every
"foundation." Every philosophy is a foreground philosophy—this is a
recluse's verdict: "There is something arbitrary in the fact that the
PHILOSOPHER came to a stand here, took a retrospect, and looked around;
that he HERE laid his spade aside and did not dig any deeper—there
is also something suspicious in it." Every philosophy also CONCEALS a
philosophy; every opinion is also a LURKING-PLACE, every word is also a
MASK.</p>
<p>290. Every deep thinker is more afraid of being understood than of being
misunderstood. The latter perhaps wounds his vanity; but the former wounds
his heart, his sympathy, which always says: "Ah, why would you also have
as hard a time of it as I have?"</p>
<p>291. Man, a COMPLEX, mendacious, artful, and inscrutable animal, uncanny
to the other animals by his artifice and sagacity, rather than by his
strength, has invented the good conscience in order finally to enjoy his
soul as something SIMPLE; and the whole of morality is a long, audacious
falsification, by virtue of which generally enjoyment at the sight of the
soul becomes possible. From this point of view there is perhaps much more
in the conception of "art" than is generally believed.</p>
<p>292. A philosopher: that is a man who constantly experiences, sees, hears,
suspects, hopes, and dreams extraordinary things; who is struck by his own
thoughts as if they came from the outside, from above and below, as a
species of events and lightning-flashes PECULIAR TO HIM; who is perhaps
himself a storm pregnant with new lightnings; a portentous man, around
whom there is always rumbling and mumbling and gaping and something
uncanny going on. A philosopher: alas, a being who often runs away from
himself, is often afraid of himself—but whose curiosity always makes
him "come to himself" again.</p>
<p>293. A man who says: "I like that, I take it for my own, and mean to guard
and protect it from every one"; a man who can conduct a case, carry out a
resolution, remain true to an opinion, keep hold of a woman, punish and
overthrow insolence; a man who has his indignation and his sword, and to
whom the weak, the suffering, the oppressed, and even the animals
willingly submit and naturally belong; in short, a man who is a MASTER by
nature—when such a man has sympathy, well! THAT sympathy has value!
But of what account is the sympathy of those who suffer! Or of those even
who preach sympathy! There is nowadays, throughout almost the whole of
Europe, a sickly irritability and sensitiveness towards pain, and also a
repulsive irrestrainableness in complaining, an effeminizing, which, with
the aid of religion and philosophical nonsense, seeks to deck itself out
as something superior—there is a regular cult of suffering. The
UNMANLINESS of that which is called "sympathy" by such groups of
visionaries, is always, I believe, the first thing that strikes the eye.—One
must resolutely and radically taboo this latest form of bad taste; and
finally I wish people to put the good amulet, "GAI SABER" ("gay science,"
in ordinary language), on heart and neck, as a protection against it.</p>
<p>294. THE OLYMPIAN VICE.—Despite the philosopher who, as a genuine
Englishman, tried to bring laughter into bad repute in all thinking minds—"Laughing
is a bad infirmity of human nature, which every thinking mind will strive
to overcome" (Hobbes),—I would even allow myself to rank
philosophers according to the quality of their laughing—up to those
who are capable of GOLDEN laughter. And supposing that Gods also
philosophize, which I am strongly inclined to believe, owing to many
reasons—I have no doubt that they also know how to laugh thereby in
an overman-like and new fashion—and at the expense of all serious
things! Gods are fond of ridicule: it seems that they cannot refrain from
laughter even in holy matters.</p>
<p>295. The genius of the heart, as that great mysterious one possesses it,
the tempter-god and born rat-catcher of consciences, whose voice can
descend into the nether-world of every soul, who neither speaks a word nor
casts a glance in which there may not be some motive or touch of
allurement, to whose perfection it pertains that he knows how to appear,—not
as he is, but in a guise which acts as an ADDITIONAL constraint on his
followers to press ever closer to him, to follow him more cordially and
thoroughly;—the genius of the heart, which imposes silence and
attention on everything loud and self-conceited, which smoothes rough
souls and makes them taste a new longing—to lie placid as a mirror,
that the deep heavens may be reflected in them;—the genius of the
heart, which teaches the clumsy and too hasty hand to hesitate, and to
grasp more delicately; which scents the hidden and forgotten treasure, the
drop of goodness and sweet spirituality under thick dark ice, and is a
divining-rod for every grain of gold, long buried and imprisoned in mud
and sand; the genius of the heart, from contact with which every one goes
away richer; not favoured or surprised, not as though gratified and
oppressed by the good things of others; but richer in himself, newer than
before, broken up, blown upon, and sounded by a thawing wind; more
uncertain, perhaps, more delicate, more fragile, more bruised, but full of
hopes which as yet lack names, full of a new will and current, full of a
new ill-will and counter-current... but what am I doing, my friends? Of
whom am I talking to you? Have I forgotten myself so far that I have not
even told you his name? Unless it be that you have already divined of your
own accord who this questionable God and spirit is, that wishes to be
PRAISED in such a manner? For, as it happens to every one who from
childhood onward has always been on his legs, and in foreign lands, I have
also encountered on my path many strange and dangerous spirits; above all,
however, and again and again, the one of whom I have just spoken: in fact,
no less a personage than the God DIONYSUS, the great equivocator and
tempter, to whom, as you know, I once offered in all secrecy and reverence
my first-fruits—the last, as it seems to me, who has offered a
SACRIFICE to him, for I have found no one who could understand what I was
then doing. In the meantime, however, I have learned much, far too much,
about the philosophy of this God, and, as I said, from mouth to mouth—I,
the last disciple and initiate of the God Dionysus: and perhaps I might at
last begin to give you, my friends, as far as I am allowed, a little taste
of this philosophy? In a hushed voice, as is but seemly: for it has to do
with much that is secret, new, strange, wonderful, and uncanny. The very
fact that Dionysus is a philosopher, and that therefore Gods also
philosophize, seems to me a novelty which is not unensnaring, and might
perhaps arouse suspicion precisely among philosophers;—among you, my
friends, there is less to be said against it, except that it comes too
late and not at the right time; for, as it has been disclosed to me, you
are loth nowadays to believe in God and gods. It may happen, too, that in
the frankness of my story I must go further than is agreeable to the
strict usages of your ears? Certainly the God in question went further,
very much further, in such dialogues, and was always many paces ahead of
me... Indeed, if it were allowed, I should have to give him, according to
human usage, fine ceremonious tides of lustre and merit, I should have to
extol his courage as investigator and discoverer, his fearless honesty,
truthfulness, and love of wisdom. But such a God does not know what to do
with all that respectable trumpery and pomp. "Keep that," he would say,
"for thyself and those like thee, and whoever else require it! I—have
no reason to cover my nakedness!" One suspects that this kind of divinity
and philosopher perhaps lacks shame?—He once said: "Under certain
circumstances I love mankind"—and referred thereby to Ariadne, who
was present; "in my opinion man is an agreeable, brave, inventive animal,
that has not his equal upon earth, he makes his way even through all
labyrinths. I like man, and often think how I can still further advance
him, and make him stronger, more evil, and more profound."—"Stronger,
more evil, and more profound?" I asked in horror. "Yes," he said again,
"stronger, more evil, and more profound; also more beautiful"—and
thereby the tempter-god smiled with his halcyon smile, as though he had
just paid some charming compliment. One here sees at once that it is not
only shame that this divinity lacks;—and in general there are good
grounds for supposing that in some things the Gods could all of them come
to us men for instruction. We men are—more human.—</p>
<p>296. Alas! what are you, after all, my written and painted thoughts! Not
long ago you were so variegated, young and malicious, so full of thorns
and secret spices, that you made me sneeze and laugh—and now? You
have already doffed your novelty, and some of you, I fear, are ready to
become truths, so immortal do they look, so pathetically honest, so
tedious! And was it ever otherwise? What then do we write and paint, we
mandarins with Chinese brush, we immortalisers of things which LEND
themselves to writing, what are we alone capable of painting? Alas, only
that which is just about to fade and begins to lose its odour! Alas, only
exhausted and departing storms and belated yellow sentiments! Alas, only
birds strayed and fatigued by flight, which now let themselves be captured
with the hand—with OUR hand! We immortalize what cannot live and fly
much longer, things only which are exhausted and mellow! And it is only
for your AFTERNOON, you, my written and painted thoughts, for which alone
I have colours, many colours, perhaps, many variegated softenings, and
fifty yellows and browns and greens and reds;—but nobody will divine
thereby how ye looked in your morning, you sudden sparks and marvels of my
solitude, you, my old, beloved—EVIL thoughts!</p>
<p><SPAN name="link2H_4_0011" id="link2H_4_0011"></SPAN></p>
<h2> FROM THE HEIGHTS </h2>
<h3> By F W Nietzsche </h3>
<h4>
Translated by L. A. Magnus
</h4>
<p>1.<br/>
<br/>
MIDDAY of Life! Oh, season of delight!<br/>
My summer's park!<br/>
Uneaseful joy to look, to lurk, to hark—<br/>
I peer for friends, am ready day and night,—<br/>
Where linger ye, my friends? The time is right!<br/>
<br/>
2.<br/>
<br/>
Is not the glacier's grey today for you<br/>
Rose-garlanded?<br/>
The brooklet seeks you, wind, cloud, with longing thread<br/>
And thrust themselves yet higher to the blue,<br/>
To spy for you from farthest eagle's view.<br/>
<br/>
3.<br/>
<br/>
My table was spread out for you on high—<br/>
Who dwelleth so<br/>
Star-near, so near the grisly pit below?—<br/>
My realm—what realm hath wider boundary?<br/>
My honey—who hath sipped its fragrancy?<br/>
<br/>
4.<br/>
<br/>
Friends, ye are there! Woe me,—yet I am not<br/>
He whom ye seek?<br/>
Ye stare and stop—better your wrath could speak!<br/>
I am not I? Hand, gait, face, changed? And what<br/>
I am, to you my friends, now am I not?<br/>
<br/>
5.<br/>
<br/>
Am I an other? Strange am I to Me?<br/>
Yet from Me sprung?<br/>
A wrestler, by himself too oft self-wrung?<br/>
Hindering too oft my own self's potency,<br/>
Wounded and hampered by self-victory?<br/>
<br/>
6.<br/>
<br/>
I sought where-so the wind blows keenest. There<br/>
I learned to dwell<br/>
Where no man dwells, on lonesome ice-lorn fell,<br/>
And unlearned Man and God and curse and prayer?<br/>
Became a ghost haunting the glaciers bare?<br/>
<br/>
7.<br/>
<br/>
Ye, my old friends! Look! Ye turn pale, filled o'er<br/>
With love and fear!<br/>
Go! Yet not in wrath. Ye could ne'er live here.<br/>
Here in the farthest realm of ice and scaur,<br/>
A huntsman must one be, like chamois soar.<br/>
<br/>
8.<br/>
<br/>
An evil huntsman was I? See how taut<br/>
My bow was bent!<br/>
Strongest was he by whom such bolt were sent—<br/>
Woe now! That arrow is with peril fraught,<br/>
Perilous as none.—Have yon safe home ye sought!<br/>
<br/>
9.<br/>
<br/>
Ye go! Thou didst endure enough, oh, heart;—<br/>
Strong was thy hope;<br/>
Unto new friends thy portals widely ope,<br/>
Let old ones be. Bid memory depart!<br/>
Wast thou young then, now—better young thou art!<br/>
<br/>
10.<br/>
<br/>
What linked us once together, one hope's tie—<br/>
(Who now doth con<br/>
Those lines, now fading, Love once wrote thereon?)—<br/>
Is like a parchment, which the hand is shy<br/>
To touch—like crackling leaves, all seared, all dry.<br/>
<br/>
11.<br/>
<br/>
Oh! Friends no more! They are—what name for those?—<br/>
Friends' phantom-flight<br/>
Knocking at my heart's window-pane at night,<br/>
Gazing on me, that speaks "We were" and goes,—<br/>
Oh, withered words, once fragrant as the rose!<br/>
<br/>
12.<br/>
<br/>
Pinings of youth that might not understand!<br/>
For which I pined,<br/>
Which I deemed changed with me, kin of my kind:<br/>
But they grew old, and thus were doomed and banned:<br/>
None but new kith are native of my land!<br/>
<br/>
13.<br/>
<br/>
Midday of life! My second youth's delight!<br/>
My summer's park!<br/>
Unrestful joy to long, to lurk, to hark!<br/>
I peer for friends!—am ready day and night,<br/>
For my new friends. Come! Come! The time is right!<br/>
<br/>
14.<br/>
<br/>
This song is done,—the sweet sad cry of rue<br/>
Sang out its end;<br/>
A wizard wrought it, he the timely friend,<br/>
The midday-friend,—no, do not ask me who;<br/>
At midday 'twas, when one became as two.<br/>
<br/>
15.<br/>
<br/>
We keep our Feast of Feasts, sure of our bourne,<br/>
Our aims self-same:<br/>
The Guest of Guests, friend Zarathustra, came!<br/>
The world now laughs, the grisly veil was torn,<br/>
And Light and Dark were one that wedding-morn.<br/></p>
<div style="break-after:column;"></div><br />