<SPAN name="startofbook"></SPAN>
<br/><br/>
<h1> THE FOUR STRAGGLERS </h1>
<br/>
<h4>
BY
</h4>
<h3> FRANK L. PACKARD </h3>
<br/><br/><br/>
<h3> THE COPP, CLARK CO., LIMITED <br/> TORONTO </h3>
<br/><br/><br/>
<h5>
COPYRIGHT, 1923,
<br/>
BY GEORGE H. DORAN COMPANY
<br/><br/>
THE FOUR STRAGGLERS. II
<br/>
PRINTED IN THE UNITED STATES OF AMERICA
</h5>
<br/><br/><br/>
<h2> CONTENTS </h2>
<br/>
<h4>
<SPAN href="#prologue">PROLOGUE: THE FOUR OF THEM</SPAN>
</h4>
<br/>
<h4>
BOOK I: SHADOW VARNE
</h4>
<table WIDTH="80%">
<tr>
<td ALIGN="right" VALIGN="top" WIDTH="15%">CHAPTER</td>
<td ALIGN="left" VALIGN="top" WIDTH="85%"> </td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">I </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap0101">THREE YEARS LATER</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">II </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap0102">AN IRON IN THE FIRE</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">III </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap0103">THREE OF THEM</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">IV </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap0104">GOLD PLATE</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">V </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap0105">"DEAR GUARDY"</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">VI </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap0106">THE WRITING ON THE WALL</SPAN></td>
</tr>
</table>
<br/><br/>
<h4>
BOOK II: THE ISLE OF PREY
</h4>
<table WIDTH="80%">
<tr>
<td ALIGN="right" VALIGN="top" WIDTH="15%">I </td>
<td ALIGN="left" VALIGN="top" WIDTH="85%">
<SPAN href="#chap0201">THE SPELL OF THE MOONBEAMS</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">II </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap0202">THE VOICE IN THE NIGHT</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">III </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap0203">THE MAD MILLIONAIRE</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">IV </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap0204">THE UNKNOWN</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">V </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap0205">THE GUTTER-SNIPE</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">VI </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap0206">THE MAN IN THE MASK</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">VII </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap0207">THE FIGHT</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">VIII </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap0208">THE MESSAGE</SPAN></td>
</tr>
</table>
<br/><br/>
<h4>
BOOK III: THE PENALTY
</h4>
<table WIDTH="80%">
<tr>
<td ALIGN="right" VALIGN="top" WIDTH="15%">I </td>
<td ALIGN="left" VALIGN="top" WIDTH="85%">
<SPAN href="#chap0301">THE WHITE SHIRT SLEEVE</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">II </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap0302">THE BRONZE KEY</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">III </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap0303">THE WARP AND THE WOOF</SPAN></td>
</tr>
<tr>
<td ALIGN="right" VALIGN="top">IV </td>
<td ALIGN="left" VALIGN="top">
<SPAN href="#chap0304">THE TIME-LOCK OF THE SEA</SPAN></td>
</tr>
</table>
<br/><br/><br/>
<SPAN name="prologue"></SPAN>
<h3> PROLOGUE: THE FOUR OF THEM </h3>
<br/><br/><br/>
<h2> THE FOUR STRAGGLERS </h2>
<br/>
<h3> PROLOGUE </h3>
<h4>
THE FOUR OF THEM
</h4>
<p>The crash of guns. A flare across the heavens. Battle. Dismay.
Death. A night of chaos.</p>
<p>And four men in a thicket.</p>
<p>One of them spoke:</p>
<p>"A bloody Hun prison, that's us! My Gawd! Where are we?"</p>
<p>Another answered caustically:</p>
<p>"Monsieur, we are lost—and very tired."</p>
<p>A third man laughed. The laugh was short.</p>
<p>"A Frenchman! Where in hell did you come from?"</p>
<p>"Where you and the rest of us came from." The Frenchman's voice was
polished; his English faultless. "We come from the tickling of the
German bayonets."</p>
<p>The first man elaborated the statement gratuitously:</p>
<p>"I don't know about you 'uns; but our crowd was done in good and proper
two days ago. Gawd! ain't there no end to 'em? Millions! And us
running! What I says is let 'em have the blinking channel ports, and
lets us clear out. I wasn't noways in favour of mussing up in this
when the bleeding parliament says up and at 'em in the beginning,
leastways nothing except the navy."</p>
<p>"Drafted, I take it?" observed the third man coolly.</p>
<p>There was no answer.</p>
<p>The fourth man said nothing.</p>
<p>There was a whir in the air ... closer ... <i>closer</i>; a roar that surged
at the ear drums; a terrific crash near at hand; a tremble of the earth
like a shuddering sob.</p>
<p>The first man echoed the sob:</p>
<p>"Carry on! Carry on! I <i>can't</i> carry on. Not for hours. I've been
running for two days. I can't even sleep. My Gawd!"</p>
<p>"No good of carrying on for a bit," snapped the third man. "There's no
place to carry on <i>to</i>. They seem to be all around us."</p>
<p>"That's the first one that's come near us," said the Frenchman. "Maybe
it's only—what do you call it?—a straggler."</p>
<p>"Like us," said the third man.</p>
<p>A flare, afar off, hung and dropped. Nebulous, ghostlike, a faint
shimmer lay upon the thicket. It endured for but a moment. Three men,
huddled against the tree trunks, torn, ragged and dishevelled men,
stared into each others' faces. A fourth man lay outstretched,
motionless, at full length upon the ground, as though he were asleep or
dead; his face was hidden because it was pillowed on the earth.</p>
<p>"Well, I'm damned!" said the third man, and whistled softly under his
breath.</p>
<p>"Monsieur means by that?" inquired the Frenchman politely.</p>
<p>"Means?" repeated the third man. "Oh, yes! I mean it's queer. Half
an hour ago we were each a separate bit of driftwood tossed about out
there, and now here we are blown together from the four winds and
linked up as close to each other by a common stake—our lives—as ever
men could be. I say it's queer."</p>
<p>He lifted his rifle, and, feeling out, prodded once or twice with the
butt. It made a dull, thudding sound.</p>
<p>"What are you doing?" asked the Frenchman.</p>
<p>"Giving first aid to Number Four," said the third man grimly. "He's
done in, I fancy. I'm not sure but he's the luckiest one of the lot."</p>
<p>"You're bloody well right, he is!" gulped the first man. "I wouldn't
mind being dead, if it was all over, and I was dead. It's the dying
and the thinking about it I can't stick."</p>
<p>"I can't see anything queer about it." The Frenchman was judicial; he
reverted to the third man's remark as though no interruption had
occurred in his train of thought. "We all knew it was coming, this
last big—what do you call it?—push of the Boche. It has come. It is
gigantic. It is tremendous. A tidal wave. Everything has gone down
before it; units all broken up, mingled one with another, a mêlée. It
has been <i>sauve qui peut</i> for thousands like us who never saw each
other before, who did not even know each other existed. I see nothing
queer in it that some of us, though knowing nothing of each other, yet
having the same single purpose, rest if only for a moment, shelter if
only for a moment, should have come together here. To me it is not
queer."</p>
<p>"Well, perhaps, you're right," said the third man. "Perhaps
adventitious would have been better than queer."</p>
<p>"Nor adventitious," dissented the Frenchman. "Since we have been
nothing to each other in the past, and since our meeting now offers us
collectively no better chance of safety or escape than we individually
had before, there is nothing adventitious about it."</p>
<p>"Perhaps again I am wrong." There was a curious drawl in the third
man's voice now. "In fact, I will admit it. It is neither queer nor
adventitious. It is quite—oh, quite!—beyond that. It can only be
due to the considered machinations of the devil on his throne in the
pit of hell having his bit of a fling at us—and a laugh!"</p>
<p>"You're bloody well right!" mumbled the first man.</p>
<p>"Damn!" said the Frenchman with asperity. "I don't understand you at
all."</p>
<p>The third man laughed softly.</p>
<p>"Well, I don't know how else to explain it, then," he said. "The last
time we—"</p>
<p>"The <i>last</i> time!" interrupted the Frenchman. "I did not get a very
good look at you when that flare went up, I'll admit; but enough so
that I would swear I had never seen you before."</p>
<p>"Quite so!" acknowledged the third man.</p>
<p>"Gawd!" whimpered the first man. "Look at that! Listen to that!"</p>
<p>A light, lurid, intense for miles around opened the darkness—and died
out. An explosion rocked the earth.</p>
<p>"Ammunition dump!" said the Frenchman. "I'm sure of it now. I've
never seen any of you before."</p>
<p>The third man now sat with his rifle across his knees.</p>
<p>The fourth man had not moved from his original position.</p>
<p>"I thought you were officers, blimy if I didn't, from the way you
talked," said the first man. "Just a blinking Tommy and a blinking
<i>Poilu</i>!"</p>
<p>"Monsieur," said the Frenchman, and there was a challenge in his voice,
"I never forget a face."</p>
<p>"Nor I," said the third man quietly. "Nor other things; things that
happened a bit back—after they put the draft into England, but before
they called up the older classes. I don't know just how they worked it
over here—that is, how some of them kept out of it as long as they
did."</p>
<p>"Godam!" snarled the Frenchman. "Monsieur, you go too far!
And—monsieur appears to have a sense of humour peculiarly his
own—perhaps monsieur will be good enough to explain what he is
laughing at?"</p>
<p>"With pleasure," said the third man calmly. "I was laughing at the
recollection of a night, not like this one, though there's a certain
analogy to it for all that, when an attack was made on—a strong box in
a West End residence in London. Lord Seeton's, to be precise."</p>
<p>The first man stirred. He seemed to be groping around him where he sat.</p>
<p>"Foolish days! Perverted patriotism!" said the third man. "The family
jewels, the hereditary treasures, gathered together to be offered on
the altar of England's need! Fancy! But it was being done, you know.
Rather! Only in this case the papers got hold of it and played it up a
bit as a wonderful example, and that's how three men, none of whom had
anything to do with the others, got hold of it too—no, I'm wrong
there. Lord Seeton's valet naturally had inside information."</p>
<p>"Blimy!" rasped the first man suddenly. "A copper in khaki! That's
what! A bloody, sneaking swine!"</p>
<p>It was inky black in the thicket. The third man's voice cut through
the blackness like a knife.</p>
<p>"You put that gun down! I'll do all the gun handling there's going to
be done. Drop it!"</p>
<p>A snarl answered him—a snarl, and the rattle of an object falling to
the ground.</p>
<p>"There were three of them," said the third man composedly. "The valet,
who hadn't reached his class in the draft; a Frenchman, who spoke
marvellous English, which is perhaps after all the reason why he had
not yet, at that time, served in France; and—and some one else."</p>
<p>"Monsieur," said the Frenchman silkily, "you become interesting."</p>
<p>"The curious part of it is," said the third man, "that each of them in
turn got the swag, and each of them could have got away with it with
hardly any doing at all, if it hadn't been that in turn each one
chivied the other. The Frenchman took it from the valet, as the valet,
stuffed like a pouter pigeon with diamonds and brooches and pendants
and little odds and ends like that, was on his way to a certain
pinch-faced fence named Konitsky in a slimy bit of neighbourhood in the
East End; the Frenchman, who was an <i>Englishman</i> in France, took the
swag to a strange little place in a strange little street, not far from
the bank of the Seine, the place of one Père Mouche, a place that in
times of great stress also became the shelter and home of this same
Frenchman, who—shall I say?—I believe is outstandingly entitled to
the honour of having raised his profession to a degree of art
unapproached by any of his confreres in France to-day."</p>
<p>"<i>Sacré nom</i>!" said the Frenchman with a gasp. "There is only one
Englishman who knew that, and I thought he was dead. An Englishman
beside whom the Frenchman you speak of is not to be compared. You
are—"</p>
<p>"<i>I</i> haven't mentioned any names," said the third man smoothly. "Why
should you?"</p>
<p>"You are right," said the Frenchman. "Perhaps we have already said too
much. There is a fourth here."</p>
<p>"No," said the third man. "I had not forgotten him." He toyed with
the rifle on his knee. "But I had thought perhaps you would have
recognised the valet's face."</p>
<p>"Strike me pink!" muttered the first man. "So Frenchy's the blighter
that did me in, was he!"</p>
<p>"It is the uniform, and the dirt perhaps, and the very poor light,"
said the Frenchman apologetically.</p>
<p>"But you—pardon, monsieur, I mean the other of the three—I did not
see him; and monsieur will perhaps understand that I am deeply
interested in the rest of the story."</p>
<p>The third man did not answer. A sort of momentary, weird and
breathless silence had settled on the thicket, on all around, on the
night, save only for the whining of some oncoming thing through the
air. Whine ... whine ... <i>whine</i>. The nerves, tautened, loosened,
were jangling things. The third man raised his rifle. And somewhere
the whining shell burst. And in the thicket a minor crash; a flash,
gone on the instant, eye-blinding.</p>
<p>The first man screamed out:</p>
<p>"Christ! What have you done?"</p>
<p>"I think he was done in anyway," said the third man calmly. "It was as
well to make sure."</p>
<p>"Gawd!" whimpered the first man.</p>
<p>"Monsieur," said the Frenchman, "I have always heard that you were
incomparable. I salute you! As you said, you had not forgotten. We
can speak at ease now. The rest of the story—"</p>
<p>The third man laughed.</p>
<p>"Come to me in London—after the war," he said, "and I will tell it to
you. And perhaps there will be—other things to talk about."</p>
<p>"I shall be honoured," said the Frenchman. "We three! I begin to
understand now. A house should not be divided against itself. Is it
not so? We should go far! It is fate to-night that—"</p>
<p>"Or the devil," said the third man.</p>
<p>"My Gawd!" The first man began to laugh—a cracked, jarring laugh.
"After the war, the blinking war—after <i>hell</i>! There ain't no end,
there ain't no—"</p>
<p>And then a flare hung again in the heavens, and in the thicket three
men sat huddled against the tree trunks, torn, ragged and dishevelled
men, but they were not staring into each others' faces now; they were
staring, their eyes magnetically attracted, at a spot on the ground
where a man, a man murdered, should be lying.</p>
<p>But the man was not there.</p>
<p>The fourth man was gone.</p>
<br/><br/><br/>
<div style="break-after:column;"></div><br />