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<h2> CHAPTER X </h2>
<p>On Monday morning, shortly after the McKee prolonged breakfast was over, a
small man of perhaps fifty, with iron-gray hair and a sparse goatee, made
his way along the Street. He moved with the air of one having a definite
destination but a by no means definite reception.</p>
<p>As he walked along he eyed with a professional glance the ailanthus and
maple trees which, with an occasional poplar, lined the Street. At the
door of Mrs. McKee's boarding-house he stopped. Owing to a slight change
in the grade of the street, the McKee house had no stoop, but one flat
doorstep. Thus it was possible to ring the doorbell from the pavement, and
this the stranger did. It gave him a curious appearance of being ready to
cut and run if things were unfavorable.</p>
<p>For a moment things were indeed unfavorable. Mrs. McKee herself opened the
door. She recognized him at once, but no smile met the nervous one that
formed itself on the stranger's face.</p>
<p>“Oh, it's you, is it?”</p>
<p>“It's me, Mrs. McKee.”</p>
<p>“Well?”</p>
<p>He made a conciliatory effort.</p>
<p>“I was thinking, as I came along,” he said, “that you and the neighbors
had better get after these here caterpillars. Look at them maples, now.”</p>
<p>“If you want to see Tillie, she's busy.”</p>
<p>“I only want to say how-d 'ye-do. I'm just on my way through town.”</p>
<p>“I'll say it for you.”</p>
<p>A certain doggedness took the place of his tentative smile.</p>
<p>“I'll say it to myself, I guess. I don't want any unpleasantness, but I've
come a good ways to see her and I'll hang around until I do.”</p>
<p>Mrs. McKee knew herself routed, and retreated to the kitchen.</p>
<p>“You're wanted out front,” she said.</p>
<p>“Who is it?”</p>
<p>“Never mind. Only, my advice to you is, don't be a fool.”</p>
<p>Tillie went suddenly pale. The hands with which she tied a white apron
over her gingham one were shaking.</p>
<p>Her visitor had accepted the open door as permission to enter and was
standing in the hall.</p>
<p>He went rather white himself when he saw Tillie coming toward him down the
hall. He knew that for Tillie this visit would mean that he was free—and
he was not free. Sheer terror of his errand filled him.</p>
<p>“Well, here I am, Tillie.”</p>
<p>“All dressed up and highly perfumed!” said poor Tillie, with the question
in her eyes. “You're quite a stranger, Mr. Schwitter.”</p>
<p>“I was passing through, and I just thought I'd call around and tell you—My
God, Tillie, I'm glad to see you!”</p>
<p>She made no reply, but opened the door into the cool and shaded little
parlor. He followed her in and closed the door behind him.</p>
<p>“I couldn't help it. I know I promised.”</p>
<p>“Then she—?”</p>
<p>“She's still living. Playing with paper dolls—that's the latest.”</p>
<p>Tillie sat down suddenly on one of the stiff chairs. Her lips were as
white as her face.</p>
<p>“I thought, when I saw you—”</p>
<p>“I was afraid you'd think that.”</p>
<p>Neither spoke for a moment. Tillie's hands twisted nervously in her lap.
Mr. Schwitter's eyes were fixed on the window, which looked back on the
McKee yard.</p>
<p>“That spiraea back there's not looking very good. If you'll save the cigar
butts around here and put them in water, and spray it, you'll kill the
lice.”</p>
<p>Tillie found speech at last.</p>
<p>“I don't know why you come around bothering me,” she said dully. “I've
been getting along all right; now you come and upset everything.”</p>
<p>Mr. Schwitter rose and took a step toward her.</p>
<p>“Well, I'll tell you why I came. Look at me. I ain't getting any younger,
am I? Time's going on, and I'm wanting you all the time. And what am I
getting? What've I got out of life, anyhow? I'm lonely, Tillie!”</p>
<p>“What's that got to do with me?”</p>
<p>“You're lonely, too, ain't you?”</p>
<p>“Me? I haven't got time to be. And, anyhow, there's always a crowd here.”</p>
<p>“You can be lonely in a crowd, and I guess—is there any one around
here you like better than me?”</p>
<p>“Oh, what's the use!” cried poor Tillie. “We can talk our heads off and
not get anywhere. You've got a wife living, and, unless you intend to do
away with her, I guess that's all there is to it.”</p>
<p>“Is that all, Tillie? Haven't you got a right to be happy?”</p>
<p>She was quick of wit, and she read his tone as well as his words.</p>
<p>“You get out of here—and get out quick!”</p>
<p>She had jumped to her feet; but he only looked at her with understanding
eyes.</p>
<p>“I know,” he said. “That's the way I thought of it at first. Maybe I've
just got used to the idea, but it doesn't seem so bad to me now. Here are
you, drudging for other people when you ought to have a place all your own—and
not gettin' younger any more than I am. Here's both of us lonely. I'd be a
good husband to you, Till—because, whatever it'd be in law, I'd be
your husband before God.”</p>
<p>Tillie cowered against the door, her eyes on his. Here before her,
embodied in this man, stood all that she had wanted and never had. He
meant a home, tenderness, children, perhaps. He turned away from the look
in her eyes and stared out of the front window.</p>
<p>“Them poplars out there ought to be taken away,” he said heavily. “They're
hell on sewers.”</p>
<p>Tillie found her voice at last:—</p>
<p>“I couldn't do it, Mr. Schwitter. I guess I'm a coward. Maybe I'll be
sorry.”</p>
<p>“Perhaps, if you got used to the idea—”</p>
<p>“What's that to do with the right and wrong of it?”</p>
<p>“Maybe I'm queer. It don't seem like wrongdoing to me. It seems to me that
the Lord would make an exception of us if He knew the circumstances.
Perhaps, after you get used to the idea—What I thought was like
this. I've got a little farm about seven miles from the city limits, and
the tenant on it says that nearly every Sunday somebody motors out from
town and wants a chicken-and-waffle supper. There ain't much in the
nursery business anymore. These landscape fellows buy their stuff direct,
and the middleman's out. I've got a good orchard, and there's a spring, so
I could put running water in the house. I'd be good to you, Tillie,—I
swear it. It'd be just the same as marriage. Nobody need know it.”</p>
<p>“You'd know it. You wouldn't respect me.”</p>
<p>“Don't a man respect a woman that's got courage enough to give up
everything for him?”</p>
<p>Tillie was crying softly into her apron. He put a work-hardened hand on
her head.</p>
<p>“It isn't as if I'd run around after women,” he said. “You're the only
one, since Maggie—” He drew a long breath. “I'll give you time to
think it over. Suppose I stop in to-morrow morning. It doesn't commit you
to anything to talk it over.”</p>
<p>There had been no passion in the interview, and there was none in the
touch of his hand. He was not young, and the tragic loneliness of
approaching old age confronted him. He was trying to solve his problem and
Tillie's, and what he had found was no solution, but a compromise.</p>
<p>“To-morrow morning, then,” he said quietly, and went out the door.</p>
<p>All that hot August morning Tillie worked in a daze. Mrs. McKee watched
her and said nothing. She interpreted the girl's white face and set lips
as the result of having had to dismiss Schwitter again, and looked for
time to bring peace, as it had done before.</p>
<p>Le Moyne came late to his midday meal. For once, the mental anaesthesia of
endless figures had failed him. On his way home he had drawn his small
savings from the bank, and mailed them, in cash and registered, to a back
street in the slums of a distant city. He had done this before, and always
with a feeling of exaltation, as if, for a time at least, the burden he
carried was lightened. But to-day he experienced no compensatory relief.
Life was dull and stale to him, effort ineffectual. At thirty a man should
look back with tenderness, forward with hope. K. Le Moyne dared not look
back, and had no desire to look ahead into empty years.</p>
<p>Although he ate little, the dining-room was empty when he finished.
Usually he had some cheerful banter for Tillie, to which she responded in
kind. But, what with the heat and with heaviness of spirit, he did not
notice her depression until he rose.</p>
<p>“Why, you're not sick, are you, Tillie?”</p>
<p>“Me? Oh, no. Low in my mind, I guess.”</p>
<p>“It's the heat. It's fearful. Look here. If I send you two tickets to a
roof garden where there's a variety show, can't you take a friend and go
to-night?”</p>
<p>“Thanks; I guess I'll not go out.”</p>
<p>Then, unexpectedly, she bent her head against a chair-back and fell to
silent crying. K. let her cry for a moment. Then:—</p>
<p>“Now—tell me about it.”</p>
<p>“I'm just worried; that's all.”</p>
<p>“Let's see if we can't fix up the worries. Come, now, out with them!”</p>
<p>“I'm a wicked woman, Mr. Le Moyne.”</p>
<p>“Then I'm the person to tell it to. I—I'm pretty much a lost soul
myself.”</p>
<p>He put an arm over her shoulders and drew her up, facing him.</p>
<p>“Suppose we go into the parlor and talk it out. I'll bet things are not as
bad as you imagine.”</p>
<p>But when, in the parlor that had seen Mr. Schwitter's strange proposal of
the morning, Tillie poured out her story, K.'s face grew grave.</p>
<p>“The wicked part is that I want to go with him,” she finished. “I keep
thinking about being out in the country, and him coming into supper, and
everything nice for him and me cleaned up and waiting—O my God! I've
always been a good woman until now.”</p>
<p>“I—I understand a great deal better than you think I do. You're not
wicked. The only thing is—”</p>
<p>“Go on. Hit me with it.”</p>
<p>“You might go on and be very happy. And as for the—for his wife, it
won't do her any harm. It's only—if there are children.”</p>
<p>“I know. I've thought of that. But I'm so crazy for children!”</p>
<p>“Exactly. So you should be. But when they come, and you cannot give them a
name—don't you see? I'm not preaching morality. God forbid that I—But
no happiness is built on a foundation of wrong. It's been tried before,
Tillie, and it doesn't pan out.”</p>
<p>He was conscious of a feeling of failure when he left her at last. She had
acquiesced in what he said, knew he was right, and even promised to talk
to him again before making a decision one way or the other. But against
his abstractions of conduct and morality there was pleading in Tillie the
hungry mother-heart; law and creed and early training were fighting
against the strongest instinct of the race. It was a losing battle.</p>
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