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<h3> CHAPTER IX. </h3>
<h3> THE CHRISTMAS GUEST. </h3>
<p class="poem">
"This life of ours is a wild Aeolian harp of many a joyous strain;<br/>
But under them all there runs a loud perpetual wail, as of souls in pain."—<i>Longfellow</i>.<br/></p>
<br/>
<p>Olivia felt a little nervous as she sent in her name by Phoebe; the
girl had looked at her dubiously.</p>
<p>"I am not sure whether master will see you, ma'am," she said. "He
never sees anyone on Christmas Day; and Mrs. Crampton says he is but
poorly;" nevertheless, at Olivia's request, she had taken the message.</p>
<p>After a brief delay she returned. Her master would see Mrs. Luttrell;
but Olivia's heart beat a little quickly as she entered the library.
For the first time she was not sure of her welcome.</p>
<p>The grand old room looked unusually gloomy. The tall standard lamps
were unlighted, and only the blazing fire and a small green
reading-lamp made a spot of brightness. Deep shadows lurked in the
corners, and the heavy book-cases and window recesses only seemed to
add to the gloom.</p>
<p>Mr. Gaythorne sat in his great ebony chair—with its crimson cushions.
His face looked more cadaverous and sunken than usual; the fine
features looked as if they were carved in old ivory, they were so fixed
and rigid; as he held out his hand to Olivia there was no smile of
welcome on his face—the melancholy deep-set eyes were sombre and
piercing.</p>
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Mr. Gaythorne sat in his great ebony chair.
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<p>"This is indeed a surprise, Mrs. Luttrell."</p>
<p>"I hope you will not think it an intrusion," she returned, a little
breathlessly. "I wanted so much to see you and give you Aunt Madge's
message. Somehow I could not bear to think that we were so happy and
that you were sitting alone and feeling sad. Are you vexed with me for
coming?" she continued, in her winning way; "I can see you are not a
bit pleased to see me."</p>
<p>"My dear Mrs. Luttrell," he said, in his harsh, grating voice, "it is
one of my bad days, and nothing on earth would yield me pleasure. I
gave you warning, did I not? You are visiting a haunted man! The
Christmas ghosts have been holding high revel this evening; one of them
has been pointing and gibing at me for ever so long: 'You are reaping
what you have sown,' that was what it said. 'Why do you grumble at
your harvest—there is no ripening without sunshine? Young hearts must
be won by love and not severity; it is your own fault, your own
obstinacy, your own blindness'—that is what it has been saying over
and over again."</p>
<p>He shivered slightly as he said this, and held out his thin hands to
the blaze. He had not asked her to sit down, but Olivia drew a small
chair forward and seated herself.</p>
<p>"Do not listen to them any longer," she said, gently. "You are ill and
sad, and so everything looks black and hopeless—let me talk to you
instead; I want to tell you how we have spent our day."</p>
<p>Olivia had a charming voice. As she went on with her simple narrative
the muscles of Mr. Gaythorne's face insensibly relaxed; hesitation,
nervousness, a touch of self-consciousness even, would have repelled
him; but her gentleness and childlike directness seemed to soothe him
in spite of himself. And as she repeated Mrs. Broderick's message,
though he shrugged his shoulders and muttered "Pshaw," she could see
that he was gratified; and even his remark—"that Mrs. Broderick must
be a very emotional person"—did not daunt her.</p>
<p>"If Aunt Madge is emotional, I am too," she said, softly. "Do you know
what I said when I saw that picture of the old shepherd looking at the
rainbow? 'I love him for this,' and, dear Mr. Gaythorne, I meant it."</p>
<p>"Tut, nonsense!" but as Olivia took his hand and held it in her firm
grasp, there was a sudden moisture in the old man's eyes.</p>
<p>"No one has loved me since my two Olives left me," he muttered. "If
only one had been spared to me, only one; but I am left here alone with
my sorrow and remorse."</p>
<p>"You are not really alone," she returned, soothingly. "Why do you
speak as if your wife and daughter had ceased to love you? Do you
imagine for one moment that they forget you? It would do you good to
talk to Aunt Madge; she has such wonderful ideas about all that. Some
people—people like Mrs. Tolman, our vicar's wife—laugh at her and
call her fanciful, but to me she is so real. Why should it not be
true?" she went on, with gathering excitement, "nothing that is good
can die! Love is eternal, and it is only pain and grief and sin that
can come to an end. That is what Aunt Madge says, and she does more
than say it, she lives it. Of course she misses her husband
dreadfully—they were everything to each other—but he never seems dead
like other women's husbands, if you know what I mean by that. She
seems to keep step with him somehow, and think his thoughts. I have
heard her say once that it is just as though a high wall separated
them. 'I cannot see him or hear him, but I know he is just the other
side of the wall; only he has all the sunshine, and I have to grope
alone in the shadows.'"</p>
<p>"Oh, she is right there; I know what it is to grope among shadows. My
dear young lady," laying his hand heavily on her arm, "Mrs. Broderick
must be a wonderful woman, and I hope to see her some day; and I am not
above caring for a good woman's prayers, but our cases are not exactly
similar."</p>
<p>"I daresay not," returned Olivia, hesitatingly.</p>
<p>"No, indeed"—and Mr. Gaythorne's heavy eyebrows drew together—"look
here, Mrs. Luttrell, what sort of comfort do you suppose a man can have
in thinking of his wife, when he knows he has acted contrary to her
desires, when he has failed to carry out even the wishes expressed on
her deathbed. What would you say to that man?"</p>
<p>"I would say that he must be very unhappy, and that no doubt
circumstances were too hard for him. Perhaps he did his best; but it
is not always possible for dying people to judge rightly, they may make
mistakes."</p>
<p>"No, it was I who made all the mistakes," and there was such anguish in
the old man's eyes as he said this, that Olivia almost started; "but
God help me, if it were to come over again I should do the same. Mrs.
Luttrell, you do not know me; it is my whim to be generous now and
then. I like to give and it costs me nothing, but I am a hard,
domineering man; when people oppose and anger me, I can be relentless;
it is not easy for me to forgive, even when the offender is my own
flesh and blood, and I am no hypocrite. I must speak the truth at all
costs."</p>
<p>"And yet we expect our Father to forgive us," returned Olivia, almost
to herself, but Mr. Gaythorne heard her, and a strange expression
crossed his face.</p>
<p>"That is what she always said—my Olive, but it never seemed to make
any difference to me. Ah, well, it is no use talking, some spirits
refuse to be laid, but this is poor entertainment, my dear, and on your
birthday too!"</p>
<p>"Please do not say that. I should love to stay, but I must not; it is
late now, and Marcus will be waiting for me," and Olivia rose as she
spoke. "And now before I go may I ring for the lamps to be lighted?
there is something uncanny in this darkness, and the fire is getting
hollow too."</p>
<p>"Well, well, do as you like," was the abrupt answer. "I am going to
have my dinner here tonight, it is warmer," and so Olivia had her way.
As she bade him good-night, he said, a little wistfully, "You can come
to-morrow afternoon if you like. I have those views of Venice and
Florence to show you. I had an old Florentine palace for six months,
the year before my little Olive died; that was our last happy year."</p>
<p>"Of course I will come," she replied, smiling at him. But as she left
the room she sighed; had she really exorcised those evil spirits? or
would they return again, with tenfold force? "remorse;" that was the
word he used, this was the canker-worm that was robbing him of peace.
"It is not easy for me to forgive even if the offender is my own flesh
and blood." How sad it was to hear him say that.</p>
<p>"I think, after all, I did him some little good," she thought, as she
groped her way cautiously through the dark shrubbery. "That hard,
rigid look had quite disappeared before I left. I have a feeling
somehow that one day he will open his heart to me and tell me his
trouble. Every now and then he drops a word or two; perhaps this
evening, if I had not been so hurried, he would have spoken out."</p>
<p>Olivia's warm heart was full of pity for the lonely man sitting beside
his desolate hearth, but she was young, and as the heavy gate closed
after her, and she hurried across the road, a sudden vision of her own
bright little parlour with Marcus waiting for her rose blissfully
before her.</p>
<p>Marcus would have returned long ago and would be wondering at her
delay. She knew what he was doing—cutting the pages of <i>Esmond</i> for
their evening reading. How charmed he had been with her gift, although
he had pretended to be angry at her extravagance.</p>
<p>A few particles of snow powdered her as she rang the bell. Marcus
answered it himself.</p>
<p>"Livy, my dear child," he said, quickly, "what an age you have been!
Come into the kitchen a moment, I want to speak to you, and Martha is
upstairs. No, not there," catching hold of her arm as she absently
turned the handle of the parlour door. "I said the kitchen."</p>
<p>"Oh, Marcus, what is it?" in an alarmed voice, as she suddenly
perceived his grave, preoccupied look, "there is something wrong—with
baby," but his smile reassured her.</p>
<p>"Nothing is wrong, I am only a little perplexed. Dot's all right, and
the house is not on fire, and Martha is enjoying her usual health, but
we have got a Christmas guest, that's all."</p>
<p>"Marcus, what can you mean, when we know no one here? Is it one of
your old hospital friends? And why may I not go in and see him?"</p>
<p>"So you shall, but I must explain matters first. I have a poor fellow
in there whom I picked up off a door-step. At first I thought he was
drunk, and I meant to call a policeman, but I very soon found out my
mistake. The poor wretch had fainted from cold and exhaustion, he was
simply starving."</p>
<p>"Oh, how dreadful!" exclaimed Olivia, much shocked at this. "Have you
given him some food? But why is he not here instead of in the
sitting-room? Martha has a capital fire."</p>
<p>"Yes, she has been making him some tea, and luckily there was some cold
bacon. He has had nothing but a penny roll and some coffee since
yesterday morning. Another night of exposure and want would have
killed him. I took him into the parlour because the couch was handy,
but directly he spoke I saw he was a gentleman—at least an educated
man, but his clothes are threadbare. He has parted with his waistcoat
for food. Now you know why I brought you in here, to save you a shock."</p>
<p>"But, Marcus, what are we to do with him?"</p>
<p>"Ah, that is what puzzles me. I have fed and warmed him, and could
give him money for a night's lodging, but he is not fit to move. When
he tried to sit up just now, he nearly fell back from exhaustion. I
should say from the look of him that he has been ill, perhaps in some
hospital, and has not got up his strength. And he is quite young
too—not more than five-and-twenty, I should say."</p>
<p>"May I go and look at him first, and then we will think what is to be
done."</p>
<p>"Yes, dear, that will be best. But, Livy, I really cannot wait just
now. All this has hindered me so that I have not been to the
Traverses'. I shall not be long—not more than half an hour."</p>
<p>Olivia looked rather troubled at this, but it was no use making a fuss.
Marcus must do his work, but her vision of a cosy evening was sadly
marred. Instead of listening to <i>Esmond</i> she had to interview a
strange man.</p>
<p>Directly Marcus had gone she went into the sitting-room; the couch had
been drawn near the fire and Marcus's easy chair was pushed back, and
there in the warmth and firelight, with an old plaid thrown over him,
the forlorn wanderer lay sleeping as placidly as a child.</p>
<p>Olivia trod on tiptoe as she crossed the room and stood beside the
couch, and studied him attentively.</p>
<p>Marcus was right; of course he was a gentleman; in spite of his
emaciated appearance and poor, threadbare garments, this was evident;
the features were well-cut and refined; the wasted hands bore no signs
of manual labour, and the filbert nails were carefully attended.</p>
<p>Some poor prodigal fallen to low estate lay before her, and yet he
looked so boyish and innocent in his sleep, that Olivia's heart grew
very pitiful over him.</p>
<p>Turn him out in the winter's cold, and on Christmas night, too; when
all the merciful angels were moving betwixt heaven and earth. When the
bond of brotherhood that linked human beings together was drawn closer,
and the rich man's gift and the widow's mite were paid into the same
treasury of love, it was impossible!</p>
<p>How soundly he was sleeping, poor fellow, lulled by the very fulness of
comfort, his sick hunger appeased, and his bones no longer aching with
cold. A fair moustache covered his mouth, but Olivia, who prided
herself on reading character, soon decided that the chin and lower part
of the face showed signs of weakness, but as the thought passed through
her mind a pair of deep blue eyes opened full on her face, and gazed at
her in bewilderment.</p>
<p>"Where am I?" he said, feebly; "oh, I remember, I fainted on a
doorstep, and some good Samaritan carried me in;" then in the same weak
voice, "Forgive me, madam, but I am afraid to rise."</p>
<p>"Lie still—please lie still until my husband comes back," returned
Olivia, a little nervously. How ill he looked—the eyes looked
preternaturally large in the wasted face. "It is sad to see anyone in
such distress," she continued, gently, "and on Christmas night, too."</p>
<p>"Yes, I am down on my luck," returned the stranger; but even in his
feebleness he spoke a little recklessly; "I was always 'Murad the
Unlucky;' it would have been all over with me in a few hours if the
doctor had not found me. I was just at the end of my tether,"—but
here a hard cough seemed to tear him to pieces.</p>
<p>"Lie still and try to sleep again," returned Olivia, hurriedly; then
she went out of the room and summoned Martha.</p>
<p>When Marcus returned and went in search of her, he found her airing
some sheets at the kitchen fire.</p>
<p>"Marcus," she said, "Martha has been lighting a fire in that little
empty room, where the iron bedstead is; there are the mattress and the
two blankets Aunt Madge lent me when I was ill; I am going to make up a
bed there for to-night."</p>
<p>"You think we ought to keep him, then," returned her husband, looking
at her questioningly. "To be sure, I hardly know how we are to turn
him out; but if he falls ill on our hands, eh, Livy?"</p>
<p>"If he be very ill, you would have to take him to a hospital," she
returned, quickly. "We have not got the cruise of oil, remember, and,
as Aunt Madge says, we must be just before we are generous—but he has
such a terrible cough, Marcus."</p>
<p>"Oh, that is from cold and exhaustion, and, as I told you before, he
has evidently recovered from some severe illness, probably pleurisy or
pneumonia. Well, Livy, I think you are about right; we must do our
best for the poor beggar; now and then one must help 'lame dogs over
stiles,'" and Marcus, whose bump of benevolence was largely developed,
and who believed in practical religion, was sincerely grateful that his
wife had fallen in with his views.</p>
<p>"I think you were sent to him to help him," returned Olivia, softly.
"'Inasmuch as ye have done it unto the least of these my brethren.'
Oh, Marcus, you know how that finishes," and Marcus smiled back at her
as he left the room.</p>
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