<SPAN name="chap11"></SPAN>
<h3> XI </h3>
<h3> THE EPISODE OF THE BERTILLON METHOD </h3>
<p>We had a terrible passage home from New York. The Captain told us he
"knew every drop of water in the Atlantic personally"; and he had
never seen them so uniformly obstreperous. The ship rolled in the
trough; Charles rolled in his cabin, and would not be comforted. As
we approached the Irish coast, I scrambled up on deck in a violent
gale, and retired again somewhat precipitately to announce to my
brother-in-law that we had just come in sight of the Fastnet Rock
Lighthouse. Charles merely turned over in his berth and groaned.
"I don't believe it," he answered. "I expect it is probably Colonel
Clay in another of his manifold disguises!"</p>
<p>At Liverpool, however, the Adelphi consoled him. We dined
luxuriously in the Louis Quinze restaurant, as only millionaires
can dine, and proceeded next day by Pullman car to London.</p>
<p>We found Amelia dissolved in tears at a domestic cataclysm. It
seemed that Césarine had given notice.</p>
<p>Charles was scarcely home again when he began to bethink him of
the least among his investments. Like many other wealthy men, my
respected connection is troubled more or less, in the background of
his consciousness, by a pervading dread that he will die a beggar.
To guard against this misfortune—which I am bound to admit nobody
else fears for him—he invested, several years ago, a sum of two
hundred thousand pounds in Consols, to serve as a nest-egg in case
of the collapse of Golcondas and South Africa generally. It is
part of the same amiable mania, too, that he will not allow the
dividend-warrants on this sum to be sent to him by post, but
insists, after the fashion of old ladies and country parsons, upon
calling personally at the Bank of England four times a year to claim
his interest. He is well known by sight to not a few of the clerks;
and his appearance in Threadneedle Street is looked forward to with
great regularity within a few weeks of each lawful quarter-day.</p>
<p>So, on the morning after our arrival in town, Charles observed to
me, cheerfully, "Sey, I must run into the City to-day to claim my
dividends. There are two quarters owing."</p>
<p>I accompanied him in to the Bank. Even that mighty official, the
beadle at the door, unfastened the handle of the millionaire's
carriage. The clerk who received us smiled and nodded. "How much?"
he asked, after the stereotyped fashion.</p>
<p>"Two hundred thousand," Charles answered, looking affable.</p>
<p>The clerk turned up the books. "Paid!" he said, with
decision. "What's your game, sir, if I may ask you?"</p>
<p>"Paid!" Charles echoed, drawing back.</p>
<p>The clerk gazed across at him. "Yes, Sir Charles," he answered, in
a somewhat severe tone. "You must remember you drew a quarter's
dividend from myself—last week—at this very counter."</p>
<p>Charles stared at him fixedly. "Show me the signature," he said at
last, in a slow, dazed fashion. I suspected mischief.</p>
<p>The clerk pushed the book across to him. Charles examined the name
close.</p>
<p>"Colonel Clay again!" he cried, turning to me with a despondent air.
"He must have dressed the part. I shall die in the workhouse, Sey!
That man has stolen away even my nest-egg from me."</p>
<p>I saw it at a glance. "Mrs. Quackenboss!" I put in. "Those portraits
on the Etruria! It was to help him in his make-up! You recollect,
she sketched your face and figure at all possible angles."</p>
<p>"And last quarter's?" Charles inquired, staggering.</p>
<p>The clerk turned up the entry. "Drawn on the 10th of July,"
he answered, carelessly, as if it mattered nothing.</p>
<p>Then I knew why the Colonel had run across to England.</p>
<p>Charles positively reeled. "Take me home, Sey," he cried. "I am
ruined, ruined! He will leave me with not half a million in the
world. My poor, poor boys will beg their bread, unheeded, through
the streets of London!"</p>
<p>(As Amelia has landed estate settled upon her worth a hundred and
fifty thousand pounds, this last contingency affected me less to
tears than Charles seemed to think necessary.)</p>
<p>We made all needful inquiries, and put the police upon the quest at
once, as always. But no redress was forthcoming. The money, once
paid, could not be recovered. It is a playful little privilege of
Consols that the Government declines under any circumstances to pay
twice over. Charles drove back to Mayfair a crushed and broken man.
I think if Colonel Clay himself could have seen him just then, he
would have pitied that vast intellect in its grief and bewilderment.</p>
<p>After lunch, however, my brother-in-law's natural buoyancy
reasserted itself by degrees. He rallied a little. "Seymour," he
said to me, "you've heard, of course, of the Bertillon system of
measuring and registering criminals."</p>
<p>"I have," I answered. "And it's excellent as far as it goes. But,
like Mrs. Glasse's jugged hare, it all depends upon the initial
step. 'First catch your criminal.' Now, we have never caught
Colonel Clay—"</p>
<p>"Or, rather," Charles interposed unkindly, "when you <i>did</i> catch him,
you didn't hold him."</p>
<p>I ignored the unkindly suggestion, and continued in the same voice,
"We have never secured Colonel Clay; and until we secure him, we
cannot register him by the Bertillon method. Besides, even if we
had once caught him and duly noted the shape of his nose, his chin,
his ears, his forehead, of what use would that be against a man who
turns up with a fresh face each time, and can mould his features
into what form he likes, to deceive and foil us?"</p>
<p>"Never mind, Sey," my brother-in-law said. "I was told in New York
that Dr. Frank Beddersley, of London, was the best exponent of the
Bertillon system now living in England; and to Beddersley I shall
go. Or, rather, I'll invite him here to lunch to-morrow."</p>
<p>"Who told you of him?" I inquired. "<i>Not</i> Dr. Quackenboss, I hope;
nor yet Mr. Algernon Coleyard?"</p>
<p>Charles paused and reflected. "No, neither of them," he answered,
after a short internal deliberation. "It was that magazine editor
chap we met at Wrengold's."</p>
<p>"<i>He's</i> all right," I said; "or, at least, I think so."</p>
<p>So we wrote a polite invitation to Dr. Beddersley, who pursued
the method professionally, asking him to come and lunch with us
at Mayfair at two next day.</p>
<p>Dr. Beddersley came—a dapper little man, with pent-house eyebrows,
and keen, small eyes, whom I suspected at sight of being Colonel
Clay himself in another of his clever polymorphic embodiments. He
was clear and concise. His manner was scientific. He told us at once
that though the Bertillon method was of little use till the expert
had seen the criminal once, yet if we had consulted him earlier
he might probably have saved us some serious disasters. "A man
so ingenious as this," he said, "would no doubt have studied
Bertillon's principles himself, and would take every possible
means to prevent recognition by them. Therefore, you might almost
disregard the nose, the chin, the moustache, the hair, all of which
are capable of such easy alteration. But there remain some features
which are more likely to persist—height, shape of head, neck,
build, and fingers; the timbre of the voice, the colour of the iris.
Even these, again, may be partially disguised or concealed; the way
the hair is dressed, the amount of padding, a high collar round the
throat, a dark line about the eyelashes, may do more to alter the
appearance of a face than you could readily credit."</p>
<p>"So we know," I answered.</p>
<p>"The voice, again," Dr. Beddersley continued. "The voice itself may
be most fallacious. The man is no doubt a clever mimic. He could,
perhaps, compress or enlarge his larynx. And I judge from what you
tell me that he took characters each time which compelled him
largely to alter and modify his tone and accent."</p>
<p>"Yes," I said. "As the Mexican Seer, he had of course a
Spanish intonation. As the little curate, he was a cultivated
North-countryman. As David Granton, he spoke gentlemanly Scotch.
As Von Lebenstein, naturally, he was a South-German, trying to
express himself in French. As Professor Schleiermacher, he was a
North-German speaking broken English. As Elihu Quackenboss, he
had a fine and pronounced Kentucky flavour. And as the poet, he
drawled after the fashion of the clubs, with lingering remnants
of a Devonshire ancestry."</p>
<p>"Quite so," Dr. Beddersley answered. "That is just what I should
expect. Now, the question is, do you know him to be one man, or
is he really a gang? Is he a name for a syndicate? Have you any
photographs of Colonel Clay himself in any of his disguises?"</p>
<p>"Not one," Charles answered. "He produced some himself, when he was
Medhurst the detective. But he pocketed them at once; and we never
recovered them."</p>
<p>"Could you get any?" the doctor asked. "Did you note the name and
address of the photographer?"</p>
<p>"Unfortunately, no," Charles replied. "But the police at Nice showed
us two. Perhaps we might borrow them."</p>
<p>"Until we get them," Dr. Beddersley said, "I don't know that we can
do anything. But if you can once give me two distinct photographs of
the real man, no matter how much disguised, I could tell you whether
they were taken from one person; and, if so, I think I could point
out certain details in common which might aid us to go upon."</p>
<p>All this was at lunch. Amelia's niece, Dolly Lingfield, was there,
as it happened; and I chanced to note a most guilty look stealing
over her face all the while we were talking. Suspicious as I had
learned to become by this time, however, I did not suspect Dolly of
being in league with Colonel Clay; but, I confess, I wondered what
her blush could indicate. After lunch, to my surprise, Dolly called
me away from the rest into the library. "Uncle Seymour," she said
to me—the dear child calls me Uncle Seymour, though of course I am
not in any way related to her—"<i>I</i> have some photographs of Colonel
Clay, if you want them."</p>
<p>"<i>You</i>?" I cried, astonished. "Why, Dolly, how did you get them?"</p>
<p>For a minute or two she showed some little hesitation in telling me.
At last she whispered, "You won't be angry if I confess?" (Dolly is
just nineteen, and remarkably pretty.)</p>
<p>"My child," I said, "why <i>should</i> I be angry? You may confide in me
implicitly." (With a blush like that, who on earth could be angry
with her?)</p>
<p>"And you won't tell Aunt Amelia or Aunt Isabel?" she inquired
somewhat anxiously.</p>
<p>"Not for worlds," I answered. (As a matter of fact, Amelia and
Isabel are the last people in the world to whom I should dream
of confiding anything that Dolly might tell me.)</p>
<p>"Well, I was stopping at Seldon, you know, when Mr. David Granton
was there," Dolly went on; "—or, rather, when that scamp pretended
he was David Granton; and—and—you won't be angry with me, will
you?—one day I took a snap-shot with my kodak at him and Aunt
Amelia!"</p>
<p>"Why, what harm was there in that?" I asked, bewildered. The wildest
stretch of fancy could hardly conceive that the Honourable David had
been <i>flirting</i> with Amelia.</p>
<p>Dolly coloured still more deeply. "Oh, you know Bertie Winslow?" she
said. "Well, he's interested in photography—and—and also in <i>me</i>.
And he's invented a process, which isn't of the slightest practical
use, he says; but its peculiarity is, that it reveals textures. At
least, that's what Bertie calls it. It makes things come out so. And
he gave me some plates of his own for my kodak—half-a-dozen or more,
and—I took Aunt Amelia with them."</p>
<p>"I still fail to see," I murmured, looking at her comically.</p>
<p>"Oh, Uncle Seymour," Dolly cried. "How blind you men are!
If Aunt Amelia knew she would never forgive me. Why, you <i>must</i>
understand. The—the rouge, you know, and the pearl powder!"</p>
<p>"Oh, it comes out, then, in the photograph?" I inquired.</p>
<p>"Comes out! I should <i>think</i> so! It's like little black spots all
over auntie's face. <i>such</i> a guy as she looks in it!"</p>
<p>"And Colonel Clay is in them too?"</p>
<p>"Yes; I took them when he and auntie were talking together, without
either of them noticing. And Bertie developed them. I've three of
David Granton. Three beauties; <i>most</i> successful."</p>
<p>"Any other character?" I asked, seeing business ahead.</p>
<p>Dolly hung back, still redder. "Well, the rest are with Aunt
Isabel," she answered, after a struggle.</p>
<p>"My dear child," I replied, hiding my feelings as a husband, "I will
be brave. I will bear up even against that last misfortune!"</p>
<p>Dolly looked up at me pleadingly. "It was here in London," she went
on; "—when I was last with auntie. Medhurst was stopping in the
house at the time; and I took him twice, tête-à-tête with Aunt
Isabel!"</p>
<p>"Isabel does not paint," I murmured, stoutly.</p>
<p>Dolly hung back again. "No, but—her hair!" she suggested, in a
faint voice.</p>
<p>"Its colour," I admitted, "is in places assisted by a—well, you
know, a restorer."</p>
<p>Dolly broke into a mischievous sly smile. "Yes, it is," she
continued. "And, oh, Uncle Sey, where the restorer has—er—restored
it, you know, it comes out in the photograph with a sort of
brilliant iridescent metallic sheen on it!"</p>
<p>"Bring them down, my dear," I said, gently patting her head with my
hand. In the interests of justice, I thought it best not to frighten
her.</p>
<p>Dolly brought them down. They seemed to me poor things, yet well
worth trying. We found it possible, on further confabulation, by
the simple aid of a pair of scissors, so to cut each in two that
all trace of Amelia and Isabel was obliterated. Even so, however,
I judged it best to call Charles and Dr. Beddersley to a private
consultation in the library with Dolly, and not to submit the
mutilated photographs to public inspection by their joint subjects.
Here, in fact, we had five patchy portraits of the redoubtable
Colonel, taken at various angles, and in characteristic unstudied
attitudes. A child had outwitted the cleverest sharper in Europe!</p>
<p>The moment Beddersley's eye fell upon them, a curious look came over
his face. "Why, these," he said, "are taken on Herbert Winslow's
method, Miss Lingfield."</p>
<p>"Yes," Dolly admitted timidly. "They are. He's—a friend of mine,
don't you know; and—he gave me some plates that just fitted my
camera."</p>
<p>Beddersley gazed at them steadily. Then he turned to Charles.
"And this young lady," he said, "has quite unintentionally and
unconsciously succeeded in tracking Colonel Clay to earth at last.
They are genuine photographs of the man—as he is—<i>without</i> the
disguises!"</p>
<p>"They look to me most blotchy," Charles murmured. "Great black lines
down the nose, and such spots on the cheek, too!"</p>
<p>"Exactly," Beddersley put in. "Those are <i>differences in texture</i>.
They show just how much of the man's face is human flesh—"</p>
<p>"And how much wax," I ventured.</p>
<p>"Not wax," the expert answered, gazing close. "This is some harder
mixture. I should guess, a composition of gutta-percha and
india-rubber, which takes colour well, and hardens when applied,
so as to lie quite evenly, and resist heat or melting. Look here;
that's an artificial scar, filling up a real hollow; and <i>this</i> is
an added bit to the tip of the nose; and <i>those</i> are shadows, due
to inserted cheek-pieces, within the mouth, to make the man look
fatter!"</p>
<p>"Why, of course," Charles cried. "India-rubber it must be. That's
why in France they call him le Colonel Caoutchouc!"</p>
<p>"Can you reconstruct the real face from them?" I inquired anxiously.</p>
<p>Dr. Beddersley gazed hard at them. "Give me an hour or two," he
said—"and a box of water-colours. I <i>think</i> by that time—putting
two and two together—I can eliminate the false and build up for you
a tolerably correct idea of what the actual man himself looks like."</p>
<p>We turned him into the library for a couple of hours, with the
materials he needed; and by tea-time he had completed his first
rough sketch of the elements common to the two faces. He brought
it out to us in the drawing-room. I glanced at it first. It was
a curious countenance, slightly wanting in definiteness, and not
unlike those "composite photographs" which Mr. Galton produces by
exposing two negatives on the same sensitised paper for ten seconds
or so consecutively. Yet it struck me at once as containing
something of Colonel Clay in every one of his many representations.
The little curate, in real life, did not recall the Seer; nor
did Elihu Quackenboss suggest Count von Lebenstein or Professor
Schleiermacher. Yet in this compound face, produced only from
photographs of David Granton and Medhurst, I could distinctly trace
a certain underlying likeness to every one of the forms which the
impostor had assumed for us. In other words, though he could make
up so as to mask the likeness to his other characters, he could not
make up so as to mask the likeness to his own personality. He could
not wholly get rid of his native build and his genuine features.</p>
<p>Besides these striking suggestions of the Seer and the curate,
however, I felt vaguely conscious of having seen and observed
<i>the man himself</i> whom the water-colour represented, at some time,
somewhere. It was not at Nice; it was not at Seldon; it was not at
Meran; it was not in America. I believed I had been in a room with
him somewhere in London.</p>
<p>Charles was looking over my shoulder. He gave a sudden little start.
"Why, I know that fellow!" he cried. "You recollect him, Sey; he's
Finglemore's brother—the chap that didn't go out to China!"</p>
<p>Then I remembered at once where it was that I had seen him—at the
broker's in the city, before we sailed for America.</p>
<p>"What Christian name?" I asked.</p>
<p>Charles reflected a moment. "The same as the one in the note we got
with the dust-coat," he answered, at last. "The man is Paul
Finglemore!"</p>
<p>"You will arrest him?" I asked.</p>
<p>"Can I, on this evidence?"</p>
<p>"We might bring it home to him."</p>
<p>Charles mused for a moment. "We shall have nothing against him,"
he said slowly, "except in so far as we can swear to his identity.
And that may be difficult."</p>
<p>Just at that moment the footman brought in tea. Charles wondered
apparently whether the man, who had been with us at Seldon when
Colonel Clay was David Granton, would recollect the face or
recognise having seen it. "Look here, Dudley," he said, holding
up the water-colour, "do you know that person?"</p>
<p>Dudley gazed at it a moment. "Certainly, sir," he answered briskly.</p>
<p>"Who is it?" Amelia asked. We expected him to answer, "Count von
Lebenstein," or "Mr. Granton," or "Medhurst."</p>
<p>Instead of that, he replied, to our utter surprise, "That's
Césarine's young man, my lady."</p>
<p>"Césarine's young man?" Amelia repeated, taken aback. "Oh, Dudley,
surely, you <i>must</i> be mistaken!"</p>
<p>"No, my lady," Dudley replied, in a tone of conviction. "He comes
to see her quite reg'lar; he have come to see her, off and on,
from time to time, ever since I've been in Sir Charles's service."</p>
<p>"When will he be coming again?" Charles asked, breathless.</p>
<p>"He's downstairs now, sir," Dudley answered, unaware of the
bombshell he was flinging into the midst of a respectable family.</p>
<p>Charles rose excitedly, and put his back against the door. "Secure
that man," he said to me sharply, pointing with his finger.</p>
<p>"<i>What</i> man?" I asked, amazed. "Colonel Clay? The young man who's
downstairs now with Césarine?"</p>
<p>"No," Charles answered, with decision; "Dudley!"</p>
<p>I laid my hand on the footman's shoulder, not understanding what
Charles meant. Dudley, terrified, drew back, and would have rushed
from the room; but Charles, with his back against the door,
prevented him.</p>
<p>"I—I've done nothing to be arrested, Sir Charles," Dudley cried,
in abject terror, looking appealingly at Amelia. "It—it wasn't me
as cheated you." And he certainly didn't look it.</p>
<p>"I daresay not," Charles answered. "But you don't leave this room
till Colonel Clay is in custody. No, Amelia, no; it's no use your
speaking to me. What he says is true. I see it all now. This villain
and Césarine have long been accomplices! The man's downstairs with
her now. If we let Dudley quit the room he'll go down and tell them;
and before we know where we are, that slippery eel will have
wriggled through our fingers, as he always wriggles. He <i>is</i> Paul
Finglemore; he <i>is</i> Césarine's young man; and unless we arrest him
now, without one minute's delay, he'll be off to Madrid or St.
Petersburg by this evening!"</p>
<p>"You are right," I answered. "It is now or never!"</p>
<p>"Dudley," Charles said, in his most authoritative voice, "stop here
till we tell you you may leave the room. Amelia and Dolly, don't let
that man stir from where he's standing. If he does, restrain him.
Seymour and Dr. Beddersley, come down with me to the servants' hall.
I suppose that's where I shall find this person, Dudley?"</p>
<p>"N—no, sir," Dudley stammered out, half beside himself with fright.
"He's in the housekeeper's room, sir!"</p>
<p>We went down to the lower regions in a solid phalanx of three. On
the way we met Simpson, Sir Charles's valet, and also the butler,
whom we pressed into the service. At the door of the housekeeper's
room we paused, strategically. Voices came to us from within; one
was Césarine's, the other had a ring that reminded me at once of
Medhurst and the Seer, of Elihu Quackenboss and Algernon Coleyard.
They were talking together in French; and now and then we caught
the sound of stifled laughter.</p>
<p>We opened the door. "Est-il drôle, donc, ce vieux?" the man's
voice was saying.</p>
<p>"C'est à mourir de rire," Césarine's voice responded.</p>
<p>We burst in upon them, red-handed.</p>
<p>Césarine's young man rose, with his hat in his hand, in a respectful
attitude. It reminded me at once of Medhurst, as he stood talking
his first day at Marvillier's to Charles; and also of the little
curate, in his humblest moments as the disinterested pastor.</p>
<p>With a sign to me to do likewise, Charles laid his hand firmly on
the young man's shoulder. I looked in the fellow's face: there could
be no denying it; Césarine's young man was Paul Finglemore, our
broker's brother.</p>
<p>"Paul Finglemore," Charles said severely, "otherwise Cuthbert Clay,
I arrest you on several charges of theft and conspiracy!"</p>
<p>The young man glanced around him. He was surprised and perturbed;
but, even so, his inexhaustible coolness never once deserted him.
"What, five to one?" he said, counting us over. "Has law and order
come down to this? Five respectable rascals to arrest one poor
beggar of a chevalier d'industrie! Why, it's worse than New York.
<i>There</i>, it was only you and me, you know, old Ten per Cent!"</p>
<p>"Hold his hands, Simpson!" Charles cried, trembling lest his enemy
should escape him.</p>
<p>Paul Finglemore drew back even while we held his shoulders. "No,
not <i>you</i>, sir," he said to the man, haughtily. "Don't dare to lay
your hands upon me! Send for a constable if you wish, Sir Charles
Vandrift; but I decline to be taken into custody by a valet!"</p>
<p>"Go for a policeman," Dr. Beddersley said to Simpson, standing
forward.</p>
<p>The prisoner eyed him up and down. "Oh, Dr. Beddersley!" he said,
relieved. It was evident he knew him. "If <i>you've</i> tracked me
strictly in accordance with Bertillon's methods, I don't mind so
much. I will not yield to fools; I yield to science. I didn't think
this diamond king had sense enough to apply to you. He's the most
gullible old ass I ever met in my life. But if it's <i>you</i> who have
tracked me down, I can only submit to it."</p>
<p>Charles held to him with a fierce grip. "Mind he doesn't break away,
Sey," he cried. "He's playing his old game! Distrust the man's
patter!"</p>
<p>"Take care," the prisoner put in. "Remember Dr. Polperro! On what
charge do you arrest me?"</p>
<p>Charles was bubbling with indignation. "You cheated me at Nice,"
he said; "at Meran; at New York; at Paris!"</p>
<p>Paul Finglemore shook his head. "Won't do," he answered, calmly. "Be
sure of your ground. Outside the jurisdiction! You can only do that
on an extradition warrant."</p>
<p>"Well, then, at Seldon, in London, in this house, and elsewhere,"
Charles cried out excitedly. "Hold hard to him, Sey; by law or
without it, blessed if he isn't going even now to wriggle away
from us!"</p>
<p>At that moment Simpson returned with a convenient policeman, whom he
had happened to find loitering about near the area steps, and whom I
half suspected from his furtive smile of being a particular
acquaintance of the household.</p>
<p>Charles gave the man in charge formally. Paul Finglemore insisted
that he should specify the nature of the particular accusation.
To my great chagrin, Charles selected from his rogueries, as best
within the jurisdiction of the English courts, the matter of the
payment for the Castle of Lebenstein—made in London, and through
a London banker. "I have a warrant on that ground," he said. I
trembled as he spoke. I felt at once that the episode of the
commission, the exposure of which I dreaded so much, must now
become public.</p>
<p>The policeman took the man in charge. Charles still held to him,
grimly. As they were leaving the room the prisoner turned to
Césarine, and muttered something rapidly under his breath, in
German. "Of which tongue," he said, turning to us blandly, "in spite
of my kind present of a dictionary and grammar, you still doubtless
remain in your pristine ignorance!"</p>
<p>Césarine flung herself upon him with wild devotion. "Oh, Paul,
darling," she cried, in English, "I will not, I will not! I
will never save myself at <i>your</i> expense. If they send you to
prison—Paul, Paul, I will go with you!"</p>
<p>I remembered as she spoke what Mr. Algernon Coleyard had said to us
at the Senator's. "Even the worst of rogues have always some good
in them. I notice they often succeed to the end in retaining the
affection and fidelity of women."</p>
<p>But the man, his hands still free, unwound her clasping arms with
gentle fingers. "My child," he answered, in a soft tone, "I am sorry
to say the law of England will not permit you to go with me. If it
did" (his voice was as the voice of the poet we had met), "'stone
walls would not a prison make, nor iron bars a cage.'" And bending
forward, he kissed her forehead tenderly.</p>
<p>We led him out to the door. The policeman, in obedience to Charles's
orders, held him tight with his hand, but steadily refused, as the
prisoner was not violent, to handcuff him. We hailed a passing
hansom. "To Bow Street!" Charles cried, unceremoniously pushing in
policeman and prisoner. The driver nodded. We called a four-wheeler
ourselves, in which my brother-in-law, Dr. Beddersley and myself
took our seats. "Follow the hansom!" Charles cried out. "Don't let
him out of your sight. After him, close, to Bow Street!"</p>
<p>I looked back, and saw Césarine, half fainting, on the front door
steps, while Dolly, bathed in tears, stood supporting the
lady's-maid, and trying to comfort her. It was clear she had not
anticipated this end to the adventure.</p>
<p>"Goodness gracious!" Charles screamed out, in a fresh fever of
alarm, as we turned the first corner; "where's that hansom gone to?
How do I know the fellow was a policeman at all? We should have
taken the man in here. We ought never to have let him get out of
our sight. For all we can tell to the contrary, the constable
himself—may only be one of Colonel Clay's confederates!"</p>
<p>And we drove in trepidation all the way to Bow Street.</p>
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