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<h2> CHAPTER XXIX </h2>
<p>Not unusually, when we burn our bridges, we have in the back of our minds
the dim hope that there may be a shallow ford somewhere. Thus, bridges
should not be burned impulsively; there may be no ford.</p>
<p>The idea of retreat pushed forward in Kitty's mind the moment she awoke;
but she pressed it back in shame. She had given her word, and she would
stand by it.</p>
<p>The night had been a series of wild impulses. She had not sent that
telegram to Cutty as the result of her deliberations in the country.
Impulse; a flash, and the thing was done, her bridges burned. To crush
Johnny Two-Hawks, fill his cup with chagrin, she had told him she was
going to marry Cutty. That was the milk in the cocoanut. Morning has a way
of showing up night-gold for what it is—tinsel. Kitty saw the stage
of last night's drama dismantled. If there was a shallow ford, she would
never lower her pride to seek it. She had told Two-Hawks, sent that wire
to Cutty, broke the news to Bernini.</p>
<p>But did she really want to go back? Not to know her own mind, to swing
back and forth like a pendulum! Was it because she feared that, having
married Cutty, she might actually fall in love with some other man later?
She could still go through the mummery as Cutty had planned; but what
about all the sublime generosity of the preceding night?</p>
<p>A queer feeling pervaded her: She was a marionette, a human manikin, and
some invisible hand was pulling the wires that made her do all these
absurd things. Her own mind no longer controlled her actions. The
persistence of that waltz! It had haunted her, broken into her dreams,
awakened her out of them. Why should she be afraid? What was there to be
afraid of in a recurring melody? She had heard a dozen famed violinists
play it. It had never before affected her beyond a flash of emotionalism.
Perhaps it was the romantic misfortune of the man, the mystery surrounding
him, the menace which walled him in.</p>
<p>Breakfast. Human manikins had appetites. So she made her breakfast. Before
leaving the kitchen she stopped at the window. The sun filled the court
with brilliant light. The patches of rust on the fire-escape ladder, which
was on the Gregor side of the platform, had the semblance of powdered
gold.</p>
<p>Half an hour later she was speeding downtown to the office. All through
the day she walked, worked, talked as one in the state of trance. There
were periods of stupefaction which at length roused Burlingame's
curiosity.</p>
<p>"Kitty, what's the matter with you? You look dazed about something."</p>
<p>"How do you clean a pipe?" she countered, irrelevantly.</p>
<p>"Clean a pipe?" he repeated, nearly overbalancing his chair.</p>
<p>"Yes. You see, I may make up my mind to marry a man who smokes a pipe,"
said Kitty, desperately, eager to steer Burlingame into another channel;
"and certainly I ought to know how to clean one."</p>
<p>"Kitty, I'm an old-timer. You can't sidetrack me like this. Something has
happened. You say you had a great time in the country, and you come in as
pale as the moon, like someone suffering from shell shock. Ever since
Cutty came in here that day you've been acting oddly. You may not know it,
but Cutty asked me to send you out of town. You've been in some kind of
danger. What's the yarn?"</p>
<p>"So big that no newspaper will ever publish it, Burly. If Cutty wants to
tell you some day he can. I haven't the right to."</p>
<p>"Did he drag you into it or did you fall into it?"</p>
<p>"I walked into it, as presently I shall walk out of it—all on my
own.</p>
<p>"Better keep your eyes open. Cutty's a stormy petrel; when he flies
there's rough weather."</p>
<p>"What do you know about him?"</p>
<p>"Probably what he has already told you—that he is a foreign agent of
the Government. What do you know?"</p>
<p>"Everything but one thing, and that's a problem particularly my own."</p>
<p>"Alien stuff, I suppose. Cutty's strong on that. Well, mind your step. The
boys are bringing in queer scraps about something big going to happen May
Day—no facts, just rumours. Better shoot for home the shortest route
each night and stick round there."</p>
<p>There are certain spiritual exhilarants that nullify caution, warning the
presence of danger. The boy with his first pay envelope, the lover who has
just been accepted, the debutante on the way to her first ball; the
impetus that urges us to rush in where angels fear to tread.</p>
<p>At a quarter after five Kitty left the office for home, unaware that the
attribute designated as caution had evaporated from her system. She
proceeded toward the Subway mechanically, the result of habit. Casually
she noted two taxicabs standing near the Subway entrance. That she noted
them at all was due to the fact that Subway entrances were not fortuitous
hunting grounds for taxicabs. Only the unusual would have attracted her in
her present condition of mind. It takes time and patience to weave a good
web—observe any spider—time in finding a suitable place for
it; patience in the spinning. All that worried Karlov was the possibility
of her not observing him. If he could place his taxicabs where they would
attract her, even casually, the main difficulty would be out of the way.
The moment she turned her head toward the cabs he would step out into
plain view. The girl was susceptible and adventuresome.</p>
<p>Kitty saw a man step out of the foremost taxicab, give some instructions
to the chauffeur, and get back into the cab, immediately to be driven off
at moderate speed. She recognized the man at once. Never would she forget
that squat, gorilla-like body. Karlov! Yonder, in that cab! She ran to the
remaining cab; wherein she differed from angels.</p>
<p>"Are you free?"</p>
<p>"Yes, miss."</p>
<p>"See that taxi going across town? Follow it and I will give you ten extra
fare."</p>
<p>"You're on, miss."</p>
<p>Karlov peered through the rear window of his cab. If she had in tow a
Federal agent the manoeuvre would fail, at a great risk to himself. But he
would soon be able to tell whether or not she was being followed.</p>
<p>As a matter of fact, she was not. She had returned to New York a day
before she was expected. Her unknown downtown guardian would not turn up
for duty until ordered by Cutty to do so. She entered the second cab with
no definite plan in her head. Karlov, the man who wanted to kill Johnny
Two-Hawks, the man who held Stefani Gregor a prisoner! For the present
these facts were sufficient. "Don't get too near," said Kitty through the
speaking tube. "Just keep the cab in sight."</p>
<p>A perfectly logical compensation. She herself had set in motion the
machinery of this amazing adventure; it was logically right that she
should end it. Poor dear old Cutty—to fancy he could pull the wool
over Kitty Conover's eyes! Cutty, the most honest man alive, had set his
foot upon an unethical bypath and now found himself among nettles. To keep
Johnny Two-Hawks prisoner in that lofty apartment while he hunted for the
drums of jeopardy! Hadn't he said he had seen emeralds he would steal with
half a chance? Cutty, playing at this sort of game, his conscience biting
whichever way he turned! He had been hunting unsuccessfully for the stones
that night he had come in with his face and hands bloody. Why hadn't he
kissed her?</p>
<p>Johnny Two-Hawks—bourgeois? Utter nonsense! Of course it did not
matter now what he was; he had dug a bridgeless chasm with that smile.
Sometime to-morrow he and Stefani Gregor would be on their way to Montana;
and that would be the last of them both. To-morrow would mark the fork in
the road. But life would never again be humdrum for Kitty Conover.</p>
<p>The taxicabs were bumping over cobbles, through empty streets. It was six
by now; at that hour this locality, which she recognized as the warehouse
district, was always dead. The deserted streets, how ever, set in motion a
slight perturbation. Supposing Karlov grew suspicious and turned aside
from his objective? Even as this disturbing thought took form Karlov's
taxicab stopped. Kitty's stopped also, but without instructions from her.
She had intended to drive on and from the rear window observe if Karlov
entered that old red-brick house.</p>
<p>"Go on!" she called through the tube.</p>
<p>The chauffeur obeyed, but he stopped again directly behind Karlov's
taxicab. He slid off his seat and opened the door. His face was grim.</p>
<p>Tumpitum-tump! Tumpitum-tump! She did not hear the tocsin this time; she
felt it on her spine—the drums of fear. If they touched her!</p>
<p>"Come with me, miss. If you are sensible you will not be harmed. If you
cut up a racket I'll have to carry you."</p>
<p>"What does this mean?" faltered Kitty.</p>
<p>"That we have finally got you, miss. You can see for yourself that there
isn't any help in sight. Better take it sensibly. We don't intend to hurt
you. It's somebody else we want. There's a heavy score against you, but
we'll overlook it if you act sensibly. You were very clever last night;
but the game depends upon the last trick."</p>
<p>"I'll go sensibly," Kitty agreed. They must not touch her!</p>
<p>Karlov did not speak as he opened the door of the house for her. His
expression was Buddha-like.</p>
<p>"This way, miss," said the chauffeur, affably.</p>
<p>"You are an American?"</p>
<p>"Whenever it pays."</p>
<p>Presently Kitty found herself in the attic, alone. They hadn't touched
her; so much was gained. Poor little fool that she was! It was fairly dark
now, but overhead she could see the dim outlines of the scuttle or trap.
The attic was empty except for a few pieces of lumber and some soap boxes.
She determined to investigate the trap at once, before they came again.</p>
<p>She placed two soap boxes on end and laid a plank across. After testing
its stability she mounted. She could reach the trap easily, with plenty of
leverage to spare. She was confident that she could draw herself up to the
roof. She sought for the hooks and liberated them, then she placed her
palms against the trap and heaved. Not even a creak answered her. She
pressed upward again and again. The trap was immovable.</p>
<p>Light. She turned, to behold Karlov in the doorway, a candlestick in his
hand. "The scuttle is covered with cement, Miss Conover. Nobody can get in
or out."</p>
<p>Kitty got down, her knees uncertain. If he touched her! Oh, the fool she
had been!</p>
<p>"What are you going to do with me?" she asked through dry lips.</p>
<p>"You are to me a bill of exchange, payable in something more precious to
me than gold. I am going to keep you here until you are ransomed. The
ransom is the man you have been shielding. If he isn't here by midnight
you vanish. Oh, we shan't harm you. Merely you will disappear until my
affairs in America are terminated. You are clever and resourceful for so
young a woman. You will understand that we are not going to turn aside.
You are not a woman to me; you are a valuable pawn. You are something to
bargain for."</p>
<p>"I understand," said Kitty, her heart trying to burst through. It seemed
impossible that Karlov should not hear the thunder. To placate him, to
answer his questions, to keep him from growing angry!</p>
<p>"I thought you would." Karlov set the candle on Kitty's impromptu
stepladder. "We saw your interest in the affair, and attacked you on that
side. You had seen me once. Being a newspaper writer—the New York
kind—you would not rest until you learned who I was. You would not
forget me. You were too well guarded uptown. You have been out of the city
for a week. We could not find where. You were reported seen entering your
office this morning; and here you are. My one fear was that you might not
see me. Personally you will have no cause to worry. No hand shall touch
you.</p>
<p>"Thank you for that."</p>
<p>"Don't misunderstand. There is no sentiment behind this promise. I imagine
your protector will sacrifice much for your sake. Simply it is unnecessary
to offer you any violence. Do you know who the man is your protector is
shielding?"</p>
<p>Kitty shook her head.</p>
<p>"Has he played the fiddle for you?"</p>
<p>"Yes."</p>
<p>Karlov smiled. "Did you dance?"</p>
<p>"Dance? I don't understand."</p>
<p>"No matter. He can play the fiddle nearly as well as his master. The two
of them have gone across the world fiddling the souls of women out of
their bodies."</p>
<p>Kitty sat down weakly on the plank. Terror from all points. Karlov's
unexcited tones—his lack of dramatic gesture—convinced her
that this was deadly business. Terror that for all the promise of immunity
they might lay hands on her. Terror for Johnny Two-Hawks, for Cutty.</p>
<p>"Has he injured you?" she asked, to gain time.</p>
<p>"He is an error in chronology. He represents an idea which no longer
exists." He spoke English fluently, but with a rumbling accent.</p>
<p>"But to kill him for that!"</p>
<p>"Kill him? My dear young lady, I merely want him to fiddle for me," said
Karlov with another smile.</p>
<p>"You tried to kill him," insisted Kitty, the dryness beginning to leave
her throat.</p>
<p>"Bungling agents. Do know what became of them—the two who invaded
your bedroom?"</p>
<p>"They were taken away the police."</p>
<p>"So I thought. What became of the wallet?"</p>
<p>"I found it hidden on the back of my stove."</p>
<p>"I never thought to look there," said Karlov, musingly. "Who has the
drums?"</p>
<p>"The emeralds? You haven't them!" cried Kitty, becoming her mother's
daughter, though her heart never beat so thunderously as now. "We thought
you had them!"</p>
<p>Karlov stared at her, moodily. "What is that button for, at the side of
your bed?"</p>
<p>Kitty comprehended the working of the mind that formulated this question.
If she answered truthfully he would accept her statements. "It rings an
alarm in the basement."</p>
<p>Karlov nodded. "You are truthful and sensible I haven't the emeralds."</p>
<p>"Perhaps one of your men betrayed you."</p>
<p>"I have thought of that. But if he had betrayed me the drums would have
been discovered by the police.... Damn them to hell!" Kitty wondered
whether he meant the police or the emeralds.</p>
<p>"Later, food and a blanket will be brought to you. If your ransom does not
appear by midnight you will be taken away. If you struggle we may have to
handle you roughly. That is as you please."</p>
<p>Karlov went out, locking the door.</p>
<p>Oh, the blind little fool she had been! All those constant warnings, and
she had not heeded! Cutty had warned her repeatedly, so had Bernini; and
she had deliberately walked into this trap. As if this cold, murderous
madman would risk showing himself without some grim and terrible purpose.
She had written either Cutty's or Johnny Two-Hawks' death warrant. She
covered her eyes. It was horrible.</p>
<p>Perhaps not Cutty, but assuredly Two-hawks. His life for her liberty.</p>
<p>"And he will come!" she whispered. She knew it. How, was not to be
analyzed. She just knew that he would come. What if he had smiled like
that! The European point of view and her own monumental folly. He would
come quietly, without protest, and give himself up.</p>
<p>"God forgive me! What can I do? What can I do?"</p>
<p>She slid to the floor and rocked her body. Her fault! He would come—even
as Cutty would have come had he been the man demanded. And Karlov would
kill him—because he was an error in chronology! She sensed also that
the anarchist would not look upon his act as murder. He would be removing
an obstacle from the path of his sick dreams.</p>
<p>Comparisons! She saw how much alike the two were. Cutty was only Johnny
Two-Hawks at fifty-two—fearless and whimsical. Had Cutty gone
through life without looking at some woman as, last night, Two-Hawks had
looked at her? All the rest of her life she would see Two-Hawks' eyes.</p>
<p>Abysmal fool, to pit her wits against such men as Karlov! Because she had
been successful to a certain extent, she had overrated her cleverness,
with this tragic result... He had fiddled the soul out of her. But death!</p>
<p>She sprang up. It was maddening to sit still, to feel the approach of the
tragedy without being able to prevent it. She investigated the windows. No
hope in this direction. It was rapidly growing dark outside. What time was
it?</p>
<p>The door opened. A man she had not seen before came in with a blanket, a
pitcher of water, and some graham crackers. His fingers were stained a
brilliant yellow and a peculiar odour emanated from his clothes. He did
not speak to her, but set the articles on the floor and departed.</p>
<p>Kitty did not stir. An hour passed; she sat as one in a trance. The tallow
dip was sinking. By and by she became conscious of a faint sound, a
tapping. Whence it came she could not tell. She moved about cautiously,
endeavouring to locate it. When she finally did the blood drummed in her
ears. The trap! Someone was trying to get in through the trap!</p>
<p>Cutty! Thus soon! Who else could it be? She hunted for a piece of lumber
light enough to raise to the trap. She tapped three times, and waited.
Silence. She repeated the signal. This time it was answered. Cutty! In a
little while she would be free, and Two-Hawks would not have to pay for
her folly with his life. Terror and remorse departed forthwith.</p>
<p>She took the plank to the door and pushed one end under the door knob.
Then she piled the other planks against the butt. The moment she heard
steps on the stairs she would stand on the planks. It would be difficult
to open that door. She sat down on the planks to wait. From time to time
she built up the falling tallow. Cutty must have light. The tapping on the
trap went on. They were breaking away the cement. Perhaps an hour passed.
At least it seemed a very long time.</p>
<p>Steps on the stairs! She stood up, facing the door, the roots of her hair
tingling. She heard the key turn in the lock; and then as in a nightmare
she felt the planks under her feet stir slightly but with sinister
persistence. She presently saw the toe of a boot insert, itself between
the door and the jamb. The pressure increased; the space between the door
and the jamb widened. Suddenly the boot vanished, the door closed, and the
plank fell. Immediately thereafter Karlov stood inside the room, scowling
suspiciously.</p>
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