<h2>Chapter XXIV</h2>
<p>Barbara was late for breakfast. Miss Walbrook,
the aunt, was scanning the morning paper,
her refined, austere Americanism being as noticeable
in the dining-room as elsewhere in the house. Everything
was slender and strong; everything was American,
unless it was the Persian rug. On the paneled
walls there were but three portraits, a Boston ancestress,
in lace cap and satins, painted by Copley; a
Philadelphia ancestor in the Continental uniform,
painted by Gilbert Stuart; and her New York grandmother,
painted by Thomas Sully, looking over her
shoulder with the wild backward glance that artist
gives to the girl Victoria in the Metropolitan Museum.
In a flat cabinet along a wall was the largest collection
of old American glass to be found in the country.</p>
<p>Barbara rushed in, with apologies for being late.
“I didn’t sleep a wink. It doesn’t seem to me as if
I should ever sleep again. Where’s my cup?”</p>
<p>“Wildgoose will bring it. As the coffee had grown
cold he took that and the cup to keep warm. What’s
the matter?”</p>
<p>Wildgoose stepped in with the missing essentials.
A full-fed, round-faced, rubicund man of fifty-odd
he looked a perennial twenty-five. Barbara began
to minister to herself.</p>
<p>“Oh, everything’s the matter. I told you yesterday
that that girl had run away. Well, I begin to
wish she’d run back again.”</p>
<p>Miss Walbrook, the elder, had this in common
with Miss Henrietta Towell, that she believed it best
for everyone to work out his own salvation. Barbara
had her personal life to live, and while her aunt would
help her to live it, she wouldn’t guide her choice.
She continued, therefore, to scan the paper till her
niece should say something more.</p>
<p>She said it, not because she wanted to give information,
but because she was temperamentally outspoken.
“I begin to wish there were no men in the
world. If women are men in a higher stage of development,
why didn’t men die out, so that we could be
rid of them? Isn’t that what we generally get from
the survival of the fittest?”</p>
<p>Miss Walbrook’s thin, clear smile suggested the
edge of a keenly tempered blade. “I’ve never said
that women were men in a higher stage of development.
I’ve said that in their parallel states of development
women had advanced a stage beyond men.
You may say of every generation born that women
begin where men leave off. I suppose that that’s
what’s meant by the myth of Eve springing from
Adam’s side. It was to be noticed even then, in the
prehistoric, in the age that formed the great legends.
Adam was asleep, when Eve as a vital force leaped
away from him. If it wasn’t for Eve’s vitality the
human race would still be in the Stone Age.”</p>
<p>Barbara harked back to what for her was the practical.
“Some of us are in the Stone Age as it is.
I’m sure Rash Allerton is as nearly an elemental as
one can be, and still belong to clubs and drive in
motorcars.”</p>
<p>Miss Walbrook risked her principles of non-interference
so far as to say: “It’s part of our feminine
lack of development that we’re always inclined to
look back on the elemental with pity, and even with
regret. The woman was never born who didn’t have
in her something of Lot’s wife.”</p>
<p>“Thank you, Aunt Marion. In a way that lets
me out. If I’m no weaker than the rest of my
sex––”</p>
<p>“Than many of the rest of your sex.”</p>
<p>“Very well, then; than many of the rest of my
sex; if I’m no weaker than that I don’t have to lose
my self-respect.”</p>
<p>“You don’t have to lose your self-respect; you only
risk—your reason.”</p>
<p>Barbara stared at her. “That’s the very thing I’m
afraid of. I’d give anything for peace of mind.
How did you know?”</p>
<p>“Oh, it doesn’t call for much astuteness. I don’t
suppose there’s a married woman in the world in
full command of her wits. You’ve noticed how
foolish most of them are. That’s why. It isn’t that
they were born foolish. They’ve simply been addled
by enforced adaptation to mates of lower intelligence.
Oh, I’m not scolding. I’m merely stating a natural,
observed, psychological fact. The woman who marries
says good-bye to the orderly working of her
faculties. For that she may get compensations, with
which I don’t intend to find fault. But compensations
or no, to a clear-thinking woman like––”</p>
<p>“Like yourself, Aunt Marion.”</p>
<p>“Very well; like myself, if you will; but to a clear-thinking
woman it’s as obvious as daylight that her
married sisters are partially demented. They may
not know it; the partially demented never do. And
it’s no good telling them, because they don’t believe
you. I’m only saying it to you to warn you in
advance. If you part with your reason, it’s something
to know that you do it of your own free will.”</p>
<p>Once more Barbara confined herself to the case in
hand. “Still, I don’t believe every man is as trying
as Rash Allerton.”</p>
<p>“Not in his particular way, perhaps. But if it’s
not in one way then it’s in another.”</p>
<p>“Even he wouldn’t be so bad if he could control
himself. At the minute when he’s tearing down the
house he wants you to tell him that he’s calm.”</p>
<p>“If he didn’t want you to tell him that it would be
something equally preposterous. There’s little to
choose between men.”</p>
<p>Barbara grew thoughtful. “Still, if people didn’t
marry the human race would die out.”</p>
<p>“And would there be any harm in that? It’s not
a danger, of course; but if it was, would anyone in
his senses want to stop it? Looking round on the
human race to-day one can hardly help saying that
the sooner it dies out the better. Since we can’t kill
it off, it’s well to remember––”</p>
<p>“To remember what, Aunt Marion?”</p>
<p>Miss Walbrook reflected as to how to express herself
cautiously. “To remember that—in marrying—and
having children—children who will have to face
the highly probable miseries of the next generation—Well,
I’m glad there’ll be no one to reproach me
with his being in the world, either as his mother or
his ancestress.”</p>
<p>“They say Rash’s father and mother didn’t want
<i>him</i> in the world, and I sometimes wish they’d had
their way. If he wasn’t here—or if he was dead—I
believe I could be happier. I shouldn’t be forever
worrying about him. I shouldn’t have him on my
mind. I often wonder if it’s—if it’s love I feel for
him—or only an agonizing sense of responsibility.”</p>
<p>The door being open Walter Wildgoose waddled
to the threshold, where he stood with his right hand
clasped in his left. “Mr. Steptoe at Mr. Allerton’s
to speak to Miss Barbara on the telyphone, please.”</p>
<p>Barbara gasped. “Oh, Lord! I wonder what it is
now!”</p>
<p>Left to herself Miss Walbrook resumed her scanning
of the paper, but she resumed it with the faintest
quiver of a smile on her thin, cleanly-cut lips. It
was the kind of smile which indicates patient hope, or
the anticipation of something satisfactory.</p>
<p>“Oh!”</p>
<p>The exclamation was so loud as to be heard all the
way from the telephone, which was in another part
of the house. Miss Walbrook let the paper fall, sat
bolt upright, and listened.</p>
<p>“Oh! Oh!”</p>
<p>It was like a second, and repeated, explosion. Miss
Walbrook rose to her feet; the paper rustled to the
floor.</p>
<p>“Oh! Oh!”</p>
<p>The sound was that which human beings make
when the thing told them is more than they can bear.
Barbara cried out as if someone was beating her with
clubs, and she was coming to her knees.</p>
<p>She was not coming to her knees. When her
aunt reached her she was still standing by the little
table in the hall which held the telephone, on which
she had hung up the receiver. She supported herself
with one hand on the table, as a woman does when all
she can do is not to fall senseless.</p>
<p>“It’s—it’s Rash,” she panted, as she saw her aunt
appear. “Somebody has—has killed him.”</p>
<p>Miss Walbrook stood with hands clasped, like one
transfixed. “He’s dead?—after all?”</p>
<p>Barbara nodded, tearlessly. She could stammer
out the words, but no more. “Yes—all but!”</p>
<hr class='tb' />
<p>In the flat at Red Point there was another and dissimilar
breakfast scene. For the first time in her
life Letty was having coffee and toast in bed. The
window was open, and between the muslin curtains,
which puffed in the soft May wind, she could see
the ocean with steamers and ships on it.</p>
<p>The room was tiny, but it was spotless. Everything
was white, except where here and there it was
tied up with a baby-blue ribbon. Anything that could
be tied with a baby-blue ribbon was so tied.</p>
<p>Letty thought she had never seen anything so
dainty, though her experienced eye could detect the
fact that nothing had really cost money. As an opening
to the career on which she had embarked the
setting was unexpected, while the method of her
treatment was bewildering. In the black recesses of
her heart Miss Henrietta Towell might be hiding all
those feline machinations which Mrs. Judson Flack had
led Letty to believe a part of the great world’s stock-in-trade;
but it couldn’t be denied that she hid them well.
Letty didn’t know what to make of it. “There’s
quite a trick to it,” Steptoe had warned her; but the
explanation seemed inadequate to the phenomena.</p>
<p>Sipping her coffee and crunching her toast she was
driven to ponder on the ways of wickedness. She had
expected them to be more obvious. All her information
was to the effect that an unprotected girl in a
world of males was a lamb among lions, a victim
with no way of escape. That she was a lamb among
lions, and a victim with no way of escape, she was
still prepared to believe; only the preliminaries puzzled
her. Instead of being crude, direct, indelicate,
they were subtle and misleading. After twenty-four
hours in Miss Towell’s spare room there was still no
hint of anything but coddling.</p>
<p>“You see, my dear,” Miss Towell had said, “if I
don’t nurse you back to real ’ealth, him that gave you
the thimble might be displeased with me.”</p>
<p>It was not often that Miss Towell dropped an <i>h</i> or
added one; but in moments of emotion early habit was
too strong for her.</p>
<p>Coming into the room now, on some ermine’s errand
of neatness, she threw a glance at Letty, and said:
“You don’t <i>look</i> like a Rashleigh, do you, dear? But
then you never can tell anything about families from
looks, can you?”</p>
<p>It was her nearest approach as yet to the personal,
and Letty considered as to how she was to meet it.
“I’m not a Rashleigh—not really—only by—by marriage.
Rashleigh isn’t my real name. It’s—it’s the
name I’m going by in pictures.”</p>
<p>“Oh!”</p>
<p>Miss Towell’s exclamation was the subdued one of
acquiescence. She knew that ladies in pictures often
preferred names other than their own, and if Letty
was not a Rashleigh it “explained things.” That is,
it explained how anyone called Rashleigh could be
wandering about in this friendless way, though it
made ’Enery Steptoe’s intervention the more mysterious.
It was conceivable that he might act on behalf
of a genuine Rashleigh, however out at elbow; but
that he should take such pains for a spurious one, and
go to the length of sending the sacred silver thimble
as a pledge, rendered the situation puzzling.</p>
<p>Schooled by her religious precepts to taking her
duties as those of a minute at a time Miss Towell
made no effort to force the girl’s confidence, and especially
since Letty, like most young people in trouble,
was on her guard against giving it. So long as she
preferred to be shut up within herself, shut up within
herself she should remain. Miss Towell felt that, for
the moment at least, her own responsibility was limited
to making the child feel that someone cared for her.</p>
<p>At the same time she couldn’t have been a lonely
woman with a love-story behind her without the impulse
to dwell a little longingly on the one romantic
incident in her experience. Though it had never come
to anything, the fact that it had once opened its shy
little flower made a sweet bright place to which her
thoughts could retire.</p>
<p>The references came spasmodically and without context,
as the little white lady busied herself in waiting
on Letty or in the care of her room.</p>
<p>“I haven’t seen him since a short time after the mistress
went away.”</p>
<p>Letty felt herself coloring. Though not prudish
there were words she couldn’t get used to. Besides
which she had never thought that Steptoe.... But
Miss Towell pursued her memories.</p>
<p>“It always worried him that I should hold views
different from his but I couldn’t submit to dictation,
now, could I, dear?”</p>
<p>Once more Letty felt herself awkwardly placed.
The only interpretation she could put on Miss Towell’s
words referring to moral reformation on her hostess’s
part she said, as non-committally as might be: “He’s
a good deal of a stickler.”</p>
<p>“He’s been so long in a high position that he becomes—well,
I won’t be ’arsh—but he becomes a little
harbitrary. That’s where it was. He was a little
harbitrary. With a mistress who allowed him a great
deal of his own way—well, you can hardly blame him,
can you, dear?”</p>
<p>Letty forced herself to accept the linguistic standard
of the world. “I suppose if she hadn’t allowed him a
great deal of his own way he’d have looked somewhere
else.”</p>
<p>“That he could easily have done. He had temptations
enough—a man like him. Why, dear, there was
a lady in Park Avenue did everything she could that
wasn’t positively dishonorable to win him away––”</p>
<p>“He must have been younger and better looking
than he is now,” Letty hazarded, bluntly.</p>
<p>“Oh, it wasn’t a question of looks. Of course if
she’d considered that, why, any foolish young fellow—but
she knew what she would have got.”</p>
<p>Not being at her ease in this kind of conversation,
and finding the effort to see Steptoe as Lothario difficult,
Letty became blunt again. “He must have had
an awful crush on the first one.”</p>
<p>“It wasn’t her exactly; it was the boy.”</p>
<p>“Oh, there was a boy?”</p>
<p>“Why of course, dear! Didn’t you know that?”</p>
<p>“Whose boy was it?”</p>
<p>“Why, the mistress’s boy; but I don’t think <i>he</i>––”
Letty understood the pronoun as applying to Steptoe—“I
don’t think <i>he</i> ever realized that he wasn’t his very
own.” Straightening the white cover on the chest of
drawers Miss Towell shook her head. “It was a sad
case.”</p>
<p>“What made it sad?”</p>
<p>“A lovely boy he was. Had a kind word for everyone,
even for the cat. But somehow his father and
mother—well, they were people of the world, and
they hadn’t wanted a child, and when he came—and
he so delicate always—I could have cried over him.”</p>
<p>Letty’s heart began to swell; her lip trembled. “I
know someone like that myself.”</p>
<p>“Do you, dear? Then I’m sure you understand.”</p>
<p>Partly because the minute was emotional, and partly
from a sense that she needed to explain herself, Letty
murmured, more or less indistinctly: “It’s on his
account that I’m here.”</p>
<p>Failing to see the force of this Miss Towell was
content to say: “I’m glad you were led to me, dear.
There’s always a power to shepherd us along, if we’ll
only let ourselves be guided.”</p>
<p>To Letty the moment had arrived when plainness of
speech was imperative. Leaning across the tray, which
still stood on her lap, she gazed up at her hostess with
eager, misty eyes. “<i>He</i> said you’d teach me all the
ropes.”</p>
<p>Miss Towell paused beside the bed, to look inquiringly
at the tense little face. “The ropes of what,
dear?”</p>
<p>“Of what—” it was hard to express—“of what
you—you used to be yourself. You don’t seem like
it now,” she added, desperately, “but you were, weren’t
you?”</p>
<p>“Oh, that!” The surprise was in the discovery that
an American girl of Letty’s age could entertain so
sensible a purpose. “Why, of course, dear! I’ll tell
you all I know, and welcome.”</p>
<p>“There’s quite a trick to it, isn’t there?”</p>
<p>“Well, it’s more than a trick. There are two or
three things which you simply <i>have</i> to be.”</p>
<p>“Oh, I know that. That’s what frightens me.”</p>
<p>“You needn’t be afraid, once you’ve made up your
mind to it.” She leaned above the bed to relieve Letty
of the tray. “For instance—you don’t mind my asking
questions do you?”</p>
<p>“Oh, no! You can ask me anything.”</p>
<p>“Then the first thing is this: Are you pretty good
as a needle-woman?”</p>
<p>Letty was astounded. “Why—why you don’t have
to <i>sew</i>, do you?”</p>
<p>“Certainly, dear. That’s one of the most important
things you’d be called on to do. You’d never get anywhere
if you weren’t quick with your needle and
thread. And then there’d be hair-dressing. You have
to know something about that. I don’t say that you
must be a professional; but for the simpler occasions—after
that there’s packing. That’s something we
often overlook, and where French girls have us at a
disadvantage. They pack so beautifully.”</p>
<p>Letty was entirely at sea. “Pack what?”</p>
<p>“Pack trunks, dear.”</p>
<p>“What for?”</p>
<p>“For travel; for moving from town to country; or
from country to town; or making visits; you see
you’re always on the go. Oh, it’s more than a trick;
it’s quite an art; only—” She smiled at Letty as she
stood holding the tray, before carrying it out—“only,
I shouldn’t have supposed you’d be thinking of that
when you act in moving pictures.”</p>
<p>“I—I thought I might do both.”</p>
<p>“Now, I should say that that’s one thing you couldn’t
do, dear. If you took up this at all you’d find it so
absorbing––”</p>
<p>“And you’re very unhappy too, aren’t you? I’ve
always heard you were.”</p>
<p>“Well, that would depend a good deal on yourself.
There’s nothing in the thing itself to make you unhappy;
but sometimes there are other women––”</p>
<p>Letty’s eyes were flaming. “They say they’re
awful.”</p>
<p>“Oh, not always. It’s a good deal as you carry
yourself. I made it a point to keep my position and
respect the position of others. It wasn’t always easy,
especially with Mary Ann Courage and Janie Cakebread;
but––”</p>
<p>Letty’s head fell back on the pillow. Her eyes
closed. A merry-go-round was spinning in her head.
Where was she? How had she come there? What
was she there <i>for?</i> Where was the wickedness she
had been told to look for everywhere? Having gone
in search of it, and expected to find it lying in wait
from the first minute of passing the protecting door,
she had been shuffled along from one to another, with
exasperating kindness, only to be brought face to face
with Jane Cakebread and Mary Ann Courage at the
end.</p>
<p>Miss Towell having borne away the tray, Letty
struggled out of bed, and put on the woollen dressing
gown thrown over a chair by the bedside. This was
no place for her. Beehive Valley was not far off, and
her forty-five cents would more than suffice to take
her there. She would see the casting director. She
would get a job. With food to eat and a place to
sleep as a starting point she would find her own way
to wickedness, releasing the prince in spite of all the
mishaps which kept her as she was.</p>
<p>But she trembled so that having wrapped the dressing
gown about her she was obliged to sit down again.
She would have to be crafty. She must get this woman
to help her with her dressing, without suspecting what
she meant to do. How could she manage that? She
must try to think.</p>
<p>She was trying to think when she heard the ring
of the telephone. It suggested an idea. Some time—not
this time, of course—when the telephone rang and
the woman was answering it, she, Letty, would be
able to slip away. The important thing was to do her
hair and get her clothes on.</p>
<p>“Yes?... Yes?” There was a little catch to the
breath, a smothered laugh, a smothered sigh. “Oh,
so this is you!... Yes, I got it.... Seeing it again
gave me quite a turn.... I never expected that you’d
keep it all this time, but.... Yes, she’s here....
No; she didn’t come exactly of her own accord, but
I—I found her.... I could tell you about it easier
if you were—it’s so hard on the telephone when there’s
so much to say—but perhaps you don’t care to....
Yes, she’s quite well—only a little tired—been worked
up somehow—but a day or so in bed.... Oh, very
sensible ... and she wants me to teach her how to
be a lady’s maid....”</p>
<p>So that was it! Steptoe had been treacherous.
Letty would never believe in anyone again. She
could make these reflections hurriedly because the voice
at the telephone was silent.</p>
<p>“Oh!”</p>
<p>It was the same exclamation as that of Barbara
Walbrook, but in another tone—a tone of distress,
sharp, sympathetic. Pulling the dressing gown about
her, frightened, tense, Letty knew that something had
gone wrong.</p>
<p>“Oh! Oh!... last night, did you say?...
early this morning....”</p>
<p>Letty crept to where her hostess was seated at the
telephone. “What is it?”</p>
<p>But Miss Towell either didn’t hear the question or
was too absorbed to answer it. “Oh, ’Enery, <i>try</i> to
remember that God is his life—that there can be no
death to be afraid of when––”</p>
<p>Letty snatched the receiver from the other woman’s
hands, and fell on her knees beside the little table.
“Oh, what is it? What is it? It’s me; Letty! Something’s
happened. I’ve got to know.”</p>
<p>Amazed and awed by the force of this intrusion
Miss Towell stood up, and moved a little back.</p>
<p>Over the wire Steptoe’s voice sounded to Letty
like the ghost of his voice, broken, dead.</p>
<p>“I think if I was madam I’d come back.”</p>
<p>“But what’s happened? Tell me that first.”</p>
<p>“It’s Mr. Rash.”</p>
<p>“Yes, I know it’s Mr. Rash. But what is it? Tell
me quickly, for God’s sake.”</p>
<p>“’E’s been ’it.”</p>
<p>Her utterance was as nearly as possible a cry. “But
he hasn’t been <i>killed</i>?”</p>
<p>“Madam’d find ’im alive—if she ’urried.”</p>
<p>When Letty rose from her knees she was strong.
She was calm, too, and competent. She further surprised
Miss Towell by the way in which she took
command.</p>
<p>“I must hurry. They want me at once. Would
you mind helping me to dress?”</p>
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