<SPAN name="chap11"></SPAN>
<h3> CHAPTER XI </h3>
<p>It was a week after the departure of Dyce Lashmar. Lady Ogram had lived
in agitation, a state which she knew to be the worst possible for her
health. Several times she had taken long drives to call upon
acquaintances, a habit suspended during the past twelvemonth; it
exhausted her, but she affected to believe that the air and movement
did her good, and met with an outbreak of still more dangerous choler
the remonstrances which her secretary at length ventured to make. On
the day following this characteristic scene, Constance was at work in
the library, when the door opened, and Lady Ogram came in. Walking
unsteadily, a grim smile on her parchment visage, she advanced and
stood before the writing-table.</p>
<p>"I made a fool of myself yesterday," sounded in a hollow voice, of
tremulous intonation. "Is it enough for me to say so?"</p>
<p>"Much more than I like to hear you say, Lady Ogram," answered
Constance, hastening to place a chair for her. "I have been afraid that
something had happened which troubled you."</p>
<p>"Nothing at all. The contrary. Look at that photo, and tell me what you
think of it."</p>
<p>It was the portrait of a girl with features finely outlined, but rather
weak in expression; a face pleasant to look upon, and at the first
glance possessing a quality of distinction, which tended however to
fade as the eye searched for its constituents, and to lose itself in an
ordinary prettiness.</p>
<p>"I was going to say," began Constance, "that it seemed to remind me
of—"</p>
<p>She hesitated.</p>
<p>"Well? Of what?"</p>
<p>"Of your own portrait in the dining-room. Yes, I think there is a
resemblance, though far-away."</p>
<p>Lady Ogram smiled with pleasure. The portrait referred to was a
painting made of her soon after her marriage, when she was in the prime
of her beauty; not good as a work of art, and doing much less than
justice to the full-blooded vigour of the woman as she then lived, but
still a picture that drew the eye and touched the fancy.</p>
<p>"No doubt you are right. This girl is a grand-niece of mine, my
brother's son's daughter. I only heard of her a week ago. She is coming
to see me."</p>
<p>Constance now understood the significance of Mr. Kerchever's visit, and
the feverish state of mind in which Lady Ogram had since been living.
She felt no touch of sympathetic emotion, but smiled as if the
announcement greatly interested her; and in a sense it did.</p>
<p>"I can quite understand your impatience to see her."</p>
<p>"Yes, but one shouldn't make a fool of oneself. An old fool's worse
than a young one. Don't think I build my hopes on the girl. I wrote to
her, and she has written to me—not a bad sort of letter; but I know
nothing about her, except that she has been well enough educated to
pass an examination at London University. That means something, I
suppose, doesn't it?"</p>
<p>"Certainly it does," answered Constance, noting a pathetic self-subdual
in the old lady's look and tone. "For a girl, it means a good deal."</p>
<p>"You think so?" The bony hands were restless and tremulous; the dark
eyes glistened. "It isn't quite ordinary, is it? But then, of course,
it tells nothing about her character. She is coming to stay for a day
or two coming on Saturday. If I don't like her, no harm's done. Back
she goes to her people, that's all—her mother's family—I know nothing
about them, and care less. At all events, she looks endurable—don't
you think?"</p>
<p>"Much more than that," said Constance. "A very nice girl, I should
imagine."</p>
<p>"Ha! You mean that?—Of course you do, or you wouldn't say it. But
then, if she's only a 'nice girl'—pooh! She ought to be more than
that. What's the use of a photograph? Every photo ever taken of me made
me look a simpering idiot."</p>
<p>This was by no means true, but Lady Ogram had always been a bad sitter
to the camera, and had destroyed most of its results. The oil painting
in the dining-room she regarded with a moderate complacency. Many a
time during the latter years of withering and enfeeblement her memory
had turned to that shining head in marble, which was hidden away amid
half a century's dust under the roof at Rivenoak. There, and there
only, survived the glory of her youth, when not the face alone, but all
her faultless body made the artist's rapture.</p>
<p>"Well," she said, abruptly, "you'll see the girl. Her name is May
Tomalin. You're not obliged to like her. You're not obliged to tell me
what you think of her. Most likely I shan't ask you.—By the bye, I had
a letter from Dyce Lashmar this morning."</p>
<p>"Indeed?" said the other, with a careless smile.</p>
<p>"I like his way of writing. It's straight-forward and sharp-cut, like
his talk. A man who means what he says, and knows how to say it; that's
a great deal nowadays."</p>
<p>Constance assented with all good-humour to Lady Ogram's praise.</p>
<p>"You must answer him for me," the old lady continued. "No need, of
course, to show me what you write; just put it into a letter of your
own."</p>
<p>"I hardly think I shall be writing to Mr. Lashmar," said Miss Bride,
very quietly.</p>
<p>"Do you mean that?"</p>
<p>Their eyes met, and Constance bore the other's gaze without flinching.</p>
<p>"We are not such great friends, Lady Ogram. You will remember I told
you that I knew him but slightly."</p>
<p>"All right. It has nothing to do with me, whether you're friends or
not. You can answer as my secretary, I suppose?"</p>
<p>And Lady Ogram, with her uncertain, yet not undignified, footfall, went
straightway from the room. There was a suspicion of needless sound as
the door closed behind her.</p>
<p>Constance sat for a minute or two in a very rigid attitude, displeasure
manifest on her lips. She did not find it easy to get to work again,
and when the time came for her bicycle ride, she was in no mind for it,
but preferred to sit over a book. At luncheon Lady Ogram inclined to
silence. Later in the day, however, they met on the ordinary terms of
mutual understanding, and Constance, after speaking of other things,
asked whether she should write Lady Ogram's reply to Mr. Lashmar.</p>
<p>"Mr. Lashmar? Oh, I have written to him myself," said the old lady, as
if speaking of a matter without importance.</p>
<p>Three days went by, and it was Saturday. Lady Ogram came down earlier
than usual this morning, but did not know how to occupy herself; she
fretted at the rainy sky which kept her within doors; she tried to talk
with her secretary of an important correspondence they had in hand (it
related to a projected society for the invigoration of village life),
but her thoughts were too obviously wandering. Since that dialogue in
the library, not a word regarding Miss Tomalin had escaped her; all at
once she said:</p>
<p>"My niece is due here at four this afternoon. I want you to be with me
when she comes into the room. You won't forget that?"</p>
<p>Never before had Constance seen the old autocrat suffering from
nervousness; it was doubtful whether anyone at any time had enjoyed the
privilege. Strange to say, this abnormal state of things did not
irritate Lady Ogram's temper; she was remarkably mild, and for once in
her life seemed to feel it no indignity to stand in need of moral
support. Long before the time for Miss Tomalin's arrival, she
established herself on her throne amid the drawing-room verdure.
Constance tried to calm her by reading aloud, but this the old lady
soon found unendurable.</p>
<p>"I wonder whether the train will be late?" she said. "No doubt it will;
did you ever know a train punctual? It may be half an hour late. The
railways are scandalously managed. They ought to be taken over by the
government."</p>
<p>"I don't think that would improve matters," said the secretary, glad of
a discussion to relieve the tedium. She too was growing nervous.</p>
<p>"Nonsense! Of course it would."</p>
<p>Constance launched into argument, and talked for talking's sake. She
knew that her companion was not listening.</p>
<p>"It's four o'clock," exclaimed Lady Ogram presently. "There may be an
accident with the brougham. Leggatt sometimes drives very carelessly—"
no more prudent coachman existed—"and the state of the roads about
here is perfectly scandalous"—they were as good roads as any in
England. "What noise was that?"</p>
<p>"I heard nothing."</p>
<p>"I've often noticed that you are decidedly dull of hearing. Has it
always been so? You ought to consult a—what are the men called who see
to one's ears?"</p>
<p>Lady Ogram was growing less amiable, and with much ado Constance
restrained herself from a tart reply. Three minutes more, and the
atmosphere of the room would have become dangerously electric. But
before two minutes had elapsed, the door opened, and a colourless
domestic voice announced:</p>
<p>"Miss Tomalin."</p>
<p>There entered very much the kind of figure that Constance had expected
to see; a young lady something above the middle height, passably, not
well, dressed, moving quickly and not ungracefully, but with
perceptible lack of that self-possession which is the social
testimonial. She wore a new travelling costume, fawn-coloured, with a
slightly inappropriate hat (too trimmy), and brown shoes which
over-asserted themselves. Her collar was of the upright sort, just
turned down at the corners; her tie, an ill-made little bow of red.
About her neck hung a pair of eye-glasses; at her wrist were attached a
silver pencil-case and a miniature ivory paper-knife. The face
corresponded fairly well with its photographic presentment so long
studied by Lady Ogram, and so well remembered by Constance Bride; its
colour somewhat heightened and the features mobile under nervous
stress, it offered a more noticeable resemblance to that ancestral
portrait in the dining-room.</p>
<p>Lady Ogram had risen; she took a tremulous step or two from the throne,
and spoke in a voice much more senile than its wont.</p>
<p>"I am glad to see you, May—glad to see you! This is my friend and
secretary, Miss Bride, whom I mentioned to you."</p>
<p>Constance and the new-comer bowed, hesitated, shook hands. Miss Tomalin
had not yet spoken; she was smiling timidly, and casting quick glances
about the room.</p>
<p>"You had an easy journey, I hope," said Miss Bride, aware that the old
lady was sinking breathless and feeble into her chair.</p>
<p>"Oh, it was nothing at all."</p>
<p>Miss Tomalin's utterance was not markedly provincial, but distinct from
that of the London drawing-room; the educated speech of the ubiquitous
middle-class, with a note of individuality which promised to command
itself better in a few minutes. The voice was pleasantly clear.</p>
<p>"You had no difficulty in finding the carriage?" said Lady Ogram,
speaking with obvious effort.</p>
<p>"Oh, none whatever, thank you! So kind of you to send it for me."</p>
<p>"I wanted to see you for a moment, as soon as you arrived. Now they
shall take you to your room. Come down again as soon as you like; we
will have tea."</p>
<p>"Thank you; that will be very nice."</p>
<p>Miss Tomalin stood up, looked at the plants and flowers about her, and
added in a voice already more courageous:</p>
<p>"What a charming room! Green is so good for the eyes."</p>
<p>"Are your eyes weak?" inquired Lady Ogram, anxiously.</p>
<p>"Oh, not really weak," was the rapid answer (Miss Tomalin spoke more
quickly as she gained confidence), "I use glasses when I am studying or
at the piano, but they're not <i>actually</i> necessary. Still, I have been
advised to be careful. Of course I read a great deal."</p>
<p>There was a spontaneity, a youthful vivacity, in her manner, which
saved it from the charge of conceit; she spoke with a naive earnestness
pleasantly relieved by the smile in her grey eyes and by something in
the pose of her head which suggested a latent modesty.</p>
<p>"I know you are a great student," said Lady Ogram, regarding her
amiably. "But run and take off your hat, and come back to tea."</p>
<p>She and Constance sat together, silent. They did not exchange glances.</p>
<p>"Well?" sounded at length from the throne, a tentative monosyllable.</p>
<p>Constance looked up. She saw that Lady Ogram was satisfied, happy.</p>
<p>"I'm glad Miss Tomalin was so punctual," was all she could find to say.</p>
<p>"So am I. But we were talking about your deafness: you must have it
seen to. Young people nowadays! They can't hear, they can't see, they
have no teeth—"</p>
<p>"Miss Tomalin, I noticed, has excellent teeth."</p>
<p>"She takes after me in that. Her eyes, too, are good enough, but she
has worn them out already. She'll have to stop that reading; I am not
going to have her blind at thirty. She didn't seem to be deaf, did she?"</p>
<p>"No more than I am, Lady Ogram."</p>
<p>"You are not deaf? Then why did you say you were?"</p>
<p>"It was you, not I, that said so," answered Constance, with a laugh.</p>
<p>"And what do you think of her?" asked Lady Ogram sharply.</p>
<p>"I think her interesting," was Miss Bride's reply, the word bearing a
sense to her own thought not quite identical with that which it
conveyed to the hearer.</p>
<p>"So do I. She's very young, but none the worse for that. You think her
interesting. So do I."</p>
<p>Constance noticed that Lady Ogram's talk to-day had more of the
characteristics of old age than ordinarily, as though, in her great
satisfaction, the mind relaxed and the tongue inclined to babble.
Though May was absent less than a quarter of an hour, the old lady
waxed impatient.</p>
<p>"I hope she isn't a looking-glass girl. But no, that doesn't seem
likely. Of course young people must think a little about dress—Oh,
here she comes at last."</p>
<p>Miss Tomalin had made no change of dress, beyond laying aside her hat
and jacket. One saw now that she had plenty of light brown hair,
naturally crisp and easily lending itself to effective arrangement; it
was coiled and plaited on the top of her head, and rippled airily above
her temples. The eyebrows were darker of hue, and accentuated the most
expressive part of her physiognomy, for when she smiled it was much
more the eyes than the lips which drew attention.</p>
<p>"Come and sit here, May," said Lady Ogram, indicating a chair near the
throne. "You're not tired? You don't easily get tired, I hope?"</p>
<p>"Oh, not very easily. Of course I make a point of physical exercise; it
is a part of rational education."</p>
<p>"Do you cycle?" asked Constance.</p>
<p>"Indeed I do! The day before yesterday I rode thirty miles. Not
scorching, you know; that's weak-minded."</p>
<p>Lady Ogram seemed to be reflecting as to whether she was glad or not
that her relative rode the bicycle. She asked whether May had brought
her machine.</p>
<p>"No," was the airy reply, "I'm not a slave to it."</p>
<p>The other nodded approval, and watched May as she manipulated a
tea-cup. Talk ran on trivialities for a while; the new-comer still cast
curious glances about the room, and at moments stole a quick
observation of her companions. She was not entirely at ease;
self-consciousness appeared in a furtive change of attitude from time
to time; it might have been remarked, too, that she kept a guard upon
her phrasing and even her pronunciation, emphasising certain words with
a sort of academic pedantry. Perhaps it was this which caused Lady
Ogram to ask at length whether she still worked for examinations.</p>
<p>"No, I have quite given that up," May replied, with an air of
well-weighed finality. "I found that it led to one-sidedness—to narrow
aims. It's all very well when one is <i>very</i> young. I shouldn't like to
restrict my study in that way now. The problems of modern life are so
full of interest. There are so many books that it is a duty to read, a
positive duty. And one finds so much practical work."</p>
<p>"What sort of work?"</p>
<p>"In the social direction. I take a great interest in the condition of
the poor."</p>
<p>"Really?" exclaimed Lady Ogram. "What do you do?"</p>
<p>"We have a little society for extending civilisation among the ignorant
and the neglected. Just now we are trying to teach them how to make use
of the free library, to direct their choice of books. I must tell you
that a favourite study of mine is Old English, and I'm sure it would be
so good if our working classes could be brought to read Chaucer and
Langland and Wycliffe and so on. One can't expect them to study foreign
languages, but these old writers would serve them for a philological
training, which has such an excellent effect on the mind. I know a
family—shockingly poor living, four of them, in two rooms—who have
promised me to give an hour every Sunday to 'Piers the Plowman'—I have
made them a present of the little Clarendon Press edition, which has
excellent notes. Presently, I shall set them a little examination
paper—very simple, of course."</p>
<p>Miss Bride's countenance was a study of subdued expression. Lady
Ogram—who probably had never heard of 'Piers the Plowman'—glanced
inquiringly at her secretary, and seemed to suspend judgment.</p>
<p>"We, too, take a good deal of interest in that kind of thing," she
remarked. "I see that we shall understand each other. Do your
relatives, Mr. and Mrs. Rooke, work with you?"</p>
<p>"They haven't quite the same point of view," said Miss Tomalin, smiling
indulgently. "I'm afraid they represent rather the old way of thinking
about the poor—the common-sense way, they call it; it means, as far as
I can see, not thinking much about the poor at all. Of course I try to
make them understand that this is neglect of duty. We have no right
whatever to live in enjoyment of our privileges and pay no heed to
those less fortunate. Every educated person is really a missionary,
whose duty it is to go forth and spread the light. I feel it so
strongly that I could not, simply could <i>not</i>, be satisfied to pursue
my own culture; it seems to me the worst kind of selfishness. The other
day I went, on the business of our society, into a dreadfully poor
home, where the people, I'm sure, often suffer from hunger. I couldn't
give money—for one thing, I have very little, and then it's so
demoralising, and one never knows whether the people will be
offended—but I sat down and told the poor woman all about the Prologue
to the Canterbury Tales, and you can't think how interested she was,
and how grateful! It quite brightened the day for her. One felt one had
done <i>some</i> good."</p>
<p>There was silence. Lady Ogram looked admiringly at the girl. If anyone
else had talked to her in this way, no vehemence of language would have
sufficed to express her scorn; but in May Tomalin such ideals seemed to
her a very amiable trait. She was anxious to see everything May said or
did in a favourable light.</p>
<p>"Have you tried the effect of music?" asked Constance, gravely, when
Miss Tomalin chanced to regard her.</p>
<p>"Oh, we haven't forgotten that. Next winter we hope to give a few
concerts in a schoolroom. Of course it must be really good music; we
shan't have anything of a popular kind—at least, we shan't if my view
prevails. It isn't our object to <i>amuse</i> people; it would be really
humiliating to play and sing the kind of things the ignorant poor like.
We want to train their intelligence. Some of our friends say it will be
absurd to give them classical music, which will weary and discontent
them. But they must be made to understand that their weariness and
discontent is <i>wrong</i>. We have to show them how bad and poor their
taste is, that they may strive to develop a higher and nobler. I, for
one, shall utterly decline to have anything to do with the concerts if
the programme doesn't consist exclusively of the really great, Bach and
Beethoven and so on. Don't you agree with me?"</p>
<p>"In principle," replied Lady Ogram, "certainly. We shall have lots of
things to talk about, I see."</p>
<p>"I delight in talk about serious things!" cried May.</p>
<p>But Lady Ogram's physical strength was not equal to the excitement she
had gone through. Long before dinner-time her voice failed, and she had
no choice but to withdraw into privacy, leaving Constance Bride to play
the hostess. Alone with a companion of not much more than her own age,
Miss Tomalin manifested relief; she began to move about, looking at
things with frank curiosity, and talking in a more girlish way. The
evening was cloudy, and did not tempt forth, but May asked whether they
could not walk a little in the garden.</p>
<p>"This is a beautiful place! I shall enjoy myself here tremendously! And
it's all so unexpected. Of course you know, Miss Bride, that I had
never heard of Lady Ogram until a few days ago?"</p>
<p>"Yes, I have heard the story."</p>
<p>"Do let us get our hats and run out. I want to see everything."</p>
<p>They went into the garden, and May, whilst delighting in all she saw,
asked a multitude of questions about her great-aunt. It was only in the
intellectual domain that she evinced pretentiousness and grew
grandiloquent; talking of her private affairs, she was very direct and
simple, with no inclination to unhealthy ways of thought. She spoke of
her birth in Canada, and her childish recollections of that country.</p>
<p>"I used to be rather sorry that we had come back to England, for the
truth is I don't much care for Northampton, and I have never been quite
comfortable with my relatives there. But now, of course, everything is
different. It seems a great pity that I should have had such a relative
as Lady Ogram and known nothing about it doesn't it? Strange how the
branches of a family lose sight of each other? Can you tell me Lady
Ogram's age?"</p>
<p>Constance replied that it was not far from eighty.</p>
<p>"Really, I should have taken her for older still. She seems very nice;
I think I shall like her. I wonder whether she will ask me often to
Rivenoak? Do you know whether she means to?"</p>
<p>When she came down after dressing for dinner, Constance found Miss
Tomalin in the dining-room, standing before her great-aunt's portrait.</p>
<p>"Surely that isn't—<i>can</i> that be Lady Ogram?" exclaimed the girl.</p>
<p>"Yes; more than fifty years ago."</p>
<p>"Do you know, I think she was rather like <i>me</i>!"</p>
<p>Constance smiled, and said that there was certainly a family
resemblance. It appeared more strongly in the girl's face attired as
she now was, her neck at liberty from the white linen collar, and her
features cast into relief by a dress of dark material. Having felt a
little apprehensive about the young lady's evening garb, Constance was
surprised to find that it erred, if anything, on the side of
simplicity. Though, for several reasons, not at all predisposed to like
Miss Tomalin, she began to feel her prejudice waning, and by the end of
dinner they were conversing in a very friendly tone. May chatted of her
friends at Northampton, and several times mentioned a Mr. Yabsley, whom
it was evident she held in much esteem. Mr. Yabsley, it appeared, was
the originator of the society for civilising the ignorant poor; Mr.
Yabsley lectured on very large subjects, and gave readings from very
serious authors; Mr. Yabsley believed in the glorious destinies of the
human race, especially of that branch of it known as Anglo-Saxon.</p>
<p>"He is an elderly gentleman?" asked Constance, with a half-smile of
mischief.</p>
<p>"Old! Oh dear, no! Mr. Yabsley is only about thirty—not quite that, I
think."</p>
<p>And May suddenly turned to talk of Browning, whom she felt it a
"positive duty" to know from end to end. Had Miss Bride really mastered
"Sordello?"</p>
<p>"I never tried to," Constance answered. "Why should I worry about
unintelligible stuff that would give me no pleasure even if I could
understand it?"</p>
<p>"Oh! Oh! <i>Don't</i> speak like that!" cried the other, distressfully. "I'm
sure you don't mean it!"</p>
<p>"I care very little for poetry of any kind," said Constance, in all
sincerity.</p>
<p>"Oh, how I grieve to hear that!—But then, of course we all have our
special interests. Yours is science, I know. I've worked a good deal at
science; of course one can't possibly neglect it; it's a simple duty to
make oneself as many-sided as possible, don't you think? Just now, I'm
giving half an hour before breakfast every day to Huxley's book on the
Crayfish. Mr. Yabsley suggested it to me. Not long ago he was in
correspondence with Huxley about something—I don't quite know what but
he takes a great interest in Evolution. Of course you know that volume
on the Crayfish?"</p>
<p>"I'm afraid I don't. You arrange your day, I see, very methodically."</p>
<p>"Oh, without method <i>nothing</i> can be done. Of course I have a
time-table. I try to put in a great many things, but I'm sure it's no
use sitting down to any study for less than half an hour—do you think
so? At present I can only give half an hour to Herbert Spencer—I think
I shall have to cut out my folk-lore to make more time for him. Yet
folk-lore is so fascinating! Of course you delight in it?"</p>
<p>"I never had time for it at all," replied Constance.</p>
<p>"Just now I'm quite excited about ghost-worship. Mr. Yabsley doesn't
think it is sufficient to explain the origin of religious ideas."</p>
<p>"Mr. Yabsley," remarked Constance, "has pronounced opinions on most
things?"</p>
<p>"Oh, he is very wide, indeed. Very wide, and very thorough. There's no
end to the examinations he has passed. He's thinking of taking the D.
Litt at London; it's awfully stiff, you know."</p>
<p>When they parted, about eleven o'clock, Miss Tomalin went upstairs
humming a passage from a Beethoven sonata. She declared herself
enchanted with her room, and hoped she might wake early, to make the
coming day all the longer.</p>
<p>At ten next morning, Constance was summoned to the upstairs room where
Lady Ogram sometimes sat when neither so unwell as to stay in bed nor
quite well enough to come down. A bad night had left the old lady with
a ghastly visage, but she smiled with grim contentment as her secretary
entered.</p>
<p>"Come, I want you to tell me what you talked about. Where is she now?
What is she doing?"</p>
<p>"Miss Tomalin is in the library, rejoicing among the books."</p>
<p>"She is very intellectual," said Lady Ogram. "I never knew anyone so
keen about knowledge. But what did you talk about last night?"</p>
<p>"Of very many things. Canada and Northampton, religion and crayfish,
Huxley and—Yabsley."</p>
<p>"Yabsley? Who's Yabsley?"</p>
<p>"A gentleman of Northampton, a man of light and leading, a great friend
of Miss Tomalin's."</p>
<p>"An old man, I suppose?" asked Lady Ogram, sharply.</p>
<p>"Not quite thirty."</p>
<p>"But married? Of course married?"</p>
<p>"I didn't ask; but, I fancy, not."</p>
<p>Lady Ogram flushed, and fell into extreme agitation. Why had she not
been told about this Yabsley? Why had not that idiot Kerchever made
inquiries and heard about him? This very morning she would write him a
severe letter. What, May was engaged? To a man called Yabsley?
Constance, as soon as interposition was possible, protested against
this over-hasty view of the matter. She did not for a moment think that
May was engaged, and, after all, Mr. Yabsley might even be married.</p>
<p>"Then why," cried Lady Ogram, furiously, "did you begin by terrifying
me? Did you do it on purpose? If I thought so, I would send you packing
about your business this moment!"</p>
<p>Constance, who had not yet taken a seat, drew back a few steps. Her
face darkened. With hands clasped behind her, she regarded the raging
old autocrat coldly and sternly.</p>
<p>"If you wish it, Lady Ogram, I am quite ready to go."</p>
<p>Their eyes encountered. Lady Ogram was quivering, mumbling, gasping;
her look fell.</p>
<p>"Sit down," she said imperatively.</p>
<p>"I am afraid," was Miss Bride's reply, "we had better not talk whilst
you are feeling so unwell."</p>
<p>"Sit down, I tell you! I wasn't unwell at all, till you made me so. Who
is this Yabsley? Some low shopkeeper? Some paltry clerk?"</p>
<p>The old lady knew very well that Constance Bride would never tremble
before her. It was this proudly independent spirit, unyielding as her
own, and stronger still in that it never lost self-command, which had
so established the clergyman's daughter in her respect and confidence.
Yet the domineering instinct now and then prompted her to outrage a
dignity she admired, and her invariable defeat was a new satisfaction
when she calmly looked back upon it.</p>
<p>"You mustn't mind me," she said presently, when Constance had quietly
refused to make conjectures about the subject under dissuasion. "Isn't
it natural enough that I should be upset when I hear such news as this?
I wanted to have a talk with May this morning, but now—"</p>
<p>She broke off, and hung her head gloomily.</p>
<p>"In your position," said Constance, "I should find out by a simple
inquiry whether Miss Tomalin is engaged or likely to be. She will
answer, I am sure, readily enough. She doesn't seem to be at all
reticent."</p>
<p>"Of course I shall do so; thank you for the advice, all the same. Would
you mind bringing her up here? If you prefer it, I will ring."</p>
<p>Scrupulousness of this kind always followed when Lady Ogram had behaved
ill to her secretary. The smile with which Constance responded was a
ratification of peace. In a few minutes the old lady and May were
chatting together, alone, and without difficulty the great doubt was
solved.</p>
<p>"I'm thinking of going to London for a week or two—" thus Lady Ogram
approached the point—"and I should rather like to take you with me."</p>
<p>"It's very kind of you," said May, with joy in her eyes.</p>
<p>"But I want to know whether you are quite independent. Is there
anyone—beside Mr. and Mrs. Rooke that you would have to consult about
it?"</p>
<p>"No one whatever. You know that I am long since of age, Lady Ogram."</p>
<p>"If you like, call me your aunt. It's simpler, you know."</p>
<p>"Certainly I will. I am quite free, aunt."</p>
<p>"Good. I may take it for granted, then, that you have formed no ties of
any kind?"</p>
<p>May shook her head, smiling as though at a thought which the words
suggested, a thought not unpleasing, but not at all difficult to
dismiss. Thereupon Lady Ogram began to talk freely of her projects.</p>
<p>"I shall go up to town in a fortnight—at the end of this month. Of
course you must have some things, dresses and so on. I'll see to that.
Before we leave Rivenoak, I should like you to meet a few people, my
friends at Hollingford particularly, but in a very quiet way; I shall
ask them to lunch with us, most likely. Shall you want to go back to
Northampton before leaving for London?"</p>
<p>"Oh, it isn't at all necessary," answered May, with sprightliest
readiness. "I haven't brought many things with me, but I could send—"</p>
<p>"As for clothing, don't trouble; that's my affair. Then we'll settle
that you stay on with me for the present. And now tell me, how do you
like Miss Bride?"</p>
<p>"Oh, very much indeed! I'm sure we shall soon quite understand each
other."</p>
<p>"I'm glad to hear that. I hope you will. I may say that I have a very
high opinion indeed of Miss Bride, and that there's no one in whom I
put more confidence."</p>
<p>"Will she go to London with us?"</p>
<p>"Certainly, I couldn't get on without her help."</p>
<p>May was relieved. The prospect of living alone with her great-aunt,
even in London, had mingled a little uneasiness with her joyful
anticipation. Now she abandoned herself to high spirits, and talked
until Lady Ogram began to have a headache. For an hour before luncheon
they drove out together, May still gossiping, her aged relative now and
then attentive, but for the most part drowsily musing.</p>
<p>That afternoon, when an hour or two of sleep had somewhat restored her,
Lady Ogram sketched several letters for her secretary to write. Pausing
at length, she looked at Miss Bride, and, for the first time, addressed
her by her personal name.</p>
<p>"Constance—"</p>
<p>The other responded with a pleased and gratified smile.</p>
<p>"From Mr. Lashmar's talk of him, what sort of idea have you formed of
Lord Dymchurch?"</p>
<p>"Rather a vague one, I'm afraid. I have heard him only casually
mentioned."</p>
<p>"But Mr. Lashmar has a high opinion of him? He thinks him a man of good
principles?"</p>
<p>"Undoubtedly. A very honourable man."</p>
<p>"So I hear from other sources," said Lady Ogram. "It's probably true. I
should rather like to know Lord Dymchurch. He would be an interesting
man to know, don't you think?"</p>
<p>As not infrequently happened, their eyes met in a mute interchange of
thought.</p>
<p>"Interesting—yes," replied Constance, slowly. And she added, pressing
the nib of her pen on her finger-nail, "They say he doesn't marry just
because he is poor and honourable."</p>
<p>"It's possible," Lady Ogram rejoined, and, after a moment's reflection,
said in an absent voice that the day's correspondence was finished.</p>
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