<h2><SPAN class="toc-backref pginternal" href="#id25">CHAPTER XXIV</SPAN></h2>
<p class="pfirst">"And yet it's one of the commonest types
of the criminal mind," Stenhouse was
explaining to Bob during the following forenoon.
"Fellows perfectly normal in every respect but
that of their own special brand of crime. See
no harm in that whatever. Won't have a
cigar?"</p>
<p>Having declined the cigar for the third time,
Bob found a subconscious fascination in watching
the lawyer's Havana travel from one corner to
the other of his long, mobile, thin-lipped mouth.
It was interesting, too, to get a view of Teddy's
case different from Jennie's.</p>
<p>There was nothing about Stenhouse, unless
it was his repressed histrionic intensity, to suggest
the saver of lives. Outwardly, he was a
lank, clean-shaven Yankee, of ill-assorted features
and piercing gimlet eyes. But something about
him suggested power and an immense persuasiveness.
He had only to wake from the quiescent
mood in which he was talking to Bob to become
an actor or a demagogue. With laughter, tears,
pathos, vituperation, satire, and repartee all
at his command, together with an amazing
knowledge of criminal law, he was born to commend
himself to the average juryman. Little
of this was apparent, however, except when he
was in action. Just now, as he lounged in his
revolving chair, his limber legs crossed, his
thumbs in the armholes of his waistcoat, and his
perfecto moving as if by its own volition along
the elastic lines of his mouth, he was detached,
impartial, judicial, with that manner of speaking
which the French describe as "from high to low"—"<em class="italics">de
haut en bas</em>"—the "good mixer," with a
sense of his own superiority.</p>
<p>The lack of the human element was to Bob the
most disconcerting trait in the lawyer's frame of
mind. To him the case was a case, and neither
more nor less. The boy's life, so precious to
himself, was of no more account to Stenhouse
than that of a private soldier to his commanding
officer on the day when a position must be rushed.
Stenhouse was interested in the professional
advantage he himself might gain from the outcome
of the trial. In a less degree, he was
interested in Teddy's psychology as a new slant
on criminal mentality in general. But the results
as they affected his client's fate concerned
him not at all.</p>
<p>"I'm talking to you frankly," he went on,
"because it's the only way we can handle the
business. You're making yourself responsible
in the case, and so I must tell you what I
think."</p>
<p>"Oh, of course!"</p>
<p>"I quite understand your connection with this
young fellow, and why you're taking the matter
up, but I must treat you as if you were as aloof
from it in sentiment as I am myself."</p>
<p>"That's exactly what I want."</p>
<p>"Well, then, the boy's in a bad fix. It's a
worse fix because he belongs to the dangerous
criminal type for whom you can never get a
jury's sympathy. Roughly speaking, there are
two classes of criminals—the criminals by accident
and the criminals born. This boy is a
criminal born."</p>
<p>"Oh, do you think so?"</p>
<p>"I know so. Yes, sir! You can't have as
much to do with both lots as I've had without
learning to read them at sight; and when it
comes to drawing them out—why, he hadn't told
me a half of his story before I could see he'd had
murder on the brain for the best part of his life."</p>
<p>"I shouldn't have thought that."</p>
<p>"No, you wouldn't. Lot of it subconscious—suppressed
desire, Freud, and all that. But
start him talking, and it's 'God! I'd have shot
that fellow if I'd had a gun!' or it's, 'If I'd had
a dose of poison, they'd never have got me
alive.' Mind ran on it. Yes, sir! Always thinking
of doing somebody in—if not another fellow,
then himself."</p>
<p>"I don't think he knew it."</p>
<p>"Of course he didn't know it. Seemed
natural to him. Our own vices always do seem
natural to us. If you put it up to him now, he'd
say he'd never had a thought of shooting up
anyone, and he wouldn't be lying out of it,
either. Way it seems to him. Way it seems to
every criminal of the class. But to judges and
juries it's just so much 'bull,' and tells against
the accused in the end. Sure you won't have a
cigar?"</p>
<p>Having again declined the cigar, Bob argued
in favor of Teddy, but Stenhouse was fixed in
his convictions.</p>
<p>"I'll do what I can for him, of course; only,
I'm blocked by his refusal to plead guilty.
Pleading guilty might—I don't say it would,
but it might—incline the judge to mercy. It
would get him off, too, with the second degree,
only that, when his own story shows him as
guilty as hell, he keeps pulling the innocent stuff
to beat a jazz band. The rascal who plumps
with his confession will always get the clemency,
while the fellow with a mouthful of innocence
will be sent to the chair."</p>
<p>"But if he does feel that he's innocent—"</p>
<p>"Sure he feels that he's innocent! That's it!
That's what I'm talking about—the ingrained
criminal's lack of consciousness that his kind of
crime is crime. The other fellow's—yes; but his—why,
the law is a fool to be made that way and
trip a good fellow up! To hear this young shaver
talk, you'd think the courts should be manned
by pickpockets."</p>
<p>"All the same, he was in a tight place—"</p>
<p>"What's that got to do with it? If we didn't
get into tight places, there'd be no need for laws
of any kind."</p>
<p>"I was only thinking of his motive—"</p>
<p>"His motive may have been all right. I'll not
dispute you there, because you'll find that
legally there's a difference between motive and
intent. His motive may have been to provide
for his mother, just as he says. Good! No
harm in that whatever. But his intent was to
rob a bank and shoot the guy that came out
after him. The court won't go into his motives.
It'll deal only with his intent, and with what
came of it."</p>
<p>There was more along these lines which sent
Bob away with some questioning as to himself.
Being of a law-respecting nature, he was anxious
not to uphold the transgressor to anything like
a danger point. And he ran that risk. Having
undertaken to help Teddy on Jennie's account,
his heart had gone out beyond what he expected
to the boy himself. It was the first time he had
ever been in contact with a prisoner, the first time
he had ever come face to face with a lone individual
against whom all the organized forces
of the world were focused in condemnation.
His impulse being to range himself on the
weaker side, he had, in a measure, so ranged
himself. He had told Teddy that he stood by
him, and would continue to stand by him through
thick and thin. But was he right? Had he
shown the proper severity? Hadn't he been
sloppy and sentimental, without sufficiently remembering
that a man who had killed another
man was not to be handled as a pet?</p>
<p>It was not common sense to treat the breaker
of laws as if he hadn't broken them or as if his
punishment had made him a sympathetic figure.
Too facile a pity might easily become a sin
against the community's best standards, and by
putting himself on the weaker side a man might
find himself on the worse one. Even the fact
that the wrongdoer was a relative ought not to
blind the eyes to his being a wrongdoer. It was
his duty as a citizen, Bob argued, to support the
charter of the Rights of Man as set forth in the
Old Testament—thou shalt not kill—thou shalt
not steal—the ideal of the New Testament,
"Neither was there among them any that lacked,
for they had all things common," never having
been called to his attention.</p>
<p>As to Teddy's being a criminal born, he was
not sure. Perhaps he was. Such "sports" appeared
even from the most respectable stock.
There was a dark tradition, never mentioned
now except between Edith and himself, of a
Collingham—they were not sure of the relationship—who
had died in jail somewhere in the
West. Of the Follett stock Bob knew nothing.
Jennie was the other half of himself; but such
affinities, he was sheepishly inclined to feel,
dated from other worlds and other planes of
existence, though finding a manifestation in
this one.</p>
<p>But it was Jennie who gave him the lead he
was in search of.</p>
<p>"I should think there were plenty of them to
attend to that," she said, when he had expressed,
as delicately as he could, his misgivings as to his
own lack of rigor. "Whatever he did, and however
bad it was, they've got all the power in the
world to punish him, and they're going to do it.
When there's just one person on earth to show
him a little pity, I shouldn't think it could be
too much." She added, after a second or two of
silence: "He was sorry you didn't go in to see
him. He missed you. I—I think he's going to
cling to you just like a drowning man, you know,
to a hand that's stretched out to him from a
boat. Very likely he'll have to drown; but so
long as the hand is there, it's—it's something."</p>
<p>In this speech, which was long for Jennie and
betokened her growing authority, there were
two or three points on which Bob pondered as
he drove them homeward from the Brig. Jennie
sat beside him, Lizzie in the back seat. He
took the longest and prettiest ways so as to give
them something like an outing.</p>
<p>It was the afternoon of the day on which he
had seen Stenhouse, and in the interval he had
been thinking out a program. Whatever the restrictions
he must put upon himself with regard
to the boy, his duty to protect and distract
Jennie and her family was clear. Teddy had
also given him to understand that, more than
anything done for himself, this would contribute
to his peace of mind. Done for his mother and
sisters, it would be done for him, and the doer
could be sure that he wasn't loosening the foundations of society. Even where there was a born
criminal to be judged, and perhaps put out of
the way, something was gained when the innocent
could be saved to any possible degree from
suffering with the guilty.</p>
<p>In this, too, he was not without an eye to
Indiana Avenue. Though he had no experience
of suburban life, he was intuitive enough to feel
sure that, to the neighbors, Jennie's marriage
had a "queer look," and the more so since she
was not living with her husband, now that he was
back from South America. To counteract this,
he meant to show himself in the street as much
as possible, parading his car before the door.
There must be no cheap gossip as to Jennie
based on lack of his devotion, even though all
arrangements between her and himself were no
more than provisional.</p>
<p>To that point, then, his course was clear.
He could not console the mother, whose reason
was stricken at its base, nor the three young
girls whose lives were overshadowed by tragedy;
but he could divert their minds from dwelling
too much on calamity by bringing in a new
interest. He could make it a big interest. He
could enlarge the interest in proportion to their
need; and, as Jennie spoke, it dawned on him
that they themselves began to foresee that their
need might be great indeed. "They've got all
the power in the world to punish him; and
they're going to do it." "He's going to cling to
you like a drowning man. Very likely he'll have
to drown." Jennie had had one or two interviews
with Stenhouse, and perhaps had inferred
from that great man's talk the difficulties of his
task.</p>
<p>But the help she gave Bob was in her response
to his misgivings. "When there's just one person
on earth to show him a little pity, I shouldn't
think it could be too much." It couldn't be too
much—not possibly. The worst enemy of mankind
had a right to "a little pity," and even
Judas Iscariot had received it. If Teddy didn't
get it from him, Bob, he wouldn't get it from
anyone—his mother and sisters apart. All
civilized men were lined up against him, and
doubtless could not be lined in any other way.
In that case, punishment was assured, and, as
Jennie said, there were plenty of people to take
care of its infliction. He, Bob Collingham, since
he stood alone, might well forget the heavy
score against the boy in "bucking him up" to
meet what lay ahead of him.</p>
<p>He worked this out before driving Jennie and
her mother to their door, after which he waited
for Gussie and Gladys to come home from work
to take them, too, for an airing. Jennie sat
beside him, as on the earlier drive, the two
younger girls in the seat behind.</p>
<p>To both, the expedition was as the first stage
of a glorification which might carry them up to
any heights. Taken in connection with what
they suffered on account of Teddy, it was like
drinking an unmingled draught of the very bitter
and the very sweet. Hardly able to lift up their
heads from shame, they nevertheless felt the distinction
of going out in an expensive high-powered
car with a gentleman of wealth and position,
who thus publicly proclaimed himself their
relative.</p>
<p>"This'll settle Addie Inglis and Samuella
Weatherby," Gladys whispered, in reference to
some taunt or aspersion which Gussie understood.
"Say, Gus, he's some sport, isn't he?
Jen sure did cop a twenty-cylinder."</p>
<p>But Gussie had already turned over her new
leaf. From the corner where she reclined with
the grace of one accustomed from birth to this
style of conveyance, she arched her lovely neck
and turned her lovely head just enough to convey
a hint of reprimand.</p>
<p>"Gladys dear, momma wouldn't like you to
use that kind of language. Remember that now
we must carry out her wishes all the more because
she isn't able to enforce them. Your
companions may not always be Hattie Belweather
and Sunshine Bright, and so—"</p>
<p>"Say, Gus, what's struck you? Has goin' out
in a swell rig like this gone to your head?"</p>
<p>"Yes, dear; perhaps it has. And if you'll
take my advice you'll let it go to yours."</p>
<p>The only immediate response from Gladys
was a cocking of the eye and a "clk" of the
tongue against the cheek, something like a Zulu
vowel; but Gussie noticed that in Palisade
Park, where they descended from the car to
make Bob's acquaintance, Gladys reverted to
the intonation and idiom in which she had first
picked up her English.</p>
<p>The jaunt tended to deepen the sensation
which had been creeping over the girls within the
past few days, that they were heroines of a
dramatic romance. They had figured in the
papers, their beauty, personalities, and histories
becoming points of vital national concern. One
legend made them the scions of an ancient English
family fallen on evil days, but now to be
revived through alliance with the Collinghams,
while another came near enough to the truth to
embody the Scarborough tradition and connect
them with the historic house in Cambridge. In
no case was there any waste of the picturesque,
the detail that Jennie had been an artist's model
and "the most beautiful woman in America"
being especially underscored.</p>
<p>It was only little by little that Gussie and
Gladys came to a sense of this importance, thus
finding themselves enabled to react to some
small degree against their sense of disgrace.
In the shop, Gussie had heard Corinne whisper
to a customer:</p>
<p>"That pretty girl over there is the sister of
Follett, who murdered Flynn, and whose sister
made that romantic marriage with the banker."</p>
<p>Though she glanced up from the feather she
was twisting only through the tail of her eye,
Gussie could reckon the excitement caused by
this announcement. When it had been made a
second time, and a third, as new customers
came in, she saw herself an asset to the shop.
Stared at, wondered at, discussed, and appraised,
she began to feel as princesses and
actresses when recognized in streets.</p>
<p>Similarly, Hattie Belweather had run to
Gladys to report what Miss Flossie Grimm had
said over the counter, in the intervals of displaying
stockings.</p>
<p>"See that little red-headed, snub-nosed thing
over there? That's the Follett child, sister to
the guy that shot the detective and the girl
that married the banker sport. Some hummer he
must be. Jennie, the married one's name is.
They say she's had an offer of a hundred plunks
a week to go into vawdeville. Fast color? Oh,
my, yes! We don't carry any other kind."</p>
<p>Thus Gladys began to find it difficult to discern
between notoriety and eminence, moving among
the other cash girls as a queen incognita among
ordinary mortals.</p>
<p>Most of this publicity was over by the time
Bob reached New York, though the echoes still
rumbled through the press. His own arrival
reawakened some of it, offering opportunities
that were never ignored of drawing dramatic contrasts.
He was represented as having been
"born in the purple," and stooping to a "maiden
of low degree." Low degree was poetically fused
with the occupation of a model, and by one
publication the statement was thrown in, without
comment, and as it were accidentally, that
the present Mrs. Robert Bradley Collingham,
Junior, of Marillo Park, had been greatly admired
by appreciative connoisseurs as the figure
in Hubert Wray's already famous picture, "Life
and Death." Hubert Wray was even credited
with "discovering" this beauty when she was
starving in the slums.</p>
<p>Except for the detail of Wray's picture, the
publicity was something of a relief to Bob, since
it left him nothing to explain. The truth in
these many reports being tolerably easy to disengage,
his friends and acquaintances knew of
his position, and, in view of its circumstances,
they respected it. He went to the bank; he
went to his club; he passed the time of day with
such neighbors as remained at Marillo Park,
finding it the easier to come and go because
everyone knew what had happened.</p>
<p>From almost the first day he fell into a routine—the
bank, Stenhouse, Teddy, Indiana
Avenue. Though he was not yet working at the
bank, he felt it wise to show himself daily on the
premises, in order to establish the fact that his
relations with his family were unchanged.
Stenhouse he didn't visit every day, but only
when there were matters connected with the
case to talk over. He saw Teddy as often as the
Brig regulations would allow, growing more and
more touched by the eagerness with which the
boy welcomed him. In Indiana Avenue he was
assiduous. Whatever the hints flung out by
Addie Inglis and Samuella Weatherby, they
received contradiction as far as that was possible
from obvious devotion.</p>
<p>As for his personal relations with Jennie, they
changed little from the <em class="italics">modus vivendi</em> agreed
upon. That she was growing more and more
grateful was evident, but gratitude wasn't what
he wanted. What he wanted he himself didn't
know, and, in a measure, he didn't care. Till she
got what she wanted, he could never be wholly
satisfied; and if she wanted Wray....</p>
<p>But at this point his reasoning faculties failed
him. If she wanted Wray and if Wray wanted
her, there would, of course, be but one thing for
him to do. It was that one thing itself which
remained elusive or obscure, dodging, disturbing,
and defying him. He could find a means to give
Jennie her freedom, or he could take her by brute
force, or, in certain circumstances, he could
dismiss her as not worthy of his love. The
trouble was that he couldn't see himself doing
any of the three; and yet if what seemed to be
true was true, he couldn't see himself as doing
the other thing.</p>
<p>The <em class="italics">modus vivendi</em>, like all other arrangements
of its kind, was therefore safe and convenient.
It settled nothing; but it was what the term implied,
a way of living. It was not an ideal way
of living, or a way that shielded anyone from
comment; but it was a way.</p>
<p>As for comment, it reached Bob only indirectly,
and not oftener than every now and then.
Perhaps it came in as pointed a form as it ever
assumed for him in a seemingly chance remark
from the chauffeur's wife, Mrs. Gull. It was
not a chance remark, for the neat, pretty, thin-lipped,
pinched-face Englishwoman who had
passed all her life "in service" didn't make ill-considered
observations.</p>
<p>"I suppose we shall see the young lady down,
sir, some day soon?"</p>
<p>"Yes, some day soon," Bob replied, cautiously,
getting ready in the hall to go to town.</p>
<p>"To remain?"</p>
<p>It was all summed up in those three syllables—all
the gossip on the Collingham estate, and
on all the estates at Marillo, not to go farther
afield.</p>
<p>"Not to remain just yet," Bob answered,
judiciously. "Mrs. Follett isn't well, and Mrs.
Collingham has two younger sisters whom she
has to take care of."</p>
<p>That this explanation was not adequate he
knew; and yet it was an explanation. "It
certainly do seem queer," Mrs. Gull observed to
the gardener and the gardener's wife, in a company
that included Gull; and Gull, who was
from Somersetshire, replied, "It most zure and
zertainly do."</p>
<p>But on the Sunday afternoon two weeks after
Bob's return "the young lady" paid her visit to
Collingham Lodge, accompanied by her mother
and two sisters.</p>
<p>The journey was made in what Gladys characterized
as "style," the style being mainly supplied
by Gull in his sedate chauffeur's uniform. But
the fact that he drove the car left Bob free to sit
with his guests in the tonneau. He put Jennie,
as hostess and mistress of the car, in the right-hand
corner, Mrs. Follett in the left one, and
Gussie in the middle. He and Gladys occupied
the adjustable seats behind the chauffeur. At
sight of the light linen rug with the Collingham
initials in crimson appliqué, Gussie and Gladys
exchanged appreciative glances, and they both
searched the neighboring piazzas for a glimpse of
Addie Inglis or Samuella Weatherby.</p>
<p>Acquainted now with the fact that Jennie had
viewed the celestial country whither they were
traveling, and with her descriptions of the
wonders she had seen almost learned by rote,
the girls came near to forgetting that Teddy was
in a cell. But his mother didn't forget it. Silent,
austere, incapable of pleasure, and waiting only
the moment of the boy's release and her own,
her eyes roamed the parched September landscape
and saw none of it. She did not appear unhappy—only
removed into a world of her own, a world
of long, long thoughts.</p>
<p>No one said much. There was not much to
say and a great deal to think about. Even the
house, the terraces, the gardens called forth no
more than "Ohs!" and "Ahs!" of approval.
Gladys declared that she felt herself wandering
through the castle scenes in "The Silver Queen,"
the latest screen masterpiece, but no one else
descended to such comparisons.</p>
<p>"It's like heaven," Gussie murmured timidly,
to Bob, as they strolled between hedges of
dahlias.</p>
<p>"Oh no, it isn't!" he laughed. "Three or
four places at Marillo are much finer than this."</p>
<p>Subdued by sheer ecstasy, they assembled on
the flagged terrace, where Mrs. Gull brought out
tea. Bob was pleased at Jennie's bearing toward
the chauffeur's wife—friendly with just the right
touch of dignity.</p>
<p>"Mr. Collingham tells me you're English.
We're almost English ourselves, since we were
born in Canada. I've never been in England, but
I should so love to go, though they say it's quite
different since the war."</p>
<p>There was no more to it than that, but Mrs.
Gull reported to her husband: "As much a
lady as any I've ever served under—and I do
know a lady when I see her. Miss Edith's a
lady, too, but not a patch on this one. She may
have been just as bad as they say she was, but
you'd never believe it to look at her, and the
sisters be'ave as pretty as pretty. Oh dear!
And they with a murderer for a brother! It do
seem queer, now don't it?"</p>
<p>To which Gull replied in his usual antiphon,
"It most zure and zertainly do."</p>
<p>The jarring chord in this harmony came from
Lizzie, while Bob was in search of Gull to bid
him bring round the car. Lizzie stood looking
down the two flowered terraces, where in honor
of the visitors the fountains had been turned on.</p>
<p>"I understand now why they couldn't afford
to pay your father his forty-five a week. It must
cost a great deal of money to keep this establishment
going."</p>
<p>"Oh, momma," Gussie pleaded, "don't begin
to hang crape just when we're able to enjoy ourselves
a little."</p>
<p>Lizzie turned on her daughter her rare and
almost forgotten smile.</p>
<p>"Very well, dear; enjoy yourself. Only a
world in which enjoyment must be bought at
such a price is not a fit world for human beings
to live in."</p>
<p>Gladys crept up, snuggling against her mother's
shoulder.</p>
<p>"Yes, momma darling; but you won't say
that any more till we get home, now will you?
It might hurt poor Bob's feelings if you did, and
you <em class="italics">can't</em> say that he's ever done us any harm."</p>
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