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Vicky Van

<h2 id="id01770" style="margin-top: 4em">CHAPTER XIX</h2> <h5 id="id01771">PROOFS AND MORE PROOFS</h5> "You are absolutely crazy!" I said, laughing, though the laugh choked in my throat, as I looked at Stone. "You see, Fibsy, you're gone dotty over this thing, and you're running round in circles. I know both Mrs. Schuyler and Miss Van Allen, and they've nothing in common. There couldn't be two people more dissimilar." "That's just it—that's how I know," wailed the boy. "That's how I first caught on. You see—oh, tell him, Mr. Stone." "The boy is right," said Stone, slowly. "And the—" "He can't be right! It's impossible!" I fairly shouted, as thoughts came flashing into my mind—dreadful thoughts, appalling thoughts! Ruth Schuyler and Vicky Van one person! Why, then, Ruth killed—No! a thousand times NO! It couldn't be true! The boy was insane, and Stone was, too. I'd show them their own foolishness. "Stop a minute, Stone," I said, trying to speak calmly. "You and the boy never knew Vicky Van. You never saw her, except as she ran along the street for a few steps at midnight. And Terence didn't see her then. It's too absurd, this theory of yours! But it startled me, when you sprung it. Now, Fibsy, stop your sobbing and tell me what makes you think this foolish thing, and I'll relieve your mind of any such ideas." "I don't blame you, Mr. Calhoun," and Fibsy mopped his eyes with his wet handkerchief. He was a strange little figure, in his new clothes, but with his red hair tumbled and his eyes big and swollen with weeping. "I know you can't believe it, but you listen a bit, while I tell Mr. Stone some things. Then you'll see." "Yes, Terence," said Stone; "go ahead. What about the prints?" "They prove up," and Fibsy's woe increased afresh. "They ain't no shadder of doubt. The very reason I know they're the same is 'cause they're so unlike. Yes, I'll explain—wait a minute—" Again a crying spell overwhelmed him, and we waited. "Now," he said, regaining self-control, "now I've spilled all my tears I'll out with it. The first thing that struck me was the abserlute unlikeness of those two ladies. I mean in their tastes an' ways. Why, fer instance, an' I guess it was jest about the very first thing I noticed, was the magazines. In here, on Miss Van Allen's table, as you can see yourself, is—jest look at 'em! Vogue, Vanity Fair, Life, Cosmopolitan, an' lots of light-weight story magazines. In at Schuylers' house is Atlantic Monthly, Harper's, Century, The Forum, The North American Review, and a lot of other highbrow reading. An' it ain't only that the magazines in here are gayer an' lighter, an' in there heavier an' wiser; but there isn't a single duplicate! Now, Miss Vicky Van likes good readin', you can see from her books an' all, so why don't she take Harper's an' Century? 'Cause she has 'em in her other home—" "But, wait, child," I cried, getting bewildered; "you don't mean Vicky Van lives sometimes in this house and sometimes in the Schuyler house as its mistress!" "That's jest what I do mean. I know it sounds like I was batty, but let me tell more. Well, it seemed queer that there shouldn't be any one magazine took in both houses, but, of course, that wasn't no real proof. I only noticed it, an' it set me a thinkin'. Then I sized up their situations. Mrs. Schuyler's dignified an' quiet in her ways, simple in her dress, wears only poils, no other sparklers whatever. Vicky Van's gay of action, likes giddy rags, and adores gorgeous jewelry, even if it ain't the most realest kind. Now, wait—don't interrup' me, Lemme talk it out. 'Cause it's killin' me, an' I gotter get it over with. Well, all Mrs. Schuyler's things—furnicher, I mean—is big an' heavy an' massive, an' terrible expensive. Yes, I know her husband made her have it that way. But never mind that. Vicky Van's furnicher is all gay an' light an' pretty an' dainty colorin' and so forth. And the day the old sister-in-laws was in here they said, 'How Ruth would admire to have things like these! 'Member how she begged Randolph to do up her boodore in wicker an' pink silk?' That's what they said! Oh, well, I got a bug then that the two ladies I'm talkin' about was just the very oppositest I ever did see! Then, another thing was the records. The phonygraft in here is full of light opery and poplar music like that. Not a smell o' fugues and classic stuff. An' in at Schuyler's, as we seen to-night, there's no gay songs, no comic operas, no ragtime." "But, Terence," I broke in, "that all proves nothing! The Schuylers don't care for ragtime and Vicky Van does. You mustn't distort those plain facts to fit your absurd theory!" "Yes," he said, his eyes burning as they glared into mine. "An' Mr. Schuyler he wouldn't never let his wife go to the light operas or vodyville, an' she hadn't any records, so how—how, I ask you, comes it that she's so familiar with the song about 'My Pearlie Girlie' that she joined in the singin' of it with me at the dinner table to-night? That's what clinched it. Mrs. Schuyler, she knew that song's well as I did, and she picked it up where I left off and hummed it straight to the end—words and music! How'd she know it, I say?" "Why, she might have picked that up anywhere. She goes to see friends, I've no doubt, who are not so straight-laced as the Schuylers, and they play light tunes for her." "Not likely. I've run down her friends, and they're all old fogies like the sister dames or like old man Schuyler himself. The old ladies are nearly sixty and Mr. Schuyler was fifty odd, and all their friends are along about those ages, and Mrs. Schuyler, she ain't got any friends of her own age at all. But, as Vicky Van, she has friends of her own age, yes, an' her own tastes, an' her own ways of life an' livin.' An' she's got the record of 'My Pearlie Girlie.'" "It's true, Calhoun," said Fleming Stone. "I know it's all incredible, but it's true. I couldn't believe it, myself, when Fibsy hinted it to me—for it's his find—to him belongs all the credit—" "Credit!" I groaned. "Credit for fastening this lie, this base lie—oh, you are well named Fibsy!—on the best and loveliest woman that ever lived! For it is a lie! Not a word of truth in it. A distorted notion of a crazy brain! A—" "Hold on, Calhoun," remonstrated Stone, and I dare say I was acting like a madman. "Listen to the rest of this more quietly or take your hat and go home." Stone spoke firmly, but not angrily, and I sat still. "Then, here's some more things," Fibsy continued. "I've gone over this house with a eye that sees more'n Mr. Stone's lens, an' it don't magnerfy, neither. I spotted a lot of stuff in the pantry and storeroom. It's all stuff that keeps, you know; little jugs an' pots of fine eatin'—imported table delicacies—that's what they call 'em. Well, an' among 'em was lickures an' things like that. And boxes of candied rose leaves an' salted nuts—oh, all them things. An' that's why I wanted to go to dinner at Mrs. Schuyler's an' see if she liked to eat those things. An' she did! She had the rose leaves an' she had the kind o' lickure that's down in the pantry cupboard in this house. An' she said it was her fav'rite, an' the old girls said she never used to have those things when her husband was runnin' the house—an' oh, dear, can't you see it all?" "Yes, I see it," said Stone, but I still shook my head doggedly and angrily. "I don't see it!" I declared. "There's nothing to all this but a pipe dream! Why shouldn't two women like Eau de vie de Dantzic as a liqueur? It's very fashionable—a sort of fad, just now." "It ain't only this thing or that thing, Mr. Calhoun," said Fibsy, earnestly. "It's the pilin' up of all 'em. An' I ain't through yet. Here's another point. Miss Van Allen, she ain't got any pitchers of nature views—no landscapes nor woodsy dells in this whole house. She jest likes pitchers of people—pretty girls, an' old cavalier gentlemen, an nymps, an' kiddy babies—but all human, you know. Now, Mrs. Schuyler, she don't care anythin' special for nature, neither. I piped up about the beauty scenery out Westchester way an' over in the park, an' it left her cold an' onintrusted. But she has portfolios of world masterpieces, or whatever you call 'em, over to that house, an' they're all figger pieces." "And her writing desk," prompted Stone. "Yessir, that checked up, too. You know, Mr. Calhoun, they ain't nothin' more intim'tly pers'nal than a writin' desk. Well, Miss Van Allen's has a certain make of pen, an' a certain number and kind of pencils. An' Mrs. Schuyler, she uses the same identical styles an' numbers." "And notepaper, I suppose," I flung back, sarcastically. "No, sir, but that helps prove. The note paper in the two houses is teetumteetotally different! That was planned to be different! Mrs. Schuyler's is a pale gray, plain paper. Miss Van Allen's is light pink, to match her boodore, I s'pose. An' it has that sort of indented frame round it, that's extry fashionable, an' a wiggly gold monogram, oh—quite a big one!" I well remembered Vicky's stationery, and the boy described it exactly. "Proves nothing!" I said, contemptuously, but I listened further. "All right," Fibsy said, wearily pushing back his shock of red hair. "Well, then, how's this? On Mrs. Schuyler's desk the pen wiper is a fancy little contraption, but it's clean-I mean it's never had a pen wiped on it. Miss Van Allen's desk hasn't got any pen wiper. On each desk is a pencil sharpener, of the same sort. On each desk is a little pincushion, with the same size of tiny pins, like she was in the habit of pinnin' bills together or sumpum like that. On each desk the blotter is in the same place and is used the same way. There's a lot of pussonality 'bout the way folks use a blotter. Some uses both sides, some only one side. Some has their blotters all torn an' sorta nibbled round the edges, an' some has 'em neat and trim. Well, the blotters on these two desks is jest alike—" "But, Fibsy," I cried in triumph, "I've seen the handwriting of these two ladies, over and over again, and they're not a bit alike!" "I know it," and Fibsy nodded. "But, Mr. Calhoun, did you know that Miss Van Allen always writes with her left hand?" "No, and I don't believe she does!" "Yessir. I went to the bank an' they said so. An' I asked the sewin' woman, an' she said so. An' I asked the caterer people an' they said so. And the inkstand is on the left-hand side of Miss Van Allen's desk." "All right, then she is left-handed, but that proves nothing!" "No, sir, Miss Van Allen ain't left-handed. You know she ain't yourself. You'd 'a' noticed it if she had been. But she writes left-handed, 'cause if she didn't she'd write like Mrs. Schuyler!" "Oh, rubbish!" I began, but Fleming Stone interrupted. "Wait, Calhoun, don't fly to pieces. All Terence is saying is quite true. I vouch for it. Listen further." "They ain't no use goin' further," said Fibsy, despondently. "Mr. Calhoun knows I'm right, only he can't bring himself to believe it, an' I don't blame him. Why, even now, he's sizin' up the case an' everything he thinks of proves it an' nothin' disproves it. But anyway, the prints prove it all." "Prints?" I said, half dazedly. "Yessir. I photographed a lot o' finger prints in both houses, an' the Headquarters people fixed 'em up for me, magnerfied 'em, you know, an' printed 'em on little cards, an' as you can see, they're all the same." I glanced at the sheaf of cards the boy had and Fleming Stone took them to scrutinize. "I got those prints from all sorts of places," Fibsy went on. "Off of the glass bottles and things in the bathrooms and off of the hair brushes and such things, an' off of the envelopes of letters, an' off the chairbacks an' any polished wood surfaces, an' I got lots of 'em in both houses, an' the police people picked out the best an' cleanest an' fixed 'em up, an' there you are!" They seemed to think this settled the matter. But I would not be convinced. Of course, I'd been told dozens of times that no two people in the world have finger prints alike, but that didn't mean a thing to me. It might be, I told them, that Vicky Van and Ruth Schuyler were friends, that Ruth had withheld this fact, and that— "No," said Stone, "not friends, but identical—the same woman. And, listen to this. Mrs. Schuyler heard us say this evening that Fibsy could photograph the brushes and such things over here to get Miss Van Allen's finger prints, and what does she do? She sends Tibbetts over to scrub and wipe off those same brushes, also the mirrors, chairbacks and all such possible evidence. A hopeless task—for the woman couldn't eradicate all the prints in the house. And, also, it was too late, for Fibsy had already done his camera work." "How do you know she did all that?" and I glowered at the detective. "Because Fibsy just told me he found evidences of this cleaning up, and, too, because Mrs. Schuyler purposely kept us over there longer than we intended to stay. You know how, when we proposed to say good-night, she urged us to stay longer. That was to give her maid more time for the work. Now, Mr. Calhoun, go on with your objections to our conclusions. It helps our theory to answer your refutations." "Her letters," I mumbled, scarce able to formulate my teeming thoughts. "Vicky Van sent a letter to Ruth Schuyler—" "Of course, she did. Wrote it herself, with her left hand, and mailed it to her other personality, in order to make the police give up the search. And, too, the letter from Miss Van Allen, found in Randolph Schuyler's desk after his death, was written and placed there by Mrs. Schuyler for us to find." "Impossible!" I cried. "I won't allow these libels. You'll be saying next that Ruth Schuyler killed her husband!" "She did," asserted Fleming Stone, gravely. "She did kill him, in her character as Vicky Van. Don't you see it all? Schuyler came here as Somers, never dreaming that Vicky Van was his own wife in disguise. Or, he may have suspected it, and may have come to verify his suspicion. Any way, when she saw and recognized him, whether he knew her or not, she lured him out to the dining room and stabbed him with the caterer's knife." "Never!" I said. I was not ranting now, I was stunned by the revelations that were coming so thick and fast. I couldn't believe and yet I couldn't doubt. Of one thing I was certain, I would defend Ruth Schuyler to the end of time. I would defend her against Vicky Van—why, if Ruth was Vicky Van—where was this moil to end! I couldn't think coherently. But I suddenly realized that what they told me was true. I realized that all along there were things about Ruth that had reminded me of Vicky. I had never put this into words, never had really sensed it, but I saw now, looking back, that they had much in common. Appearance! Ah, I hadn't yet thought of that. "Why," I exclaimed, "the two are not in the least alike, physically!" "Miss Van Allen wore a black wig," said Stone. "A most cleverly constructed one, and she rouged her cheeks, penciled her eyelashes and reddened her lips to produce the high coloring that marked her from Mrs. Schuyler." I thought this over, dully. Yes, they were the same height and weight, they had the same slight figure, but it had never occurred to me to compare their physical effects. I was a bit near-sighted and I had never taken enough real personal interest in Vicky to learn to love her features as I had Ruth's. "You see," Fleming Stone was saying, though I scarce listened, "you are the only person that I have been able to find who knows both Miss Van Allen and Mrs. Schuyler. No one else has testified who knows them both. So much depends on you." "You'll get nothing from me!" I fairly shouted. "They're not the same woman at all. You're all wrong, you and your lying boy there!" "Your vehemence stultifies your own words," said Stone, quietly; "it proves your own realization of the truth and your anger and fury at that realization. I don't blame you. I know your regard for Mrs. Schuyler, I know you have always been a friend of Miss Van Allen. It is not strange that one woman attracts you, since the other did. But you've got to face this thing, so be a man and look at it squarely. I'll help you all I can, but I assure you there's nothing to be gained by denial of the self-evident truth." "But, man," I said, trying to be calm, "the whole thing is impossible! How could Mrs. Randolph Schuyler, a well-known society lady, live a double life and enact Miss Van Allen, a gay butterfly girl? How could she get from one house to the other unobserved? Why wouldn't her servants know of it, even if her family didn't? How could she hoodwink her husband, her sisters-in-law, and her friends? Why didn't people see her leaving one house and entering the other? Why wasn't she missed from one house when she was in the other?" "All answerable questions," said Stone. "You know Miss Van Allen went away frequently on long trips, and was in and out of her home all the time. Here to-day and gone to-morrow, as every one testifies who knew her." This was true enough. Vicky was never at home more than a few days at a time and then absent for a week or so. Where? In the Fifth Avenue house as Ruth Schuyler? Incredible! Preposterous! But as I began to believe at last, true. "How?" I repeated; "how could she manage?" "Walls have tongues," said Stone. "These walls and this house tell me all the story. That is, they tell me this wonderful woman did accomplish this seemingly impossible thing. They tell me how she accomplished it. But they do not tell me why." "There's no question about the why," I returned. "If Ruth Schuyler did live two lives it's easily understood why. Because that brute of a man allowed her no gayety, no pleasure, no fun of any sort compatible with her youth and tastes. He let her do nothing, have nothing, save in the old, humdrum ways that appealed to his notion of propriety. But he himself was no Puritan! He ran his own gait, and, unknown to his wife and sisters, he was a roue and a rounder! Whatever Ruth Schuyler may have done, she was amply justified—-" "Even in killing him?" "She didn't kill him! Look here, Mr. Stone, even if all you've said is true, you haven't convicted her of murder yet. And you shan't! I'll protect that woman from the breath of scandal or slander—and that's what it is when you accuse her of killing that man! She never did it!" "That remains to be seen," and Fleming Stone's deep gray eyes showed a sad apprehension. "But nothing can be done to-night. Can there, Terence?" "No, Mr. Stone, not to-night. No, by no means, not to-night! It wouldn't do!" The boy's earnestness seemed to me out of all proportion to his simple statement, but I could stand no more and I went home, to spend the night in a dazed wonder, a furious disbelief, and finally an enforced conviction that Vicky Van and Ruth Schuyler were one and the same. <div style="break-after:column;"></div>

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