<h2>Chapter VII</h2>
<p>And all this while Letty was in the dining-room,
learning certain lessons from her new-found
friend.</p>
<p>For some little time she had been alone. Steptoe
finished his conversation with Miss Walbrook on the
telephone, but did not come back. She sat at the
table feeding Beppo with bread and milk, but wondering
if, after all, she hadn’t better make a bolt for it.
She had had her breakfast, which was an asset to the
good, and nothing worse could happen to her out in
the open world than she feared in this great dim,
gloomy house. She had once crept in to look at the
cathedral and, overwhelmed by its height, immensity,
and mystery, had crept out again. Its emotional suggestions
had been more than she could bear. She
felt now as if her bed had been made and her food
laid out in that cathedral—as if, as long as she remained,
she must eat and sleep in this vast, pillared
solemnity.</p>
<p>And that was only one thing. There were small
practical considerations even more terrible to confront.
If Nettie were to appear again ...</p>
<p>But it was as to this that Steptoe was making his
appeal. “I sye, girls, don’t you go to mykin’ a fuss
and spoilin’ your lives, when you’ve got a chanst as’ll
never come again.”</p>
<p>Mrs. Courage answered for them all. To sacrifice
decency to self-interest wasn’t in them, nor never
would be. Some there might be, like ’Enery Steptoe,
who would sell their birthright for a mess of pottage,
but Mary Ann Courage was not of that company, nor
any other woman upon whom she could use her influence.
If a hussy had been put to reign over them,
reigned over by a hussy none of them would be. All
they asked was to see her once, to deliver the ultimatum
of giving notice.</p>
<p>“It’s a strynge thing to me,” Steptoe reasoned,
“that when one poor person gets a lift, every other
poor person comes down on ’em.”</p>
<p>“And might we arsk who you means by poor persons?”</p>
<p>“Who should I mean, Mrs. Courage, but people
like us? If we don’t ’ang by each other, who <i>will</i>
’ang by us, I should like to know? ’Ere’s one of us
plyced in a ’igh position, and instead o’ bein’ proud of
it, and givin’ ’er a lift to carry ’er along, you’re all
for mykin’ it as ’ard for ’er as you can. Do you call
that sensible?”</p>
<p>“I call it sensible for everyone to stye in their
proper spere.”</p>
<p>“So that if a man’s poor, you must keep ’im poor,
no matter ’ow ’e tries to better ’imself. That’s what
your proper speres would come to.”</p>
<p>But argument being of no use, Steptoe could only
make up his mind to revolution in the house. “The
poor’s very good to the poor when one of ’em’s in
trouble,” was his summing up, “but let one of ’em
’ave an extry stroke of luck, and all the rest’ll jaw
against ’im like so many magpies.” As a parting shot
he declared on leaving the kitchen, “The trouble with
you girls is that you ain’t got no class spunk, and that’s
why, in sperrit, you’ll never be nothink but menials.”</p>
<p>This lack of <i>esprit de corps</i> was something he
couldn’t understand, but what he understood less was
the need of the heart to touch occasionally the high
points of experience. Mrs. Courage and Jane, to say
nothing of Nettie, after thirty years of domestic
routine had reached the place where something in the
way of drama had become imperative. The range
and the pantry produce inhibitions as surely as the
desk or the drawing-room. On both natures inhibitions
had been packed like feathers on a seabird, till
the soul cried out to be released from some of them.
It might mean going out from the home that had
sheltered them for years, and breaking with all their
traditions, but now that the chance was there, neither
could refuse it. To a virtuous woman, starched and
stiffened in her virtue, steeped in it, dyed in it, permeated
by it through and through, nothing so stirs
the dramatic, so quickens the imagination, so calls
the spirit to the purple emotional heights, as contact
with the sister she knows to be a hussy. For Jane
Cakebread and Mary Ann Courage the opportunity
was unique.</p>
<p>“Then I’ll go. I’ll go straight now.”</p>
<p>As Steptoe brought the information that the three
women of the household were coming to announce
the resignation of their posts, Letty sprang to her
feet.</p>
<p>“May I arsk madam to sit down again and let me
explyne?”</p>
<p>Taking this as an order, she sank back into her
chair again. He stood confronting her as before, one
hand resting lightly on the table.</p>
<p>“Nothink so good won’t ’ave ’appened in this ’ouse
since old Mrs. Allerton went to work and died.”</p>
<p>Letty’s eyes shone with their tiny fires, not in pleasure
but in wonder.</p>
<p>“When old servants is good, they’re good, but even
when they’re good, there’s times when you can’t ’elp
wishin’ as ’ow the Lord ’ud be pleased to tyke them
to ’Imself.”</p>
<p>He allowed this to sink in before going further.</p>
<p>“The men’s all right, for the most part. Indoor
work comes natural to ’em, and they’ll swing it
without no complynts. But with the women it’s
kick, kick, kick, and when they’re worn theirselves
out with kickin’, they’ll begin to kick again.
What’s plye for a man, for them ain’t nothink but
slyvery.”</p>
<p>Letty listened as one receiving revelations from
another world.</p>
<p>“I ain’t what they call a woman-’ater. <i>I</i> believe
as God made woman for a purpose. Only I can’t
bring myself to think as the human race ’as rightly
found out yet what that purpose is. God’s wyes is
always dark, and when it comes to women, they’re
darker nor they are elsewheres. One thing I do know,
and we’ll be a lot more comfortable when more of us
finds it out—that God never made women for the
’ome.”</p>
<p>In spite of her awe of him, Letty found this doctrine
difficult to accept.</p>
<p>“If God didn’t make ’em for the home, mister,
where on earth would you put ’em?”</p>
<p>The wintry color came out again on the old man’s
cheeks. “If madam would call me Steptoe,” he said
ceremoniously, “I think she’d find it easier. I mean,”
he went on, reverting to the original theme, “that ’E
didn’t make ’em to be cooks and ’ousemaids and parlormaids,
and all that. That’s men’s work. Men’ll
do it as easy as a bird’ll sing. I never see the woman
yet as didn’t fret ’erself over it, like a wild animal’ll
fret itself in a circus cage. It spiles women to put
’em to ’ousework, like it always spiles people to put
’em to jobs for which the Lord didn’t give ’em no
haptitude.”</p>
<p>Letty was puzzled, but followed partially.</p>
<p>“I’ve watched ’em and watched ’em, and it’s always
the syme tyle. They’ll go into service young and
joyous like, but it won’t be two or three years before
they’ll have growed cat-nasty like this ’ere Jyne Cykebread
and Mary Ann Courage. Madam ’ud never
believe what sweet young things they was when I
first picked ’em out—Mrs. Courage a young widow,
and Jynie as nice a girl as madam ’ud wish to see,
only with the features what Mrs. Allerton used to call
a little hover-haccentuated. And now—!” He
allowed the conditions to speak for themselves without
criticizing further.</p>
<p>“It’s keepin’ ’em in a ’ome what’s done it. They
knows it theirselves—and yet they don’t. Inside
they’ve got the sperrits of young colts that wants to
kick up their ’eels in the pasture. They don’t mean no
worse nor that, only when people comes to Jynie’s age
and Mrs. Courage’s they ’ave to kick up their ’eels
in their own wye. If madam’ll remember that, and
be pytient with them like–––”</p>
<p>Letty cried in alarm, “But it’s got nothin’ to do with
me!”</p>
<p>“If madam’ll excuse me, it’s got everything to do
with ’er. She’s the missus of this ’ouse.”</p>
<p>“Oh, no, I ain’t. Mr. Allerton just brung me
here––”</p>
<p>Once more there was the delicate emphasis with
which he had corrected other slips. “Mr. Allerton
<i>brought</i> madam, and told me to see that she was put
in ’er proper plyce. If madam’ll let me steer the
thing, I’ll myke it as easy for ’er as easy.”</p>
<p>He reflected as to how to make the situation clear
to her. “I’ve been readin’ about the time when our
lyte Queen Victoria come to the throne as quite a
young girl. She didn’t know nothin’ about politics
or presidin’ at councils or nothin’. But she had
a prime minister—a kind of hupper servant, you
might sye—’er servant was what ’e always called
’imself—and whatever ’e told ’er to do, she done.
Walked through it all, you might sye, till she got
the ’ang of it, but once she did get the ’ang of
it—well, there wasn’t no big-bug in the world that
our most grycious sovereign lydy couldn’t put it all
hover on.”</p>
<p>Once more he allowed her time to assimilate this
parable.</p>
<p>“Now if madam would only think of ’erself as
called in youth to reign hover this ’ouse––”</p>
<p>“Oh, but I couldn’t!”</p>
<p>“And yet it’s madam’s duty, now that she’s married
to its ’ead––”</p>
<p>“Yes, but he didn’t marry me like that. He married
me—all queer like. This was the way.”</p>
<p>She poured out the story, while Steptoe listened
quietly. There being no elements in it of the kind
he called “shydy,” he found it romantic. No one had
ever suspected the longings for romance which had filled
his heart and imagination when he was a poor little
scullion boy; but the memory of them, with some of the
reality, was still fresh in his hidden inner self. Now it
seemed as if remotely and vicariously romance might
be coming to him after all, through the boy he adored.</p>
<p>On her tale his only comment was to say: “I’ve
been readin’—I’m a great reader,” he threw in parenthetically,
“wonderful exercise for the mind, and
learns you things which you wouldn’t be likely to ’ear
tell of—but I’ve been readin’ about a king—I’ll show
you ’is nyme in the book—what fell in love with a
beggar myde––”</p>
<p>“Oh, but Mr. Allerton didn’t fall in love with me.”</p>
<p>“That remynes to be seen.”</p>
<p>She lifted her hands in awed amazement. “Mister—I
mean, Steptoe—you—you don’t think––?”</p>
<p>The subway dream of love at first sight was as
tenacious in her soul as the craving for romance in his.</p>
<p>He nodded. “I’ve known strynger things to
’appen.”</p>
<p>“But—but—he couldn’t—” it was beyond her power
of expression, though Steptoe knew what she meant—“not
<i>him</i>!”</p>
<p>He answered judicially. “’E may come to it. It’ll
be a tough job to bring ’im—but if madam’ll be
guided by me–––”</p>
<p>Letty collapsed. Her spirit grew faint as the spirit
of Christian when he descried far off the walls of the
Celestial City, with the Dark River rolling between
him and it. Letty knew the Dark River must be there,
but if beyond it there lay the slightest chance of the
Celestial City....</p>
<p>She came back to herself, as it were, on hearing
Steptoe say that the procession from the kitchen
would presently begin to form itself.</p>
<p>“Now if madam’ll be guided by me she’ll meet this
situytion fyce to fyce.”</p>
<p>“Oh, but I’d never know what to say.”</p>
<p>“Madam won’t need to say nothink. She won’t ’ave
to speak. ’Ere they’ll troop in—” a gesture described
Mrs. Courage leading the advance through the doorway—“and
’ere they’ll stand. Madam’ll sit just
where she’s sittin’—a little further back from the tyble—lookin’
over the mornin’ pyper like—” he placed the
paper in her hand—“and as heach gives notice,
madam’ll just bow ’er ’ead. See?”</p>
<p>Madam saw, but not exactly.</p>
<p>“Now if she’ll just move ’er chair––”</p>
<p>The chair was moved in such a way as to make it
seem that the occupant, having finished her breakfast,
was giving herself a little more space.</p>
<p>“And if madam would remove ’er ’at and jacket,
she’d—she’d seem more like the lydy of the ’ouse at
’ome.”</p>
<p>Letty took off these articles of apparel, which Steptoe
whisked out of sight.</p>
<p>“Now I’ll be Mrs. Courage comin’ to sye, ‘Madam,
I wish to give notice.’ Madam’ll lower the pyper
just enough to show ’er inclinin’ of ’er ’ead, assentin’
to Mrs. Courage leavin’ ’er. Mrs. Courage will be all
for ’avin’ words—she’s a great ’and for words, Mrs.
Courage is—but if madam won’t sye nothin’ at all,
the wind’ll be out o’ Mrs. Courage’s syles like. Now,
will madam be so good––?”</p>
<p>Having passed out into the hall, he entered with
Mrs. Courage’s majestic gait, pausing some three feet
from the table to say:</p>
<p>“Madam, things bein’ as they are, and me not
wishin’ to stye no longer in the ’ouse where I’ve served
so many years, I beg to give notice that I’m a givin’
of notice and mean to quit right off.”</p>
<p>Letty lowered the paper from before her eyes, jerking
her head briskly.</p>
<p>“Ye-es,” Steptoe commended doubtfully, “a lettle
too—well, too habrupt, as you might sye. Most lydies—real
’igh lydies, like the lyte Mrs. Allerton—inclines
their ’ead slow and gryceful like. First, they throws
it back a bit, so as to get a purchase on it, and then
they brings it forward calm like, lowerin’ it stytely—Perhaps
if madam’ud be me for a bit—that ’ud be
Mrs. Courage—and let me sit there and be ’er, I
could show ’er––”</p>
<p>The places were reversed. It was Letty who came
in as Mrs. Courage, while Steptoe, seated in the
chair, lowered the paper to the degree which he
thought dignified. Letty mumbled something like the
words the hypothetical Mrs. Courage was presumed
to use, while Steptoe slowly threw back his head for
the purchase, bringing it forward in condescending
grace. Language could not have given Mrs. Courage
so effective a retort courteous.</p>
<p>Letty was enchanted. “Oh, Steptoe, let me have
another try. I believe I could swing the cat.”</p>
<p>Again the places were reversed. Steptoe having repeated
the rôle of Mrs. Courage, Letty imitated him
as best she could in getting the purchase for her bow
and catching his air of high-bred condescension.</p>
<p>“Better,” he approved, “if madam wouldn’t lower
’er ’ead <i>quite</i> so far back’ard. You see, madam, a
lydy don’t <i>know</i> she’s throwin’ back ’er ’ead so as to
get a grip on it. She does it unconscious like, because
bein’ of a ’aughty sperrit she ’olds it ’igh natural.
If madam’ll only stiffen ’er neck like, as if sperrit ’ad
made ’er about two inches taller than she is––”</p>
<p>Having seized this idea, Letty tried again, with
such success that Mrs. Courage was disposed of.
Jane Cakebread followed next, with Nettie last of all.
Unaware of his possession of histrionic ability, Steptoe
gave to each character its outstanding traits, fluttering
like Jane, and giggling like Nettie, not in zeal for a
newly discovered interpretative art, but in order that
Letty might be nowhere caught at a disadvantage.
He was delighted with her quickness in imitation.</p>
<p>“Couldn’t ’ave done that better myself,” he declared
after Nettie had been dismissed for the third or fourth
time. “When it comes to the inclinin’ of the ’ead I
should sye as madam was about letter-perfect, as
they sye on the styge. If Mr. Rash was to see it,
’e’d swear as ’is ma ’ad come back again.”</p>
<p>A muffled sound proceeded from the back part of
the hallway, with some whispering and once or twice
Nettie’s stifled cackle of a laugh.</p>
<p>“’Ere they are,” he warned her. “Madam must be
firm and control ’erself. There’s nothink for ’er to
be afryde of. Just let ’er think of the lyte Queen
Victoria, called to the throne when younger even than
madam is––”</p>
<p>A shuffling developed into one lone step, heavy,
stately, and funereal. Doing her best to emulate the
historic example held up to her, Letty lengthened her
neck and stiffened it. A haughty spirit seemed to
rise in her by the mere process of the elongation. She
was so nervous that the paper shook in her hand, but
she knew that if the Celestial City was to be won, she
could shrink from no tests which might lead her on to
victory.</p>
<p>Steptoe had relapsed into the major-domo’s office,
announcing from the doorway, “Mrs. Courage to see
madam, if madam will be pleased to receive ’er.”</p>
<p>Madam indicated that she was so pleased, scrambling
after the standard of the maiden sovereign of
Windsor Castle giving audience to princes and
ambassadors.</p>
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