<SPAN name="2HCH0005"></SPAN>
<h2> CHAPTER V </h2>
<p>"And she was smooth and full, as if one gush<br/>
Of life had washed her, or as if a sleep<br/>
Lay on her eyelid, easier to sweep<br/>
Than bee from daisy."<br/>
BEDDOIS' Pygmalion.<br/>
<br/>
"Sche was as whyt as lylye yn May,<br/>
Or snow that sneweth yn wynterys day."<br/>
Romance of Sir Launfal.<br/></p>
<p>I walked on, in the fresh morning air, as if new-born. The only thing
that damped my pleasure was a cloud of something between sorrow and
delight that crossed my mind with the frequently returning thought of my
last night's hostess. "But then," thought I, "if she is sorry, I could
not help it; and she has all the pleasures she ever had. Such a day as
this is surely a joy to her, as much at least as to me. And her life
will perhaps be the richer, for holding now within it the memory of what
came, but could not stay. And if ever she is a woman, who knows but
we may meet somewhere? there is plenty of room for meeting in the
universe." Comforting myself thus, yet with a vague compunction, as if
I ought not to have left her, I went on. There was little to distinguish
the woods to-day from those of my own land; except that all the wild
things, rabbits, birds, squirrels, mice, and the numberless other
inhabitants, were very tame; that is, they did not run away from me, but
gazed at me as I passed, frequently coming nearer, as if to examine
me more closely. Whether this came from utter ignorance, or from
familiarity with the human appearance of beings who never hurt them, I
could not tell. As I stood once, looking up to the splendid flower of
a parasite, which hung from the branch of a tree over my head, a large
white rabbit cantered slowly up, put one of its little feet on one of
mine, and looked up at me with its red eyes, just as I had been
looking up at the flower above me. I stooped and stroked it; but when
I attempted to lift it, it banged the ground with its hind feet and
scampered off at a great rate, turning, however, to look at me several
times before I lost sight of it. Now and then, too, a dim human figure
would appear and disappear, at some distance, amongst the trees, moving
like a sleep-walker. But no one ever came near me.</p>
<p>This day I found plenty of food in the forest—strange nuts and fruits
I had never seen before. I hesitated to eat them; but argued that, if
I could live on the air of Fairy Land, I could live on its food also. I
found my reasoning correct, and the result was better than I had hoped;
for it not only satisfied my hunger, but operated in such a way upon my
senses that I was brought into far more complete relationship with the
things around me. The human forms appeared much more dense and defined;
more tangibly visible, if I may say so. I seemed to know better which
direction to choose when any doubt arose. I began to feel in some degree
what the birds meant in their songs, though I could not express it in
words, any more than you can some landscapes. At times, to my surprise,
I found myself listening attentively, and as if it were no unusual
thing with me, to a conversation between two squirrels or monkeys.
The subjects were not very interesting, except as associated with the
individual life and necessities of the little creatures: where the best
nuts were to be found in the neighbourhood, and who could crack them
best, or who had most laid up for the winter, and such like; only they
never said where the store was. There was no great difference in kind
between their talk and our ordinary human conversation. Some of the
creatures I never heard speak at all, and believe they never do so,
except under the impulse of some great excitement. The mice talked; but
the hedgehogs seemed very phlegmatic; and though I met a couple of moles
above ground several times, they never said a word to each other in my
hearing. There were no wild beasts in the forest; at least, I did not
see one larger than a wild cat. There were plenty of snakes, however,
and I do not think they were all harmless; but none ever bit me.</p>
<p>Soon after mid-day I arrived at a bare rocky hill, of no great size, but
very steep; and having no trees—scarcely even a bush—upon it, entirely
exposed to the heat of the sun. Over this my way seemed to lie, and
I immediately began the ascent. On reaching the top, hot and weary, I
looked around me, and saw that the forest still stretched as far as the
sight could reach on every side of me. I observed that the trees, in the
direction in which I was about to descend, did not come so near the
foot of the hill as on the other side, and was especially regretting the
unexpected postponement of shelter, because this side of the hill seemed
more difficult to descend than the other had been to climb, when my eye
caught the appearance of a natural path, winding down through broken
rocks and along the course of a tiny stream, which I hoped would lead
me more easily to the foot. I tried it, and found the descent not at all
laborious; nevertheless, when I reached the bottom, I was very tired and
exhausted with the heat. But just where the path seemed to end, rose
a great rock, quite overgrown with shrubs and creeping plants, some of
them in full and splendid blossom: these almost concealed an opening in
the rock, into which the path appeared to lead. I entered, thirsting for
the shade which it promised. What was my delight to find a rocky
cell, all the angles rounded away with rich moss, and every ledge and
projection crowded with lovely ferns, the variety of whose forms, and
groupings, and shades wrought in me like a poem; for such a harmony
could not exist, except they all consented to some one end! A little
well of the clearest water filled a mossy hollow in one corner. I drank,
and felt as if I knew what the elixir of life must be; then threw myself
on a mossy mound that lay like a couch along the inner end. Here I lay
in a delicious reverie for some time; during which all lovely forms, and
colours, and sounds seemed to use my brain as a common hall, where they
could come and go, unbidden and unexcused. I had never imagined that
such capacity for simple happiness lay in me, as was now awakened by
this assembly of forms and spiritual sensations, which yet were far too
vague to admit of being translated into any shape common to my own and
another mind. I had lain for an hour, I should suppose, though it may
have been far longer, when, the harmonious tumult in my mind having
somewhat relaxed, I became aware that my eyes were fixed on a strange,
time-worn bas-relief on the rock opposite to me. This, after some
pondering, I concluded to represent Pygmalion, as he awaited the
quickening of his statue. The sculptor sat more rigid than the figure to
which his eyes were turned. That seemed about to step from its pedestal
and embrace the man, who waited rather than expected.</p>
<p>"A lovely story," I said to myself. "This cave, now, with the bushes cut
away from the entrance to let the light in, might be such a place as he
would choose, withdrawn from the notice of men, to set up his block of
marble, and mould into a visible body the thought already clothed with
form in the unseen hall of the sculptor's brain. And, indeed, if I
mistake not," I said, starting up, as a sudden ray of light arrived
at that moment through a crevice in the roof, and lighted up a small
portion of the rock, bare of vegetation, "this very rock is marble,
white enough and delicate enough for any statue, even if destined to
become an ideal woman in the arms of the sculptor."</p>
<p>I took my knife and removed the moss from a part of the block on which
I had been lying; when, to my surprise, I found it more like alabaster
than ordinary marble, and soft to the edge of the knife. In fact, it
was alabaster. By an inexplicable, though by no means unusual kind of
impulse, I went on removing the moss from the surface of the stone;
and soon saw that it was polished, or at least smooth, throughout. I
continued my labour; and after clearing a space of about a couple of
square feet, I observed what caused me to prosecute the work with more
interest and care than before. For the ray of sunlight had now reached
the spot I had cleared, and under its lustre the alabaster revealed
its usual slight transparency when polished, except where my knife had
scratched the surface; and I observed that the transparency seemed to
have a definite limit, and to end upon an opaque body like the more
solid, white marble. I was careful to scratch no more. And first, a
vague anticipation gave way to a startling sense of possibility; then,
as I proceeded, one revelation after another produced the entrancing
conviction, that under the crust of alabaster lay a dimly visible form
in marble, but whether of man or woman I could not yet tell. I worked on
as rapidly as the necessary care would permit; and when I had uncovered
the whole mass, and rising from my knees, had retreated a little way,
so that the effect of the whole might fall on me, I saw before me
with sufficient plainness—though at the same time with considerable
indistinctness, arising from the limited amount of light the place
admitted, as well as from the nature of the object itself—a block of
pure alabaster enclosing the form, apparently in marble, of a reposing
woman. She lay on one side, with her hand under her cheek, and her face
towards me; but her hair had fallen partly over her face, so that I
could not see the expression of the whole. What I did see appeared to
me perfectly lovely; more near the face that had been born with me in
my soul, than anything I had seen before in nature or art. The actual
outlines of the rest of the form were so indistinct, that the more than
semi-opacity of the alabaster seemed insufficient to account for
the fact; and I conjectured that a light robe added its obscurity.
Numberless histories passed through my mind of change of substance from
enchantment and other causes, and of imprisonments such as this before
me. I thought of the Prince of the Enchanted City, half marble and half
a man; of Ariel; of Niobe; of the Sleeping Beauty in the Wood; of the
bleeding trees; and many other histories. Even my adventure of the
preceding evening with the lady of the beech-tree contributed to arouse
the wild hope, that by some means life might be given to this form also,
and that, breaking from her alabaster tomb, she might glorify my eyes
with her presence. "For," I argued, "who can tell but this cave may be
the home of Marble, and this, essential Marble—that spirit of marble
which, present throughout, makes it capable of being moulded into any
form? Then if she should awake! But how to awake her? A kiss awoke
the Sleeping Beauty! a kiss cannot reach her through the incrusting
alabaster." I kneeled, however, and kissed the pale coffin; but she
slept on. I bethought me of Orpheus, and the following stones—that
trees should follow his music seemed nothing surprising now. Might not a
song awake this form, that the glory of motion might for a time displace
the loveliness of rest? Sweet sounds can go where kisses may not enter.
I sat and thought. Now, although always delighting in music, I had never
been gifted with the power of song, until I entered the fairy forest. I
had a voice, and I had a true sense of sound; but when I tried to sing,
the one would not content the other, and so I remained silent. This
morning, however, I had found myself, ere I was aware, rejoicing in a
song; but whether it was before or after I had eaten of the fruits
of the forest, I could not satisfy myself. I concluded it was after,
however; and that the increased impulse to sing I now felt, was in part
owing to having drunk of the little well, which shone like a brilliant
eye in a corner of the cave. It saw down on the ground by the "antenatal
tomb," leaned upon it with my face towards the head of the figure
within, and sang—the words and tones coming together, and inseparably
connected, as if word and tone formed one thing; or, as if each word
could be uttered only in that tone, and was incapable of distinction
from it, except in idea, by an acute analysis. I sang something like
this: but the words are only a dull representation of a state whose
very elevation precluded the possibility of remembrance; and in which I
presume the words really employed were as far above these, as that state
transcended this wherein I recall it:</p>
<p>"Marble woman, vainly sleeping<br/>
In the very death of dreams!<br/>
Wilt thou—slumber from thee sweeping,<br/>
All but what with vision teems—<br/>
Hear my voice come through the golden<br/>
Mist of memory and hope;<br/>
And with shadowy smile embolden<br/>
Me with primal Death to cope?<br/>
<br/>
"Thee the sculptors all pursuing,<br/>
Have embodied but their own;<br/>
Round their visions, form enduring,<br/>
Marble vestments thou hast thrown;<br/>
But thyself, in silence winding,<br/>
Thou hast kept eternally;<br/>
Thee they found not, many finding—<br/>
I have found thee: wake for me."<br/></p>
<p>As I sang, I looked earnestly at the face so vaguely revealed before me.
I fancied, yet believed it to be but fancy, that through the dim veil
of the alabaster, I saw a motion of the head as if caused by a sinking
sigh. I gazed more earnestly, and concluded that it was but fancy.
Neverthless I could not help singing again—</p>
<p>"Rest is now filled full of beauty,<br/>
And can give thee up, I ween;<br/>
Come thou forth, for other duty<br/>
Motion pineth for her queen.<br/>
<br/>
"Or, if needing years to wake thee<br/>
From thy slumbrous solitudes,<br/>
Come, sleep-walking, and betake thee<br/>
To the friendly, sleeping woods.<br/>
<br/>
Sweeter dreams are in the forest,<br/>
Round thee storms would never rave;<br/>
And when need of rest is sorest,<br/>
Glide thou then into thy cave.<br/>
<br/>
"Or, if still thou choosest rather<br/>
Marble, be its spell on me;<br/>
Let thy slumber round me gather,<br/>
Let another dream with thee!"<br/></p>
<p>Again I paused, and gazed through the stony shroud, as if, by very force
of penetrative sight, I would clear every lineament of the lovely face.
And now I thought the hand that had lain under the cheek, had slipped
a little downward. But then I could not be sure that I had at first
observed its position accurately. So I sang again; for the longing had
grown into a passionate need of seeing her alive—</p>
<p>"Or art thou Death, O woman? for since I<br/>
Have set me singing by thy side,<br/>
Life hath forsook the upper sky,<br/>
And all the outer world hath died.<br/>
<br/>
"Yea, I am dead; for thou hast drawn<br/>
My life all downward unto thee.<br/>
Dead moon of love! let twilight dawn:<br/>
Awake! and let the darkness flee.<br/>
<br/>
"Cold lady of the lovely stone!<br/>
Awake! or I shall perish here;<br/>
And thou be never more alone,<br/>
My form and I for ages near.<br/>
<br/>
"But words are vain; reject them all—<br/>
They utter but a feeble part:<br/>
Hear thou the depths from which they call,<br/>
The voiceless longing of my heart."<br/></p>
<p>There arose a slightly crashing sound. Like a sudden apparition that
comes and is gone, a white form, veiled in a light robe of whiteness,
burst upwards from the stone, stood, glided forth, and gleamed away
towards the woods. For I followed to the mouth of the cave, as soon
as the amazement and concentration of delight permitted the nerves of
motion again to act; and saw the white form amidst the trees, as it
crossed a little glade on the edge of the forest where the sunlight fell
full, seeming to gather with intenser radiance on the one object that
floated rather than flitted through its lake of beams. I gazed after her
in a kind of despair; found, freed, lost! It seemed useless to follow,
yet follow I must. I marked the direction she took; and without once
looking round to the forsaken cave, I hastened towards the forest.</p>
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