<p><SPAN name="link2H_4_0003" id="link2H_4_0003"></SPAN></p>
<br/>
<h2> ACT II </h2>
<p>A Court of Justice, on a foggy October afternoon crowded with barristers,
solicitors, reporters, ushers, and jurymen. Sitting in the large, solid
dock is FALDER, with a warder on either side of him, placed there for his
safe custody, but seemingly indifferent to and unconscious of his
presence. FALDER is sitting exactly opposite to the JUDGE, who, raised
above the clamour of the court, also seems unconscious of and indifferent
to everything. HAROLD CLEAVER, the counsel for the Crown, is a dried,
yellowish man, of more than middle age, in a wig worn almost to the colour
of his face. HECTOR FROME, the counsel for the defence, is a young, tall
man, clean shaved, in a very white wig. Among the spectators, having
already given their evidence, are JAMES and WALTER HOW, and COWLEY, the
cashier. WISTER, the detective, is just leaving the witness-box.</p>
<p>CLEAVER. That is the case for the Crown, me lud!</p>
<blockquote>
<p>Gathering his robes together, he sits down.</p>
</blockquote>
<p>FROME. [Rising and bowing to the JUDGE] If it please your lordship and
gentlemen of the jury. I am not going to dispute the fact that the
prisoner altered this cheque, but I am going to put before you evidence as
to the condition of his mind, and to submit that you would not be
justified in finding that he was responsible for his actions at the time.
I am going to show you, in fact, that he did this in a moment of
aberration, amounting to temporary insanity, caused by the violent
distress under which he was labouring. Gentlemen, the prisoner is only
twenty-three years old. I shall call before you a woman from whom you will
learn the events that led up to this act. You will hear from her own lips
the tragic circumstances of her life, the still more tragic infatuation
with which she has inspired the prisoner. This woman, gentlemen, has been
leading a miserable existence with a husband who habitually ill-uses her,
from whom she actually goes in terror of her life. I am not, of course,
saying that it's either right or desirable for a young man to fall in love
with a married woman, or that it's his business to rescue her from an
ogre-like husband. I'm not saying anything of the sort. But we all know
the power of the passion of love; and I would ask you to remember,
gentlemen, in listening to her evidence, that, married to a drunken and
violent husband, she has no power to get rid of him; for, as you know,
another offence besides violence is necessary to enable a woman to obtain
a divorce; and of this offence it does not appear that her husband is
guilty.</p>
<p>JUDGE. Is this relevant, Mr. Frome?</p>
<p>FROME. My lord, I submit, extremely—I shall be able to show your
lordship that directly.</p>
<p>JUDGE. Very well.</p>
<p>FROME. In these circumstances, what alternatives were left to her? She
could either go on living with this drunkard, in terror of her life; or
she could apply to the Court for a separation order. Well, gentlemen, my
experience of such cases assures me that this would have given her very
insufficient protection from the violence of such a man; and even if
effectual would very likely have reduced her either to the workhouse or
the streets—for it's not easy, as she is now finding, for an
unskilled woman without means of livelihood to support herself and her
children without resorting either to the Poor Law or—to speak quite
plainly—to the sale of her body.</p>
<p>JUDGE. You are ranging rather far, Mr. Frome.</p>
<p>FROME. I shall fire point-blank in a minute, my lord.</p>
<p>JUDGE. Let us hope so.</p>
<p>FROME. Now, gentlemen, mark—and this is what I have been leading up
to—this woman will tell you, and the prisoner will confirm her,
that, confronted with such alternatives, she set her whole hopes on
himself, knowing the feeling with which she had inspired him. She saw a
way out of her misery by going with him to a new country, where they would
both be unknown, and might pass as husband and wife. This was a desperate
and, as my friend Mr. Cleaver will no doubt call it, an immoral
resolution; but, as a fact, the minds of both of them were constantly
turned towards it. One wrong is no excuse for another, and those who are
never likely to be faced by such a situation possibly have the right to
hold up their hands—as to that I prefer to say nothing. But whatever
view you take, gentlemen, of this part of the prisoner's story—whatever
opinion you form of the right of these two young people under such
circumstances to take the law into their own hands—the fact remains
that this young woman in her distress, and this young man, little more
than a boy, who was so devotedly attached to her, did conceive this—if
you like— reprehensible design of going away together. Now, for
that, of course, they required money, and—they had none. As to the
actual events of the morning of July 7th, on which this cheque was
altered, the events on which I rely to prove the defendant's
irresponsibility —I shall allow those events to speak for
themselves, through the lips of my witness. Robert Cokeson. [He turns,
looks round, takes up a sheet of paper, and waits.]</p>
<blockquote>
<p>COKESON is summoned into court, and goes into the witness-box, holding
his hat before him. The oath is administered to him.</p>
</blockquote>
<p>FROME. What is your name?</p>
<p>COKESON. Robert Cokeson.</p>
<p>FROME. Are you managing clerk to the firm of solicitors who employ the
prisoner?</p>
<p>COKESON. Ye-es.</p>
<p>FROME. How long had the prisoner been in their employ?</p>
<p>COKESON. Two years. No, I'm wrong there—all but seventeen days.</p>
<p>FROME. Had you him under your eye all that time?</p>
<p>COKESON. Except Sundays and holidays.</p>
<p>FROME. Quite so. Let us hear, please, what you have to say about his
general character during those two years.</p>
<p>COKESON. [Confidentially to the jury, and as if a little surprised at
being asked] He was a nice, pleasant-spoken young man. I'd no fault to
find with him—quite the contrary. It was a great surprise to me when
he did a thing like that.</p>
<p>FROME. Did he ever give you reason to suspect his honesty?</p>
<p>COKESON. No! To have dishonesty in our office, that'd never do.</p>
<p>FROME. I'm sure the jury fully appreciate that, Mr. Cokeson.</p>
<p>COKESON. Every man of business knows that honesty's 'the sign qua non'.</p>
<p>FROME. Do you give him a good character all round, or do you not?</p>
<p>COKESON. [Turning to the JUDGE] Certainly. We were all very jolly and
pleasant together, until this happened. Quite upset me.</p>
<p>FROME. Now, coming to the morning of the 7th of July, the morning on which
the cheque was altered. What have you to say about his demeanour that
morning?</p>
<p>COKESON. [To the jury] If you ask me, I don't think he was quite compos
when he did it.</p>
<p>THE JUDGE. [Sharply] Are you suggesting that he was insane?</p>
<p>COKESON. Not compos.</p>
<p>THE JUDGE. A little more precision, please.</p>
<p>FROME. [Smoothly] Just tell us, Mr. Cokeson.</p>
<p>COKESON. [Somewhat outraged] Well, in my opinion—[looking at the
JUDGE]—such as it is—he was jumpy at the time. The jury will
understand my meaning.</p>
<p>FROME. Will you tell us how you came to that conclusion?</p>
<p>COKESON. Ye-es, I will. I have my lunch in from the restaurant, a chop and
a potato—saves time. That day it happened to come just as Mr. Walter
How handed me the cheque. Well, I like it hot; so I went into the clerks'
office and I handed the cheque to Davis, the other clerk, and told him to
get change. I noticed young Falder walking up and down. I said to him:
"This is not the Zoological Gardens, Falder."</p>
<p>FROME. Do you remember what he answered?</p>
<p>COKESON. Ye-es: "I wish to God it were!" Struck me as funny.</p>
<p>FROME. Did you notice anything else peculiar?</p>
<p>COKESON. I did.</p>
<p>FROME. What was that?</p>
<p>COKESON. His collar was unbuttoned. Now, I like a young man to be neat. I
said to him: "Your collar's unbuttoned."</p>
<p>FROME. And what did he answer?</p>
<p>COKESON. Stared at me. It wasn't nice.</p>
<p>THE JUDGE. Stared at you? Isn't that a very common practice?</p>
<p>COKESON. Ye-es, but it was the look in his eyes. I can't explain my
meaning—it was funny.</p>
<p>FROME. Had you ever seen such a look in his eyes before?</p>
<p>COKESON. No. If I had I should have spoken to the partners. We can't have
anything eccentric in our profession.</p>
<p>THE JUDGE. Did you speak to them on that occasion?</p>
<p>COKESON. [Confidentially] Well, I didn't like to trouble them about prime
facey evidence.</p>
<p>FROME. But it made a very distinct impression on your mind?</p>
<p>COKESON. Ye-es. The clerk Davis could have told you the same.</p>
<p>FROME. Quite so. It's very unfortunate that we've not got him here. Now
can you tell me of the morning on which the discovery of the forgery was
made? That would be the 18th. Did anything happen that morning?</p>
<p>COKESON. [With his hand to his ear] I'm a little deaf.</p>
<p>FROME. Was there anything in the course of that morning—I mean
before the discovery—that caught your attention?</p>
<p>COKESON. Ye-es—a woman.</p>
<p>THE JUDGE. How is this relevant, Mr. Frome?</p>
<p>FROME. I am trying to establish the state of mind in which the prisoner
committed this act, my lord.</p>
<p>THE JUDGE. I quite appreciate that. But this was long after the act.</p>
<p>FROME. Yes, my lord, but it contributes to my contention.</p>
<p>THE JUDGE. Well!</p>
<p>FROME. You say a woman. Do you mean that she came to the office?</p>
<p>COKESON. Ye-es.</p>
<p>FROME. What for?</p>
<p>COKESON. Asked to see young Falder; he was out at the moment.</p>
<p>FROME. Did you see her?</p>
<p>COKESON. I did.</p>
<p>FROME. Did she come alone?</p>
<p>COKESON. [Confidentially] Well, there you put me in a difficulty. I
mustn't tell you what the office-boy told me.</p>
<p>FROME. Quite so, Mr. Cokeson, quite so——</p>
<p>COKESON. [Breaking in with an air of "You are young—leave it to me"]
But I think we can get round it. In answer to a question put to her by a
third party the woman said to me: "They're mine, sir."</p>
<p>THE JUDGE. What are? What were?</p>
<p>COKESON. Her children. They were outside.</p>
<p>THE JUDGE. HOW do you know?</p>
<p>COKESON. Your lordship mustn't ask me that, or I shall have to tell you
what I was told—and that'd never do.</p>
<p>THE JUDGE. [Smiling] The office-boy made a statement.</p>
<p>COKESON. Egg-zactly.</p>
<p>FROME. What I want to ask you, Mr. Cokeson, is this. In the course of her
appeal to see Falder, did the woman say anything that you specially
remember?</p>
<p>COKESON. [Looking at him as if to encourage him to complete the sentence]
A leetle more, sir.</p>
<p>FROME. Or did she not?</p>
<p>COKESON. She did. I shouldn't like you to have led me to the answer.</p>
<p>FROME. [With an irritated smile] Will you tell the jury what it was?</p>
<p>COKESON. "It's a matter of life and death."</p>
<p>FOREMAN OF THE JURY. Do you mean the woman said that?</p>
<p>COKESON. [Nodding] It's not the sort of thing you like to have said to
you.</p>
<p>FROME. [A little impatiently] Did Falder come in while she was there?
[COKESON nods] And she saw him, and went away?</p>
<p>COKESON. Ah! there I can't follow you. I didn't see her go.</p>
<p>FROME. Well, is she there now?</p>
<p>COKESON. [With an indulgent smile] No!</p>
<p>FROME. Thank you, Mr. Cokeson. [He sits down.]</p>
<p>CLEAVER. [Rising] You say that on the morning of the forgery the prisoner
was jumpy. Well, now, sir, what precisely do you mean by that word?</p>
<p>COKESON. [Indulgently] I want you to understand. Have you ever seen a dog
that's lost its master? He was kind of everywhere at once with his eyes.</p>
<p>CLEAVER. Thank you; I was coming to his eyes. You called them "funny."
What are we to understand by that? Strange, or what?</p>
<p>COKESON. Ye-es, funny.</p>
<p>COKESON. [Sharply] Yes, sir, but what may be funny to you may not be funny
to me, or to the jury. Did they look frightened, or shy, or fierce, or
what?</p>
<p>COKESON. You make it very hard for me. I give you the word, and you want
me to give you another.</p>
<p>CLEAVER. [Rapping his desk] Does "funny" mean mad?</p>
<p>CLEAVER. Not mad, fun——</p>
<p>CLEAVER. Very well! Now you say he had his collar unbuttoned? Was it a hot
day?</p>
<p>COKESON. Ye-es; I think it was.</p>
<p>CLEAVER. And did he button it when you called his attention to it?</p>
<p>COKESON. Ye-es, I think he did.</p>
<p>CLEAVER. Would you say that that denoted insanity?</p>
<blockquote>
<p>He sits downs. COKESON, who has opened his mouth to reply, is left
gaping.</p>
</blockquote>
<p>FROME. [Rising hastily] Have you ever caught him in that dishevelled state
before?</p>
<p>COKESON. No! He was always clean and quiet.</p>
<p>FROME. That will do, thank you.</p>
<blockquote>
<p>COKESON turns blandly to the JUDGE, as though to rebuke counsel for not
remembering that the JUDGE might wish to have a chance; arriving at the
conclusion that he is to be asked nothing further, he turns and descends
from the box, and sits down next to JAMES and WALTER.</p>
</blockquote>
<p>FROME. Ruth Honeywill.</p>
<blockquote>
<p>RUTH comes into court, and takes her stand stoically in the witness-box.
She is sworn.</p>
</blockquote>
<p>FROME. What is your name, please?</p>
<p>RUTH. Ruth Honeywill.</p>
<p>FROME. How old are you?</p>
<p>RUTH. Twenty-six.</p>
<p>FROME. You are a married woman, living with your husband? A little louder.</p>
<p>RUTH. No, sir; not since July.</p>
<p>FROME. Have you any children?</p>
<p>RUTH. Yes, sir, two.</p>
<p>FROME. Are they living with you?</p>
<p>RUTH. Yes, sir.</p>
<p>FROME. You know the prisoner?</p>
<p>RUTH. [Looking at him] Yes.</p>
<p>FROME. What was the nature of your relations with him?</p>
<p>RUTH. We were friends.</p>
<p>THE JUDGE. Friends?</p>
<p>RUTH. [Simply] Lovers, sir.</p>
<p>THE JUDGE. [Sharply] In what sense do you use that word?</p>
<p>RUTH. We love each other.</p>
<p>THE JUDGE. Yes, but——</p>
<p>RUTH. [Shaking her head] No, your lordship—not yet.</p>
<p>THE JUDGE. 'Not yet! H'm! [He looks from RUTH to FALDER] Well!</p>
<p>FROME. What is your husband?</p>
<p>RUTH. Traveller.</p>
<p>FROME. And what was the nature of your married life?</p>
<p>RUTH. [Shaking her head] It don't bear talking about.</p>
<p>FROME. Did he ill-treat you, or what?</p>
<p>RUTH. Ever since my first was born.</p>
<p>FROME. In what way?</p>
<p>RUTH. I'd rather not say. All sorts of ways.</p>
<p>THE JUDGE. I am afraid I must stop this, you know.</p>
<p>RUTH. [Pointing to FALDER] He offered to take me out of it, sir. We were
going to South America.</p>
<p>FROME. [Hastily] Yes, quite—and what prevented you?</p>
<p>RUTH. I was outside his office when he was taken away. It nearly broke my
heart.</p>
<p>FROME. You knew, then, that he had been arrested?</p>
<p>RUTH. Yes, sir. I called at his office afterwards, and [pointing to
COKESON] that gentleman told me all about it.</p>
<p>FROME. Now, do you remember the morning of Friday, July 7th?</p>
<p>RUTH. Yes.</p>
<p>FROME. Why?</p>
<p>RUTH. My husband nearly strangled me that morning.</p>
<p>THE JUDGE. Nearly strangled you!</p>
<p>RUTH. [Bowing her head] Yes, my lord.</p>
<p>FROME. With his hands, or——?</p>
<p>RUTH. Yes, I just managed to get away from him. I went straight to my
friend. It was eight o'clock.</p>
<p>THE JUDGE. In the morning? Your husband was not under the influence of
liquor then?</p>
<p>RUTH. It wasn't always that.</p>
<p>FROME. In what condition were you?</p>
<p>RUTH. In very bad condition, sir. My dress was torn, and I was half
choking.</p>
<p>FROME. Did you tell your friend what had happened?</p>
<p>RUTH. Yes. I wish I never had.</p>
<p>FROME. It upset him?</p>
<p>RUTH. Dreadfully.</p>
<p>FROME. Did he ever speak to you about a cheque?</p>
<p>RUTH. Never.</p>
<p>FROZE. Did he ever give you any money?</p>
<p>RUTH. Yes.</p>
<p>FROME. When was that?</p>
<p>RUTH. On Saturday.</p>
<p>FROME. The 8th?</p>
<p>RUTH. To buy an outfit for me and the children, and get all ready to
start.</p>
<p>FROME. Did that surprise you, or not?</p>
<p>RUTH. What, sir?</p>
<p>FROME. That he had money to give you.</p>
<p>Ring. Yes, because on the morning when my husband nearly killed me my
friend cried because he hadn't the money to get me away. He told me
afterwards he'd come into a windfall.</p>
<p>FROME. And when did you last see him?</p>
<p>RUTH. The day he was taken away, sir. It was the day we were to have
started.</p>
<p>FROME. Oh, yes, the morning of the arrest. Well, did you see him at all
between the Friday and that morning? [RUTH nods] What was his manner then?</p>
<p>RUTH. Dumb—like—sometimes he didn't seem able to say a word.</p>
<p>FROME. As if something unusual had happened to him?</p>
<p>RUTH. Yes.</p>
<p>FROME. Painful, or pleasant, or what?</p>
<p>RUTH. Like a fate hanging over him.</p>
<p>FROME. [Hesitating] Tell me, did you love the prisoner very much?</p>
<p>RUTH. [Bowing her head] Yes.</p>
<p>FROME. And had he a very great affection for you?</p>
<p>RUTH. [Looking at FALDER] Yes, sir.</p>
<p>FROME. Now, ma'am, do you or do you not think that your danger and
unhappiness would seriously affect his balance, his control over his
actions?</p>
<p>RUTH. Yes.</p>
<p>FROME. His reason, even?</p>
<p>RUTH. For a moment like, I think it would.</p>
<p>FROME. Was he very much upset that Friday morning, or was he fairly calm?</p>
<p>RUTH. Dreadfully upset. I could hardly bear to let him go from me.</p>
<p>FROME. Do you still love him?</p>
<p>RUTH. [With her eyes on FALDER] He's ruined himself for me.</p>
<p>FROME. Thank you.</p>
<blockquote>
<p>He sits down. RUTH remains stoically upright in the witness-box.</p>
</blockquote>
<p>CLEAVER. [In a considerate voice] When you left him on the morning of
Friday the 7th you would not say that he was out of his mind, I suppose?</p>
<p>RUTH. No, sir.</p>
<p>CLEAVER. Thank you; I've no further questions to ask you.</p>
<p>RUTH. [Bending a little forward to the jury] I would have done the same
for him; I would indeed.</p>
<p>THE JUDGE. Please, please! You say your married life is an unhappy one?
Faults on both sides?</p>
<p>RUTH. Only that I never bowed down to him. I don't see why I should, sir,
not to a man like that.</p>
<p>THE JUDGE. You refused to obey him?</p>
<p>RUTH. [Avoiding the question] I've always studied him to keep things nice.</p>
<p>THE JUDGE. Until you met the prisoner—was that it?</p>
<p>RUTH. No; even after that.</p>
<p>THE JUDGE. I ask, you know, because you seem to me to glory in this
affection of yours for the prisoner.</p>
<p>RUTH. [Hesitating] I—I do. It's the only thing in my life now.</p>
<p>THE JUDGE. [Staring at her hard] Well, step down, please.</p>
<blockquote>
<p>RUTH looks at FALDER, then passes quietly down and takes her seat among
the witnesses.</p>
</blockquote>
<p>FROME. I call the prisoner, my lord.</p>
<blockquote>
<p>FALDER leaves the dock; goes into the witness-box, and is duly sworn.</p>
</blockquote>
<p>FROME. What is your name?</p>
<p>FALDER. William Falder.</p>
<p>FROME. And age?</p>
<p>FALDER. Twenty-three.</p>
<p>FROME. You are not married?</p>
<blockquote>
<p>FALDER shakes his head</p>
</blockquote>
<p>FROME. How long have you known the last witness?</p>
<p>FALDER. Six months.</p>
<p>FROME. Is her account of the relationship between you a correct one?</p>
<p>FALDER. Yes.</p>
<p>FROME. You became devotedly attached to her, however?</p>
<p>FALDER. Yes.</p>
<p>THE JUDGE. Though you knew she was a married woman?</p>
<p>FALDER. I couldn't help it, your lordship.</p>
<p>THE JUDGE. Couldn't help it?</p>
<p>FALDER. I didn't seem able to.</p>
<blockquote>
<p>The JUDGE slightly shrugs his shoulders.</p>
</blockquote>
<p>FROME. How did you come to know her?</p>
<p>FALDER. Through my married sister.</p>
<p>FROME. Did you know whether she was happy with her husband?</p>
<p>FALDER. It was trouble all the time.</p>
<p>FROME. You knew her husband?</p>
<p>FALDER. Only through her—he's a brute.</p>
<p>THE JUDGE. I can't allow indiscriminate abuse of a person not present.</p>
<p>FROME. [Bowing] If your lordship pleases. [To FALDER] You admit altering
this cheque?</p>
<p>FALDER bows his head.</p>
<p>FROME. Carry your mind, please, to the morning of Friday, July the 7th,
and tell the jury what happened.</p>
<p>FALDER. [Turning to the jury] I was having my breakfast when she came. Her
dress was all torn, and she was gasping and couldn't seem to get her
breath at all; there were the marks of his fingers round her throat; her
arm was bruised, and the blood had got into her eyes dreadfully. It
frightened me, and then when she told me, I felt—I felt—well—it
was too much for me! [Hardening suddenly] If you'd seen it, having the
feelings for her that I had, you'd have felt the same, I know.</p>
<p>FROME. Yes?</p>
<p>FALDER. When she left me—because I had to go to the office—I
was out of my senses for fear that he'd do it again, and thinking what I
could do. I couldn't work—all the morning I was like that—simply
couldn't fix my mind on anything. I couldn't think at all. I seemed to
have to keep moving. When Davis—the other clerk—gave me the
cheque—he said: "It'll do you good, Will, to have a run with this.
You seem half off your chump this morning." Then when I had it in my hand—I
don't know how it came, but it just flashed across me that if I put the
'ty' and the nought there would be the money to get her away. It just came
and went—I never thought of it again. Then Davis went out to his
luncheon, and I don't really remember what I did till I'd pushed the
cheque through to the cashier under the rail. I remember his saying "Gold
or notes?" Then I suppose I knew what I'd done. Anyway, when I got outside
I wanted to chuck myself under a bus; I wanted to throw the money away;
but it seemed I was in for it, so I thought at any rate I'd save her. Of
course the tickets I took for the passage and the little I gave her's been
wasted, and all, except what I was obliged to spend myself, I've restored.
I keep thinking over and over however it was I came to do it, and how I
can't have it all again to do differently!</p>
<blockquote>
<p>FALDER is silent, twisting his hands before him.</p>
</blockquote>
<p>FROME. How far is it from your office to the bank?</p>
<p>FALDER. Not more than fifty yards, sir.</p>
<p>FROME. From the time Davis went out to lunch to the time you cashed the
cheque, how long do you say it must have been?</p>
<p>FALDER. It couldn't have been four minutes, sir, because I ran all the
way.</p>
<p>FROME. During those four minutes you say you remember nothing?</p>
<p>FALDER. No, sir; only that I ran.</p>
<p>FROME. Not even adding the 'ty' and the nought?'</p>
<p>FALDER. No, sir. I don't really.</p>
<blockquote>
<p>FROME sits down, and CLEAVER rises.</p>
</blockquote>
<p>CLEAVER. But you remember running, do you?</p>
<p>FALDER. I was all out of breath when I got to the bank.</p>
<p>CLEAVER. And you don't remember altering the cheque?</p>
<p>FALDER. [Faintly] No, sir.</p>
<p>CLEAVER. Divested of the romantic glamour which my friend is casting over
the case, is this anything but an ordinary forgery? Come.</p>
<p>FALDER. I was half frantic all that morning, sir.</p>
<p>CLEAVER. Now, now! You don't deny that the 'ty' and the nought were so
like the rest of the handwriting as to thoroughly deceive the cashier?</p>
<p>FALDER. It was an accident.</p>
<p>CLEAVER. [Cheerfully] Queer sort of accident, wasn't it? On which day did
you alter the counterfoil?</p>
<p>FALDER. [Hanging his head] On the Wednesday morning.</p>
<p>CLEAVER. Was that an accident too?</p>
<p>FALDER. [Faintly] No.</p>
<p>CLEAVER. To do that you had to watch your opportunity, I suppose?</p>
<p>FALDER. [Almost inaudibly] Yes.</p>
<p>CLEAVER. You don't suggest that you were suffering under great excitement
when you did that?</p>
<p>FALDER. I was haunted.</p>
<p>CLEAVER. With the fear of being found out?</p>
<p>FALDER. [Very low] Yes.</p>
<p>THE JUDGE. Didn't it occur to you that the only thing for you to do was to
confess to your employers, and restore the money?</p>
<p>FALDER. I was afraid. [There is silence]</p>
<p>CLEAVER. You desired, too, no doubt, to complete your design of taking
this woman away?</p>
<p>FALDER. When I found I'd done a thing like that, to do it for nothing
seemed so dreadful. I might just as well have chucked myself into the
river.</p>
<p>CLEAVER. You knew that the clerk Davis was about to leave England —didn't
it occur to you when you altered this cheque that suspicion would fall on
him?</p>
<p>FALDER. It was all done in a moment. I thought of it afterwards.</p>
<p>CLEAVER. And that didn't lead you to avow what you'd done?</p>
<p>FALDER. [Sullenly] I meant to write when I got out there—I would
have repaid the money.</p>
<p>THE JUDGE. But in the meantime your innocent fellow clerk might have been
prosecuted.</p>
<p>FALDER. I knew he was a long way off, your lordship. I thought there'd be
time. I didn't think they'd find it out so soon.</p>
<p>FROME. I might remind your lordship that as Mr. Walter How had the
cheque-book in his pocket till after Davis had sailed, if the discovery
had been made only one day later Falder himself would have left, and
suspicion would have attached to him, and not to Davis, from the
beginning.</p>
<p>THE JUDGE. The question is whether the prisoner knew that suspicion would
light on himself, and not on Davis. [To FALDER sharply] Did you know that
Mr. Walter How had the cheque-book till after Davis had sailed?</p>
<p>FALDER. I—I—thought—he——</p>
<p>THE JUDGE. Now speak the truth-yes or no!</p>
<p>FALDER. [Very low] No, my lord. I had no means of knowing.</p>
<p>THE JUDGE. That disposes of your point, Mr. Frome.</p>
<blockquote>
<p>[FROME bows to the JUDGE]</p>
</blockquote>
<p>CLEAVER. Has any aberration of this nature ever attacked you before?</p>
<p>FALDER. [Faintly] No, sir.</p>
<p>CLEAVER. You had recovered sufficiently to go back to your work that
afternoon?</p>
<p>FALDER. Yes, I had to take the money back.</p>
<p>CLEAVER. You mean the nine pounds. Your wits were sufficiently keen for
you to remember that? And you still persist in saying you don't remember
altering this cheque. [He sits down]</p>
<p>FALDER. If I hadn't been mad I should never have had the courage.</p>
<p>FROME. [Rising] Did you have your lunch before going back?</p>
<p>FALDER. I never ate a thing all day; and at night I couldn't sleep.</p>
<p>FROME. Now, as to the four minutes that elapsed between Davis's going out
and your cashing the cheque: do you say that you recollect nothing during
those four minutes?</p>
<p>FALDER. [After a moment] I remember thinking of Mr. Cokeson's face.</p>
<p>FROME. Of Mr. Cokeson's face! Had that any connection with what you were
doing?</p>
<p>FALDER. No, Sir.</p>
<p>FROME. Was that in the office, before you ran out?</p>
<p>FALDER. Yes, and while I was running.</p>
<p>FROME. And that lasted till the cashier said: "Will you have gold or
notes?"</p>
<p>FALDER. Yes, and then I seemed to come to myself—and it was too
late.</p>
<p>FROME. Thank you. That closes the evidence for the defence, my lord.</p>
<blockquote>
<p>The JUDGE nods, and FALDER goes back to his seat in the dock.</p>
</blockquote>
<p>FROME. [Gathering up notes] If it please your lordship—Gentlemen of
the Jury,—My friend in cross-examination has shown a disposition to
sneer at the defence which has been set up in this case, and I am free to
admit that nothing I can say will move you, if the evidence has not
already convinced you that the prisoner committed this act in a moment
when to all practical intents and purposes he was not responsible for his
actions; a moment of such mental and moral vacuity, arising from the
violent emotional agitation under which he had been suffering, as to
amount to temporary madness. My friend has alluded to the "romantic
glamour" with which I have sought to invest this case. Gentlemen, I have
done nothing of the kind. I have merely shown you the background of "life"—that
palpitating life which, believe me—whatever my friend may say—always
lies behind the commission of a crime. Now gentlemen, we live in a highly,
civilized age, and the sight of brutal violence disturbs us in a very
strange way, even when we have no personal interest in the matter. But
when we see it inflicted on a woman whom we love—what then? Just
think of what your own feelings would have been, each of you, at the
prisoner's age; and then look at him. Well! he is hardly the comfortable,
shall we say bucolic, person likely to contemplate with equanimity marks
of gross violence on a woman to whom he was devotedly attached. Yes,
gentlemen, look at him! He has not a strong face; but neither has he a
vicious face. He is just the sort of man who would easily become the prey
of his emotions. You have heard the description of his eyes. My friend may
laugh at the word "funny"—I think it better describes the peculiar
uncanny look of those who are strained to breaking-point than any other
word which could have been used. I don't pretend, mind you, that his
mental irresponsibility—was more than a flash of darkness, in which
all sense of proportion became lost; but to contend, that, just as a man
who destroys himself at such a moment may be, and often is, absolved from
the stigma attaching to the crime of self-murder, so he may, and
frequently does, commit other crimes while in this irresponsible
condition, and that he may as justly be acquitted of criminal intent and
treated as a patient. I admit that this is a plea which might well be
abused. It is a matter for discretion. But here you have a case in which
there is every reason to give the benefit of the doubt. You heard me ask
the prisoner what he thought of during those four fatal minutes. What was
his answer? "I thought of Mr. Cokeson's face!" Gentlemen, no man could
invent an answer like that; it is absolutely stamped with truth. You have
seen the great affection [legitimate or not] existing between him and this
woman, who came here to give evidence for him at the risk of her life. It
is impossible for you to doubt his distress on the morning when he
committed this act. We well know what terrible havoc such distress can
make in weak and highly nervous people. It was all the work of a moment.
The rest has followed, as death follows a stab to the heart, or water
drops if you hold up a jug to empty it. Believe me, gentlemen, there is
nothing more tragic in life than the utter impossibility of changing what
you have done. Once this cheque was altered and presented, the work of
four minutes—four mad minutes —the rest has been silence. But
in those four minutes the boy before you has slipped through a door,
hardly opened, into that great cage which never again quite lets a man go—the
cage of the Law. His further acts, his failure to confess, the alteration
of the counterfoil, his preparations for flight, are all evidence—not
of deliberate and guilty intention when he committed the prime act from
which these subsequent acts arose; no—they are merely evidence of
the weak character which is clearly enough his misfortune. But is a man to
be lost because he is bred and born with a weak character? Gentlemen, men
like the prisoner are destroyed daily under our law for want of that human
insight which sees them as they are, patients, and not criminals. If the
prisoner be found guilty, and treated as though he were a criminal type,
he will, as all experience shows, in all probability become one. I beg you
not to return a verdict that may thrust him back into prison and brand him
for ever. Gentlemen, Justice is a machine that, when some one has once
given it the starting push, rolls on of itself. Is this young man to be
ground to pieces under this machine for an act which at the worst was one
of weakness? Is he to become a member of the luckless crews that man those
dark, ill-starred ships called prisons? Is that to be his voyage-from
which so few return? Or is he to have another chance, to be still looked
on as one who has gone a little astray, but who will come back? I urge
you, gentlemen, do not ruin this young man! For, as a result of those four
minutes, ruin, utter and irretrievable, stares him in the face. He can be
saved now. Imprison him as a criminal, and I affirm to you that he will be
lost. He has neither the face nor the manner of one who can survive that
terrible ordeal. Weigh in the scales his criminality and the suffering he
has undergone. The latter is ten times heavier already. He has lain in
prison under this charge for more than two months. Is he likely ever to
forget that? Imagine the anguish of his mind during that time. He has had
his punishment, gentlemen, you may depend. The rolling of the
chariot-wheels of Justice over this boy began when it was decided to
prosecute him. We are now already at the second stage. If you permit it to
go on to the third I would not give—that for him.</p>
<blockquote>
<p>He holds up finger and thumb in the form of a circle, drops his hand,
and sits dozen.</p>
</blockquote>
<p>The jury stir, and consult each other's faces; then they turn towards the
counsel for the Crown, who rises, and, fixing his eyes on a spot that
seems to give him satisfaction, slides them every now and then towards the
jury.</p>
<p>CLEAVER. May it please your lordship—[Rising on his toes] Gentlemen
of the Jury,—The facts in this case are not disputed, and the
defence, if my friend will allow me to say so, is so thin that I don't
propose to waste the time of the Court by taking you over the evidence.
The plea is one of temporary insanity. Well, gentlemen, I daresay it is
clearer to me than it is to you why this rather—what shall we call
it?—bizarre defence has been set up. The alternative would have been
to plead guilty. Now, gentlemen, if the prisoner had pleaded guilty my
friend would have had to rely on a simple appeal to his lordship. Instead
of that, he has gone into the byways and hedges and found this—er—peculiar
plea, which has enabled him to show you the proverbial woman, to put her
in the box—to give, in fact, a romantic glow to this affair. I
compliment my friend; I think it highly ingenious of him. By these means,
he has—to a certain extent—got round the Law. He has brought
the whole story of motive and stress out in court, at first hand, in a way
that he would not otherwise have been able to do. But when you have once
grasped that fact, gentlemen, you have grasped everything. [With
good-humoured contempt] For look at this plea of insanity; we can't put it
lower than that. You have heard the woman. She has every reason to favour
the prisoner, but what did she say? She said that the prisoner was not
insane when she left him in the morning. If he were going out of his mind
through distress, that was obviously the moment when insanity would have
shown itself. You have heard the managing clerk, another witness for the
defence. With some difficulty I elicited from him the admission that the
prisoner, though jumpy [a word that he seemed to think you would
understand, gentlemen, and I'm sure I hope you do], was not mad when the
cheque was handed to Davis. I agree with my friend that it's unfortunate
that we have not got Davis here, but the prisoner has told you the words
with which Davis in turn handed him the cheque; he obviously, therefore,
was not mad when he received it, or he would not have remembered those
words. The cashier has told you that he was certainly in his senses when
he cashed it. We have therefore the plea that a man who is sane at ten
minutes past one, and sane at fifteen minutes past, may, for the purposes
of avoiding the consequences of a crime, call himself insane between those
points of time. Really, gentlemen, this is so peculiar a proposition that
I am not disposed to weary you with further argument. You will form your
own opinion of its value. My friend has adopted this way of saying a great
deal to you—and very eloquently—on the score of youth,
temptation, and the like. I might point out, however, that the offence
with which the prisoner is charged is one of the most serious known to our
law; and there are certain features in this case, such as the suspicion
which he allowed to rest on his innocent fellow-clerk, and his relations
with this married woman, which will render it difficult for you to attach
too much importance to such pleading. I ask you, in short, gentlemen, for
that verdict of guilty which, in the circumstances, I regard you as,
unfortunately, bound to record.</p>
<blockquote>
<p>Letting his eyes travel from the JUDGE and the jury to FROME, he sits
down.</p>
</blockquote>
<p>THE JUDGE. [Bending a little towards the jury, and speaking in a
business-like voice] Gentlemen, you have heard the evidence, and the
comments on it. My only business is to make clear to you the issues you
have to try. The facts are admitted, so far as the alteration of this
cheque and counterfoil by the prisoner. The defence set up is that he was
not in a responsible condition when he committed the crime. Well, you have
heard the prisoner's story, and the evidence of the other witnesses—so
far as it bears on the point of insanity. If you think that what you have
heard establishes the fact that the prisoner was insane at the time of the
forgery, you will find him guilty, but insane. If, on the other hand, you
conclude from what you have seen and heard that the prisoner was sane—and
nothing short of insanity will count—you will find him guilty. In
reviewing the testimony as to his mental condition you must bear in mind
very carefully the evidence as to his demeanour and conduct both before
and after the act of forgery—the evidence of the prisoner himself,
of the woman, of the witness—er—COKESON, and—er—of
the cashier. And in regard to that I especially direct your attention to
the prisoner's admission that the idea of adding the 'ty' and the nought
did come into his mind at the moment when the cheque was handed to him;
and also to the alteration of the counterfoil, and to his subsequent
conduct generally. The bearing of all this on the question of
premeditation [and premeditation will imply sanity] is very obvious. You
must not allow any considerations of age or temptation to weigh with you
in the finding of your verdict. Before you can come to a verdict of guilty
but insane you must be well and thoroughly convinced that the condition of
his mind was such as would have qualified him at the moment for a lunatic
asylum. [He pauses, then, seeing that the jury are doubtful whether to
retire or no, adds:] You may retire, gentlemen, if you wish to do so.</p>
<blockquote>
<p>The jury retire by a door behind the JUDGE. The JUDGE bends over his
notes. FALDER, leaning from the dock, speaks excitedly to his solicitor,
pointing dawn at RUTH. The solicitor in turn speaks to FROME.</p>
</blockquote>
<p>FROME. [Rising] My lord. The prisoner is very anxious that I should ask
you if your lordship would kindly request the reporters not to disclose
the name of the woman witness in the Press reports of these proceedings.
Your lordship will understand that the consequences might be extremely
serious to her.</p>
<p>THE JUDGE. [Pointedly—with the suspicion of a smile] well, Mr.
Frome, you deliberately took this course which involved bringing her here.</p>
<p>FROME. [With an ironic bow] If your lordship thinks I could have brought
out the full facts in any other way?</p>
<p>THE JUDGE. H'm! Well.</p>
<p>FROME. There is very real danger to her, your lordship.</p>
<p>THE JUDGE. You see, I have to take your word for all that.</p>
<p>FROME. If your lordship would be so kind. I can assure your lordship that
I am not exaggerating.</p>
<p>THE JUDGE. It goes very much against the grain with me that the name of a
witness should ever be suppressed. [With a glance at FALDER, who is
gripping and clasping his hands before him, and then at RUTH, who is
sitting perfectly rigid with her eyes fixed on FALDER] I'll consider your
application. It must depend. I have to remember that she may have come
here to commit perjury on the prisoner's behalf.</p>
<p>FROME. Your lordship, I really——</p>
<p>THE JUDGE. Yes, yes—I don't suggest anything of the sort, Mr. Frome.
Leave it at that for the moment.</p>
<blockquote>
<p>As he finishes speaking, the jury return, and file back into the box.</p>
</blockquote>
<p>CLERK of ASSIZE. Gentlemen, are you agreed on your verdict?</p>
<p>FOREMAN. We are.</p>
<p>CLERK of ASSIZE. Is it Guilty, or Guilty but insane?</p>
<p>FOREMAN. Guilty.</p>
<blockquote>
<p>The JUDGE nods; then, gathering up his notes, sits looking at FALDER,
who stands motionless.</p>
</blockquote>
<p>FROME. [Rising] If your lordship would allow me to address you in
mitigation of sentence. I don't know if your lordship thinks I can add
anything to what I have said to the jury on the score of the prisoner's
youth, and the great stress under which he acted.</p>
<p>THE JUDGE. I don't think you can, Mr. Frome.</p>
<p>FROME. If your lordship says so—I do most earnestly beg your
lordship to give the utmost weight to my plea. [He sits down.]</p>
<p>THE JUDGE. [To the CLERK] Call upon him.</p>
<p>THE CLERK. Prisoner at the bar, you stand convicted of felony. Have you
anything to say for yourself, why the Court should not give you judgment
according to law? [FALDER shakes his head]</p>
<p>THE JUDGE. William Falder, you have been given fair trial and found
guilty, in my opinion rightly found guilty, of forgery. [He pauses; then,
consulting his notes, goes on] The defence was set up that you were not
responsible for your actions at the moment of committing this crime. There
is no, doubt, I think, that this was a device to bring out at first hand
the nature of the temptation to which you succumbed. For throughout the
trial your counsel was in reality making an appeal for mercy. The setting
up of this defence of course enabled him to put in some evidence that
might weigh in that direction. Whether he was well advised to so is
another matter. He claimed that you should be treated rather as a patient
than as a criminal. And this plea of his, which in the end amounted to a
passionate appeal, he based in effect on an indictment of the march of
Justice, which he practically accused of confirming and completing the
process of criminality. Now, in considering how far I should allow weight
to his appeal; I have a number of factors to take into account. I have to
consider on the one hand the grave nature of your offence, the deliberate
way in which you subsequently altered the counterfoil, the danger you
caused to an innocent man—and that, to my mind, is a very grave
point—and finally I have to consider the necessity of deterring
others from following your example. On the other hand, I have to bear in
mind that you are young, that you have hitherto borne a good character,
that you were, if I am to believe your evidence and that of your
witnesses, in a state of some emotional excitement when you committed this
crime. I have every wish, consistently with my duty—not only to you,
but to the community—to treat you with leniency. And this brings me
to what are the determining factors in my mind in my consideration of your
case. You are a clerk in a lawyer's office—that is a very serious
element in this case; there can be no possible excuse made for you on the
ground that you were not fully conversant with the nature of the crime you
were committing, and the penalties that attach to it. It is said, however,
that you were carried away by your emotions. The story has been told here
to-day of your relations with this—er—Mrs. Honeywill; on that
story both the defence and the plea for mercy were in effect based. Now
what is that story? It is that you, a young man, and she, a young woman,
unhappily married, had formed an attachment, which you both say—with
what truth I am unable to gauge —had not yet resulted in immoral
relations, but which you both admit was about to result in such
relationship. Your counsel has made an attempt to palliate this, on the
ground that the woman is in what he describes, I think, as "a hopeless
position." As to that I can express no opinion. She is a married woman,
and the fact is patent that you committed this crime with the view of
furthering an immoral design. Now, however I might wish, I am not able to
justify to my conscience a plea for mercy which has a basis inimical to
morality. It is vitiated 'ab initio', and would, if successful, free you
for the completion of this immoral project. Your counsel has made an
attempt to trace your offence back to what he seems to suggest is a defect
in the marriage law; he has made an attempt also to show that to punish
you with further imprisonment would be unjust. I do not follow him in
these flights. The Law is what it is—a majestic edifice, sheltering
all of us, each stone of which rests on another. I am concerned only with
its administration. The crime you have committed is a very serious one. I
cannot feel it in accordance with my duty to Society to exercise the
powers I have in your favour. You will go to penal servitude for three
years.</p>
<blockquote>
<p>FALDER, who throughout the JUDGE'S speech has looked at him steadily,
lets his head fall forward on his breast. RUTH starts up from her seat
as he is taken out by the warders. There is a bustle in court.</p>
</blockquote>
<p>THE JUDGE. [Speaking to the reporters] Gentlemen of the Press, I think
that the name of the female witness should not be reported.</p>
<blockquote>
<p>The reporters bow their acquiescence. THE JUDGE. [To RUTH, who is
staring in the direction in which FALDER has disappeared] Do you
understand, your name will not be mentioned?</p>
</blockquote>
<p>COKESON. [Pulling her sleeve] The judge is speaking to you.</p>
<blockquote>
<p>RUTH turns, stares at the JUDGE, and turns away.</p>
</blockquote>
<p>THE JUDGE. I shall sit rather late to-day. Call the next case.</p>
<p>CLERK of ASSIZE. [To a warder] Put up John Booley.</p>
<blockquote>
<p>To cries of "Witnesses in the case of Booley":</p>
</blockquote>
<blockquote>
<p>The curtain falls.</p>
</blockquote>
<div style="break-after:column;"></div><br />