<h2>CHAPTER XXV</h2>
<h3>THE MAN ON THE FRENCHMAN</h3></div>
<p>Sinclair’s place on the Frenchman backed
up on a sharp rise against the foothills of
the Bridger range, and the ranch buildings were
strung along the creek. The ranch-house stood
on ground high enough to command the country
for miles up and down the valley.</p>
<p>Only two roads lead from Medicine Bend and
the south into the Frenchman country: one a
wagon-road following Smoky Creek and running
through Dale Canyon; the other a pack-road,
known as the Gridley trail, crossing the Topah
Topah Hills and making a short cut from the Dunning
ranch on the Crawling Stone to the Frenchman.
The entire valley is, in fact, so difficult of
access, save by the long and roundabout wagon-road,
that the sight of a complete outfit of buildings
such as that put up by Sinclair always came
as a surprise to the traveller who, reaching the
crest of the hills, looked suddenly down a thousand
feet on his well-ordered sheds and barns and corrals.</p>
<p>The rider who reaches the Topah Topah crest
<span class='pagenum pncolor'><SPAN name='page_243' name='page_243'></SPAN>243</span>
on the Gridley trail now sees in the valley below
only traces of what was so laboriously planned and
perfectly maintained a few years ago. But even
the ruins left on the Frenchman show the herculean
labor undertaken by the man in setting up
a comfortable and even an elaborate establishment
in so inaccessible a spot. His defiance of all ordinary
means of doing things was shown in his preference
for bringing much of his building-material
over the trail instead of around by the Smoky
Creek road. A good part of the lumber that went
into his house was packed over the Gridley trail.
His piano was brought through the canyon on a
wagon, but the mechanical player for the piano
and his wagons themselves were packed over the
trail on the backs of mules. A heavy steel range
for the kitchen had been brought over the same
way. For Sinclair no work was hard enough,
none went fast enough, and revelry never rose high
enough. During the time of his activity in the
Frenchman Valley Sinclair had the best-appointed
place between Williams Cache and the Crawling
Stone, and in the Crawling Stone only the Dunning
ranch would bear comparison with his own.
On the Frenchman Sinclair kept an establishment
the fame of which is still foremost in mountain
story. Here his cows ranged the canyons and the
hills for miles, and his horses were known from
<span class='pagenum pncolor'><SPAN name='page_244' name='page_244'></SPAN>244</span>
Medicine Bend to Fort Tracy. Here he rallied
his men, laid snares for his enemies, dispensed a
reckless hospitality, ruled his men with an oath and
a blow, and carried a six-shooter to explain orders
and answer questions with.</p>
<p>Over the Gridley trail from the Crawling Stone
Marion and Dicksie Dunning rode early in the
morning the day after McCloud and his men left
the Stone Ranch with their work done. The trail
is a good three hours long, and they reached Sinclair’s
place at about ten o’clock. He was waiting
for Marion––she had sent word she should
come––and he came out of the front door into the
sunshine with a smile of welcome when he saw
Dicksie with her. Dicksie, long an admirer of Sinclair’s,
as women usually were, had recast somewhat
violently her opinions of him. She faced him
now with a criminal consciousness that she knew
too much. The weight of the dreadful secret
weighed on her, and her responsibility in the issue
of the day ahead did not help to make her greeting
an easy one. One thing only was fixed in her
mind and reflected in the tension of her lips and
her eyes: the resolve to keep at every cost the
promise she had given. For Dicksie had fallen
under the spell of a man even more compelling
than Sinclair, and felt strangely bounden to what
she had said.</p>
<div><span class='pagenum pncolor'><SPAN name='page_245' name='page_245'></SPAN>245</span></div>
<p>Sinclair, however, had spirit enough to smooth
quite away every embarrassment. “Bachelor’s
quarters,” he explained roughly and pleasantly, as
he led the two women toward the house. “Cowmen
make poor housekeepers, but you must feel at
home.” And when Dicksie, looking at his Indian
rugs on the floors, the walls, and the couches, said
she thought he had little to apologize for, Sinclair
looked gratified and took off his hat again. “Just
a moment,” he said, standing at the side of the
door. “I’ve never been able to get Marion over
here before, so it happens that a woman’s foot has
never entered the new house. I want to watch
one of you cross the threshold for the first time.”</p>
<p>Dicksie, moving ahead, retreated with a laugh.
“You first, then, Marion.”</p>
<p>“No, Dicksie, you.”</p>
<p>“Never! you first.” So Marion, quite red and
wretchedly ill at ease, walked into the ranch-house
first.</p>
<p>Sinclair shone nowhere better than as a host.
When he had placed his guests comfortably in the
living-room he told them the story of the building
of the house. Then he made a cicerone of
himself, and explained, with running comments,
each feature of his plan as he showed how it had
been carried out through the various rooms. Surprised
at the attractiveness of things, Dicksie found
<span class='pagenum pncolor'><SPAN name='page_246' name='page_246'></SPAN>246</span>
herself making mental notes for her own use,
and began asking questions. Sinclair was superb
in answering, but the danger of admiring things
became at once apparent, for when Dicksie exclaimed
over a handsome bearskin, a rich dark
brown grizzly-skin of unusual size, Sinclair told
the story of the killing, bared his tremendous forearm
to show where the polished claws had ripped
him, and, disregarding Dicksie’s protests, insisted
on sending the skin over to Crawling Stone Ranch
as a souvenir of her visit.</p>
<p>“I live a great deal alone over here,” he said,
waving Dicksie’s continued refusal magnificently
aside as he moved into the next room. “I’ve got
a few good dogs, and I hunt just enough to keep
my hand in with a rifle.” Dicksie quailed a little
at the smile that went with the words. “The
men, at least the kind I mix with, don’t care for
grizzly-skins, and to enjoy anything you’ve got
to have sympathetic company––don’t you know
that?” he asked, looking admiringly at Dicksie.
“I’ve got another skin for you––a silver-tip,” he
added in deep, gentle tones, addressing Marion.
“It has a fine head, as fine as I ever saw in the
Smithsonian. It is down at Medicine Bend now,
being dressed and mounted. By the way, I’ve forgotten
to ask you, Miss Dicksie, about the high
water. How did you get through at the ranch?”</p>
<div><span class='pagenum pncolor'><SPAN name='page_247' name='page_247'></SPAN>247</span></div>
<p>Dicksie, sitting on the piano-bench, looked up
with resolution. “Bravely!” she exclaimed.
“Mr. McCloud came to our rescue with bags and
mattresses and a hundred men, and he has put in
a revetement a thousand feet long. Oh, we are
regular river experts at our house now! Had you
any trouble here, Mr. Sinclair?”</p>
<p>“No, the Frenchman behaves pretty well in the
rock. We had forty feet of water here one day,
though; forty feet, that’s right. McCloud, yes;
able fellow, I guess, too, though he and I don’t hit
it off.” Sinclair sat back in his chair, and as he
spoke he spoke magnanimously. “He doesn’t like
me, but that is no fault of his; railroad men, and
good ones, too, sometimes get started wrong with
one another. Well, I’m glad he took care of you.
Try that piano, Miss Dicksie, will you? I don’t
know much about pianos, but that ought to be a
good one. I would wheel the player over for you,
but any one that plays as beautifully as you do
ought not to be allowed to use a player. Marion,
I want to talk a few minutes with you,
may I? Do you mind going out under the cottonwood?”</p>
<p>Dicksie’s heart jumped. “Don’t be gone long,
Marion,” she exclaimed impulsively, “for you
know, Mr. Sinclair, we <i>must</i> get back by two
o’clock.” And Dicksie, pale with apprehension,
<span class='pagenum pncolor'><SPAN name='page_248' name='page_248'></SPAN>248</span>
looked at them both. Marion, quite composed,
nodded reassuringly and followed Sinclair out of
doors into the sunshine.</p>
<p>For a few minutes Dicksie fingered wildly on
the piano at some half-forgotten air, and in a fever
of excitement walked out on the porch to see where
they were. To her relief, she saw Marion sitting
near Sinclair under the big tree in front of the
house, where the horses stood. Dicksie, with her
hands on her girdle, walked forlornly back and
forth, hummed a tune, sat down in a rocking-chair,
fanned herself, rose, walked back and forth again,
and reflected that she was perfectly helpless, and
that Sinclair might kill Marion a hundred times
before she could reach her. And the thought that
Marion was perhaps wholly unconscious of danger
increased her anxiety.</p>
<p>She sat down in despair. How could Whispering
Smith have allowed any one he had a care for
to be exposed in this dreadful way? Trying to
think what to do, Dicksie hurried back into the
living-room, walked to the piano, took the pile of
sheet-music from the top, and sat down to thumb
it over. She threw song after song on the chair
beside her. They were sheets of gaudy coon songs
and ragtime with flaring covers, and they seemed
to give off odors of cheap perfume. Dicksie hardly
saw the titles as she passed them over, but of a
<span class='pagenum pncolor'><SPAN name='page_249' name='page_249'></SPAN>249</span>
sudden she stopped. Between two sheets of the
music lay a small handkerchief. It was mussed,
and in the corner of it “Nellie” was written conspicuously
in a laundry mark. The odor of musk
became in an instant sickening. Dicksie threw the
music disdainfully aside, and sprang up with a
flushed face to leave the room. Sinclair’s remark
about the first woman to cross his threshold came
back to her. From that moment Dicksie hated
him. But no sooner had she seated herself on
the porch than she remembered she had left her
hat in the house, and rose to go in after it. She
was resolved not to leave it under the roof another
moment, and she had resolved to go over and wait
where her horse was tied. As she reëntered the
doorway she stopped. In the room she had just
left a cowboy sat at the table, taking apart a revolver
to clean it. The revolver was spread in its
parts before him, but across the table lay a rifle.
The man had not been in the room when she left
it a moment before.</p>
<p>Dicksie passed behind him. He paid no attention
to her; he had not looked up when she entered
the room. Passing behind him once more to go
out, Dicksie looked through the open window before
which he sat. Sinclair and Marion sitting
under the cottonwood tree were in plain sight, and
the muzzle of the rifle where it lay covered them.
<span class='pagenum pncolor'><SPAN name='page_250' name='page_250'></SPAN>250</span>
Dicksie thrilled, but the man was busy with his
work. Breathing deeply, she walked out on the
porch again. Sinclair, she thought, was looking
straight at her, and in her anxiety to appear unconscious
she turned, walked to the end of the house,
and at the corner almost ran into a man sitting
out of doors in the shade mending a saddle. He
had removed his belt to work, and his revolver lay
in the holster on the bench, its grip just within
reach of his hand. Dicksie walked in front of him,
but he did not look up. She turned as if changing
her mind, and with a little flirt of her riding-skirt
sat down in the porch chair, feeling a faint
moisture upon her forehead.</p>
<hr class='tb' />
<p>“I am going to leave this country, Marion,”
Sinclair was saying. “There’s nothing here for
me; I can see that. What’s the use of my eating
my heart out over the way I’ve been treated? I’ve
given the best years of my life to this railroad,
and now they turn me down with a kick and a
curse. It’s the old story of the Indian and his
dog, only I don’t propose to let them make soup
of me. I’m going to the coast, Marion. I’m
going to California, where I wanted to go when
we were married, and I wish to God we had gone
there then. All our troubles might never have
been if I had got in with a different crowd from
<span class='pagenum pncolor'><SPAN name='page_251' name='page_251'></SPAN>251</span>
these cow-boozers on the start. And, Marion, I
want to know whether you’ll give me another
chance and go with me.”</p>
<p>Sinclair, on the bench and leaning against the
tree, sat with folded arms looking at his wife.
Marion in a hickory chair faced him.</p>
<p>“No one would like to see you be all you ought
to be more than I, Murray; but you are the only
one in the world that can ever give yourself another
chance to be that.”</p>
<p>“The fellows in the saddle here now have denied
me every chance to make a man of myself
again on the railroad––you know that, Marion.
In fact, they never did give me the show I was
entitled to. I ought to have had Hailey’s place.
Bucks never treated me right in that; he never
pushed me in the way he pushed other men that
were just as bad as I ever was. It discouraged me;
that’s the reason I went to pieces.”</p>
<p>“It could be no reason for treating me as you
treated me: for bringing drunken men and drunken
women into our house, and driving me out of it
unless I would be what you were and what they
were.”</p>
<p>“I know I haven’t treated you right; I’ve
treated you shamefully. I will do anything on
earth you say to square it. I will! Recollect, I
had lived among men and in the same country
<span class='pagenum pncolor'><SPAN name='page_252' name='page_252'></SPAN>252</span>
with women like that for years before I knew you.
I didn’t know how to treat you; I admit it. Give
me another chance, Marion.”</p>
<p>“I gave you all that I had when I married you,
Murray. I haven’t anything more to give to any
man. You would be disappointed in me if I could
ever live with you again, and I could not do that
without living a lie every day.”</p>
<p>He bent forward, looking at the ground. He
talked of their first meeting in Wisconsin; of the
happiness of their little courtship; he brought up
California again, and the Northwest coast, where,
he told her, a great railroad was to be built and
he should find the chance he needed to make a
record for himself––it had been promised him––a
chance to be the man his abilities entitled him to
be in railroading. “And I’ve got a customer for
the ranch and the cows, Marion. I don’t care for
this business––damn the cows! let somebody else
chase after ’em through the sleet. I’ve done well;
I’ve made money––a lot of money––the last two
years in my cattle deals, and I’ve got it put away,
Marion; you need never lift your hand to work
in our house again. We can live in California,
and live well, under our own orange trees, whether
I work or not. All I want to know is, will you go
with me?”</p>
<p>“No! I will not go with you, Murray.”</p>
<div><span class='pagenum pncolor'><SPAN name='page_253' name='page_253'></SPAN>253</span></div>
<p>He moved in his seat and threw his head up
appealingly. “Why not?”</p>
<p>“I will never be dishonest with you; I never
have been and I never will be. I have nothing in
my heart to give you, and I will not live upon your
money. I am earning my own living. I am as
content as I ever can be, and I shall stay where I
am and do what I am doing till I die, probably.
And this is why I came when you asked me to;
to tell you the exact truth. I am not a girl any
longer––I never can be again. I am a woman.
What I was before I married you I never can be
again, and you have no right to ask me to be a
hypocrite and say I can love you––for that is what
it all comes to––when I have no such thing in my
heart or life for you. It is dead and gone, and I
cannot help it.”</p>
<p>“That sounds pretty hard, Marion.”</p>
<p>“It is only the truth. It sounded fearfully
hard to me when you told me that woman was
your friend––that you knew her before you knew
me and would know her after I was dead; that
she was as good as I, and that if I didn’t entertain
her you would. But it was the truth; you
told me the truth, and it was better that you told
it––as it is better now that I tell it to you.”</p>
<p>“I was drunk. I didn’t tell you the truth. A
man is a pretty tough animal sometimes, but you
<span class='pagenum pncolor'><SPAN name='page_254' name='page_254'></SPAN>254</span>
are a woman and a pure one, and I care more for
you than for all the other women in the world, and
it is not your nature to be unforgiving.”</p>
<p>“It is to be honest.”</p>
<p>He looked suddenly up at her and spoke
sharply: “Marion, I know why you won’t go.”</p>
<p>“I have honestly told you.”</p>
<p>“No; you have not honestly told me. The real
reason is Gordon Smith.”</p>
<p>“If he were I should not hesitate to tell you,
Murray, but he is not,” she said coldly.</p>
<p>Sinclair spoke harshly: “Do you think you can
fool me? Don’t you suppose I know he spends
his time loafing around your shop?”</p>
<p>Marion flushed indignantly. “It is not true!”</p>
<p>“Don’t you suppose I know he writes letters
back to Wisconsin to your folks?”</p>
<p>“What have I to do with that? Why shouldn’t
he write to my mother? Who has a better right?”</p>
<p>“Don’t drive me too far. By God! if I go
away alone I’ll never leave you here to run off with
Whispering Smith––remember that!” She sat in
silence. His rage left her perfectly quiet, and her
unmoved expression shamed and in part silenced
him. “Don’t drive me too far,” he muttered
sullenly. “If you do you will be responsible,
Marion.”</p>
<p>She did not move her eyes from the blue hills
<span class='pagenum pncolor'><SPAN name='page_255' name='page_255'></SPAN>255</span>
on the horizon. “I expect you to kill me sometime;
I feel sure you will. And that you may do.”
Then she bent her look on him. “You may do
it now if you want to.”</p>
<p>His face turned heavy with rage. “Marion,”
he cried, with an oath, “do you know how close
you are to death at this moment?”</p>
<p>“You may do it now.”</p>
<p>He clinched the bench-rail and rose slowly to
his feet. Marion sat motionless in the hickory
chair; the sun was shining in her face and her
hands were folded in her lap. Dicksie rocked on
the porch. In the shadow of the house the man
was mending the saddle.</p>
<hr class='toprule' />
<div class='chsp'>
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<SPAN name='CHAPTER_XXVI_TOWER_W' id='CHAPTER_XXVI_TOWER_W'></SPAN>
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