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Brown Brethren

[pg 131] CHAPTER X LOST TO THE WIDE <div class="poem"> <div class="stanza"> There's a rum jar in the dug-out and a parcel in the post— Fol ol the diddle ol the dee! And I couldn't be much colder were I handcuffed to a ghost— Fol ol the diddle ol the dee! There's a quartermaster-sergeant and the dug-out's his abode— Fol ol the diddle ol the dee! And a shell has hit the mail-bag and it's scattered on the road— Fol ol the diddle ol the dee! </div> <div class="stanza"> (From "The Strafed Mail-bag.") </div> </div> It was past eight o'clock of a January evening and the soldiers in "Home Sweet Home" dug-out sat down late to tea. The dug-out was situated at the bottom of a chalk-pit near Vimy Ridge and was occupied by officers' servants, company runners, signallers and others who generally kept in close touch with battalion headquarters. The chalk pit was more or less immune from shell fire, for, being narrow and deep, it was difficult for a shell to reach the bottom, round which a ring of spacious dug-outs circled. Over the top and five hundred yards [pg 132] eastwards ran the communication trench which wound its way discreetly up to the British front line. Lights gleamed in the dug-outs and sounds of laughter and singing could be heard from "Home Sweet Home." It was a capacious shelter, originally fashioned by the French, and capable of holding thirty men. At the present moment it contained some fifteen British soldiers engaged in the pleasant task of eating a substantial meal. Rations as well as the post had just come up from the railhead, rum was issued, and the parcels from home had been bulky. The meal was proceeding merrily. Some of the men were laughing and chatting, sitting on the ground, their knees crossed and mess-tins of steaming tea in their hands. Two or three were stripped and their wet clothes were hung over the fire in the brazier. All were so cool and happy that it was difficult to believe that the German shells were just dropping outside the door.... Suddenly the waterproof sheet that covered the door was raised and a newcomer entered. He stood for a moment looking round, then he approached an up-ended ammunition box which stood in the centre of the dug-out and sat down on it. "Oh, it's old Fitzgerald," exclaimed Flanagan, [pg 133] now of the signalling section, who was endeavouring, with the aid of a bayonet, to draw the cork from a rum jar. "How are things going on up at Vimy?" he asked. "Not so bad," Fitzgerald answered. "There's plenty of shells flying across, and now and again we get a Minnie, saucy devil. We do get more than is good for our health. Vimy is not the most pleasant place on our front. I've helped to take a prisoner down." "A prisoner?" Flanagan exclaimed, handing Fitzgerald a drop of rum in a mess-tin. "A German?" "Yes, a youngster," Fitzgerald answered, lifting the rum reverently to his lips and rolling it round in his mouth. "He was caught on a listening patrol. Wounded and unconscious. I've got to wait here until he recovers, hear what he has to say, and report back to Captain Thorley with any information. You know we fear a mine going up at the sap, for all day and night we can hear tapping under the ground." Fitzgerald held out his mess-tin again and received another tot of rum. Then he lit a cigarette. "There's nothing like a drop of rum," he remarked. [pg 134] "It's 'health to the navel and marrow to the bones,' as the Scripture has it." The hut laughed. "What about a song, Fitz?" Flanagan asked. "An old Irish one; a come-all-you." "Nell Flaherty's Drake?" said Fitz in a tone of enquiry. The rum had put him in gay good humour. "Spit it out," Flanagan yelled. Fitzgerald commenced the song. <div class="poem"> <div class="stanza"> "My name it is Nell, the truth for to tell, I live near Coothill, which I'll never deny, I had a fine drake, the truth for to spake, Which my grandmother left me before she did die. </div> <div class="stanza"> "He was wholesome and sound and could weigh forty pound, The wide world round I would roam for his sake, But bad luck to the robber be he drunk or sober, Who murdered Nell Flaherty's beautiful drake. </div> <div class="stanza"> "May his temples wear horns and all his toes corns, May he always be fed on lobcourse and fish-oil, May he ne'er go to bed till the moment he's dead, May his cow never milk, may his kettle never boil." </div> </div> "That's the supreme curse, I think," Fitzgerald remarked, smiling lazily. "'May his kettle never boil'! Think of that—in Ireland, where the teapot's as greedy as the grave." "Is that the end of the song?" a soldier asked from the corner. [pg 135] "Only the first three verses," Fitzgerald replied. "There are forty verses in the song, but I forget the rest. My memory!" he exclaimed, rising to his feet. "Good God! I forget everything, my memory is my curse.... Who has got a cigarette to spare?" At that moment an orderly came to the door and shouted out: "D Company runner." "I'm D Company runner," Fitzgerald remarked. "Report to headquarters immediately," said the orderly. "Also Rifleman Flanagan to report. Two men must take the message." "I'm there," said Fitzgerald, turning to Flanagan and asking: "Can I have another cigarette before we go?" He got another cigarette, placed it in his cap and accompanied by Flanagan went out into the open and across to headquarters dug-out. The adjutant was inside sitting at a table, a cup of tea and a box of cigarettes in front of him. He knew Fitzgerald very well, having met him in civil life. "I want you to go to the Ridge as quickly as you know how," said the adjutant, fixing his eyes on the runner. "The young German has regained consciousness and he tells us that the [pg 136] enemy are going to blow up three mines under our front to-morrow morning at six. The men must withdraw to the second trench until further orders. I've tried to 'phone up, but can get no answer to my calls. The wire must be broken. Hand the message over to Captain Thorley or any other officer whom you may encounter. You do the same, Flanagan, and both report back here when you've done this...." He handed a sealed envelope to Fitzgerald and the runner went out into the night, the final words of the adjutant ringing in his ears. "Very important, remember; very important." Fitzgerald clambered up the side of the pit with difficulty, the chalk was frittering away and the man had very insecure purchase of his feet. Flanagan followed keeping a hundred yards to rear. At headquarters another runner was receiving a similar message. One would certainly deliver it safely. When Fitzgerald crossed the rim of the chalk pit he could see the line of battle, the starshells flaring in the heavens and the lurid flames of bursting explosives lighting up the darkness. In front a spinney where the trees were riven and shattered took on strange shapes, the lifeless ruined branches stretched outwards, as it were, [pg 137] in reproach and despair; the fallen trees lay on the ground like rotting corpses. War's earthquake had rent the whole country. Dark, sepulchral chasms yawned in the ground and the whole earth seemed to have been gutted to its core. A little red-brick cottage was smashed to smithereens; the machinery of a mill stood suspended over nothing, and shapeless walls, jagged and lacerated, quivered in air, ready to fall at the first gust of wind. Where the pits were dug in the earth, shapeless heaps of white chalk were flung up, and beside one of these heaps lay a battery of field guns jumbled in inextricable confusion. The rusty steel muzzles of the guns looked grotesque and distorted; the ruined dug-out in which the gunners once lived, breathed tragedy from every broken beam and torn sandbag. Dead men lay all over the place, shamelessly exposed in the most unlikely situations. On the field of war Death is denied its privileged privacy. Fitzgerald entered the communication trench and hurried along, panting as he ran. Two shells swooped over his head, bursting with a vicious clatter on the field behind him. Others followed, pounding at the parapet like drunken gods. He could hear the splinters hitting the parados with a [pg 138] dull thud to the accompaniment of a thousand rifle bullets which tore at the suffering sandbags. Fitzgerald passed through one trench crossing, then another. "I'll do it in five minutes now," he said, changing his rifle from one shoulder to the other. "I hope the mine doesn't go up before I get there. Five minutes," he muttered, "I'll be there in five minutes." But Fitzgerald miscalculated. At the end of five minutes he found himself in a deserted trench, all alone, and then decided that it was time to turn back. Probably he had taken the wrong trench at the last crossing. He went back for a short distance and came to a junction. Several trenches crossed at this point, but the locality seemed new to him. He had not been there before. "Well, I'm damned," he said, and then added, "I'm lost as well." He realised the danger of his plight and felt uncomfortable. Stories were often told over braziers in the dim trench traverse, and many of these stories spoke of men who went astray in the trenches and never returned. Sometimes the lost soldiers found themselves in the enemy's lines, and on other occasions they wandered up to their home parapets to fall a victim to the rifle of a nervous sentry. Fitzgerald [pg 139] had heard many of these stories and he recollected them now. Much fighting had recently taken place on Vimy Ridge and the English and German trenches criss-crossed in several localities; in some places both parties occupied the same trenches. Fitzgerald, alone and astray, had no definite idea of his position; he only knew that he was lost at the cross-trenches and did not know which trench led to safety. Perhaps he had passed beyond the British front. He peered over the top. The night was quiet, scarcely a rifle spoke, though many star shells were ablaze in the heavens and dropping petals of flame to the dark earth.... Right in front of Fitzgerald was a ghastly heap, jumbled and confused, a heap of dead men. And round this heap lay other dead things, rejected from the more composite and bulky distortion of war. The solitary figures lay—some face downwards, arms spread out, others curled up like sleeping dogs. "Well, where am I?" asked Fitzgerald. "Whose starshell is that, ours or theirs?... Where's our line?" He looked at a dead thing near him and shuddered. [pg 140] Then, shouldering his rifle, he made his way up the trench on his right. "This is all right!" he muttered, passing a projecting beam of a fallen dug-out. "I passed this a minute ago ... but not this." He detached himself awkwardly from the heap of limp bodies into which he had fallen and hurriedly retraced his steps to the junction where the dark trenches opened up to unknown mysteries. Fitzgerald leant wearily against the wall and puzzled over many things. "If I go over the top, what happens?" he asked himself. "Run into a German patrol, maybe, or into one of our own covering parties and they'll shoot me on sight. If I go along a trench, I'll probably get into the German lines. That won't do, either. I'm like a rat in a trap.... But I must get out of it. Yes, I must get out of it.... But how?" The question caused a queer sensation to run down the innermost parts of his body and the sensation was one of fear. He mumbled many things to himself in a thick, quick undertone. Then, without realising the risks he ran, Fitzgerald crawled over the parapet and went out into the open, taking his rifle with him. [pg 141] It was a man lying face downwards on the ground that attracted his attention first. He could have sworn that the man moved and brought a rifle to bear upon him. Fitzgerald stood upright and fired at the man twice, only to find that he was riddling a corpse with bullets. He flung himself flat to avoid the machine gun that opened fire and waited till it ceased its play. A galaxy of starshells lit up the heavens and a big shell of another pattern whirled across the open and burst with a dizzy clatter. In the distance could be heard the transports of war clattering along the roads, the clank of rails unleaded at some far-off railway siding, and gleaming luridly against the darkness could be seen the flames of a building on fire some dozen miles away. Near Fitzgerald lay a dead man, further off another, looking like an empty sack flung on the ground. The maxim fire stammered into silence and the youth got to his feet, looked round and listened with strained ears. Somewhere near he could hear the sound of hammers and the creaking of shovels and he concluded that a working party was busy at its toil. It was impossible to determine to what side the party belonged. It might be German. The lines of trenches were very confused [pg 142] and salients projected out like ducks' bills in places, and at other points they receded some five hundred yards from the opposite front. No man was ever more solitary than poor, mud-stained Rifleman Fitzgerald at that moment. And the night was full of mysterious whispers, sounds, creakings and rustlings. Spirits seemed to lurk on the vacant face of the earth and uncanny spirits hovered over the world. In the near distance all objects took on strange, undefined shapes, well in keeping with the grotesque fantasy of war.... Suddenly Fitzgerald fancied that he heard somewhere near him the sharp snap of a rifle bolt. He turned round and scurried back to the trench which he had just left. It seemed quite a distance to traverse and he slipped over the parapet and flopped down into the mud. But not a soul was to be seen, the trench was deserted. Neither was it the trench which he had left. Here the slush reached his hips. "Well, I'm damned!" he said, and leant against the parapet. "What am I going to do? I'm going to stick here, stick well in." Shadow and silence brooded over the place, he had descended into the stagnation of the tomb. The clammy slush ran down his top boots and settled round his heels. He advanced one step, [pg 143] then another, touching both walls of the alley with his outstretched hands. He looked up and saw that the walls were very steep. It was impossible to climb up; the clay was too soft, it came away in the hands, and his feet were so weighty. Besides now he was sticking. Every time he moved the mud gripped him with greater vehemence. It seemed as if his feet were slipping down the throat of a voracious monster which was endeavouring to swallow him. The floor of the trench was a treacherous quicksand, as greedy as the grave. For a moment, Fitzgerald fought madly against the embrace of this soft, elusive terror, he gripped at the walls, the mud came away in his hands, he pulled one foot out, the other sank deeper. To move was ghastly, to remain still was deadly. "I must move," he muttered. "If I don't I'll die; if I make a struggle, my fate will rest on the knees of the gods and they may save me." The mud was reaching his waist. To pull out one leg he had to reach forward until his face touched the mucky floor, raise his hind foot clear, bring it round with a circular motion and place it down in the slush again. The same operation had to be performed at each remove. Once, he placed his hands in the muck and tried to crawl. [pg 144] But the effort was futile; his hands sunk in to the shoulder and the earth rose greedily, as if wanting to clutch him. Fitzgerald came to a halt and looked hopelessly round. Nothing was to be seen but the darkness; the night was a cavern in which he had got lost. He gripped at the wall of the trench with furious fingers and part of the parapet came away in his hands, almost burying him. "It's no good. I'm going to peg out here," he said, as he tried to shake himself clear. "If I only had a starshell over my head I'd look for a spot to die. I would select a better spot than this, anyway, if I had choice. But they've stopped sending up starshells now.... And I should have a parcel by the post to-night," he muttered. "And another drop of rum will be going round now I think.... But is that all I've to think about?..." He shouted at the top of his voice, but there was no reply. He yelled again and then became silent. "What's the good of it?" he asked himself in a whisper. "I don't know where I am. Maybe I'm near the German trenches. If they find me here what will they do? Tread me in, probably.... And the mine, what about it? I've still got the message in my pocket. I wish [pg 145] this had happened after I had delivered the thing. But I'll go on a bit. I'll get to somewhere." He moved forward. The first step was difficult, the next was easier, the subsoil had lost its birdlime tenacity and the slush was not as dense. A few steps further and Fitzgerald breathed. He was going up an incline, getting out of it his head was almost parallel with the rim of the trench. He burst into song: <div class="poem"> <div class="stanza"> "Four stick standers, Four lilly wanders, A hooker And a crooker And a swing about. Three sheep sharahan, Owned by Eamon Garahan, A ribag And a thonag And a coat of bawnagh brockagh." </div> </div> The song suddenly stopped. A heavy shell swept over his head and burst very near. Another followed and another and Fitzgerald noticed that he had reached a junction where a number of trenches criss-crossed. "Another damned labyrinth," he muttered. "Out you get, on to the top, Rifleman Fitzgerald," he ordered, apostrophising himself. And out he did get. It was now he discovered that his rifle [pg 146] had vanished, "Oh, I suppose it's in the mud," he muttered. "Lucky I'm not." A trench showed some distance away. He made for it, slipped over the parapet and landed on something soft which moved. "Gawd Orlmighty! Wot the —— are yer —— up ter," said a soldier, rising from the mud. "They're shelling us," said Fitzgerald. "You'd better rouse up. What trench is this?" "The support," said the man, "We're waitin' for a mine to go up or somefing." The rest of the men were standing at their posts, alert and ready. The enemy had become nasty and were using an exceptionally heavy shell on the sector, but as yet it was bursting wide. "A nine-point-two," somebody remarked to Fitzgerald, adding: "And Gawd! it doesn't 'arf send the dirt flyin' about. They'll attack, maybe." "Any officers near here, Spudhole?" Fitzgerald asked, for he had recognised the voice of his comrade Bubb. "'Orficers," said Spudhole. "Yes, Cap'n Thorley was about 'ere a minute ago; 'e.... Gor blimey, there's the shell again!" Fitzgerald listened and heard "her" coming, [pg 147] crooning out the unknown. It was the big shell. Gathering volume it approached, an inevitable terror, a messenger of death. There was a hurried stampede to a near dug-out and Fitzgerald found himself in the crush and carried forward into the dark recess of a deep shelter. In the next few moments he was conscious of many things, of a sudden fall to the soft, muddy floor, of a choking sensation in the throat, a monstrously futile effort to drag himself clear of the man who fell on top of him, of nervous laughter and fierce imprecations. Then he sank into forgetfulness. The shell had blown the dug-out in on its occupants. <div style="break-after:column;"></div>

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