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<h1>THE QUIRT</h1>
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<table summary="" class="bbox">
<tr>
<td class="center2">By B. M. Bower</td>
</tr>
<tr>
<td><span class="smcap">Good Indian</span></td>
</tr>
<tr>
<td><span class="smcap">Lonesome Land</span></td>
</tr>
<tr>
<td><span class="smcap">The Uphill Climb</span></td>
</tr>
<tr>
<td><span class="smcap">The Gringos</span></td>
</tr>
<tr>
<td><span class="smcap">The Ranch at the Wolverine</span></td>
</tr>
<tr>
<td><span class="smcap">The Flying U's Last Stand</span></td>
</tr>
<tr>
<td><span class="smcap">Jean of the Lazy A</span></td>
</tr>
<tr>
<td><span class="smcap">The Phantom Herd</span></td>
</tr>
<tr>
<td><span class="smcap">The Heritage of the Sioux</span></td>
</tr>
<tr>
<td><span class="smcap">Starr, of the Desert</span></td>
</tr>
<tr>
<td><span class="smcap">The Lookout Man</span></td>
</tr>
<tr>
<td><span class="smcap">Cabin Fever</span></td>
</tr>
<tr>
<td><span class="smcap">Skyrider</span></td>
</tr>
<tr>
<td><span class="smcap">The Thunder Bird</span></td>
</tr>
<tr>
<td><span class="smcap">Rim o' the World</span></td>
</tr>
<tr>
<td><span class="smcap">The Quirt</span></td>
</tr>
</table>
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<div class="figcenter"> <ANTIMG src="images/image1.png" alt = "Frontspiece illustration" /></div>
<div class="caption">Al's gun spoke, and Warfield sagged at the knees and the<br/>
shoulders, and slumped to the ground.<br/>
Frontispiece. <SPAN href="#Page_294">See page 294.</SPAN></div>
<hr style="width: 65%;" />
<h1>THE QUIRT</h1>
<p><br/></p>
<h5>BY</h5>
<h4>B. M. BOWER</h4>
<p><br/></p>
<h6>WITH FRONTISPIECE BY</h6>
<h5>ANTON OTTO FISCHER</h5>
<p><br/></p>
<div class="figcenter"> <ANTIMG src="images/image2.png" alt="Title Page logo" /></div>
<p><br/></p>
<h5>BOSTON</h5>
<h4>LITTLE, BROWN, AND COMPANY</h4>
<h5>1920</h5>
<p><br/><br/><br/><br/></p>
<h6><i>Copyright, 1920,</i></h6>
<h6><span class="smcap">By Little, Brown, and Company.</span></h6>
<hr />
<h6><i>All rights reserved</i></h6>
<h6>Published May, 1920</h6>
<h6>Reprinted, May, 1920</h6>
<h6>Reprinted, July, 1920</h6>
<h6>Reprinted, October, 1920</h6>
<hr style="width: 65%;" />
<p><span class="pagenum"><SPAN name="Page_v" id="Page_v">[Pg v]</SPAN></span></p>
<h2><SPAN name="CONTENTS" id="CONTENTS"></SPAN>CONTENTS</h2>
<table summary="CONTENTS" >
<tr>
<td class="tocch"><span class="smcap">chapter</span></td>
<td></td>
<td class="tocch"><span class="smcap">page</span></td>
</tr>
<tr>
<td class="tocch">I</td>
<td class="tocname"><SPAN href="#CHAPTER_ONE">Little Fish</SPAN></td>
<td class="tocpg">1</td>
</tr>
<tr>
<td class="tocch">II</td>
<td class="tocname"><SPAN href="#CHAPTER_TWO">The Enchantment of Long Distance</SPAN></td>
<td class="tocpg">12</td>
</tr>
<tr>
<td class="tocch">III</td>
<td class="tocname"><SPAN href="#CHAPTER_THREE">Reality is Weighed and Found Wanting</SPAN></td>
<td class="tocpg">22</td>
</tr>
<tr>
<td class="tocch">IV</td>
<td class="tocname"><SPAN href="#CHAPTER_FOUR">"She's a Good Girl When She Ain't Crazy"</SPAN></td>
<td class="tocpg">38</td>
</tr>
<tr>
<td class="tocch">V</td>
<td class="tocname"><SPAN href="#CHAPTER_FIVE">A Death "By Accident"</SPAN></td>
<td class="tocpg">54</td>
</tr>
<tr>
<td class="tocch">VI</td>
<td class="tocname"><SPAN href="#CHAPTER_SIX">Lone Advises Silence</SPAN></td>
<td class="tocpg">68</td>
</tr>
<tr>
<td class="tocch">VII</td>
<td class="tocname"><SPAN href="#CHAPTER_SEVEN">The Man at Whisper</SPAN></td>
<td class="tocpg">85</td>
</tr>
<tr>
<td class="tocch">VIII</td>
<td class="tocname"><SPAN href="#CHAPTER_EIGHT">"It Takes Nerve Just to Hang On"</SPAN></td>
<td class="tocpg">100</td>
</tr>
<tr>
<td class="tocch">IX</td>
<td class="tocname"><SPAN href="#CHAPTER_NINE">The Evil Eye of the Sawtooth</SPAN></td>
<td class="tocpg">115</td>
</tr>
<tr>
<td class="tocch">X</td>
<td class="tocname"><SPAN href="#CHAPTER_TEN">Another Sawtooth "Accident"</SPAN></td>
<td class="tocpg">126</td>
</tr>
<tr>
<td class="tocch">XI</td>
<td class="tocname"><SPAN href="#CHAPTER_ELEVEN">Swan Talks With His Thoughts</SPAN></td>
<td class="tocpg">144</td>
</tr>
<tr>
<td class="tocch">XII</td>
<td class="tocname"><SPAN href="#CHAPTER_TWELVE">The Quirt Parries the First Blow</SPAN></td>
<td class="tocpg">158</td>
</tr>
<tr>
<td class="tocch">XIII</td>
<td class="tocname"><SPAN href="#CHAPTER_THIRTEEN">Lone Takes His Stand</SPAN></td>
<td class="tocpg">168</td>
</tr>
<tr>
<td class="tocch">XIV</td>
<td class="tocname"><SPAN href="#CHAPTER_FOURTEEN">"Frank's Dead"</SPAN></td>
<td class="tocpg">178</td>
</tr>
<tr>
<td class="tocch">XV</td>
<td class="tocname"><SPAN href="#CHAPTER_FIFTEEN">Swan Trails a Coyote</SPAN></td>
<td class="tocpg">192</td>
</tr>
<tr>
<td class="tocch">XVI</td>
<td class="tocname"><SPAN href="#CHAPTER_SIXTEEN">The Sawtooth Shows Its Hand</SPAN></td>
<td class="tocpg">200</td>
</tr>
<tr>
<td class="tocch">XVII</td>
<td class="tocname"><SPAN href="#CHAPTER_SEVENTEEN">Yack Don't Lie</SPAN></td>
<td class="tocpg">216</td>
</tr>
<tr>
<td class="tocch">XVIII</td>
<td class="tocname"><SPAN href="#CHAPTER_EIGHTEEN">"I Think Al Woodruff's Got Her"</SPAN></td>
<td class="tocpg">233</td>
</tr>
<tr>
<td class="tocch">XIX</td>
<td class="tocname"><SPAN href="#CHAPTER_NINETEEN">Swan Calls For Help</SPAN></td>
<td class="tocpg">245<span class="pagenum"><SPAN name="Page_vi" id="Page_vi">[pg vi]</SPAN></span></td>
</tr>
<tr>
<td class="tocch">XX</td>
<td class="tocname"><SPAN href="#CHAPTER_TWENTY">Kidnapped</SPAN></td>
<td class="tocpg">255</td>
</tr>
<tr>
<td class="tocch">XXI</td>
<td class="tocname"><SPAN href="#CHAPTER_TWENTY-ONE">"Oh, I Could Kill You!"</SPAN></td>
<td class="tocpg">264</td>
</tr>
<tr>
<td class="tocch">XXII</td>
<td class="tocname"><SPAN href="#CHAPTER_TWENTY-TWO">"Yack, I Lick You Good if You Bark"</SPAN></td>
<td class="tocpg">277</td>
</tr>
<tr>
<td class="tocch">XXIII</td>
<td class="tocname"><SPAN href="#CHAPTER_TWENTY-THREE">"I Coulda Loved This Little Girl"</SPAN></td>
<td class="tocpg">284</td>
</tr>
<tr>
<td class="tocch">XXIV</td>
<td class="tocname"><SPAN href="#CHAPTER_TWENTY-FOUR">Another Story Begins</SPAN></td>
<td class="tocpg">296</td>
</tr>
</table>
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<h2><SPAN name="THE_QUIRT" id="THE_QUIRT"></SPAN>THE QUIRT</h2>
<hr style="width: 65%;" />
<p><span class="pagenum"><SPAN name="Page_1" id="Page_1">[Pg 1]</SPAN></span></p>
<h2>THE QUIRT</h2>
<h3><SPAN name="CHAPTER_ONE" id="CHAPTER_ONE"></SPAN>CHAPTER ONE</h3>
<h4>LITTLE FISH</h4>
<p>Quirt Creek flowed sluggishly between willows which sagged none too
gracefully across its deeper pools, or languished beside the rocky
stretches that were bone dry from July to October, with a narrow channel
in the center where what water there was hurried along to the pools
below. For a mile or more, where the land lay fairly level in a
platter-like valley set in the lower hills, the mud that rimmed the
pools was scored deep with the tracks of the "TJ up-and-down" cattle, as
the double monogram of Hunter and Johnson was called.</p>
<p>A hard brand to work, a cattleman would tell you. Yet the TJ up-and-down
herd never seemed to increase beyond a niggardly three hundred or so,
though the Quirt ranch was older than its lordly neighbors, the Sawtooth
Cattle Company,<span class="pagenum"><SPAN name="Page_2" id="Page_2">[Pg 2]</SPAN></span> who numbered their cattle by tens of thousands and
whose riders must have strings of fifteen horses apiece to keep them
going; older too than many a modest ranch that had flourished awhile and
had finished as line-camps of the Sawtooth when the Sawtooth bought
ranch and brand for a lump sum that looked big to the rancher, who
immediately departed to make himself a new home elsewhere: older than
others which had somehow gone to pieces when the rancher died or went to
the penitentiary under the stigma of a long sentence as a cattle thief.
There were many such, for the Sawtooth, powerful and stern against
outlawry, tolerated no pilfering from their thousands.</p>
<p>The less you have, the more careful you are of your possessions. Hunter
and Johnson owned exactly a section and a half of land, and for a mile
and a half Quirt Creek was fenced upon either side. They hired two men,
cut what hay they could from a field which they irrigated, fed their
cattle through the cold weather, watched them zealously through the
summer, and managed to ship enough beef each fall to pay their grocery
bill and their men's wages and have a balance sufficient to buy what
clothes they<span class="pagenum"><SPAN name="Page_3" id="Page_3">[Pg 3]</SPAN></span> needed, and perhaps pay a doctor if one of them fell ill.
Which frequently happened, since Brit was becoming a prey to rheumatism
that sometimes kept him in bed, and Frank occasionally indulged himself
in a gallon or so of bad whisky and suffered afterwards from a badly
deranged digestion.</p>
<p>Their house was a two-room log cabin, built when logs were easier to get
than lumber. That the cabin contained two rooms was the result of
circumstances rather than design. Brit had hauled from the mountain-side
logs long and logs short, and it had seemed a shame to cut the long ones
any shorter. Later, when the outside world had crept a little closer to
their wilderness—as, go where you will, the outside world has a way of
doing—he had built a lean-to shed against the cabin from what lumber
there was left after building a cowshed against the log barn.</p>
<p>In the early days, Brit had had a wife and two children, but the wife
could not endure the loneliness of the ranch nor the inconvenience of
living in a two-room log cabin. She was continually worrying over
rattlesnakes and diphtheria and pneumonia, and begging Brit to sell out
and live in town. She had married him because he was a<span class="pagenum"><SPAN name="Page_4" id="Page_4">[Pg 4]</SPAN></span> cowboy, and
because he was a nimble dancer and rode gallantly with silver-shanked
spurs ajingle on his heels and a snakeskin band around his hat, and
because a ranch away out on Quirt Creek had sounded exactly like a story
in a book.</p>
<p>Adventure, picturesqueness, even romance, are recognized and appreciated
only at a distance. Mrs. Hunter lost the perspective of romance and
adventure, and shed tears because there was sufficient mineral in the
water to yellow her week's washing, and for various other causes which
she had never foreseen and to which she refused to resign herself.</p>
<p>Came a time when she delivered a shrill-voiced, tear-blurred ultimatum
to Brit. Either he must sell out and move to town, or she would take the
children and leave him. Of towns Brit knew nothing except the
post-office, saloon, cheap restaurant side,—and a barber shop where a
fellow could get a shave and hair-cut before he went to see his girl.
Brit could not imagine himself actually <i>living</i>, day after day, in a
town. Three or four days had always been his limit. It was in a
restaurant that he had first met his wife. He had stayed three days when
he had meant to finish his business in one, because there was an<span class="pagenum"><SPAN name="Page_5" id="Page_5">[Pg 5]</SPAN></span>
awfully nice girl waiting on table in the Palace, and because there was
going to be a dance on Saturday night, and he wanted his acquaintance
with her to develop to the point where he might ask her to go with him,
and be reasonably certain of a favorable answer.</p>
<p>Brit would not sell his ranch. In this Frank Johnson, old-time friend
and neighbor, who had taken all the land the government would allow one
man to hold, and whose lines joined Brit's, profanely upheld him. They
had planned to run cattle together, had their brand already recorded,
and had scraped together enough money to buy a dozen young cows.
Luckily, Brit had "proven up" on his homestead, so that when the irate
Mrs. Hunter deserted him she did not jeopardize his right to the land.</p>
<p>Brit was philosophical, thinking that a year or so of town life would be
a cure. If he missed the children, he was free from tears and nagging
complaints, so that his content balanced his loneliness. Frank proved up
and came down to live with him, and the partnership began to wear into
permanency. Share and share alike, they lived and worked and wrangled
together like brothers.</p>
<p>For months Brit's wife was too angry and<span class="pagenum"><SPAN name="Page_6" id="Page_6">[Pg 6]</SPAN></span> spiteful to write. Then she
wrote acrimoniously, reminding Brit of his duty to his children. Royal
was old enough for school and needed clothes. She was slaving for them
as she had never thought to slave when Brit promised to honor and
protect her, but the fact remained that he was their father even if he
did not act like one. She needed at least ten dollars.</p>
<p>Brit showed the letter to Frank, and the two talked it over solemnly
while they sat on inverted feed buckets beside the stable, facing the
unearthly beauty of a cloud-piled Idaho sunset. They did not feel that
they could afford to sell a cow, and two-year-old steers were out of the
question. They decided to sell an unbroken colt that a cow-puncher
fancied. In a week Brit wrote a brief, matter-of-fact letter to Minnie
and enclosed a much-worn ten-dollar banknote. With the two dollars and a
half which remained of his share of the sale, Brit sent to a mail-order
house for a mackinaw coat, and felt cheated afterwards because the coat
was not "wind and water proof" as advertised in the catalogue.</p>
<p>More months passed, and Brit received, by registered mail, a notice that
he was being sued for divorce on the ground of non-support. He<span class="pagenum"><SPAN name="Page_7" id="Page_7">[Pg 7]</SPAN></span> felt
hurt, because, as he pointed out to Frank, he was perfectly willing to
support Minnie and the kids if they came back where he could have a
chance. He wrote this painstakingly to the lawyer and received no reply.
Later he learned from Minnie that she had freed herself from him, and
that she was keeping boarders and asking no odds of him.</p>
<p>To come at once to the end of Brit's matrimonial affairs, he heard from
the children once in a year, perhaps, after they were old enough to
write. He did not send them money, because he seemed never to have any
money to send, and because they did not ask for any. Dumbly he sensed,
as their handwriting and their spelling improved, that his children were
growing up. But when he thought of them they seemed remote, prattling
youngsters whom Minnie was forever worrying over and who seemed to have
been always under the heels of his horse, or under the wheels of his
wagon, or playing with the pitchfork, or wandering off into the sage
while he and their distracted mother searched for them. For a long
while—how many years Brit could not remember—they had been living in
Los Angeles. Prospering, too, Brit understood. The girl,
Lor<span class="pagenum"><SPAN name="Page_8" id="Page_8">[Pg 8]</SPAN></span>raine—Minnie had wanted fancy names for the kids, and Brit
apologized whenever he spoke of them, which was seldom—Lorraine had
written that "Mamma has an apartment house." That had sounded
prosperous, even at the beginning. And as the years passed and their
address remained the same, Brit became fixed in the belief that the Casa
Grande was all that its name implied, and perhaps more. Minnie must be
getting rich. She had a picture of the place on the stationery which
Lorraine used when she wrote him. There were two palm trees in front,
with bay windows behind them, and pillars. Brit used to study these
magnificences and thank God that Minnie was doing so well. He never
could have given her a home like that. Brit sometimes added that he had
never been cut out for a married man, anyway.</p>
<p>Old-timers forgot that Brit had ever been married, and late comers never
heard of it. To all intents the owners of the Quirt outfit were old
bachelors who kept pretty much to themselves, went to town only when
they needed supplies, rode old, narrow-fork saddles and grinned
scornfully at "swell-forks" and "buckin'-rolls," and listened to all the
range gossip without adding<span class="pagenum"><SPAN name="Page_9" id="Page_9">[Pg 9]</SPAN></span> so much as an opinion. They never talked
politics nor told which candidates received their two votes. They kept
the same two men season after season,—leathery old range hands with
eyes that saw whatever came within their field of vision, and with the
gift of silence, which is rare.</p>
<p>If you know anything at all about cattlemen, you will know that the
Quirt was a poor man's ranch, when I tell you that Hunter and Johnson
milked three cows and made butter, fed a few pigs on the skim milk and
the alfalfa stalks which the saddle horses and the cows disdained to
eat, kept a flock of chickens, and sold what butter, eggs and pork they
did not need for themselves. Cattlemen seldom do that. More often they
buy milk in small tin cans, butter in "squares," and do without eggs.</p>
<p>Four of a kind were the men of the TJ up-and-down, and even Bill
Warfield—president and general manager of the Sawtooth Cattle Company,
and of the Federal Reclamation Company and several other companies,
State senator and general benefactor of the Sawtooth country—even the
great Bill Warfield lifted his hat to the owners of the Quirt when he
met them, and spoke of them as "the finest specimens of our old,
fast-<span class="pagenum"><SPAN name="Page_10" id="Page_10">[Pg 10]</SPAN></span>vanishing type of range men." Senator Warfield himself represented
the modern type of range man and was proud of his progressiveness. Never
a scheme for the country's development was hatched but you would find
Senator Warfield closely allied with it, his voice the deciding one when
policies and progress were being discussed.</p>
<p>As to the Sawtooth, forty thousand acres comprised their holdings under
patents, deeds and long-time leases from the government. Another twenty
thousand acres they had access to through the grace of the owners, and
there was forest-reserve grazing besides, which the Sawtooth could have
if it chose to pay the nominal rental sum. The Quirt ranch was almost
surrounded by Sawtooth land of one sort or another, though there was
scant grazing in the early spring on the sagebrush wilderness to the
south. This needed Quirt Creek for accessible water, and Quirt Creek,
save where it ran through cut-bank hills, was fenced within the section
and a half of the TJ up-and-down.</p>
<p>So there they were, small fish making shift to live precariously with
other small fish in a pool where big fish swam lazily. If one small fish
now and then disappeared with mysterious ab<span class="pagenum"><SPAN name="Page_11" id="Page_11">[Pg 11]</SPAN></span>ruptness, the other small
fish would perhaps scurry here and there for a time, but few would leave
the pool for the safe shallows beyond.</p>
<p>This is a tale of the little fishes.</p>
<hr style="width: 65%;" />
<p><span class="pagenum"><SPAN name="Page_12" id="Page_12">[Pg 12]</SPAN></span></p>
<div style="break-after:column;"></div><br />