<SPAN name="startofbook"></SPAN>
<hr class="ww" />
<div class="frontcover">
<SPAN name="cover" id="cover" href="#cover"><span class="pagenum"><span class="ns">[</span>cover<span class="ns">]<br/></span></span></SPAN><ANTIMG id="frontcover" src="images/cover.jpg" alt="[Cover: A Wheel within a Wheel —
How I Learned to Ride the Bicycle —
Frances E. Willard]" /></div>
<div class="halftitle">
<p><SPAN name="png.001" id="png.001" href="#png.001"><span class="pagenum"><span class="ns">[</span>i<span class="ns">]<br/></span></span></SPAN>A WHEEL WITHIN A WHEEL</p>
</div>
<div class="frontispiece">
<SPAN name="png.004" id="png.004" href="#png.004"><span class="pagenum"><span class="ns">[</span>2<span class="ns">]<br/></span></span></SPAN><ANTIMG id="frontis" src="images/i004.jpg" alt="[Illustration: Frances E Willard]" /></div>
<div class="titlepage">
<h1 title="A Wheel within a Wheel"><SPAN name="png.005" id="png.005" href="#png.005"><span class="pagenum"><span class="ns">[</span>3<span class="ns">]<br/></span></span></SPAN>A WHEEL <small>WITHIN</small> A WHEEL</h1>
<p><small>HOW I LEARNED TO<br/>RIDE THE BICYCLE</small></p>
<p><i>WITH SOME REFLECTIONS BY THE WAY</i></p>
<p id="byline"><small>BY</small><br/><big>FRANCES E. WILLARD</big></p>
<p class="oeng">Illustrated</p>
<p><ANTIMG src="images/wheel.jpg" width-obs="60" height-obs="59" alt="[Decoration: Spoked wheel]" /></p>
<p>FLEMING H. REVELL COMPANY<br/><small><span class="smc">New York Chicago Toronto</span><br/>1895</small></p>
</div>
<div class="verso">
<p><SPAN name="png.006" id="png.006" href="#png.006"><span class="pagenum"><span class="ns">[</span>4<span class="ns">]<br/></span></span></SPAN><small>Copyright, 1895,<br/><span class="smc">By Fleming H. Revell Company.</span></small></p>
</div>
<div class="dedication">
<p><SPAN name="png.007" id="png.007" href="#png.007"><span class="pagenum"><span class="ns">[</span>5<span class="ns">]<br/></span></span></SPAN><small>GRATEFULLY DEDICATED<br/>TO</small><br/>LADY HENRY SOMERSET,<br/><small>WHO GAVE ME “GLADYS,”<br/>THAT HARBINGER OF HEALTH AND HAPPINESS.</small></p>
</div>
<div class="loi">
<h2 title="List of Illustrations"><SPAN name="png.009" id="png.009" href="#png.009"><span class="pagenum"><span class="ns">[</span>7<span class="ns">]<br/></span></span></SPAN>LIST OF ILLUSTRATIONS</h2>
<hr class="short" />
<table summary="List of Illustrations">
<tr><th> </th><th>PAGE</th></tr>
<tr><td class="dots"><span class="dotz"><SPAN href="#png.004">Miss Willard</SPAN></span></td><td class="pg"><SPAN href="#png.004"><i>Frontispiece</i></SPAN></td></tr>
<tr><td class="dots"><span class="dotz"><SPAN href="#png.024">A Lack of Balance</SPAN></span></td><td class="pg"><i>facing page</i> <SPAN href="#png.024">21</SPAN></td></tr>
<tr><td class="dots"><span class="dotz"><SPAN href="#png.034">Eastnor Castle</SPAN></span></td><td class="pg"><SPAN href="#png.034">29</SPAN></td></tr>
<tr><td class="dots"><span class="dotz"><SPAN href="#png.043">“So Easy—When You Know How”</SPAN></span></td><td class="pg"><SPAN href="#png.043">36</SPAN></td></tr>
<tr><td class="dots"><span class="dotz"><SPAN href="#png.053">“It’s Dogged as Does It”</SPAN></span></td><td class="pg"><SPAN href="#png.053">44</SPAN></td></tr>
<tr><td class="dots"><span class="dotz"><SPAN href="#png.068">“Let Go—but Stand By”</SPAN></span></td><td class="pg"><SPAN href="#png.068">57</SPAN></td></tr>
<tr><td class="dots"><span class="dotz"><SPAN href="#png.085">“At Last”</SPAN></span></td><td class="pg"><SPAN href="#png.085">72</SPAN></td></tr>
</table></div>
<div class="section">
<h2 title="A Wheel within a Wheel"><SPAN name="png.011" id="png.011" href="#png.011"><span class="pagenum"><span class="ns">[</span>9<span class="ns">]<br/></span></span></SPAN><big>A WHEEL WITHIN A WHEEL</big></h2>
<hr class="short" />
<h3>PRELIMINARY</h3>
<div class="drop">
<ANTIMG class="cap" src="images/dropf.jpg" alt="F" width-obs="81" height-obs="82" /><p class="cap">FROM my earliest recollections, and
up to the ripe age of fifty-three, I
had been an active and diligent
worker in the world. This sounds absurd;
but having almost no toys except such as I
could manufacture, my first plays were but
the outdoor work of active men and women
on a small scale. Born with an inveterate
opposition to staying in the house, I very
early learned to use a carpenter’s kit and a
gardener’s tools, and followed in my mimic
way the occupations of the poulterer and the
farmer, working my little field with a wooden
plow of my own making, and felling saplings
<SPAN name="png.012" id="png.012" href="#png.012"><span class="pagenum"><span class="ns">[</span>10<span class="ns">]
</span></span></SPAN>with an ax rigged up from the old iron of the
wagon-shop. Living in the country, far from
the artificial restraints and conventions by
which most girls are hedged from the activities
that would develop a good physique, and
endowed with the companionship of a mother
who let me have my own sweet will, I “ran
wild” until my sixteenth birthday, when the
hampering long skirts were brought, with
their accompanying corset and high heels;
my hair was clubbed up with pins, and I remember
writing in my journal, in the first
heartbreak of a young human colt taken from
its pleasant pasture, “Altogether, I recognize
that my occupation is gone.”</p>
</div>
<p>From that time on I always realized and
was obedient to the limitations thus imposed,
though in my heart of hearts I felt their unwisdom
even more than their injustice. My
work then changed from my beloved and
breezy outdoor world to the indoor realm of
study, teaching, writing, speaking, and went
on almost without a break or pain until my
<SPAN name="png.013" id="png.013" href="#png.013"><span class="pagenum"><span class="ns">[</span>11<span class="ns">]
</span></span></SPAN>fifty-third year, when the loss of my mother
accentuated the strain of this long period in
which mental and physical life were out of
balance, and I fell into a mild form of what
is called nerve-wear by the patient and nervous
prostration by the lookers-on. Thus
ruthlessly thrown out of the usual lines of
reaction on my environment, and sighing for
new worlds to conquer, I determined that I
would learn the bicycle.</p>
<p>An English naval officer had said to me,
after learning it himself, “You women have
no idea of the new realm of happiness which
the bicycle has opened to us men.” Already I
knew well enough that tens of thousands who
could never afford to own, feed, and stable
a horse, had by this bright invention enjoyed
the swiftness of motion which is perhaps the
most fascinating feature of material life, the
charm of a wide outlook upon the natural
world, and that sense of mastery which is
probably the greatest attraction in horseback-riding.
But the steed that never tires, and is
<SPAN name="png.014" id="png.014" href="#png.014"><span class="pagenum"><span class="ns">[</span>12<span class="ns">]
</span></span></SPAN>“mettlesome” in the fullest sense of the
word, is full of tricks and capers, and to hold
his head steady and make him prance to suit
you is no small accomplishment. I had often
mentioned in my temperance writings that
the bicycle was perhaps our strongest ally
in winning young men away from public-houses,
because it afforded them a pleasure
far more enduring, and an exhilaration as
much more delightful as the natural is than
the unnatural. From my observation of my
own brother and hundreds of young men
who have been my pupils, I have always
held that a boy’s heart is not set in him to
do evil any more than a girl’s, and that the
reason our young men fall into evil ways is
largely because we have not had the wit and
wisdom to provide them with amusements
suited to their joyous youth, by means of
which they could invest their superabundant
animal spirits in ways that should harm no
one and help themselves to the best development
and the cleanliest ways of living. So
<SPAN name="png.015" id="png.015" href="#png.015"><span class="pagenum"><span class="ns">[</span>13<span class="ns">]
</span></span></SPAN>as a temperance reformer I always felt a
strong attraction toward the bicycle, because
it is the vehicle of so much harmless pleasure,
and because the skill required in handling it
obliges those who mount to keep clear heads
and steady hands. Nor could I see a reason
in the world why a woman should not ride
the silent steed so swift and blithesome. I
knew perfectly well that when, some ten or
fifteen years ago, Miss Bertha von Hillern, a
young German artist in America, took it into
her head to give exhibitions of her skill in
riding the bicycle she was thought by some
to be a sort of semi-monster; and liberal as
our people are in their views of what a
woman may undertake, I should certainly
have felt compromised, at that remote and
benighted period, by going to see her ride,
not because there was any harm in it, but
solely because of what we call in homely
phrase “the speech of people.” But behold!
it was long ago conceded that women might
ride the tricycle—indeed, one had been
<SPAN name="png.016" id="png.016" href="#png.016"><span class="pagenum"><span class="ns">[</span>14<span class="ns">]
</span></span></SPAN>presented to me by my friend Colonel Pope, of
Boston, a famous manufacturer of these swift
roadsters, as far back as 1886; and I had
swung around the garden-paths upon its saddle
a few minutes every evening when work
was over at my Rest Cottage home. I had
even hoped to give an impetus among conservative
women to this new line of physical
development and outdoor happiness; but
that is quite another story and will come in
later. Suffice it for the present that it did
me good, as it doth the upright in heart, to
notice recently that the Princesses Louise and
Beatrice both ride the tricycle at Balmoral; for
I know that with the great mass of feminine
humanity this precedent will have exceeding
weight—and where the tricycle prophesies
the bicycle shall ere long preach the gospel
of outdoors.</p>
<p>For we are all unconsciously the slaves of
public opinion. When the hansom first came
on London streets no woman having regard
to her social state and standing would have
dreamed of entering one of these pavement
<SPAN name="png.017" id="png.017" href="#png.017"><span class="pagenum"><span class="ns">[</span>15<span class="ns">]
</span></span></SPAN>gondolas unless accompanied by a gentleman
as her escort. But in course of time a few
women, of stronger individuality than the
average, ventured to go unattended; later
on, use wore off the glamour of the traditions
which said that women must not go alone,
and now none but an imbecile would hold
herself to any such observance.</p>
<p>A trip around the world by a young woman
would have been regarded a quarter of
a century ago as equivalent to social outlawry;
but now young women of the highest
character and talent are employed by leading
journals to whip around the world “on time,”
and one has done so in seventy-three, another
in seventy-four days, while the young
women recently sent out by an Edinburgh
newspaper will no doubt considerably contract
these figures.</p>
<p>As I have mentioned, Fräulein von Hillern
is the first woman, so far as I know, who ever
rode a bicycle, and for this she was considered
to be one of those persons who classified
nowhere, and who could not do so except to
<SPAN name="png.018" id="png.018" href="#png.018"><span class="pagenum"><span class="ns">[</span>16<span class="ns">]</span></span></SPAN>
the injury of the feminine guild with which
they were connected before they “stepped
out”; but now, in France, for a woman to
ride a bicycle is not only “good form,” but
the current craze among the aristocracy.</p>
<p>Since Balaam’s beast there has been but
little authentic talking done by the four-footed;
but that is no reason why the two-wheeled
should not speak its mind, and the
first utterance I have to chronicle in the softly
flowing vocables of my bicycle is to the following
purport. I heard it as we trundled off
down the Priory incline at the suburban home
of Lady Henry Somerset, Reigate, England;
it said: “Behold, I do not fail you; I am not
a skittish beastie, but a sober, well-conducted
roadster. I did not ask you to mount or
drive, but since you have done so you must
now learn the laws of balance and exploitation.
I did not invent these laws, but I have been
built conformably to them, and you must
suit yourself to the unchanging regulations of
gravity, general and specific, as illustrated in
<SPAN name="png.019" id="png.019" href="#png.019"><span class="pagenum"><span class="ns">[</span>17<span class="ns">]</span></span></SPAN>
me. Strange as the paradox may seem, you
will do this best by not trying to do it at all.
You must make up what you are pleased to
call your mind—make it up speedily, or you
will be cast in yonder mud-puddle, and no
blame to me and no thanks to yourself. Two
things must occupy your thinking powers to
the exclusion of every other thing: first, the
goal; and, second, the momentum requisite
to reach it. Do not look down like an imbecile
upon the steering-wheel in front of
you—that would be about as wise as for a
nauseated voyager to keep his optical instruments
fixed upon the rolling waves. It is
the curse of life that nearly every one looks
down. But the microscope will never set
you free; you must glue your eyes to the
telescope for ever and a day. Look up and
off and on and out; get forehead and foot
into line, the latter acting as a rhythmic spur
in the flanks of your equilibriated equine; so
shall you win, and that right speedily.</p>
<p>“It was divinely said that the kingdom of
<SPAN name="png.020" id="png.020" href="#png.020"><span class="pagenum"><span class="ns">[</span>18<span class="ns">]</span></span></SPAN>
God is within you. Some make a mysticism
of this declaration, but it is hard common
sense; for the lesson you will learn from me is
this: every kingdom over which we reign must
be first formed within us on what the psychic
people call the ‘astral plane,’ but what I as a
bicycle look upon as the common parade-ground
of individual thought.”</p>
</div>
<div class="section">
<div style="break-after:column;"></div><br />