<h2><SPAN class="toc-backref pginternal" href="#id21">CHAPTER XX</SPAN></h2>
<p class="pfirst">The guests went early. It was a relief to
have them go. Not that they differed
from other guests to whom Collingham Lodge
was accustomed to open its doors, or that the
dinner was less fastidiously good than Junia
was in the habit of giving. Dinner and guests
had both been up to form; and yet it was a
relief when the last car glided from beneath the
portico.</p>
<p>"Why do you suppose it is?"</p>
<p>Junia had asked this question so often of late
that Collingham had ceased to try to answer
it. Instead, he lit a cigar and strolled to the
open French window. He, too, found it a relief
to relax in the company of his family, though
less puzzled than Junia at the state of mind.</p>
<p>"Oh, come out!" Edith called from the terrace.
"It's heavenly."</p>
<p>It was a soft, warm, velvety night, starlit and
voluptuous. The air astir was just enough to
carry the scents of roses, honeysuckle, mignonette,
and new-mown hay. Except for the
dartings of small living things and the occasional
peep of a half-awake bird, there was no sound
but that of the plash of the fountains on the
terraces. Edith went in for a light wrap for her
mother; Collingham, his cigar in hand, dropped
into the teakwood chair.</p>
<p>"It isn't our dinners only," Junia complained,
when, with the wrap about her shoulders, she
had settled herself in the wicker armchair she
preferred; "it's all dinners. It's just as if people
didn't enjoy them any more."</p>
<p>"Well, they don't." Edith half loungingly
swung herself in a Gloucester hammock. "What
we've got to learn, mother dear, is that entertaining,
as we called it, was a pre-war habit
which we've outlived in spirit, though we haven't
quite come to the point in fact."</p>
<p>"There's something in that," Collingham
agreed.</p>
<p>"And yet there's got to be hospitality," Junia
reasoned. "You can't just live and die to
yourself."</p>
<p>Edith swung lazily.</p>
<p>"Hospitality, yes; but isn't there a difference
between that and entertaining?"</p>
<p>"If so, what is it?"</p>
<p>"I'm not sure that I can say. Isn't the one
a permanent necessity, and the other merely a
custom that can go out of date?"</p>
<p>"Between your custom that can go out of
date and your permanent necessity, I don't see
that there's much distinction."</p>
<p>"Well, there is, mother dear. It's like this:
Entertaining is giving people something they
don't particularly want and which you expect
them to repay; while hospitality is opening your
house to people in need, whether they can repay
you or not."</p>
<p>"Oh, if we're going to open our houses to people
in need—"</p>
<p>"Well, what?"</p>
<p>"I'm sure I don't know what; nor you, either."</p>
<p>"And that's just it. We're halting between
two states of mind. Ever since the war began,
mere entertaining bores us; and we're terrified
at the idea of genuine hospitality; so there we
are. We still give dinners and go to them; but
when we do we feel it's something fatuous, which
can't help making us dull."</p>
<p>Out of the silence that ensued Collingham
said, moodily:</p>
<p>"It's all very fine to talk of opening your
house to people in need; but it's not as easy as
it looks."</p>
<p>"Is anything ever as easy as it looks, dad?
Don't we shirk the social problems that are
upsetting the world by declaring them impossible
to solve, when a material difficulty only
puts us on our mettle?"</p>
<p>He turned this over. All that day he had been
calculating his own possible responsibility in
Teddy Follett's going wrong, and was thinking
of it now. In the end he said:</p>
<p>"All the same you've got to follow the regular
trend. If you were in business you'd know.
You can't do things differently from other people.
You may be as sorry as you like not to be able
to help; but if you can't, you can't—and there's
an end of it."</p>
<p>"Mr. Ayling in his new book, <em class="italics">Social Problems
and the Individual</em>, says there's a distinction to
be drawn between <em class="italics">can't</em> and <em class="italics">can't</em>—there's the
can't that comes from lack of ability, and the
can't that springs from the accepted standard.
He says—"</p>
<p>"I don't believe your father is at all interested
in that, Edith dear."</p>
<p>"Oh yes; let her go on. I'm not afraid of
what Ayling thinks."</p>
<p>But before Edith could resume the attention
of all three was called by the tinkle of the telephone
bell in the library, which could be approached
from the terrace through the drawing-room.
With a muttered, "Who's ringing up
at this time of night?" Collingham dragged
himself in to answer it. The women remained
silent, each listening to see if the call was for her.</p>
<p>"Yes?... This is Mr. Collingham.... Who?...
Oh, it's you, Mr. Brunt?... Yes?... What
did you say?... Killed? Who's killed?...
Not Flynn the detective, who comes in and out
of the bank?... Indeed! Dear me! Dear me!
Where was it?... Who did it?... Not that boy?...
Oh, my God!... What happened?... Tell
me quickly.... Over beyond Jersey City! Yes?
Yes?... And they've got him?... In the Brig?
That's the Ellenbrook jail, isn't it?... Jackman,
too, did you say?... Wounded, but not killed....
Badly?... Oh, the poor fellow!... In the
hospital?... That's right.... Has anyone communicated
with his family?... Good! Good!...
And Flynn's wife?... Oh, the poor woman!...
And the boy's family?... You don't know anything?
Then no one has informed his mother?...
Not that you know of.... I see.... He's to
be brought into court to-morrow morning....
Poor little devil!... Oh, I know he doesn't deserve
pity, but—but I can't help it, Brunt.
His father was with us so long and—and one
thing and another!... No; I'll appear in court
myself and see what I can do for him.... Good
night, then. I'll see you in the morning."</p>
<p>"What boy can that be?" Junia whispered,
as her husband hung the receiver in its place.</p>
<p>"I'm sure I don't know—unless—unless it's
the Follett boy."</p>
<p>"Oh, I hope not. It would make such awful
complications."</p>
<p>They waited for Collingham to come and tell
them his plainly thrilling news, but he remained
in the library.</p>
<p>"It <em class="italics">would</em> make complications," Edith ventured,
in a low voice, "if it proved to be young
Follett—with Bob in love with his sister."</p>
<p>Junia spoke not so much from impulse as
from inspiration.</p>
<p>"He's more than in love with her. He's
married to her."</p>
<p>"Mother!"</p>
<p>"Yes; he was married to her a few days
before he sailed. I've known it all along."</p>
<p>Edith was breathless.</p>
<p>"Did he tell you?"</p>
<p>"No; she did."</p>
<p>"She? The Follett girl? Why, mother!"</p>
<p>Junia rose. She knew that if her suspicions
were correct she would have things to do before
she slept.</p>
<p>"Go to bed now, dear; and I'll come to your
room and give you the whole story. In the meantime
I may have to tell your father."</p>
<p>"You mean to say that he doesn't know?"</p>
<p>"No; not yet. I've been rather hoping that
before I told him Bob would—would see his way
out of the mess."</p>
<p>"He'll never do that, never in this world—not
according to what he's said to me."</p>
<p>"Oh, well, he didn't know everything then
that he'll have to know now. But go and say
good night to your father; and I'll come up by
the time you're in bed."</p>
<p>"Mother, you're amazing!" Edith spoke
more in awe than in admiration; but she obeyed
orders by going to her father.</p>
<p>She found him still sitting in the chair by the
telephone, bowed forward, his elbows on his
knees, and his forehead in his hands. When
he lifted his haggard eyes toward her she stood
still.</p>
<p>"Daddy, what in the world has happened?
Who is it that has killed some one? We couldn't
help hearing that much."</p>
<p>He raised himself. "Come here."</p>
<p>Going forward, she knelt down beside him,
taking his hand and kissing it.</p>
<p>"You poor daddy! You're bothered, aren't
you?"</p>
<p>"It's—it's young Follett. He's been stealing
money from the bank, and now he's shot one of
the detectives who heard he was hiding in a
cabin out on the New Jersey marshes. They'd
sent out a description of him to the suburban
stations. And only to-day I told his sister that
I'd call the thing off and give him another
chance."</p>
<p>"She came to see you?"</p>
<p>"She came to see me."</p>
<p>"Then you did what you could, didn't you?"</p>
<p>"I did what I could—then." In spite of the
emphasis on the final word, he slapped his knee
with new conviction. "I've done what I could
all through. It's no use saying I haven't, because
I have. There's just so much you can do,
and you can't do any more. You can't make a
business a home for indigent old gentlemen—now,
can you?"</p>
<p>He sprang to his feet, leaving her kneeling by
the chair.</p>
<p>"No, I don't suppose you can," she assented,
rising slowly. "But I do wish you'd talk to Mr.
Ayling sometime, daddy. He seems to see all
these things from new points of view—"</p>
<p>He was pacing about the room very much like
Max in moments of agitation.</p>
<p>"Oh, new points of view! There's only one
point of view, I tell you, and that's the one on
what we've made the country prosperous."</p>
<p>She smiled wistfully.</p>
<p>"Prosperous for some."</p>
<p>"Well, that's better than prosperous for
nobody, isn't it?"</p>
<p>She said good night to him then, for the reason
that she herself was so stirred that she needed
seclusion in which to think these strange things
over. That Bob should have married Jennie
Follett was a shock in itself; but that through
his wife he should now be involved in this
frightful tragedy was something that her mind
found it hard to take in. It was the first time
that she had ever come so close to the more
terrible happenings in life.</p>
<p>Meanwhile, Junia, overhearing what was said,
reconstructed her plan of campaign. In common
with great generals, she possessed the faculty of
rapid revision, as events took place differently
from the way she had expected. By the time
she heard Edith go upstairs she had foreseen
the line of action which the new situation forced
on them.</p>
<p>Collingham was still lashing about the library
when she appeared on the threshold. Her calmness
arrested him. In a measure it soothed him.
It was the kind of juncture in which she always
knew what to do, and he had confidence in her
judgment. When she said, "Sit down, Bradley;
I've something to say," he obeyed her quietly,
relighting his cigar. As she, too, sat down, Max
or Dauphin would have noted in her the aura of
authority which a master wears when about to
lecture a schoolboy.</p>
<p>"I've something startling to tell you, Bradley;
but I want to say beforehand that you mustn't
get worked up, because I see a way out."</p>
<p>Taking his cigar from his lips, he looked at
her sidewise. His expression said, "What's it
going to be now?"</p>
<p>"What I've heard you telling Edith about
this young Follett killing a detective concerns
us more closely than you may think, because
Bob is married to his sister."</p>
<p>He laid his cigar on an ash tray, swung round
to the table between them, clasped his fingers,
and leaned on his outstretched elbows. His
tone was quiet, even casual.</p>
<p>"When did he do that?"</p>
<p>"Just before he sailed."</p>
<p>"Then I'm through with him."</p>
<p>"Oh no, you're not, Bradley! He's your son,
whether he's married anyone or not."</p>
<p>"I can't help his being my son; but I can help
having anything more to do with him."</p>
<p>"Listen, Bradley. This whole thing is going
to be in the papers in the course of two or three
days; and you must come through it with honors.
It's perfectly simple to do it, and win everyone's
respect and sympathy. In addition to that you
can get Bob's devoted affection; and you know
how much that means to us all."</p>
<p>To Collingham it meant so much that he
listened to her attentively, with eager eyes. In
Bob's marriage, with its attendant circumstances,
they had obviously received a shock.
All Marillo Park, as well as the public in general,
would know it to be a shock and would be
watching to see how they took it. In that case,
the best thing was the sporting thing. They
must stand right up to the facts and accept them.
Everyone knew that the younger generation was
peculiar. It was the war, Junia supposed, and
yet she didn't know. In any case, it was not the
Collinghams alone who were so afflicted, but
dotted all over Marillo were families whose young
ones were acting strangely. There were the
Rumseys, whose twin sons had refused an
uncle's legacy amounting to something like
three millions, because they held views opposed
to the owning of private property. There were
the Addingtons, whose son and heir had married
a girl twice imprisoned as a Red and was believed
to have gone Red in her company. There
were the Bendlingers, whose daughter had eloped
with a chauffeur, divorced him, and then gone
back and married him again. These were
Marillo incidents, and in no case had the parents
found any course more original than the antiquated
one of discarding and disinheritance.
And yet you couldn't wash your hands of your
flesh and blood like that. They were your flesh
and blood whatever they did; and it was idiotic
to act as if you could cut the tie between yourself
and them. He could see for himself that Rumseys, Addingtons, and Bendlingers had lost
rather than gained in general esteem by their
melodramatic poses.</p>
<p>Now, the thing for the Collinghams was to
accept the situation with a great big generous
heart. They were to open their arms to Bob,
and back him loyally in the combination of difficulties
he had to swing. But he himself must
swing them. Junia laid emphasis on that. By
direct action they couldn't intervene. They
could only make it possible for him to act directly
on his own responsibility. He had married
a wife whose family was in trouble. They, the
Collinghams, would not share that trouble, but
they would help him to share it, since he had
brought on himself the necessity for doing so.</p>
<p>To accomplish this, Junia suggested sending
to Bob a cablegram covering the following five
points. The Follett boy was in jail charged
with murdering a detective; Bob should publish
at once his marriage to this boy's sister; he
should return to New York by the first convenient
steamer; his father was placing ten
thousand dollars to his account, and when that
was used would place more; he was also ready, if
instructed by Bob, to engage the best counsel in
New Jersey to defend the boy.</p>
<p>"That will take care of everything till he gets
here," Junia concluded, "and in the meantime,
we can't do better, it seems to me, than go up,
as we always do at this time of year, to our camp
in the Adirondacks. This house can be kept
open for Bob when he arrives, and Gull can stay
with one of the motors to run him in and out of
town."</p>
<p>"And what are we to do about the girl?"</p>
<p>"Nothing. That isn't for us to take up. We
must leave it to Bob. If he ever brings her to
us as his wife—But, then, he never may."</p>
<p>"What makes you think so?"</p>
<p>Her superb eyes covered him with their fine,
audacious, womanly regard.</p>
<p>"I'd tell you, Bradley, if—if I didn't think
there are things that had better not go into
words, even between you and me. Whatever Bob
discovers will be his own affair. You and I had
best know as little as possible. We can back
Bob up, and that's all we can do. Everything
else he will have to work out for himself. By
the time he's done that he'll be a grown-up
man. It's possible he's needed something of the
sort to develop him."</p>
<p>So Collingham telephoned his cablegram to
Bob, and went to bed comforted. Next morning,
on arriving at the bank, he found Junia's counsels
supported by the best opinion among his
co-workers. That is, he changed his mind as to
going to the court in Ellenbrook for the first
hearing of the Follett boy, or otherwise expressing
himself toward the Follett family. He had
given Bob the means of doing whatever needed
to be done, and Bob had the cable at his disposition.
To go to the court, or to express sympathy
in any way, would, according to Bickley,
be dangerous to discipline. Feeling in the bank
was extremely hostile to young Follett, and it
was better that it should remain so. The bank
employee's cast of mind, so Bickley said, was,
not revolutionary or rebellious against acknowledged
rights. By sheer force of habit, it was
schooled to reverence for life and property. The
principle of ownership being holier to it than any
tenet of religion, the Follett boy could not be
looked upon otherwise than as an enemy of mankind;
and this was as it should be.</p>
<hr class="docutils"/>
<p class="pfirst">While Collingham thus weighed the counsels
offered him at the bank, Gussie Follett was
blindly making her way homeward from Corinne's
with a paper so folded in her hand as not
to display its headlines. She had gone to her
work with comparative cheerfulness, since, on
the previous day, Jennie had been assured by
no less authority than Mr. Collingham himself
that Teddy should not be sent to jail. So long
as he was not sent to jail, they would be free
from public comment, and, free from public comment,
they could "manage somehow." Managing
somehow being an art in which they had gained
authority, they were not afraid of that, even
though it involved parting with the one great
asset against calamity, the house.</p>
<p>Gussie's first intimation of bad news came
when, on entering the shop, she found the four
or five other girls huddled round Corinne. Her
appearance made them start as if she was a
ghost. Her own heart sank at that, though she
hailed this shudder with a laugh.</p>
<p>"Say, girls, is this the big reel in 'The Specter
Bride'?"</p>
<p>Corinne, whose real name was Mamie Callaghan,
emerged from a miniature forest of upright
metal rods crowned with hats at various roguish
angles. A dark, wavy-nosed woman of cajoling
Irish witchery, she could hardly keep the prank
from her voice even at such a time as this.</p>
<p>"So, Gussie, you don't know! Well, some
one's got to break it to you, and I guess it'll
have to be me."</p>
<p>But it was broken already, even before Corinne
had brought forward the paper she was hiding
behind her back.</p>
<p>"Teddy!" Gussie cried out. "There's something
about him in that thing. Let me see it!
Let me see it!"</p>
<p>Corinne let her see it, and the work was done.
Gussie couldn't read beyond the headlines with
their "Robbery" and "Murder" in Italic capitals,
but she grasped enough. The snapshot of
Teddy taken in the road, just as he had been
dragged, a mass of slime, out of the morass, made
her reel backward as if about to fall; but when
Eily O'Brien sprang to her support she waved
her away gently. She was not going to faint.
Her physical strength wouldn't leave her, whatever
else was gone.</p>
<p>"I'm—I'm going home," was all she said,
crushing the paper against her breast.</p>
<p>"Oh, Gus, lemme go with you!" Eily had
begged; but this kindness, too, Gussie put away
from her.</p>
<p>She could go alone, and alone she went, with
one consuming thought as she sped along.</p>
<p>"Oh, momma! Poor momma! This'll about
finish her."</p>
<p>And yet when she entered the living-room her
mother was sitting, calm and serene, while Mr.
Brunt told the tale of the New Jersey marshes.
Jennie, white, tearless, terrified, crept up to
Gussie, and the two clung together as their
mother said, in her steady voice.</p>
<p>"So I understand that only one of them is
dead—the Irish one."</p>
<p>Mr. Brunt assented.</p>
<p>"Yes, Flynn, the Irish one."</p>
<p>"I'm not surprised. I told him when he was
here the other day that what he called 'law and
order' would bring him to grief, as they bring
most of us, though I didn't expect it to be so
soon. And my son, you say, is in jail."</p>
<p>"At Ellenbrook."</p>
<p>"They'll try him, I suppose."</p>
<p>"I'm afraid so."</p>
<p>"And then they'll send him to the chair."
Mr. Brunt didn't answer. "Oh, you needn't be
afraid to speak of it. I know they will. I'm not
sorry. Teddy will be sorry, of course—till it's
over. But I'd rather he'd suffer a little now and
be done with it than go through the hell of years
his father and I have had. If there was going to
be any chance for him, it would be different;
but there's no chance, not the way the world is
organized now."</p>
<p>The girls crept forward together.</p>
<p>"Momma darling—"</p>
<p>But Lizzie resumed, calmly:</p>
<p>"Where there's nothing but government by
the strong for the strong, people like ourselves
must go under. You'll go under, too, Mr. Brunt.
You belong to the doomed class. The workingman
will soon be getting share and share alike
with the capitalist; and the white-collar
crowd will be kicked about by both. If we had
the pluck to fight as the workingman has fought,
we might save something even now; but we
haven't, and so there's no hope for us. Law and
order have us by the throat, and we must suffer
till they strangle us. Well, my boy will soon be
out of it—thank God!—and all I ask is to follow
him."</p>
<p>When Mr. Brunt got himself to the door,
Jennie went with him, as she had done with
Flynn and Jackman two days earlier. She did
this in the dazed condition of a woman who performs
some little act of courtesy during shipwreck,
while waiting for the vessel to go down.</p>
<p>"You must excuse my mother, Mr. Brunt.
Ever since my father died her mind's been
unsettled, and we don't know what to make of
her."</p>
<p>But Mr. Brunt's demeanor did not encourage
conversation. To do him justice, the mission on
which Collingham had sent him had been repugnant
for other reasons than the breaking of
bad news. His mind being of the cast Bickley
had analyzed that morning, Teddy's theft filled
him with more horror than his killing of a man.
To come so near to crime against the ownership
of bank notes inspired him with a physical
loathing which even Jennie's loveliness couldn't
mitigate. It was as if she herself was tainted by
some horrible infection, making it a relief to
him to get away from her.</p>
<p>But turning to re-enter the house, she felt
again that access of new strength which had
come to her repeatedly during the past few days.
It was as if resources of her being never taxed
before were now offering themselves for use.
What she had to do was in the forefront of her
thought rather than what some one else had
done. What some one else had done was already
in the past. That was made for her and couldn't
be helped; whereas her own duties imperatively
summoned her to look ahead.</p>
<p>"Teddy will need a suitcase of clean things,"
was the direct expression of these thoughts
before she had recrossed the threshold.</p>
<p>Having said this aloud to Gussie, Gussie's
mind could also tackle the minor concrete details
to the exclusion of the bigger considerations involved
in Teddy's plight. That the honest,
loving, skylarking boy whom they had grown up
with could be a thief and a murderer was something
the intelligence rejected as it rejected
dreams. They could, therefore, take the new
straw suitcase which had once been a family
present to Gussie, and which she had never used,
pack it with Teddy's other suit and the necessary
linen, as if he were really at Paterson or Philadelphia.</p>
<p>"How shall we get it to him?" Gussie asked,
when the work was done.</p>
<p>"I'll take it," Jennie answered, "if you'll
stay and look after momma."</p>
<p>"Momma won't need much looking after—the
way she is."</p>
<p>"Well, that's one comfort anyhow. With
this to go through with I'm glad her mind's not
what it used to be."</p>
<p>So, stunned and dry eyed, they caught on to
the new conditions by doing little perfunctory
things, consoling and helping each other.</p>
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