<SPAN name="vol_4_chap_07"></SPAN>
<h3>Volume Four--Chapter Seven.</h3>
<h4>The Wall.</h4>
<p>One morning—towards the end of November—Edwin, attended by Maggie, was
rearranging books in the drawing-room after breakfast, when there came a startling loud
tap at the large central pane of the window. Both of them jumped.</p>
<p>“Who’s throwing?” Edwin exclaimed.</p>
<p>“I expect it’s that boy,” said Maggie, almost angrily.</p>
<p>“Not Georgie?”</p>
<p>“Yes. I wish you’d go and stop him. You’ve no idea what a tiresome
little thing he is. And so rough too!”</p>
<p>This attitude of Maggie towards the mysterious nephew was a surprise for Edwin. She had
never grumbled about him before. In fact they had seen little of him. For a fortnight he
had not been abroad, and the rumour ran that he was unwell, that he was ‘not so
strong as he ought to be.’ And now Maggie suddenly charged him with a whole series
of misdoings! But it was Maggie’s way to keep unpleasant things from Edwin for a
time, in order to save her important brother from being worried, and then in a moment of
tension to fling them full in his face, like a wet clout.</p>
<p>“What’s he been up to?” Edwin inquired for details.</p>
<p>“Oh! I don’t know,” answered Maggie vaguely. At the same instant came
another startling blow on the window. “There!” Maggie cried, in triumph, as if
saying: “That’s what he’s been up to!” After all, the windows were
Maggie’s own windows.</p>
<p>Edwin left on the sofa a whole pile of books that he was sorting, and went out into the
garden. On the top of the wall separating him from the Orgreaves a row of damaged
earthenware objects—jugs and jars chiefly—at once caught his eye. He witnessed
the smashing of one of them, and then he ran to the wall, and taking a spring, rested on
it with his arms, his toes pushed into crevices. Young George, with hand outstretched to
throw, in the garden of the Orgreaves, seemed rather diverted by this apparition.</p>
<p>“Hello!” said Edwin. “What are you up to?”</p>
<p>“I’m practising breaking crocks,” said the child. That he had
acquired the local word gave Edwin pleasure.</p>
<p>“Yes, but do you know you’re practising breaking my windows too? When you
aim too high you simply can’t miss one of my windows.”</p>
<p>George’s face was troubled, as he examined the facts, which had hitherto escaped
his attention, that there was a whole world of consequences on the other side of the wall,
and that a missile which did not prove its existence against either the wall or a crock
had not necessarily ceased to exist. Edwin watched the face with a new joy, as though
looking at some wonder of nature under a microscope. It seemed to him that he now saw
vividly why children were interesting.</p>
<p>“I can’t see any windows from here,” said George, in defence.</p>
<p>“If you climb up here you’ll see them all right.”</p>
<p>“Yes, but I can’t climb up. I’ve tried to, a lot of times. Even when
I stood on my toes on this stump I could only just reach to put the crocks on the
top.”</p>
<p>“What did you want to get on the wall for?”</p>
<p>“I wanted to see that swing of yours.”</p>
<p>“Well,” said Edwin, laughing, “if you could remember the swing why
couldn’t you remember the windows?”</p>
<p>George shook his head at Edwin’s stupidity, and looked at the ground. “A
swing isn’t windows,” he said. Then he glanced up with a diffident smile:
“I’ve often been wanting to come and see you.”</p>
<p>Edwin was tremendously flattered. If he had made a conquest, the child by this frank
admission had made a greater.</p>
<p>“Then why didn’t you come?”</p>
<p>“I couldn’t, by myself. Besides, my back hasn’t been well. Did they
tell you?”</p>
<p>George was so naturally serious that Edwin decided to be serious too.</p>
<p>“I did hear something about it,” he replied, with the grave confidential
tone that he would have used to a man of his own age. This treatment was evidently
appreciated by George, and always afterwards Edwin conversed with him as with an equal,
forbearing from facetiousness.</p>
<p>Damp though it was, Edwin twisted himself round and sat on the wall next to the crocks,
and bent over the boy beneath, who gazed with upturned face.</p>
<p>“Why didn’t you ask Auntie Janet to bring you?”</p>
<p>“I don’t generally ask for things that I really want,” said the boy,
with a peculiar glance.</p>
<p>“I see,” said Edwin, with an air of comprehension. He did not, however,
comprehend. He only felt that the boy was wonderful. Imagine the boy saying that! He bent
lower. “Come on up,” he said. “I’ll give you a hand. Stick your
feet into that nick there.”</p>
<hr>
<h4>Two.</h4>
<p>In an instant George was standing on the wall, light as fluff. Edwin held him by the
legs, and his hand was on Edwin’s cap. The feel of the boy was delightful; he was so
lithe and so yielding, and yet firm; and his glance was so trustful and admiring.
“Rough!” thought Edwin, remembering Maggie’s adjective. “He
isn’t a bit rough! Unruly? Well, I dare say he can be unruly if he cares to be. It
all depends how you handle him.” Thus Edwin reflected in the pride of conquest,
holding close to the boy, and savouring intimately his charm. Even the boy’s
slightness attracted him. Difficult to believe that he was nine years old! His body was
indeed backward. So too, it appeared, was his education. And yet was there not the wisdom
of centuries in, “I don’t generally ask for things that I really
want?”</p>
<p>Suddenly the boy wriggled, and gave a sound of joy that was almost a yell.
“Look!” he cried.</p>
<p>The covered top of the steam-car could just be seen gliding along above the high wall
that separated Edwin’s garden from the street.</p>
<p>“Yes,” Edwin agreed. “Funny, isn’t it?” But he considered
that such glee at such a trifle was really more characteristic of six or seven than of
nine years. George’s face was transformed by ecstasy.</p>
<p>“It’s when things move like that—horizontal!” George explained,
pronouncing the word carefully.</p>
<p>Edwin felt that there was no end to the surpassing strangeness of this boy. One moment
he was aged six, and the next he was talking about horizontality.</p>
<p>“Why? What do you mean?”</p>
<p>“I don’t know!” George sighed. “But somehow—” Then,
with fresh vivacity: “I tell you—when Auntie Janet comes to wake me up in the
morning the cat comes in too, with its tail up in the air—you know!” Edwin
nodded. “Well, when I’m lying in bed I can’t see the cat, but I can see
the top of its tail sailing along the edge of the bed. But if I sit up I can see all the
cat, and that spoils it, so I don’t sit up at first.”</p>
<p>The child was eager for Edwin to understand his pleasure in horizontal motion that had
no apparent cause, like the tip of a cat’s tail on the horizon of a bed, or the roof
of a tram-car on the horizon of the wall. And Edwin was eager to understand, and almost
persuaded himself that he did understand; but he could not be sure. A marvellous
child—disconcerting! He had a feeling of inferiority to the child, because the child
had seen beauty where he had not dreamed of seeing it.</p>
<p>“Want a swing,” he suggested, “before I have to go off to
business?”</p>
<hr>
<h4>Three.</h4>
<p>When it occurred to him that he had had as much violent physical exercise as was good
for his years, and that he had left his books in disarray, and that his business demanded
him, Edwin apologetically announced that he must depart, and the child admitted that Aunt
Janet was probably waiting to give him his lessons.</p>
<p>“Are you going back the way you came? You’d better. It’s always
best,” said Edwin.</p>
<p>“Is it?”</p>
<p>“Yes.”</p>
<p>He lifted and pushed the writhing form on to the wall, dislodging a jar, which crashed
dully on the ground.</p>
<p>“Auntie Janet told me I could have them to do what I liked with. So I break
them,” said George, “when they don’t break themselves!”</p>
<p>“I bet she never told you to put them on this wall,” said Edwin.</p>
<p>“No, she didn’t. But it was the best place for aiming. And she told me it
didn’t matter how many crocks I broke, because they make crocks here. Do they,
really?”</p>
<p>“Yes.”</p>
<p>“Why?”</p>
<p>“Because there’s clay here,” said Edwin glibly.</p>
<p>“Where?”</p>
<p>“Oh! Round about.”</p>
<p>“White, like that?” exclaimed George eagerly, handling a teapot without a
spout. He looked at Edwin: “Will you take me to see it? I should like to see white
ground.”</p>
<p>“Well,” said Edwin, more cautiously, “the clay they get about here
isn’t exactly white.”</p>
<p>“Then do they make it white?”</p>
<p>“As a matter of fact the white clay comes from a long way off—Cornwall, for
instance.”</p>
<p>“Then why do they make the things here?” George persisted; with the
annoying obstinacy of his years. He had turned the teapot upside down. “This was
made here. It’s got ‘Bursley’ on it. Auntie Janet showed me.”</p>
<p>Edwin was caught. He saw himself punished for that intellectual sloth which leads
adults to fob children off with any kind of a slipshod, dishonestly simplified explanation
of phenomena whose adequate explanation presents difficulty. He remembered how nearly
twenty years earlier he had puzzled over the same question and for a long time had not
found the answer.</p>
<p>“I’ll tell you how it is,” he said, determined to be conscientious.
“It’s like this—” He had to pause. Queer, how hard it was to state
the thing coherently! “It’s like this. In the old days they used to make
crocks anyhow, very rough, out of any old clay. And crocks were first made here because
the people found common yellow clay, and the coal to burn it with, lying close together in
the ground. You see how handy it was for them.”</p>
<p>“Then the old crocks were yellow?”</p>
<p>“More or less. Then people got more particular, you see, and when white clay was
found somewhere else they had it brought here, because everybody was used to making crocks
here, and they had all the works and the tools they wanted, and the coal too. Very
important, the coal! Much easier to bring the clay to the people and the works, than cart
off all the people—and their families, don’t forget—and so on, to the
clay, and build fresh works into the bargain... That’s why. Now are you sure you
see?”</p>
<p>George ignored the question. “I suppose they used up all the yellow clay there
was here, long ago?”</p>
<p>“Not much!” said Edwin. “And they never will! You don’t know
what a sagger is, I reckon?”</p>
<p>“What is a sagger?”</p>
<p>“Well, I can’t stop to tell you all that now. But I will some time. They
make saggers out of the yellow clay.”</p>
<p>“Will you show me the yellow clay?”</p>
<p>“Yes, and some saggers too.”</p>
<p>“When?”</p>
<p>“I don’t know. As soon as I can.”</p>
<p>“Will you to-morrow?”</p>
<p>To-morrow happened to be Thursday. It was not Edwin’s free afternoon, but it was
an afternoon to which a sort of licence attached. He yielded to the ruthless egotism of
the child.</p>
<p>“All right!” he said.</p>
<p>“You won’t forget?”</p>
<p>“You can rely on me. Ask your auntie if you may go, and if she says you may, be
ready for me to pull you up over the wall here, about three o’clock.”</p>
<p>“Auntie will have to let me go,” said George, in a savage tone, as Edwin
helped him to slip down into the garden of the Orgreaves. Edwin went off to business with
a singular consciousness of virtue, and with pride in his successful manner of taming
wayward children, and with a very strong new interest in the immediate future.</p>
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