<SPAN name="chap0207"></SPAN>
<h3> —VII— </h3>
<h4>
THE FIGHT
</h4>
<p>For a moment, grim-lipped, Locke stood there at the door. He had
accomplished exactly the opposite to what he had intended—the old man,
the money, were both in infinitely greater peril now than under almost
any other circumstances of which he could conceive. He did not blame
himself—the vagaries, the impulses, the irrational promptings of an
insane mind were beyond his control or guidance. It was the last thing
he had expected the old maniac to do. But it was done now; it was too
late to consider that phase of it. There was work for his own brain to
do—he hoped more logically.</p>
<p>He turned sharply now, and began to make his way as best he could in
the darkness toward the window at the end of that aisle of tanks
outside of which he knew the masked man had stood. He dared not show
any light here, though by so doing he would have been able to move more
swiftly. The man who had been at the window was almost certainly gone
now—to watch for the old maniac's appearance outside the house. And
Mr. Marlin would assuredly, and as quickly as he could, scurry outside
to hide his money away again. And even if the man in the mask had had
no previous knowledge of the old madman's strange nightly movements,
which would be a very unsafe assumption on which to depend, he would
have <i>heard</i> enough at the window, if not to know, then, at least, to
expect that the old maniac's one thought now would be to secrete his
money, and that the hiding place, this time-lock that God had made, as
the old man had called it, was somewhere outside the house. But the
watcher's new lurking place might still embrace a view of the window,
and if he, Locke, climbed out with the light behind him—</p>
<p>He was at the window now. He smiled grimly. He was pitted against no
fool—but then he never had been fool enough himself ever to place
Captain Francis Newcombe in that category! The man in the mask had
left no tell-tale evidence of his presence behind him. The shade was
drawn down; the window closed.</p>
<p>Locke lifted the shade now, raised the window quietly, and stood for an
instant listening, staring out. He could see little or nothing, other
than the swaying branches of trees against the sky line; and there was
no sound save the sweep of the wind which was still blowing half a
gale. And now he swung himself over the window sill, dropped the few
feet to the ground—and crouched against the wall, listening, staring
again into the blackness.</p>
<p>Nothing! The moon, burrowing deeper under the clouds, made it even
blacker than it had been a moment ago. He straightened up and began to
run toward the front of the house. It was perhaps a case of
blindman's-buff, but there was not an instant to lose, and, deprived of
any aid from the sense of either sight or hearing, he was left with
only one thing to do. From the living room window a little while ago,
he had seen Mr. Marlin <i>coming</i> toward the house from across the lawn,
after having presumably just unearthed his money from its hiding place;
the chances were that it was by the same route the old maniac would
<i>return</i> now.</p>
<p>Locke ran on, stumbling, half groping his way through what seemed a
veritable maze of out-buildings here at the rear of the house. The
minutes seemed to be flying—wasted. The old maniac, if he had left
the house the moment he had run from the aquarium, must by now have had
a good three minutes' start; and if the man in the mask had at once
picked up the trail, then—</p>
<p>No; he was not too late! He had reached the front corner of the house
now, and across the lawn, where in the open space it was a little
lighter, something, a blacker thing than the darkness, moving swiftly,
caught his eye. It was the figure of a man running toward the trees in
the direction of the path that led to the shore, and from which old Mr.
Marlin had emerged earlier in the evening. And now the figure was
gone—lost in the trees.</p>
<p>But he, Locke, too, was running now, sprinting for all he knew across
the lawn. It was perhaps sixty yards. There was no time to use
caution and circuit warily around the edge of the woods. He might be
seen—but he had to take that chance. He would not be heard—the soft
grass and the whine of the wind guaranteed him against that. It was a
little better than an even break. The figure he had seen was not, he
was sure, that of the old maniac. The long, flapping dressing gown
would, even in a shadowy way, have been distinguishable. If he were
right, then, in his supposition, the figure he had seen was the man in
the mask, and old Mr. Marlin was already in there on the path leading
through the woods to the shore. A cry, sudden, like a scream that was
strangled, came with the gusting wind. It came again. From the edge
of the lawn now, Locke leaped forward along the path. Black, twisting
shapes loomed up just ahead of him. He flung himself upon them.</p>
<p>A low, startled, vicious snarl answered his attack. After that there
was no sound while perhaps a minute passed, save the rustle of leaves
and foliage, the <i>snip</i> of broken twigs under swiftly moving, straining
feet. Locke was fighting now with merciless, exultant ferocity. It
was the man in the mask he was at grips with—it was not the dressing
gown alone, the <i>feel</i> of it, that distinguished one from the other; he
had even in that first plunging rush in the darkness felt his hand
brush against the mask on the man's cheek.</p>
<p>It was all shadow, all blackness. To this side and that, close locked
together, he and his antagonist now swayed madly. The man's one
evident desire was to break away from his, Locke's, encircling arms;
his, Locke's, purpose not only to prevent escape, but to unmask the
other—the moon might come out again at any instant—filter through the
branches—just enough light to see the other's face if the mask were
off.</p>
<p>A peal of laughter rang out. It was the old madman. Locke, as he
fought, more sensed than saw the old man's form close to the ground, as
though the other were groping around on his hands and knees. The peal
of laughter came again; and then the old maniac's voice in a triumphant
scream:</p>
<p>"I've got it! I've got it! Money! Money! Money! Millions!
Millions! Millions! It's all here! I've got it! It's all—"</p>
<p>The voice was dying away in the distance. Locke laughed a little with
grim, panting breath. Whether it had been dropped or had been snatched
from him in the first attack, old Marlin had now obviously recovered
his package of bank notes. He was gone now—running to hide it again,
of course. In any event, the old maniac and his money were safe, and—</p>
<p>His antagonist had wrenched free an arm. Locke's head jolted back
suddenly from a wicked short-arm blow that caught the point of his
chin. A sensation of numbness seemed to be trying insidiously to creep
upward to his brain—but it did not reach that far—not quite that
far—only it loosened his grip for an instant and the shadowy form that
he had held appeared to be floating away from him. And then, as his
brain cleared, he shot his body forward in a low, lunging tackle. The
other almost eluded him, but his hands caught and clung to the man's
arm—both around one of the other's arms. The man wrenched and
squirmed in a savage frenzy to tear himself free. There was a sound of
the ripping and rending of cloth—something showed white in the
darkness—the other's sleeve had torn away at the armpit.</p>
<p>A white shirt sleeve! It was a beacon in the blackness. The man would
not get away now. There was something more tangible than a
shadow—something to see. In a flash Locke shifted his hold, and his
arms swept around the other, pinioning the man's hands to his
sides—tighter—tighter. Neither spoke. The only sounds were hoarse,
rasping gasps for breath. Tighter! He was bending the man backward
now—slowly—surely—a little more. No—the man was too strong—the
pinioned arms were free again, and Locke felt them grip together like a
vise around the small of his own back.</p>
<p>They lurched now, swaying from side to side like drunken men. The
mask! To get at the mask! They were locked together, the chin of one
on the other's shoulder—straining until the muscles cracked. Locke
began to raise his head a little. The hot breath of the other was on
his cheek now—and now his cheek rubbed against the other's mask.</p>
<p>An oath broke suddenly from the man—quick, muttered, the voice
unrecognisable in its laboured breathing; and the other, seeming to
sense his, Locke's, intention, suddenly relinquished his grip, snatched
for a throat-hold instead, and, missing, began then to tear at Locke's
arms in an effort to break away.</p>
<p>And then Locke laughed again grimly. It would avail nothing to snatch
at the mask and get it off in the darkness here, if by so doing, with
his own hold on the other gone, the man should get away. There was
another way to get the mask off—and still maintain his grip upon the
other!</p>
<p>They were holding now, seemingly as motionless as statues, the strength
of one matched against the other in a supreme effort. The sweat broke
out in great beads on Locke's forehead; his arms seemed to be tearing
away from their sockets. He could feel the muscles in the other's
neck, as it hugged against his own, swell and stand out like great
steel ridges. And then slowly, inch by inch, he forced his own head
around until his face was against the other's cheek. He could just
feel the mask now with his lips—another inch—yes, now he had it—his
teeth closed on the lower edge of the mask, chewed at it until he had a
still firmer grip—and then he suddenly wrenched his head backward.</p>
<p>The mask came away in Locke's teeth. He spat it out. The other was a
man gone mad with fury now; and with a new strength that fury brought
he strove only to strike and strike again—but Locke only closed his
hold the tighter. To strike back was to take the chance of the other
breaking loose. It was too dark to see the man's face, though the mask
was off now—but it could only be a few yards along the path to the
open space of the lawn out there—and the moon would not always be
fickle—it would break through the clouds, and—</p>
<p>They were rocking, lurching, twisting, swaying in their mad
struggle—and now they circled more widely—and branches snatched and
tore at them, and broke and fell from the trees at the sides of the
path. And here Locke gave a step, and there another, working nearer
and nearer to the edge of the lawn.</p>
<p>And then suddenly there came a half-choked cry from the other. The man
had tripped in the undergrowth. Locke swung his weight to complete the
fall—tripped himself—and both, with their balance gone, but grappling
the fiercer at each other, pitched headlong with terrific force into
the trees at the side of the path.</p>
<p>And Locke was for an instant conscious of a great blow, of streaks of
fiery light that smote at his eyeballs with excruciating pain—and then
utter blackness came.</p>
<p>When he opened his eyes again a moonbeam lay along the path, and a
figure in a long dressing gown was passing by. He was dreaming, wasn't
he? There was a sick sensation in his head, a giddiness—and besides
that it gave him great pain. He raised himself up cautiously on his
elbow, fighting to clear his mind—and suddenly his lips tightened
grimly. There was something ironical in that moonbeam—something that
mocked him in disclosing a figure in a dressing gown instead of a face
that had been unmasked yet still could not be seen. He looked around
him now. He was lying a few feet in from the edge of the path, and
against the trunk of a large tree. Yes, he remembered now. His head
had struck against the tree and he had been knocked unconscious. And
the man who had been masked was gone.</p>
<p>He rose to his feet. He was very groggy—and for a moment he leaned
against the tree trunk for support. The giddiness began to pass away.
That was old Mr. Marlin who had just gone by. Well, neither the old
madman nor his money had come to any harm, anyway! He stepped out on
the path, and from there to the edge of the lawn. The old madman was
just disappearing around the corner of the verandah.</p>
<p>Locke put his hands to his eyes. How his head throbbed! How long had
he lain there unconscious? He took out his watch. His eyes seemed
blurred—or was it the meagreness of the moonlight? He was not quite
sure, but it seemed to be ten minutes after three. It wasn't very easy
to figure backward. He did not know how long he and the old maniac had
been together in the aquarium, but, say, half an hour. Starting then
at the hour of the rendezvous, which had been at a quarter past two,
that would bring it to a quarter of three; then, say, ten minutes for
what had happened afterward, including the fight, and that would make
it five minutes of three. He must therefore have been lying in there
unconscious for at least fifteen minutes.</p>
<p>The man who had worn the mask was gone now—naturally. But perhaps it
would not be so difficult to pick up the trail. Captain Francis
Newcombe's room offered very promising possibilities—and there was a
torn coat sleeve that would not readily be replaced in fifteen minutes!</p>
<p>He made his way now across the lawn, and up the steps to the verandah.
He tried the front door. It was locked. Of course! He had forgotten
that he had left the house by crawling out of the aquarium window.
There was no use going back that way because the old madman had locked
the aquarium door. Mr. Marlin, though, had some means of entrance—and
if that door through which the man had so suddenly appeared in the back
hall meant anything, the entrance the old man used was likely to be
somewhere in the rear. But Mr. Marlin would probably have locked that,
too, behind him.</p>
<p>He looked up and down the now moon-flecked verandah—and began to try
the French windows that opened upon it from the front rooms of the
house. The first two were locked as he had expected. It was only a
chance, but he might as well begin here as anywhere else. He tried the
third one almost perfunctorily. It opened at a touch.</p>
<p>"I'm in luck!" Locke muttered, and stepped inside.</p>
<p>He turned the knob to lock the French window behind him, and found the
bolt already thrown. Queer! He stood frowning for an instant, then
stooped and felt along the inside edge of the threshold. The socket
that ordinarily housed the bolt-bar was gone. The same condition
therefore obviously existed at the top, as the long bar had a double
throw.</p>
<p>He straightened up, a curious smile twitching at his lips now, and,
making his way silently to the stairs, he reached the upper hall, stole
along it to the door of his own room, and entered. Here, from one of
his bags, he procured a revolver; and a moment later, his ear to the
panel, listening, he stood outside Captain Francis Newcombe's door.</p>
<p>There was no sound from within. Softly he began to turn the door
handle—the door would hardly be locked; that would be a misplay; one
didn't lock one's bedroom door when a guest in a private house. No; it
was not locked. He had the door ajar now. Again he listened. There
was still no sound from within. Was the man back yet, or not? The
absence of any sound meant nothing, save that Newcombe was probably not
in the sitting room of his suite—he might easily, however, be in
either the bathroom or the bedroom beyond.</p>
<p>Locke swung the door a little wider open, stepped through, and closed
it noiselessly behind him. Again he stood still, his revolver now
outthrust a little before him. The moonlight played across the floor.
It disclosed an open door beyond. Still no sound.</p>
<p>Locked moved forward. He could see into the bedroom now. The bed was
not only empty, but had not been slept in. He turned quickly and
opened the bathroom door. The bathroom, too, was empty.</p>
<p>Captain Francis Newcombe had not, then, as yet returned. With a grim
smile Locke thrust his revolver into his pocket. It was perhaps just
as well—the time while he waited might possibly be used to very good
advantage! Captain Francis Newcombe's baggage was invitingly at one's
disposal—the <i>Talofa</i>, with its confined quarters, and where, on the
little vessel, it was always <i>crowded</i>, as it were, had offered no such
opportunity!</p>
<p>Locke opened one of the bags. His smile now had changed to one of
irony. Barring any other justification, turn about was no more than
fair play, was it? He possessed a moral certainty, if he lacked the
actual proof, that Captain Francis Newcombe had not hesitated to invade
his, Locke's, cabin on the liner and go through his, Locke's, effects.</p>
<p>He laughed a little now in low, grim mirth. He wondered which of the
two, Newcombe or himself, would be the better rewarded for his efforts?</p>
<p>There was little light, but Locke worked swiftly by the sense of touch,
with fingers that ignored the general contents, and that sought
dexterously for <i>hidden</i> things. His fingers traversed every inch of
the lining of the bag, top, bottom and sides. He disturbed nothing.</p>
<p>Presently he laid the bag aside, and started on another—and suddenly
he nodded his head sharply in satisfaction. This one was what was
generally known as a Gladstone bag, and under the lining at one side
his fingers felt what seemed like a folded paper that moved under his
touch. The lining was intact, of course, but there must be some way of
getting in underneath it—yes, here it was! Rather clever! And
ordinarily quite safe—unless one were actually looking for something
of the sort! There was a flap, or pocket, at the side of the bag, the
ordinary sort of thing, and at the bottom of the flap Locke's fingers,
working deftly, found that the edges of the lining, while apparently
fastened together, were made, in reality, into a double fold—the
lining being stiff enough, even when the edges were displaced, to fall
back of its own accord into place again.</p>
<p>He separated the edges now, worked his fingers into the opening, and
drew out an envelope. It had been torn open at one end, and there was
a superscription of some sort on it in faded writing which, in the
semi-darkness, he could not make out. He stood up, and went quickly to
the window to obtain the full benefit of the moonlight. He could just
decipher the writing now:</p>
<p class="letter">
"Polly's papers which is God's truth,<br/>
<SPAN STYLE="margin-left: 4em">Mrs. Wickes X her mark."</SPAN><br/></p>
<br/>
<p>For a moment he stood there motionless—but his eyes had lifted from
the envelope now and were fixed on the lawn below. The window here
gave on the side of the lawn with the trees at the rear of the house in
view. A man had just stepped out from the shadow of the trees and was
coming toward the house.</p>
<p>Locke stared, even the envelope in his hand temporarily forgotten, as a
frown of perplexity that deepened into amazed chagrin gathered on his
forehead. The figure was quite recognisable, even minutely so. It was
Captain Francis Newcombe. It accounted for the missing sockets on that
French window perhaps—but the man was as perfectly and immaculately
dressed as he had been that night at dinner. There was no torn
coat—on missing coat sleeve. The man he had fought with, the man in
the mask, had not been Captain Francis Newcombe.</p>
<p>He laughed now—not pleasantly. He had obviously been waiting here for
the wrong man. There was no need of waiting any longer—unless he
desired to be caught himself! Queer! Strange! But there was the
envelope. Polly's papers! What was it that was "God's truth"? At
least, he would find that out!</p>
<p>He thrust the envelope into his pocket, closed the bag, and returned to
his own room. He switched on the light, hurriedly took the envelope
from his pocket again, and from it drew out two documents. He studied
them while minute after minute passed, then dropping them on the table
before him, he stood with drawn face and clenched fists staring across
the room. Polly's birth certificate! The marriage certificate of her
parents! He saw again the agony in the dark eyes, he heard again the
agony in the voice that had proclaimed a parentage outside the pale.
And a great oath came now from Locke's white lips.</p>
<p>He flung himself into a chair beside the table. He fought for cool,
contained reasoning. These papers—Newcombe! Did it change anything,
place Newcombe in any better light, because it was some other man who
had worn that mask to-night? He shook his head in quick, emphatic
dissent. It did not! He was sure, certain of that. The trail led too
far back, was too well defined, too conclusive. And even to-night!
What was Newcombe doing out of the house at three o'clock in the
morning? Ah, yes—he had it! The old maniac's words came back with
sudden and sure significance: "Digging—digging—digging.... The wrong
scent.... The hut in the woods at the rear of the house."</p>
<p>Locke gnawed savagely at his lips. That was where Newcombe had come
from—the woods at the rear of the house. It meant that Newcombe was
the one who had been tricked by the old madman's cunning, which could
never have happened if Newcombe had not been stealthily trying to find
the hidden money; it simply meant that Newcombe was the one who had
been on the wrong scent—and that some one else had been on the right
one!</p>
<p>His face was set in lines like chiselled marble now. Who was this
"some one else"? Was the question very hard to answer? The field was
very limited—<i>significantly</i> limited now! He wasn't wrong, was he?
He couldn't be wrong! And there was always the torn sleeve!</p>
<p>Locke's eyes fixed upon the two documents on the table again. Captain
Francis Newcombe! No; it did not make Newcombe any the less a guilty
man because it was not he who had worn the mask to-night. Newcombe
stood out sharply defined against the light of evidence which, if only
circumstantial, was strong enough to damn the man a thousand times over
for what he was. And here, adding to that evidence, was the proof that
Polly's identity had been, and was being, deliberately concealed from
her. It opened a vista to uglier and still more evil things—things
that only a soul dead to decency, black as the pit of hell, could have
conceived and patiently put into execution. A child—a gutter-snipe,
Polly had called herself—<i>rescued</i> from naked poverty and the slums of
Whitechapel by a man such as Newcombe, whose only promptings were the
promptings of a fiend! Why? Was there room to question further why
Captain Francis Newcombe had years ago adopted such a ward—when now
before one's eyes those years were bearing their poison fruit? Polly's
introduction into this family here was even at this moment being traded
upon to effect the theft of half a million dollars. That was too
obvious now to permit denial. Newcombe was making of a girl,
high-minded, pure-souled, a hideous cat's-paw. Yes, yes! All that was
clear enough! But why should Polly have been deprived of her rightful
name, her claim to honest parentage? Was it to weld a stronger bond of
gratitude—or make her the more helpless, and therefore the more
dependent upon her guardian? Where were these parents? Dead or
living? There was Mrs. Wickes—Mrs. Wickes, who had posed as the
mother! Well, there were certain quarters in London where those who
strayed outside the law could be made to talk. Mrs. Wickes should be
able to furnish very interesting information. It was not far to
Whitechapel and London—by cable.</p>
<p>His mind, his brain, worked on—but now suddenly in turmoil and misery
despite all effort of his to hold himself in check.</p>
<p>Polly! Polly <i>Gray</i>!</p>
<p>She loved this monster—that she thought a man, and called her
guardian. Not the love of a maid for lover; but with the love, the
honour, the respect and gratitude that she would give a cherished
father.</p>
<p>The truth would break her heart. The love her friends had given her,
turned to their own undoing! The shame would be torture; the
self-degradation, the abasement that she would know, would be beyond
the bearing. Her faith would be a shattered thing!</p>
<p>Locke's clenched hands lay outspread across the table. He drew them
suddenly together and dropped his head upon them.</p>
<p>"And you love her," he whispered to himself. "Do you know what that is
going to mean? You did not count on that, did you? Do you know where
that will lead? Do you know the consequences?"</p>
<p>He answered his own questions.</p>
<p>"No," he said numbly; "I don't know what it is going to mean. I know I
love her."</p>
<br/><br/><br/>
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