<p class="ph2"><SPAN name="CHAPTER_FOUR" id="CHAPTER_FOUR">CHAPTER FOUR</SPAN></p>
<p class="center">ARTHUR WITHERS THINKS THINGS OUT</p>
<p class="center">I</p>
<p><span class="smcap">After</span> that last glimpse of the Clockwork man, and the conversation with
Doctor Allingham and Gregg that followed, Arthur had hurried home to
his tea. No amount of interest in the affair, however stupendous it
might appear both to himself and others, could dissuade him from his
usual Saturday night's programme. Rose Lomas, to whom he had recently
become engaged, was a hundred times more important than a clockwork
man, and whether a human being could actually exist who walked and
talked by mechanical means was a small problem in comparison with that
of changing his clothes, washing and tidying himself up in time for
his assignation. As soon as the cricketers showed signs of stirring
themselves, and so conveyed the comforting impression that they were
not dead, Arthur felt himself able to resume normal existence.</p>
<p>His lodgings were situated at the lower end of the town. The
accommodation consisted<span class="pagenum"><SPAN name="Page_64" id="Page_64">[Pg 64]</SPAN></span> of a small bedroom, which he shared with a
fellow clerk, and a place at table with the other inmates of the house.
The street was very dirty, and Mrs. Flack's house alone presented some
sign of decency and respectability. It was a two-storied red brick
cottage. There was no front garden, and you entered directly into a
living room through a door, upon which a brass plate was fixed that
bore the following announcement:—</p>
<blockquote>
<p class="center">MRS. FLACK<br/>
Trained Midwife.</p>
</blockquote>
<p>Arthur stumbled into the room, dropped his straw hat on to the
broken-down couch that occupied the entire side of one wall, and sat
down at the table.</p>
<p>"Well?" enquired Mrs. Flack, as she poured him out a cup of tea, "who
won?"</p>
<p>"Nobody," remarked Arthur, cramming bread and butter into his mouth.
"Game off."</p>
<p>Mr. Flack, who was seated in his arm-chair by the fire-place, looked
up in amazement. His interest in cricket was immense, but chronic
rheumatism prevented him from getting as far as the ground. He was
dependent upon Arthur's reports and the local paper. "'Ow's that,
then?" he demanded, slowly.</p>
<p>Arthur swallowed quickly and tried to<span class="pagenum"><SPAN name="Page_65" id="Page_65">[Pg 65]</SPAN></span> explain. But, although the
affair was still hot in his mind, he found it exceedingly difficult
to describe exactly what had taken place. The doings of the Clockwork
man were at once obvious and inexplicable. It was almost impossible
to intrigue people who had not actually witnessed the affair into a
realisation of such extraordinary happenings. Arthur had to resort to
abrupt movements of his arms and legs in order to produce an effect.
But he made a great point of insistence upon the ear-flapping.</p>
<p>"<i>Go hon!</i>" exclaimed Mrs. Flack, leaning her red folded arms upon the
table, "well I never!"</p>
<p>"'Tain't possible," objected her husband, "'e's pulling your leg, ma."</p>
<p>But Arthur persisted in his imitations, without caring very much
whether his observers believed him or not. It at least afforded an
entertaining occupation. Mrs. Flack's motherly bosom rose and fell
with merriment. "It's as good as the pictures," she announced at last,
wiping her eyes. But when Arthur spoke about the loud noise, and hinted
that the Clockwork man's internal arrangements consisted of some kind
of machinery, Mr. Flack sat bolt upright and shook his head gravely.</p>
<p>"You're a masterpiece," he remarked,<span class="pagenum"><SPAN name="Page_66" id="Page_66">[Pg 66]</SPAN></span> "that's what you are." This was
his usual term for anything out the way. "You ain't a going to get me
to believe that, not at my age.</p>
<p>"If you saw him," said Arthur, emphatically, "you'd <i>have</i> to believe.
It's just that, and nothing else. He's like one of those mechanical
toys come to life. And it's so funny. You'd never guess."</p>
<p>Mr. Flack shook his head thoughtfully. Presently he got up, walked to
the end of the mantelpiece, placed his smoked-out pipe on the edge and
took an empty one from behind an ornament. Then he returned to his seat
and sat for a long time with the empty pipe in his mouth.</p>
<p>"'T'ain't possible," he ruminated, at last, "not for a bloke to 'ave
machinery inside 'im. At least, not to my way of thinking."</p>
<p>Arthur finished his tea and got up from his chair. Conscious that his
efforts so far had not carried conviction, he spent a few moments of
valuable time in an attempt to supplement them.</p>
<p>"He went like this," he explained, imitating the walk of the Clockwork
man, and at the same time snapping his fingers to suggest sharp
clicking noises. "And the row! Well, you know what a motor sounds like
when it's being wound up. Like that, only worse."</p>
<p><span class="pagenum"><SPAN name="Page_67" id="Page_67">[Pg 67]</SPAN></span></p>
<p>Mrs. Flack held the greater part of herself in a semicircle of red
arm. "You are a one," she declared. Then she looked at Mr. Flack, who
sat unmoved. "Why don't <i>you</i> laugh. It would do you good. You take
everything so serious."</p>
<p>"I ain't a going to laugh," said Mr. Flack, "not unless I see fit
to laugh." And he continued to stare gravely at Arthur's elaborate
posturing. Presently the latter remembered his urgent appointment and
disappeared through the narrow door that led upstairs.</p>
<p>"Whoever 'e be," said Mr. Flack, referring to the strange visitor to
Great Wymering, "I should judge 'im to be a bit of a masterpiece."</p>
<p class="center">II</p>
<p>Upstairs in the bedroom, Arthur hastily removed his flannels and paced
the limited amount of floor space between the two beds. What a little
box of a place it was, and how absurdly crammed with furniture! You
couldn't move an inch without bumping into things or knocking something
over. There wasn't room to swing a cat, much less to perform an
elaborate toilet with that amount of leisurely comfort necessary to its
successful accomplishment. Ordinarily he didn't notice these things; it
was only when he was in a<span class="pagenum"><SPAN name="Page_68" id="Page_68">[Pg 68]</SPAN></span> hurry, and had all sorts of little duties to
carry out, that the awkwardness of his surroundings forced themselves
into his mind and produced a sense of revolt. There were times when
everything seemed a confounded nuisance and a chair stuck in your way
made you feel inclined to pitch it out of the window. Just when you
wanted to enjoy simply being yourself, when your thoughts were running
in a pleasant, easeful way, you had to turn to and dress or undress,
shave or wash, prepare yourself for the conventions of life. So much of
existence was spent in actions that were obligatory only because other
people expected you to do the same as themselves. It wasn't so much a
waste of time as a waste of life.</p>
<p>He rescued his trousers from underneath the mattress. It was only
recently that he had discovered this obvious substitute for a trouser
press, and so added one more nuisance to existence. It was something
else to be remembered. He grinned pleasantly at the thought of the
circumstance which had brought about these careful habits. Rose Lomas
liked him to look smart, and he had managed it somehow. There were
plenty of dapper youths in Great Wymering, and Arthur had been astute
enough to notice wherein he had differed from them, in the first stages
of his courting. Early rebuffs had led him to perceive that the<span class="pagenum"><SPAN name="Page_69" id="Page_69">[Pg 69]</SPAN></span> eye
of love rests primarily upon a promising exterior, and only afterwards
discovers the interior qualities that justify a wise choice. Arthur
had been spurned at first on account of a slovenliness that, to do
him justice, was rather the result of personal conviction, however
erring, than mere carelessness. He really had felt that it was a waste
of life even to spend half an hour a month inside a barber's shop.
Not only that, but the experience was far-reaching in its unpleasant
consequences. You went into the shop feeling agreeably familiar
with yourself, conscious of intense personality; and you came out a
nonentity, smelling of bay-rum. The barber succeeded in transforming
you from an individual brimming over with original reflections and
impulses into a stranger without a distinctive notion in your head. The
barber, in fact, was a Delilah in trousers; he ravished the locks from
your head and bewitched you into the bargain.</p>
<p>Arthur had a strong sense of originality, although he would have been
the last person to claim originality in his thoughts. He disliked
interference with any part of his personal being. As a boy he had been
perturbed by the prospect of growing up. It had seemed to him such
a hopeless sort of process, a mere longitudinal extension, without
corresponding gain in other magnitudes. He suspected that<span class="pagenum"><SPAN name="Page_70" id="Page_70">[Pg 70]</SPAN></span> other
dubious advantages were only to be purchased at the expense of a
thinning out of the joys of childhood. Later on, he discovered, sadly
enough, that this was the case; although it was possible deliberately
to protract one's adolescence. Hence his untidiness, his inefficiency,
and even his obtuseness, were less constitutional faults than weapons
in the warfare against the encroachment of time.</p>
<p>But the authorities at the bank regarded them as grave defects in his
character.</p>
<p>Falling in love had revealed the matter in a very different light. It
was quite worth while yielding to fashion in order to win the affection
of Rose Lomas. And so he had imitated his rivals. He cast aside all
ties that revealed their linings, trimmed up the cuffs of his shirts;
overcame with an effort a natural repugnance to wearing his best
clothes; and generally submitted himself to that daily supervision of
superficial matters which he could now regard as the prelude to happy
hours. And Rose, interested in that conquest of himself for her sake,
had soon learned how much there was beneath the polished surface to
capture her heart.</p>
<p>Yes, love made everything different! You were ready to put up with all
inconveniences and indignities for the sake of that strange obsession.
That thought consoled him as he<span class="pagenum"><SPAN name="Page_71" id="Page_71">[Pg 71]</SPAN></span> crept on hands and knees in order to
pick up his safety razor that had dropped behind the bulky chest of
drawers. Love accounted for everything, both serious and comic.</p>
<p>He found his razor, plunged it into cold water—he had forgotten to ask
Mrs. Flack for hot, and couldn't be bothered now—and lathered his face
thoughtfully.</p>
<p>How many times, in the course of a lifetime, would he repeat that
operation? And he would always stand in exactly the same way, with
his legs straddled apart, and his elbows spanning out like flappers.
He would always pass the razor over his face in a certain manner,
avoiding those places where even the sharpest blade boggled a little,
proceeding with the same mechanical strokes until the job was once more
accomplished. Afterwards, he would laboriously separate the portions of
his razor and wipe them methodically, always in the same order. That
was because, once you had decided upon the right way to do a thing you
adopted that method for good.</p>
<p>He achieved that second grand sweep of the left side of his face,
ending at the corner of his mouth, and followed it up by a swift,
upward stroke, annihilating the bristly tuft underneath his lower lip.
Looking swiftly at the clock, he noticed that it was getting dreadfully
late. That was another curious problem of existence.<span class="pagenum"><SPAN name="Page_72" id="Page_72">[Pg 72]</SPAN></span> You were always
up against time. Generally, when you had to do something or get
somewhere, there was this sense of breathless hurry and a disconcerting
feeling that the world ended abruptly at the conclusion of every hour
and then began again quite differently. The clock, in fact, was another
tyrant, robbing you of that sensation of being able to go on for ever
without changing. That was why people said, when they consulted their
watches "How's the enemy?"</p>
<p>He attacked the problem of his upper lip with sturdy resolution. It
was important that this part of his face should be quite smooth. There
must not be even a suspicion of roughness. Tears started into his eyes
as he harrowed that tender surface. He drew in his breath sharply, and
in that moment of voluntary and glad travail achieved a metaphysical
conception of the first magnitude.</p>
<p>All really important questions in life came under the heading of Time
and Space, thought of in capital letters. Recently, he had struggled
through a difficult book, in which the author used these expressions a
great many times, although in a sense difficult to grasp. Nevertheless,
it suddenly became obvious, in a small way, exactly what the chap had
been driving at.</p>
<p>And somehow, his thoughts instantly returned to the Clockwork man.
He performed<span class="pagenum"><SPAN name="Page_73" id="Page_73">[Pg 73]</SPAN></span> the rest of his toilet swiftly, the major part of his
brain occupied with reflections that had for their drift the curious
ease with which you could perform some operations in life without
consciously realising the fact.</p>
<p class="center">III</p>
<p>"Oh, I'm not nearly ready yet!"</p>
<p>Rose Lomas stood at the open window of her bedroom. Her bare arms and
shoulders gleamed softly in the twilight. One hand held her loosened
hair on the top of her head, and the other pressed a garment to her
chest.</p>
<p>"Alright," said Arthur, standing at the gate, "buck up."</p>
<p>Rose looked cautiously around as though to make sure no one else was
in a position to observe her <i>decolleté</i>. But the road was empty. It
seemed pleasant to see Arthur standing there twirling his walking stick
and looking upwards at her. She decided to keep him there for a few
moments.</p>
<p>"Lovely evening," she remarked, presently.</p>
<p>"Yes, jolly," said Arthur, "buck up."</p>
<p>"<i>I am</i> bucking up."</p>
<p>"You're not even dressed!"</p>
<p>"I am," Rose insisted, distantly, "much more than you think. I've got
lots on."</p>
<p>They looked solemnly at one another for a<span class="pagenum"><SPAN name="Page_74" id="Page_74">[Pg 74]</SPAN></span> long while without even
approaching a "stare out."</p>
<p>"How many runs did you make," Rose asked. She had to repeat the
question again before he could hear it distinctly. Besides, he never
could believe that her interest in cricket was serious.</p>
<p>"None," he admitted, "but I was not out."</p>
<p>Rose considered. "That's not as good as making runs though."</p>
<p>Arthur heard a slight noise somewhere round the back of the cottage.
"Someone coming," he warned.</p>
<p>Rose retreated a few steps and lowered her head.</p>
<p>"Walk up the lane," she whispered, "I'll come presently."</p>
<p>"Alright," Arthur nodded, "<i>buck</i> up."</p>
<p>He walked a few yards up the road, and then turned through a wicket
gate and mounted the hump of a meadow. The narrow path swerved slightly
to right and left. Arthur fell to meditating upon paths in general and
how they came into existence. Obviously, it was because people always
walked in the same way. Countless footsteps, following the same line
until the grass wore away. That was very odd when you came to think
about it. Why didn't people choose different ways of crossing that
particular meadow? Then there would<span class="pagenum"><SPAN name="Page_75" id="Page_75">[Pg 75]</SPAN></span> be innumerable paths, representing
a variety of choice. It would be interesting to start a path of
your own, and see how many people would follow you, even though you
deliberately chose a circuitous or not obviously direct route. You
could come every day until the path was made.</p>
<p>He climbed over the top of the meadow, descended again into a valley,
and stopped before a stile with hedges running away on either side. He
decided to wait here for Rose. It would be pleasant to see her coming
over the hill.</p>
<p>It was gloaming now. The few visible stars shone with a peculiar
individual brightness, and looked strangely pendulous in the fading
blue sky. He leaned back and gazed at the depths above him. This time
of the day was always puzzling. You could never tell exactly at what
moment the sky really changed into the aspect of evening, and then,
night. Yet there must be some subtle moment when each star was born.
Perhaps by looking hard enough it would be possible to become aware
of these things. It would be like watching a bud unfold. Slow change
was an impenetrable mystery, for actually things seemed to happen
too quickly for you to notice them. Or rather, you were too busy to
notice them. Spring was like that. Every year you made up your<span class="pagenum"><SPAN name="Page_76" id="Page_76">[Pg 76]</SPAN></span> mind to
notice the first blossoming, the initial tinge of green; but always it
happened that you awoke one morning and found that some vast change had
taken place, so that it really seemed like a miracle.</p>
<p>He sat there, dangling an empty pipe between his teeth. He was not
conscious of a desire to smoke, and he felt strangely tolerant of
Rose's delay. She would come presently.</p>
<p>Presently his reverie was abruptly disturbed by a faint noise,
strangely familiar although remote. It seemed to reach him from
the right, as though something crept slowly along the hedge line,
hidden from his view. It was a soft, purring sound, very regular and
sustained. At first he thought it was the cry of a pheasant, but
decided that it was much too persistent. It was something that made a
noise in the process of walking along.</p>
<p>He held his breath and turned his head slowly to the right. For a long
time the sound increased only very slightly. And then, there broke upon
the general stillness a series of abrupt explosions.</p>
<p>Pfft—Pfft—Pfft—Pfft—Pfft—</p>
<p>And the other noise, the purring and whirring, resumed this time so
close to Arthur that he instinctively, and half in fear, arose from
the stile and looked around him. But the tall hedges sweeping away on
either side<span class="pagenum"><SPAN name="Page_77" id="Page_77">[Pg 77]</SPAN></span> made it difficult to see anyone who might be approaching
under their cover. There was a pause. Then a different sound.</p>
<p>Click—click—clickerty click—clicker clicker—clicker— And so on,
becoming louder and louder until at last it stopped, and its place was
taken by the dull pitter-patter of footsteps coming nearer and nearer.
There was a little harsh snort that might have been intended for a
sigh, and then a voice.</p>
<p>"Oh dear, it is trying. It really is most dreadfully trying—"</p>
<p>The next moment the Clockwork man came into full view round the corner
of the hedge. He was swaying slightly from side to side, in his usual
fashion, and his eyes stared straight ahead of him. He did not appear
to notice Arthur, and did not stop until the latter politely stepped
aside in order to allow him to pass. Then the Clockwork man screwed his
head slowly round and appeared to become faintly apprehensive of the
presence of another being. After a preliminary ear-flapping, he opened
his mouth very wide.</p>
<p>"You haven't," he began, with great difficulty, "seen a hat and wig?"</p>
<p>"No," said Arthur, and he glanced at the Clockwork man's bald forehead
and noticed something peculiar about the construction of the back of
his head; there seemed to be<span class="pagenum"><SPAN name="Page_78" id="Page_78">[Pg 78]</SPAN></span> some object there which he could not see
because they were facing each other. "I'm sorry," he continued, looking
rather hopelessly around him, "perhaps we could find them somewhere."</p>
<p>"Somewhere!" echoed the Clockwork man, "that's what seems to me
so extraordinary! Everybody says that. The idea of a thing being
<i>somewhere</i>, you know. Elsewhere than where you expect it to be. It's
so confusing."</p>
<p>Arthur consulted his common sense. "Can't you remember the place where
you lost them," he suggested.</p>
<p>A faint wrinkle of perplexity appeared on the other's forehead. He
shook his head once "Place. There, again, I can't grasp that idea.
What is a place? And how does a thing come to be in one place and not
in another?" He jerked a hand up as though to emphasise the point. "A
thing either is or it isn't. It can't be in a <i>place</i>."</p>
<p>"But it must be somewhere," objected Arthur, "that's obvious."</p>
<p>The Clockwork man looked vaguely distressed. "Theoretically," he
agreed, "what you say is correct. I can conceive it as a mathematical
problem. But actually, you know, it isn't at all obvious."</p>
<p>He jerked his head slowly round and gazed at the surrounding objects.
"It's such an<span class="pagenum"><SPAN name="Page_79" id="Page_79">[Pg 79]</SPAN></span> extraordinary world. I can't get used to it at all. One
keeps on bumping into things and falling into things—things that ought
not to be there, you know."</p>
<p>Arthur could hardly control an eager curiosity to know what the thing
was, round and shiny, that looked like a sort of halo at the back of
the Clockwork man's head. He kept on dodging from one side to the other
in an effort to see it clearly.</p>
<p>"Are you looking at my clock?" enquired the Clockwork man, without
altering his tone of speech. "I must apologise. I feel quite indecent."</p>
<p>"But what is it for?" gasped Arthur.</p>
<p>"It's the regulating mechanism," said the other, monotonously, "I keep
on forgetting that you <i>can't</i> know these things. You see, it controls
me. But, of course, it's out of order. That's how I came to be here,
in this absurd world. There can't be any other reason, I'm sure." He
looked so childishly perplexed that Arthur's sense of pity was again
aroused, and he listened in respectful silence.</p>
<p>"You see," the mechanical voice went on, "only about half the clock is
in action. That accounts for my present situation." There was a pause,
broken only by obscure tickings, regular but thin in sound. "I had been
feeling very run down, and went to have myself<span class="pagenum"><SPAN name="Page_80" id="Page_80">[Pg 80]</SPAN></span> attended to. Then some
careless mechanic blundered, and of course I went all wrong." He turned
swiftly and looked hard at Arthur. "All wrong. Absolutely all wrong.
And of course, I—I—lapsed, you see."</p>
<p>"Lapsed!" queried Arthur.</p>
<p>"Yes, I lapsed. Slipped, if you like that better—slipped back about
eight thousand years, so far as I can make out. And, of course,
everything is different." His arms shot up both together in an abrupt
gesture of despair. "And now I am confronted with all these old
problems of Time and Space."</p>
<p>Arthur's recent reflections returned to him, and produced a little glow
in his mind. "Is there a world," he questioned, "where the problems of
Time and Space are different?"</p>
<p>"Of course," replied the Clockwork man, clicking slightly, "quite
different. The clock, you see, made man independent of Time and Space.
It solved everything."</p>
<p>"But what happens," Arthur wanted to know, "when the clock works
properly?"</p>
<p>"Everything happens," said the other, "exactly as you want it to
happen."</p>
<p>"Awfully convenient," Arthur murmured.</p>
<p>"Exceedingly." The Clockwork man's head nodded up and down with a
regular rhythm. "The whole aim of man is convenience." He jerked
himself forward a few paces, as though<span class="pagenum"><SPAN name="Page_81" id="Page_81">[Pg 81]</SPAN></span> impelled against his will. "But
my present situation, you know, is extremely <i>in</i>convenient."</p>
<p>He waddled swiftly along, and, to Arthur's great disappointment,
disappeared round the corner of the hedge, so that it was impossible to
get more than a fleeting glimpse of that fascinating object at the back
of his head. But he was still speaking.</p>
<p>"I don't know what I shall do, I'm sure," Arthur heard him say, as
though to himself.</p>
<p class="center">VIII</p>
<p>Rose Lomas came slowly over the top of the hill. She was hatless, and
her short, curly hair blew about her face, for a slight breeze had
sprung up in the wake of the sunset. She wore a navy blue jacket over
a white muslin blouse with a deep V at the breast. There was a fair
stretch of plump leg, stockinged in black cashmere, between the edge of
her dark skirt and the beginning of the tall boots that had taken so
long to button up. She walked with her chin tilted upwards and her eyes
half closed, and her hands were thrust into the slanting pockets of her
jacket.</p>
<p>"Whoever was that person you were talking to?" she enquired, as soon as
they stood together.</p>
<p>"Oh, someone who had lost his way," said<span class="pagenum"><SPAN name="Page_82" id="Page_82">[Pg 82]</SPAN></span> Arthur, carelessly. He felt
curiously disinclined to explain matters just at present. The Clockwork
man was disconcerting. He was a rather terrifying side-issue. Arthur
had a feeling that Rose would probably be frightened by him, for she
was a timid girl. He half hoped now that this strange being would turn
out to be some kind of monstrous hoax.</p>
<p>And so he said nothing. They remained by the stile, courting each
other and the silent on-coming of night. They were very ordinary
lovers, and behaved just exactly in the same way as other people in
the same condition. They kissed at intervals and examined each other's
faces with portentous gravity and microscopic care. Leaning against
the stile, they were frequently interrupted by pedestrians, some of
whom took special care to light their pipes as they passed. But the
disturbance scarcely affected them. Being lovers, they belonged to each
other; and the world about them also belonged to them, and seemed to
fashion its laws in accordance with their desires. They would not have
offered you twopence for a reformed House of Commons or an enlightened
civilisation.</p>
<p>"Oh, Arthur," said Rose, suddenly, "I want to be like this always,
don't you?"</p>
<p>"Yes," murmured Arthur, and then caught<span class="pagenum"><SPAN name="Page_83" id="Page_83">[Pg 83]</SPAN></span> his breath sharply. For his
ear had detected a faint throbbing and palpitation in the distance.
It seemed to echo from the far-off hills, a sort of "chew chew,"
constantly repeated. And presently, another and more familiar sound
aroused his attention. It was the "toot-toot" of an automobile and the
jerk of a brake. And then the steady whine of the engine as the car
ascended a hill. Perhaps they were pursuing the Clockwork man. Arthur
hoped not. It seemed to him the troubles of that strange being were bad
enough without there being added to them the persecutions suffered by
those to whom existence represents an endless puzzle, full of snares
and surprises.</p>
<hr class="chap" />
<p><span class="pagenum"><SPAN name="Page_84" id="Page_84">[Pg 84]</SPAN></span></p>
<div style="break-after:column;"></div><br />