<SPAN name="chap0208"></SPAN>
<h3> —VIII— </h3>
<h4>
THE MESSAGE
</h4>
<p>Polly Wickes, from her pillow, stared into the darkness. There had
been no thought of sleep; it did not seem as though there ever could be
again. She had undressed and gone to bed—but she had done this
mechanically, because at night one went to bed, because she had always
gone to bed.</p>
<p>Not to sleep!</p>
<p>The tears blinding her eyes, she had groped her way up the stairs from
the living room where she had left Howard Locke, and somehow she had
reached her room. That was hours and hours ago. Surely the daylight
would come soon now; surely it would soon be morning. She wanted the
daylight, she wanted the morning, because the darkness and the
stillness seemed to accentuate a terrible and merciless sense of
isolation that had come so swiftly, so suddenly into her life—to
overturn, to dominate, to stupefy, to cast contemptuously aside the
dreams and thoughts and hopes of happiness and contentment. And yet,
though she yearned for the morning, she even dreaded it more. How
could she meet Howard Locke—at breakfast? She couldn't. She wouldn't
go down to breakfast.</p>
<p>The small hands came from under the coverings, and clasped themselves
tightly about the aching head—and she turned and buried her face in
the pillow. She might easily, very easily evade breakfast—and
postpone the inevitable for a few minutes, even a few hours. Why did
she grasp at pitiful subterfuges such as that?</p>
<p><i>She was nameless</i>.</p>
<p>That phrase had come hours ago. It had scorched itself upon her
brain—as a branding iron at white heat sears its imprint upon
quivering flesh, never to be effaced, always to endure. She was
nameless. It wasn't that she had not always known it—she always had.
But it meant now what it had never meant before. Until now it had been
as something that, since it must be borne, she had striven to bear with
what courage was hers, and, denying its right to embitter life, had
sought to imprison it in the dim recesses of her mind—but now in an
instant it had broken its bonds to stand forth exposed in all its
ugliness; no longer captive, but a vengeful captor, claiming its
miserable right from now on to control and dominate her life.</p>
<p>She had thought of love—it would have been unnatural if she had not.
But she had never loved, and therefore she had thought of it only in an
abstract way. Dream love—fancies. But she loved now—she loved this
man who had so suddenly come into her life—she loved Howard Locke.
And happinesss, greater than she had realised happiness could ever be,
had unfolded itself to her gaze, and, love had become a vibrant,
personal thing, so wonderful, so tender and so glad a thing, that
beside it all the world was little and insignificant and empty; but
even as the glory of it, and the joy of it had burst upon her, she had
been obliged to turn away from it—not very bravely, for the tears had
scalded her as she had run from the living room—because there was no
other thing to do, because it was something that was not hers to have.</p>
<p>She could never be the wife of any man.</p>
<p>She was nameless.</p>
<p>Why had she ever found it out! It might so easily have been that she
would have never known. That—that no one need ever have known! She
was sure that even her guardian did not know.</p>
<p>She smothered her face deeper in the pillow as she cried out in
anguish. She could have had happiness then—and—and it would have
been honourable for her to have taken it, wouldn't it?</p>
<p>She lay quiet for a little while. No; that was cowardly, selfish. If
she really loved this man, she should be glad for his sake that she
knew the truth, glad now of the day when she had found it out. She
remembered that day. It seemed to live more vividly before her now
than it ever had before. Mrs. Wickes—her mother—had—had been
drinking. The words had been a slip of the tongue; a slip that her
mother, owing to her condition at the time, had not even been conscious
of. Mrs. Wickes had been garrulously recounting some sordid crime that
had remained famous even amongst its many fellows in Whitechapel, and,
in placing the date, had stated it was two years after Mr. Wickes had
died. Later on, in the same garrulous account, she had again referred
to the date, but had placed it this time by saying that she, Polly, was
a baby not more than a month old when it had happened.</p>
<p>And on that day when she had listened to her mother's tale she had
still been but a child—in years. She could not have been more than
twelve—but she was very old for twelve. The slums of London had seen
to that. And so, the next day, when her mother had been more herself,
she had asked Mrs. Wickes, more out of a precocious curiosity perhaps
than anything else, for an explanation. Mrs. Wickes had flown into a
furious rage.</p>
<p>"Mind yer own business!" Mrs. Wickes had screamed at her. "The likes
of you a-slingin' mud at yer mother! Wot you got to complain of?
Ain't I takin' care of you? If ever you says another word I'll break
yer back!"</p>
<p>She had never said another word. In one sense she had not been
different from any other child of twelve then, and it had not naturally
caused any change in her feelings toward her mother; nor in the after
years, with their fuller light of understanding, had it ever changed or
abated her love for the mother with whom she had shared hardship and
distress and want. She thanked God for that now. Her mother might
have been one to inspire little love and little of respect in others;
but to her, Polly, when she had parted from her mother to come here to
America, she had parted from the only human being in all the world she
had ever loved, or who, in turn, had ever showed affection for her.
She had never ceased to love her mother; instead, she had perhaps been
the better able to understand, and even to add sympathy to love and to
know a great pity, where bitterness and resentment and unforgiveness
might otherwise have been, because she, too, had lived in those drab
places where the urge of self-preservation alone was the standard that
measured ethics, where one fought and snatched at anything, no matter
from where or by what means it came, that kept soul and body
together—because she could look out on that life, not as one apart,
but with the eyes of one who once had been a—a guttersnipe.</p>
<p>And now?</p>
<p>Now that this crisis in her life had come—what now? She did not know.
She had been trying to think calmly, but her brain would not obey
her—it was crushed, stunned. It ached even in a physical way,
frightfully, and—</p>
<p>She raised her head suddenly from the pillow in a sort of incredulous
amazement—and immediately afterward sat bolt upright in bed. The
telephone here in her room was ringing. At this hour! Her heart
suddenly seemed to stop beating. Something—something must be
wrong—something must have happened—Dora—Mr. Marlin!</p>
<p>It was still ringing—ringing insistently.</p>
<p>She sprang from the bed, and, running to the 'phone, snatched the
receiver from its hook.</p>
<p>"Yes, yes?" she answered breathlessly. "What is it?"</p>
<p>A voice came over the wire; a man's voice, rising and falling creepily
in a sing-song, mocking sort of way:</p>
<p>"Is that you, Polly—Polly Wickes—Polly Wickes—Polly
Wickes—Wickes—Wickes—P-o-l-l-y W-i-c-k-e-s?"</p>
<p>It frightened her. She felt the blood ebb from her cheeks. There was
something horribly familiar in the voice—but she could not place it.
Her hand reached out to the wall for support.</p>
<p>"Yes"—she tried to hold her voice in control, to answer
steadily—"yes; I am Polly Wickes. Who are you? What do you want?"</p>
<p>She heard the sound as of a gust of wind from a door that was suddenly
blown open, the beat of the sea, then the slam of a door—and then the
voice again:</p>
<p>"Polly—Polly Wickes." The words seemed to be choked now with
malicious laughter. "Why don't you dress in black, Polly Wickes—Polly
Wickes—for your mother, Polly Wickes?"</p>
<p>"What do you mean?" she cried frantically. "Who are you? Who are you?
What do you mean?"</p>
<p>There was no answer.</p>
<p>She kept calling into the 'phone.</p>
<p>Nothing! No reply! The voice was gone.</p>
<p>She stood there staring wildly through the darkness. Black ... for her
mother ... dead! No, no ... it couldn't be true! That voice ... yes,
it was like the horrible voice that had called out the other night ...
she knew now why it was familiar....</p>
<p>Terror-stricken, the receiver dropped from her hand.</p>
<p>Dead! Her mother dead! It couldn't be true! She began to grope
around her. The chair—her dressing gown. Her hands felt the garment.
She snatched it up, flung it around her, and stumbled to the door and
along the hall to Captain Francis Newcombe's room. And here she
knocked mechanically, but, without listening for response, opened the
door, and, stumbling still in a blind way, crossed the threshold.</p>
<p>"Guardy! Guardy! Oh, guardy!" she sobbed out.</p>
<p>Captain Francis Newcombe was not asleep. Quite apart from the fact
that he had only got to bed but a very short while before, the cards
that night had gone too badly against him, and there was a savage sense
of fury upon him that would not quiet down. And now, as he heard his
door open and heard Polly call, he was out of bed and into a dressing
gown in an instant. Polly out there in his sitting room—at half-past
four in the morning! And she was sobbing. She sobbed now as he heard
her call again:</p>
<p>"Guardy! Guardy! Oh, guardy!"</p>
<p>This was queer—damned queer! His face was suddenly set in the
darkness as he crossed the bedroom floor—but his voice was quiet,
cool, reassuring, as he answered her: "Right-o, Polly! I'm coming!"</p>
<p>He switched on the light as he entered the sitting room. It brought a
quick, startled cry over the sobs.</p>
<p>"Oh, please, guardy!" she faltered out. "I—I—<i>please</i> turn off the
light."</p>
<p>"Of course!" he said quietly—and it was dark in the room again.</p>
<p>He had caught a glimpse of a little figure crouching just inside the
door—a little figure with white, strained face, with great, wondrous
masses of hair tumbling about her shoulders, with hands that clasped
some filmy drapery tightly across her bosom, and small, dainty feet
that were bare of covering. And as he moved toward her now across the
room, another mood took precedence over the savagery he had just been
nursing—a mood no holier. It might be queer, this visit of hers; but
that glimpse of her, alluring, intimate, of a moment gone, had set his
blood afire again—and far more violently than it had on that first
occasion when he had seen her here on the island two nights ago. It
brought again to the fore the question that, through a cursed nightmare
of happenings, had almost since that time lain dormant. Was he going
to let Locke have her—or was he going to keep her for himself? How
far had she gone with Locke? They had been a lot together. Well, that
mattered little—if he wanted her for himself he would <i>make</i> the way
to get her, Locke and hell combined to the contrary! The
woman—against her potential value as somebody else's wife! Damn it,
that was the wonder of her—that she could even hold her own when
weighed on such scales. There were lots of women.</p>
<p>He had reached her now, and touched her, found her hand and taken it in
his own. "What is it, Polly?" he asked gently. "What's the matter?"</p>
<p>"It's—it's mother," she whispered brokenly. "The telephone in my room
rang a few minutes ago, and some one—a man—and, oh, guardy, I'm sure
it was the same voice that we heard when we were in the woods the night
before last—asked me why I didn't wear black for my mother. It—it
couldn't mean anything else but—but that mother is dead. Oh, guardy,
guardy! How could he know, guardy? How could he know?"</p>
<p>Captain Francis Newcombe made no movement, save to place his arm around
the thinly clad shoulders, and draw the little figure closer to him.
It was dark here, she could not have seen his face anyway, but it was
composed, calm, tranquil. Perhaps the lips straightened a little at
the corners—nothing more. But the brain of the man was working at
lightning speed. Here was disaster, ruin, exposure if he made the
slightest slip. Again, eh? This was the fourth time this devil from
the pit had shown his hand! The reckoning would be adequate! But how
was he to answer Polly? Quick! She must not notice any hesitation.
Tell her that Mrs. Wickes was dead? He had a ready explanation on his
tongue, formulated days ago, to account for having withheld that
information. Seize this opportunity to tell her that Mrs. Wickes was
not her mother? No! Impossible! He had meant to use all this to his
advantage, and in his own good time. It was too late now. He was left
holding the bag! If he admitted that Mrs. Wickes was dead, he admitted
that there was some one on this island whose mysterious presence, whose
mysterious knowledge, must cause a furor, a search, with possible
results that at any hazard he dared not risk. Polly would tell
Locke—Dora—everybody. It was impossible! But against this, sooner
or later, Polly must know of Mrs. Wickes' death, and— Bah! Was he
become a child, the old cunning gone? He would keep her for a while
from England—travel—anything—and, months on, the word would come
that Mrs. Wickes was dead, and found in the old hag's effects would be
Polly's papers. The one safe play, the <i>only</i> play, was not alone to
reassure the girl now, but to keep her mouth shut. Above all to keep
her mouth shut! But—how? How? Yes! He had it now! His soul began
to laugh in unholy glee. His voice was grave, earnest, tender,
sympathetic.</p>
<p>"He couldn't have known, Polly," he said. "That is at once evident on
the face of it. How could any one on this little out-of-the-way island
possibly know a thing like that when I, who am the only one who <i>could</i>
know, and who have just come direct from England, know it to be untrue.
Don't you see, Polly?"</p>
<p>He had drawn her head against his shoulder, stroking back the hair from
her forehead. She raised it now quickly.</p>
<p>"Yes, guardy!" she said eagerly. "I—I see; and I'm so glad I came to
you at once. But—but it is so strange, and—and it still frightens me
terribly. I don't understand. I—I can't understand. Why should any
one ring the telephone in my room at this hour, and—and tell me a
thing like that if it were not true?"</p>
<p>"Or even if it were true—at such an hour, or in such a manner," he
injected quietly. "Tell me exactly what happened, Polly."</p>
<p>"I think I've told you everything," she said. "I don't think there was
anything else. When I answered the 'phone, the voice asked if I were
Polly Wickes, and kept on repeating my name over and over again in a
horrible, crazy, sing-songy way, and then I heard a sound as though a
door had been blown open by the wind, and I could hear the waves
pounding, and then the door was evidently slammed shut again, and the
voice said what I—I have told you about wearing black for my mother.
And then I couldn't hear anything more, and I couldn't get any answer,
though I called again and again into the 'phone. Oh, guardy, I can't
understand! I—I'm sure it was the same voice as that other night.
What does it mean? Guardy, what should we do? Who could it be?"</p>
<p>A door blown open by the wind! The pound of the waves! Where was
there a telephone that would measure up to those requirements? Not in
the house! Captain Francis Newcombe smiled grimly in the darkness.
The private installation was restricted to the house and its immediate
surroundings. Therefore the boathouse! The boathouse had a 'phone
connection. And there was still an hour or more to daybreak! But
first to shut Polly's mouth.</p>
<p>"Polly," he said gravely, measuring his words, "I haven't the slightest
doubt but that it was the same voice we heard in the woods; in fact,
I'm quite sure of it. And I'm equally sure now that I know who it is."</p>
<p>She drew back from him in a quick, startled way.</p>
<p>"But, guardy, you said it was only some one catcalling to—"</p>
<p>"Yes; I know," he interrupted seriously. "But I did not tell you what
I was really suspicious of all along. With what I had to go on then,
it did not seem that I had any right to do so. It's quite a different
matter now, however, after what has happened to-night."</p>
<p>"Yes?" she prompted anxiously.</p>
<p>"There can be only two possible explanations," he said. "Either some
one is playing a cruel hoax; or it is the work of an unhinged mind, an
irrational act, a phase of insanity that—"</p>
<p>"Guardy!" she cried out sharply. "You mean—"</p>
<p>"Yes," he said steadily; "I do, Polly. And there can really be no
question about it at all. Can you imagine any one doing such a thing
merely from a perverted sense of humour?—any one of us here?—for it
must have been some one of us who is connected with the household in
order to have had access to a telephone. It is unthinkable, absurd,
isn't it? On the other hand, the hour, the irresponsible words, their
'crazy' mode of expression, as you yourself said, the motiveless
declaration of a palpable untruth, all stamp it as the work of one who
is not accountable for his actions—of one who is literally insane.
And then the fact that you recognised the voice as the one we heard two
nights ago is additional proof, if such were needed, which it very
obviously is not. You remember that we had seen Mr. Marlin in his
dressing gown disappear under the verandah a few minutes before we
heard the calls and cries and wild, insane laughter. My first thought
then was that it was Mr. Marlin, and I was afraid that either harm had,
or might, come to him. I sent you at once back to the house, and I ran
into the woods to look for him. I did not find him; and, therefore, as
there was always the possibility then that I had been mistaken, I felt
that I should not alarm any of you here, and particularly Miss Marlin,
by suggesting that Mr. Marlin's condition was decidedly worse than even
it was supposed to be. Is it quite plain, Polly? I do not think we
have very far to look for the one who telephoned you to-night."</p>
<p>He could just see her in the darkness, a little white, shadowy form, as
she stood slightly away from him now. One of her hands was pressed in
an agitated way to her face and eyes; the other still held tightly to
the throat of her dressing gown.</p>
<p>"Oh, yes, it's plain, guardy," she whispered miserably. "It's—it's
too plain. Poor, poor Mr. Marlin! What are we to do? It would hurt
Dora terribly if she knew her father had done this. I—I can't tell
her."</p>
<p>"Of course, you can't," said Captain Francis Newcombe gravely. "Your
position is even more delicate than mine was the other night. I do not
see that you can do anything—except to say nothing about it to any one
for the present."</p>
<p>"Yes," she agreed numbly.</p>
<p>She began to move toward the door.</p>
<p>"It's not likely to happen again," said Captain Francis Newcombe
reassuringly; "and, anyway, you can make sure it won't by just leaving
the receiver off the hook. Do that, Polly." And then, solicitously:
"But you're not frightened any more now, are you, Polly? A mystery
explained loses its terror, doesn't it? And, besides, the main thing
was to know that your mother was all right."</p>
<p>"My mother—"</p>
<p>He thought he heard her catch her breath in a quick, sudden half sob.</p>
<p>"It's all right, Polly," he said hastily. "Don't think of that part of
it any more. Everything's all right."</p>
<p>"Yes; I—I know." Her voice was very low. "It's—all right.
I—good-night, guardy."</p>
<p>She had opened the door.</p>
<p>"I'll see you to your room," he said.</p>
<p>"No," she answered; "I'm not frightened any more. Good—good-night,
guardy."</p>
<p>"Good-night, Polly," he said.</p>
<p>The door closed.</p>
<p>Captain Francis Newcombe stood in the darkness. And for a moment he
did not move—but the mask was gone now, and the laughter that came low
from his lips was a mirthless sound, and the working face was black
with fury. And then he turned, and with a bound was back in the
bedroom, and snatching at his clothes began to dress.</p>
<p>There was still an hour to daybreak.</p>
<br/><br/><br/>
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