<h2>Chapter XIII</h2>
<p>Making her nod suffice for a good-night, Letty,
with the red volume of Hans Andersen under
her arm, passed out into the hall. It was not easy to
carry herself with the necessary nonchalance, but she
got strength by saying inwardly: “Here’s where I
begin to walk on blades.” The knowledge that she
was doing it, and that she was doing it toward an
end, gave her a dignity of carriage which Allerton
watched with sharpened observation.</p>
<p>Reaching the little back spare room she found the
door open, and Steptoe sweeping up the hearth before a
newly lighted fire. Beppo, whose basket had been
established here, jumped from his shelter to paw up
at her caressingly. With the hearth-brush in his hand
Steptoe raised himself to say:</p>
<p>“Madam’ll excuse me, but I thought as the evenin’
was chilly––”</p>
<p>“He doesn’t want me to stay.”</p>
<p>She brought out the fact abruptly, lifelessly, because
she couldn’t keep it back. The calm she
had been able to maintain downstairs was breaking
up, with a quivering of the lip and two rolling
tears.</p>
<p>Slowly and absently Steptoe dusted his left hand
with the hearth-brush held in his right. “If madam’s
goin’ to decide ’er life by what another person wants
she ain’t never goin’ to get nowhere.”</p>
<p>There were tears now in the voice. “Yes, but when
it’s—<i>him</i>.”</p>
<p>“’Im or anybody else, we all ’ave to fight for what
we means to myke of our own life. It’s a poor gyme
in which I don’t plye my ’and for all I think it’ll win.”</p>
<p>“Do you mean that I should—act independent?”</p>
<p>“’Aven’t madam an independent life?”</p>
<p>“Havin’ an independent life don’t make it easier to
stay where you’re not wanted.”</p>
<p>“Oh, if madam’s lookin’ first for what’s easy––”</p>
<p>“I’m not. I’m lookin’ first for what he’ll <i>like</i>.”</p>
<p>Hanging the hearth-brush in its place he took the
tongs to adjust a smoking log. “I’ve been lookin’ for
what ’e’d like ever since ’e was born; and now I see
that gettin’ so much of what ’e liked ’asn’t been good for
’im. If madam’d strike out on ’er own line, whether ’e
liked it or not, and keep at it till ’e ’ad to like it––”</p>
<p>“Oh, but when it’s—” she sought for the right
word—“when it’s so humiliatin’––”</p>
<p>“Humiliatin’ things is not so ’ard to bear, once
you’ve myde up your mind as they’re to be borne.”
He put up the tongs, to busy himself with the poker.
“Madam’ll find that humiliation is a good deal like that
there quinine; bitter to the tyste, but strengthenin’.
I’ve swallered lots of it; and look at me to-dye.”</p>
<p>“I know as well as he does that it’s all been a crazy
mistake––”</p>
<p>“I was readin’ the other day—I’m fond of a good
book, I am—occupies the mind like—but I was readin’
about a circus man in South Africa, what ’e myde a
mistyke and took the wrong tryle—and just when ’e
was a-givin’ ’imself up for lost among the tigers and
the colored savages ’e found ’e’d tumbled on a mine of
diamonds. Big ’ouse in Park Lyne in London now,
and ’is daughter married to a Lord.”</p>
<p>“Oh, I’ve tumbled into the mine of diamonds all
right. The question is––”</p>
<p>“If madam really tumbled, or was led by the ’and
of Providence.”</p>
<p>She laughed, ruefully. “If that was it the hand of
Providence ’d have to have some pretty funny ways.”</p>
<p>“I’ve often ’eard as the wyes of Providence was
strynge; but I ain’t so often ’eard as Providence ’ad
got to myke ’em strynge to keep pyce with the wyes
of men. Now if the ’and of Providence ’ad picked
out madam for Mr. Rash, it’d ’ave to do somethink
out of the common, as you might sye, to bring together
them as man had put so far apart.” He looked
round the room with the eye of a head-waiter inspecting
a table in a restaurant. “Madam ’as everythink?
Well, if there’s anythink else she’s only got to ring.”</p>
<p>Bowing himself out he went down the stairs to
attend to those duties of the evening which followed
the return of the master of the house. In the library
and dining-room he saw to the window fastenings,
and put out the one light left burning in each room.
In the hall he locked the door with the complicated
locks which had helped to guarantee the late Mrs.
Allerton against burglars. There was not only a bolt,
a chain, and an ordinary lock, but there was an ingenious
double lock which turned the wrong way when
you thought you were turning it the right, and could
otherwise baffle the unskilful. Occupied with this task
he could peep over his shoulder, through the unlighted
front drawing-room, and see his adored one standing
on the hearthrug, his hands clasped behind him, and
his head bent, in an attitude of meditation.</p>
<p>Steptoe, having much to say to him, felt the nervousness
of a prime minister going into the presence
of a sovereign who might or might not approve his
acts. It was at once the weakness and the strength of
his position that his rule was based on an unwritten
constitution. Being unwritten it allowed of a borderland
where powers were undefined. Powers being
undefined his scope was the more easily enlarged,
though now and then he found that the sovereign rebelled
against the mayor of the palace and had to be
allowed his way.</p>
<p>But the sovereign was nursing no seeds of the kind
of discontent which Steptoe was afraid of. As a
matter of fact he was thinking of the way in which
Letty had left the room. The perspective, the tea-gown,
the effectively dressed hair, enabled him to perceive
the combination of results which Madame
Simone had called <i>de l’élégance naturelle</i>. She had
that; he could see it as he hadn’t seen it hitherto. It
must have given what value there was to her poor
little rôles in motion pictures. Now that his eye had
caught it, it surprised, and to some degree disturbed,
him. It was more than the show-girl’s inane prettiness,
or the comely wax-work face of the girl on the
cover of a magazine. With due allowance for her
Anglo-Saxonism and honesty, she was the type of
woman to whom “things happen.” Things would
happen to her, Allerton surmised, beyond anything she
could experience in his cumbrous and antiquated house.
This queer episode would drop behind her as an episode
and no more, and in the multitude of future incidents
she would almost forget that she had known him.
He hoped to God that it would be so, and yet....</p>
<p>He was noting too that she hadn’t taxed him, in
the way of calling on his small supply of nervous
energy. Rather she had spared it, and he felt himself
rested. After a talk with Barbara he was always
spent. Her emotional furies demanded so much of
him that they used him up. This girl, on the contrary,
was soothing. He didn’t know how she was soothing;
but she was. He couldn’t remember when he had
talked to a woman with so little thought of what he
was to say and how he was to say it, and heaven only
knew that the things to be said between them were
nerve-racking enough. But they had come out of their
own accord, those nerve-racking things, probably, he
reasoned, because she was a girl of inferior class with
whom he didn’t have to be particular.</p>
<p>She was quick, too, to catch the difference between
his speech and her own. She was quick—and pathetic.
Her self-correction amused him, with a strain of pity
in his amusement. If a girl like that had only had a
chance.... And just then Steptoe broke in on his
musing by entering the room.</p>
<p>The first subject to be aired was that of the changes
in the household staff, and Steptoe raised it diplomatically.
Mrs. Courage and Jane had taken offense
at the young lydy’s presence, and packed themselves
off in dishonorable haste. Had it not been that two
men friends of his own were ready to come at an
hour’s notice the house would have been servantless
till he had procured strangers. No condemnation
could be too severe for Mrs. Courage and Jane, for
not content with leaving the house in dudgeon they
had insulted the young lydy before they went.</p>
<p>“Sooner or lyter they would ’a’ went any’ow. For
this long time back they’ve been too big for their
boots, as you might sye. If Mr. Rash ’ad married
the other young lydy she wouldn’t ’a’ stood ’em a
week. It don’t do to keep servants too long, not
when they’ve got no more than a menial mind, which
Jynie and Mrs. Courage ’aven’t. The minute they
’eard that this young lydy was in the ’ouse.... And
beautiful the wye she took it, Mr. Rash. I never see
nothink finer on the styge nor in the movin’ pictures.
Like a young queen she was, a-tellin’ ’em that she
’adn’t come to this ’ouse to turn out of it them as ’ad
’ad it as their ’ome, like, and that she’d put it up to
them. If they went she’d stye; but if they styed she’d
go––”</p>
<p>“She’s going anyhow.”</p>
<p>Steptoe moved away to feel the fastenings of the
back windows. “That’ll be a relief to us, sir, won’t
it?” he said, without turning his head.</p>
<p>“It’ll make things easier—certainly.”</p>
<p>“I was just ’opin’ that it mightn’t be—well, not too
soon.”</p>
<p>“What do you mean by too soon?”</p>
<p>“Well, sir, I’ve been thinkin’ it over through the
dye, just as you told me to do this mornin,’ and I
figger out—” on a table near him he began to arrange
the disordered books and magazines—“I figger out
that if she was to go it’d better be in a wye agreeable
to all concerned. It wouldn’t do, I syes to myself, for
Mr. Rash to bring a young woman into this ’ouse
and ’ave ’er go awye feelin’ anythink but glad she’d
come.”</p>
<p>“That’ll be some job.”</p>
<p>“It’ll be some job, sir; but it’ll be worth it. It
ain’t only on the young lydy’s account; it’ll be on Mr.
Rash’s.”</p>
<p>“On Mr. Rash’s—how?”</p>
<p>The magazines lapping over each other in two long
lines, he straightened them with little pats. “What I
suppose you mean to do, sir, is to get out o’ this
matrimony and enter into the other as you thought as
you wasn’t goin’ to enter into.”</p>
<p>“Well?”</p>
<p>“And when you’d entered into the other you
wouldn’t want it on your mind—on your conscience,
as you might sye—that there was a young lydy in the
world as you’d done a kind o’ wrong to.”</p>
<p>Allerton took three strides across the corner of the
room, and three strides back to the fireplace again.
“How am I going to escape that? She says she won’t
let me give her any money.”</p>
<p>“Oh, money!” Steptoe brushed money aside as if
it had no value. “She wouldn’t of course. Not ’er
sort.”</p>
<p>“But what <i>is</i> ’er sort. She seemed one thing yesterday,
and to-day she’s another.”</p>
<p>“That’s somethink like what I mean. That young
lydy ’as growed more in twenty-four hours than lots’d
grow in twenty-four years.” He considered how best
to express himself further. “Did Mr. Rash ever
notice that it isn’t bein’ born of a certain kind o’
family as’ll myke a man a gentleman? Of course ’e
did. But did ’e ever notice that a man’ll often <i>not</i>
be born of a certain kind o’ family, and yet be a
gentleman all the syme?”</p>
<p>“I know what you’re driving at; but it depends on
what you mean by a gentleman.”</p>
<p>“And I couldn’t ’ardly sye—not no more than I
could tell you what the smell of a flower was, not even
while you was a-smellin’ of it. You know a gentleman’s
a gentleman, and you may think it’s this or that
what mykes ’im so, but there ain’t no wye to put it
into words. Now you, Mr. Rash, anybody’d know
you was a gentleman what merely looked at you
through a telescope; but you couldn’t explyne it, not
if you was took all to pieces like the works of a clock.
It ain’t nothink you do and nothink you sye, because
if we was to go by that––”</p>
<p>“Good Lord, stop! We’re not talking about me.”</p>
<p>“No, Mr. Rash. We’re talkin’ about the queer thing
it is what mykes a gentleman, and I sye that I can’t
sye. But I <i>know</i>. Now, tyke Eugene. ’E’s just a
chauffeur. But no one couldn’t be ten minutes with
Eugene and not know ’e’s a gentleman through and
through. Obligin’—good-mannered—modest—polite
to the very cat ’e is—and always with that nice smile—wouldn’t
<i>you</i> sye as Eugene was a gentleman, if
anybody was to arsk you, Mr. Rash?”</p>
<p>“If they asked me from that point of view—yes—probably.
But what has that to do with it?”</p>
<p>“It ’as this to do with it that when you arsk me
what sort that young lydy is I ’ave to reply as she’s
not the sort to accept money from strynge gentlemen,
because it ain’t what she’s after.”</p>
<p>“Then what on earth <i>is</i> she after? Whatever it
is she can have it, if I can only find out what it is.”</p>
<p>Steptoe answered this in his own way. “It’s very
’ard for the poor to see so much that’s good and beautiful
in the world, and know that they can’t ’ave none
of it. I felt that myself before I worked up to where
I am now. ’Ere in New York a poor boy or a poor
girl can’t go out into the street without seein’ the
things they’re cryvin’ for in their insides flaunted
at ’em like—shook in their fyces—while the law
and the police and the church and everythink what
mykes our life says to ’em, ‘There’s none o’ this for
you.’”</p>
<p>“Well, money would buy it, wouldn’t it?”</p>
<p>“Money’d buy it if money knew what to buy. But
it don’t. Mr. Rash must ’ave noticed that there’s
nothink ’elplesser than the people with money what
don’t know ’ow to spend it. I used to be that wye
myself when I’d ’ave a little cash. I wouldn’t know
what to blow myself to what wouldn’t be like them
vulgar new-rich. But the new-rich is vulgar only
because our life ’as put the ’orse before the cart with
’em, as you might sye, in givin’ them the money
before showin’ ’em what to do with it.”</p>
<p>Having straightened the lines of magazines to the
last fraction of an inch he found a further excuse for
lingering by moving back into their accustomed places
the chairs which had been disarranged.</p>
<p>“You ’ave to get the syme kind of ’ang of things
as you and me’ve got, Mr. Rash, to know what it is
you want, and ’ow to spend your money wise like.
Pleasure isn’t just in ’avin’ things; it’s in knowin’
what’s good to ’ave and what ain’t. Now this young
lydy’d be like a child with a dime sent into a ten-cent
store to buy whatever ’e’d like. There’s so many
things, and all the syme price, that ’e’s kind of confused
like. First ’e thinks it’ll be one thing, and then
’e thinks it’ll be another, and ’e ends by tykin’ the
wrong thing, because ’e didn’t ’ave nothink to tell
’im ’ow to choose. Mr. Rash wouldn’t want a young
lydy to whom ’e’s indebted, as you might sye, to be
like that, now would ’e?”</p>
<p>“It doesn’t seem to me that I’ve got anything to do
with it. If I offer her the money, and can get her to
take it––”</p>
<p>“That’s where she strikes me as wiser than Mr.
Rash, for all she don’t know but so little. That much
she knows by hinstinck.”</p>
<p>“Then what am I going to do?”</p>
<p>“That’d be for Mr. Rash to sye. If it was me––”</p>
<p>The necessity for getting an armchair exactly beneath
a portrait seemed to cut this sentence short.</p>
<p>“Well, if it was you—what then?”</p>
<p>“Before I’d give ’er money I’d teach ’er the ’ang
of our kind o’ life, like. That’s what she’s aichin’
and cryvin’ for. A born lydy she is, and ’ankerin’
after a lydy’s wyes, and with no one to learn ’em to
’er––”</p>
<p>“But, good heavens, I can’t do that.”</p>
<p>“No, Mr. Rash, but I could, if you was to leave ’er
’ere for a bit. I could learn ’er to be a lydy in the
course of a few weeks, and ’er so quick to pick up.
Then if you was to settle a little hincome on ’er she
wouldn’t––”</p>
<p>Allerton took the bull by the horns. “She wouldn’t
be so likely to go to the bad. That’s what you mean,
isn’t it?”</p>
<p>Moving behind Allerton, who continued to stand on
the hearthrug, Steptoe began poking the embers, making
them safe for the night.</p>
<p>“Did Mr. Rash ever notice that goin’ to the bad, as
’e calls it, ain’t the syme for them as ’ave nothink as
it looks to them as ’ave everythink? When you’re
’ungry for food you heats the first thing you can lie
your ’ands on; and when you’re ’ungry for life you
do the first thing as’ll promise you the good you’re
lookin’ for. What people like you and me is hapt
to call goin’ to the bad ain’t mostly no more than
a ’ankerin’ for good which nothink don’t seem to
feed.”</p>
<p>Allerton smiled. “That sounds to me as if it might
be dangerous doctrine.”</p>
<p>“What excuses the poor’ll often seem dyngerous
doctrine to the rich, Mr. Rash. Our kind is awful
afryde of their kind gettin’ a little bit of what they’re
longin’ for, and especially ’ere in America. When
we’ve took from them most of the means of ’aving a
little pleasure lawful, we call it dyngerous if they tyke
it unlawful like, and we go to work and pass laws
agynst them. Protectin’ them agynst theirselves we
sye it is, and we go at it with a gun.”</p>
<p>“But we’re talking of––”</p>
<p>“Of the young lydy, sir. Quite so. It’s on ’er
account as I’m syin’ what I’m syin’. You arsk me if
I think she’ll go to the bad in cyse we turn ’er out, and
I sye that––”</p>
<p>Allerton started. “There’s no question of our turning
her out. She’s sick of it.”</p>
<p>“Then that’d be my point, wouldn’t it, sir? If
she goes because she’s sick of it, why, then, natural
like, she’ll look somewhere else for what—for what
she didn’t find with us. You may call it goin’ to the
bad, but it’ll be no more than tryin’ to find in a wrong
wye what life ’as denied ’er in a right one.”</p>
<p>Allerton, who had never in his life been asked to
bear moral responsibility, was uneasy at this philosophy,
changing the subject abruptly.</p>
<p>“Where did she get the clothes?”</p>
<p>“Me and ’er, Mr. Rash, went to Margot’s this
mornin’ and bought a bunch of ’em.”</p>
<p>“The deuce you did! And you used my name?”</p>
<p>“No, sir,” Steptoe returned, with dignity, “I used
mine. I didn’t give no ’andle to gossip. I pyde for
the things out o’ some money I ’ad in ’and—my own
money, Mr. Rash—and ’ad ’em all sent to me. I
thought as we was mykin’ a mistyke the young lydy’d
better look proper while we was mykin’ it; and I
knew Mr. Rash’d feel the syme.”</p>
<p>The situation was that in which the <i>fainéant</i> king
accepts the act of the mayor of the palace because it
is Hobson’s choice. Moreover, he was willing that
she should have the clothes. If she wouldn’t take
money she would at least apparently take them, which,
in a measure, would amount to the same thing. He
was dwelling on this bit of satisfaction when Steptoe
continued.</p>
<p>“And as long as the young lydy remynes with us,
Mr. Rash, I thought it’d be discreeter like not to ’ave
no more women pokin’ about, and tryin’ to find out
what ’ad better not be known. It mykes it simpler
as she ’erself arsks to be called Miss Gravely––”</p>
<p>“Oh, she does?”</p>
<p>“Yes, sir; and that’s what I’ve told William and
Golightly, the waiter and the chef, is ’er nyme. It
mykes it all plyne to ’em––”</p>
<p>“Plain? Why, they’ll think––”</p>
<p>“No, sir. They won’t think. When it comes to
what’s no one’s business but your own women thinks;
men just haccepts. They tykes things for granted,
and don’t feel it none of their affair. Mr. Rash’ll ’ave
noticed that there’s a different kind of honor among
women from what there is among men. I don’t sye
but what the women’s is all right, only the men’s is
easier to get on with.”</p>
<p>There being no response to these observations Steptoe
made ready to withdraw. “And shall you stye
’ome for breakfast, sir?”</p>
<p>“I’ll see in the morning.”</p>
<p>“Very good, sir. I’ve locked up the ’ouse and seen
to everythink, if you’ll switch off the lights as you
come up. Good-night, Mr. Rash.”</p>
<p>“Good-night.”</p>
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