<h2><SPAN class="toc-backref pginternal" href="#id8">CHAPTER VII</SPAN></h2>
<p class="pfirst">"Shall I ever go in or out of this door
again?"</p>
<p>Jennie lingered on the threshold to ask herself
this question, and, as she did so, saw Bob Collingham
lift his hat.</p>
<p>For the time being she had forgotten him.
That is, she had a way of putting him out of her
mind except when, as he expressed it to herself,
he came bothering her. Bothering her meant
asking her to marry him, which he had done perhaps
twenty times. Each time she refused him
she considered that it was for good. There was
a quality in him that raised her ire—a certainty
that, pressed by need, she would one day come
to him. That, Jennie said to herself, would be
the last thing! She wouldn't do it as long as
there was any other possibility on earth. In
view, however, of the state of things at home
and Wray's cold-bloodedness at the studio it had
sometimes seemed to her of late as if earth would
not afford her any other possibility.</p>
<p>If she welcomed him now, it was chiefly as a
distraction from thoughts which, were she to
keep dwelling on them, would drive her mad.
Her temperament being naturally happy, anguish
was the more anguishing for being so unnatural.
The mere necessity of having to strive with Bob
called forth in her that spirit of sex-wrestling
which was not so much second nature in her as
it was first.</p>
<p>She greeted him, therefore, with a sick little
smile, and allowed him to limp along beside her.
The studio building was in a street in the Thirties
and east of Lexington Avenue. To take the way
by which she usually went, they sauntered
toward the sunset.</p>
<p>"You're in trouble, Jennie, aren't you?"</p>
<p>The kindly tone touched her. He was always
kind. He was always looking for little things
he could do. It was part of the trouble with
him from her point of view that he was so
watchful and overshadowing. He poured out so
much more than her cup was able to receive
that he frightened her. All the same, his sympathy,
coming at this minute, started her tears
afresh.</p>
<p>"Is it things at home?" he persisted, when
she didn't respond.</p>
<p>Thinking this enough for him to know, she
admitted that it was.</p>
<p>"I've got something in my pocket that would—that
would help all that—in the long run."</p>
<p>From anyone else this would have alarmed her.
She would have taken it to mean money, money
which she would in her own way be expected to
repay. As it was she merely turned her swimming
eyes toward him in mild curiosity.</p>
<p>"Look!"</p>
<p>Seeing a little white box which could contain
nothing but a ring held between his thumb and
forefinger on the edge of his waistcoat pocket,
she flushed with annoyance.</p>
<p>"I think you'd better go away," she said,
coldly, pausing to give him the chance to take
his leave.</p>
<p>"And chuck you back upon your trouble?"</p>
<p>The argument was more effective than he
knew. Jennie became aware that even this little
bit of drama had put home conditions and Wray's
cruelty a perceptible distance behind her. It
was sheer terror at being thrown on them again
that induced her to walk on, tacitly permitting
him to stay with her.</p>
<p>"You can't be saved from one kind of trouble
by getting into another," she argued, ungraciously.
"The fire's not much of a relief from the
frying pan."</p>
<p>"It is if it doesn't burn you—if it only warms
and comforts you and makes it easier to live."</p>
<p>"This fire would burn me—to death."</p>
<p>"Oh no, it wouldn't; because I'd be there.
I'd be the stoker, to see that it was kept in the
furnace. The furnace in the house, Jennie, is
like the heart in the body—something out of
sight, but hot and glowing, and cheering everybody
up." If she could have listened to such
words from Hubert Wray, she thought, how
enraptured she would have been. "Did you
ever hear the story of the guy who gave us fire
in the first place?" Bob continued, as she walked
on and said nothing. "You know we didn't have
any fire on earth—at least, that's the tune to
which the rig is sung. The gods had fire in
heaven, but men had to shiver."</p>
<p>"Why didn't they freeze to death?''</p>
<p>"They did—in a parable way. It wasn't life
they lived; it was a great big creeping horror
on the edge of nothing. Then this old bird—I
forget his name—went up to heaven—"</p>
<p>"How did he do that?"</p>
<p>"The story doesn't tell; but up he went,
stole the fire, and brought it down. After that,
they were able to open the ball we call 'civilization,'
which gives every one a good time."</p>
<p>"Oh, does it? Much you know!"</p>
<p>"I know this much, Jennie—that I could
give you a good time if you'd let me."</p>
<p>"You couldn't give me the good time I want."</p>
<p>"But I could make you want the good time
I'd give you, which would come to the same
thing. I imagine the folks on earth didn't think
much of the fire from heaven—beforehand; but
once they'd got it, they knew what it meant to
them. That's the way you'd feel, Jennie, if you
married me. You can't begin to fancy now—"
On coming in sight of a line of taxicabs drawn
up before a hotel, he broke off to say, "Do you
see those taxis, Jennie?"</p>
<p>She replied that she did.</p>
<p>"Well, one of them may mean a great deal to
you and me."</p>
<p>"Which one of them?"</p>
<p>"Whichever one we get into."</p>
<p>"Why should we get into it?"</p>
<p>"Because"—he tapped the white box in his
waistcoat pocket—"this little thing I've got in
here wouldn't do us any good without something
else. We should have to go after it together."</p>
<p>Her mystified expression told him that she
was in the dark.</p>
<p>"It's something we should have to ask for, and
to sign—Robert Bradley Collingham, bachelor,
and Jane Scarborough Follett, spinster—I believe
that's the way it runs."</p>
<p>"Oh!" The low ejaculation was just enough
to show that she understood.</p>
<p>"Why shouldn't we, Jennie? It wouldn't
take half an hour to get there and back."</p>
<p>"'Back?'" She was so dazed that she echoed
the word more or less unconsciously.</p>
<p>They came in sight of a low brown tower at
which he pointed with his stick. "Do you see
that church? Well, that church has got a parson—quite
a decent sort for a parson—"</p>
<p>"How do you know?"</p>
<p>"Because I talked to him—about half an hour
ago. I said that if he was going to be at home,
we might look in on him toward the end of the
afternoon."</p>
<p>"You had no right to say anything of the
kind."</p>
<p>"I know I hadn't, but I took a chance. Won't
you take a chance, too, Jennie? It would mean
the beginning of the end of all your troubles.
In the long run, if not in the short run, I could
take them off your hands."</p>
<p>That she should be dead to this argument was
not in human nature. Her basic conception of
a man was of one who would relieve her of her
burdens. Helplessness was a large part of her
appeal. That marriage meant being taken care
of imparted, according to her thinking, its chief
common sense to the institution. She shrank
from marrying <em class="italics">just</em> to be taken care of; but if
there was no other way, and if in this way she
could bring to the family the stupendous Collingham
connection in lieu of her six a week....
She made up her mind to temporize.</p>
<p>"What makes you in such an awful hurry?
We could do it any other day—"</p>
<p>"Did you ever see a sick man who wasn't in
an awful hurry to get well?"</p>
<p>"You're not as bad as all that."</p>
<p>"Listen, Jennie," he said, with an ardor enhanced
by her hints at relenting; "listen, and
I'll tell you what I am. I'm like a chap that's
been cut in two, who only lives because he knows
the other half will be joined to him again."</p>
<p>"That's all very well; but where's the other
half?"</p>
<p>"Here." He touched her lightly on the arm.
"You're the other half of me, Jennie; I'm the
other half of you."</p>
<p>She laughed ruefully.</p>
<p>"That's news to me."</p>
<p>"I thought it might be. That's why I'm
telling you. You don't suppose any other fellow
could be to you what I'd be, do you?"</p>
<p>"I don't know what you'd be to me because
I've so many other things to think of first."</p>
<p>"What sort of things?"</p>
<p>"What your folks would say, for one."</p>
<p>He replied, with a shade of embarrassment:
"They'd say some pretty mean things, to
begin with."</p>
<p>"And to end with?"</p>
<p>"They'd give in. They'd have to. Families
always do when you only leave them Hobson's
choice."</p>
<p>She dropped into the studio idiom.</p>
<p>"That wouldn't be all pie for me, would it?"</p>
<p>"Is anything ever all pie? You've got to
work for your living in this old world if you want
to eat. I'm ready to work for this, Jennie. I'm
ready to move mountains for it, and, by God!
I'm going to move them! But do you know
why?"</p>
<p>She said, shyly, "I suppose because you like
me."</p>
<p>"I don't know whether I do or not. That's
not what I think about first." Though they had
not yet reached the line of taxicabs, he paused
to make an explanation. "Suppose you were
inventing a machine and had got it pretty well
fitted together, only that you couldn't make it
work. And suppose, one day, you found the
very part that was missing—the thing that
would make it run. You'd know you'd have to
have that one thing, wouldn't you? You'd have
to have it—or your life wouldn't be worth
while."</p>
<p>"I never heard any other man talk like
that."</p>
<p>"Listen, Jennie. There are men and men.
They'll go into two big bunches. To one kind
women are like whisky—some better than others,
but all good. If they can't have Mary, Susan'll
do, and when they're tired of Susan they'll run
after Ann. That's one kind of fellow, and he's
in the great majority. They're polygamous by
nature, those chaps. I suppose the Lord made
them so. Anyhow, as far as I can see—and I've
seen pretty far—they can't help themselves."
He drew a long breath. "Then there's another
kind."</p>
<p>If Jennie listened with attention, it was not
because she was interested in him, but in Hubert
Wray. Hubert had more than once said things
of the same kind. He had declared male constancy
to be outside the possibilities of flesh and
blood, and, with her preference for cave men,
Jennie had agreed with him. That is, she had
agreed with him as to everyone but himself.
Others could take their pleasure where and as
they found it; but she could not conceive of any
man loving her, or of herself loving any man,
unless it was for life. On the subject of constancy
or inconstancy, this was her sole reservation.</p>
<p>"You'll think me an awful chump, Jennie, but
I'm that other kind."</p>
<p>She threw him a sidelong glance of some
perplexity.</p>
<p>"You mean the kind that—"</p>
<p>"I'm not polygamous," he declared, as one
who confessed a criminal tendency. "There it
is, laid out flat. I'm—" He hesitated before
using the term lest she might not understand it.
"There's a word for my kind," he went on,
tenderly. "It's monogamous."</p>
<p>She made a little sound of dismay at the
strangeness, it almost seemed the indecency, of
the syllables.</p>
<p>"Yes; I thought you might never have heard
it," he pursued, in the same tender strain, "but
it means the opposite of polygamous. A polygamous
guy wants to marry all the wives he can
make love to. A one-wife chap like me asks for
nothing so much as to be true to the girl he loves.
I'm that kind, Jennie."</p>
<p>To his amazement, and somewhat to his joy,
he saw a tear trickle down her cheek. It was a
tear of regret that Hubert couldn't have expressed
himself like this, but Bob thought her
touched by his appeal. It encouraged him to
continue with accentuated warmth.</p>
<p>"You've heard of what they call the battle of
the sexes, haven't you?"</p>
<p>She thought she had.</p>
<p>"Well, that's what it comes from chiefly—the
crowds of polygamous men and the small number
of polygamous women; or else it's the crowds of
monogamous women and the small number of
monogamous men. Out of every hundred men,
about ninety are polygamous, and ten want only
one woman for a lifetime. Out of every hundred
women, ninety are satisfied to love one man, and
the other ten are rovers. Don't you see what a
bad fit it makes?"</p>
<p>"Yes; but how do you know I'm not one of the
rovers?"</p>
<p>"You couldn't be, Jennie. Even if I thought
you might be, I'd be willing to take a chance.
And the reason I've spun this rigmarole to you
is because, if you don't take me, it'll be ten to
one that you'll fall into the hands of one of the
gay ninety who'll make your life a hell. I'd hate
that. God! how I should hate it! Even if I
didn't care anything about you, I should want
to marry you, just to save you from some fancy
man who'd think no more of breaking your heart
than he would of smashing an egg-shell."</p>
<p>As they walked on toward the row of public
conveyances, he explained himself further. On
Monday next he might sail for South America.
But he couldn't do this leaving everything at
loose ends between them. If she married him,
he could go off with an easy mind, and they could
keep their secret till his return. In the meanwhile
he would be able to supply her with a
little cash, not much, he was afraid, as dad kept
so tight a rubber band round the pocketbook.
It would, however, be something, and he would
know that she could give up her work at the
studio without danger of starving to death.</p>
<p>"And you might as well do it first as last,
Jennie," he summed up, "because I mean that
you shall do it sometime."</p>
<p>"And suppose," she objected, "that you came
back from South America in six months' time—and
were sorry. Where should I be then?"</p>
<p>He argued that this was impossible. A monogamous
man always knew his mate as a monogamous
bird knew his. It was instinct that told
them both, and instinct never went wrong.</p>
<p>They reached the row of taxis, and, in spite of
the queer looks of the passers-by, he took her
by the hand.</p>
<p>"Come, Jennie, come!"</p>
<p>But she hung back.</p>
<p>"Oh, Bob, how can I? All of a sudden like
this!"</p>
<p>"It might as well be all of a sudden as any
other way, since you're my woman and I'm your
man."</p>
<p>"But I don't believe it."</p>
<p>"Then I'll prove to you that it's so."</p>
<p>Though he could not do this, she went with him
in the end. She was not won; she was not more
moved by his suit than she had been at other
times; she still shrank from the scar on his brow
and the touch of his tremendous hands. But she
was afraid of letting him go, of dropping back
into the horror of no lover in the studio and no
money to bring home. To do this thing would
save her from that emptiness, even if it led to
something worse. Worse would be easier to
bear than returning to nothing but a void; and
so slowly, reluctantly, with anguish in her heart,
she let herself be helped into the shabby vehicle.</p>
<hr class="docutils"/>
<p class="pfirst">An hour or so later, Teddy reached home.
He arrived breathless, because he had run nearly
all the way from the street-car. In the empty
spaces of Indiana Avenue he felt himself conspicuous.
He knew it was fancy, that no hint
of his folly could have come to this quiet suburb,
and that his theft could not possibly be discovered
as yet, even by those most concerned. But
he was not used to a guilty conscience. Already
in imagination he saw himself tried, sentenced,
and serving a long sentence at Bitterwell, of
which he had once seen the grim gray walls.</p>
<p>"God! I'd shoot myself first!" was his comment
to himself, as he hurried past the trim
grassplots where care-free men in shirt sleeves
were watering their bits of lawn.</p>
<p>It was Pansy who first knew that something
was amiss. At sound of his hand on the door
knob she had come scampering, with little
silvery yelps, and had suddenly been checked by
the atmosphere he threw out. Pansy knew what
wrongdoing was; she knew the pangs of remorse.
She had once run away from being shut up in the
coalbin, her fate when the family went to the
movies, and had been lost for half a day. The
agony of being adrift and the joy of seeing
Gussie come whistling and calling down the
Palisade Walk formed the great central escapade
in Pansy's memory. For days afterward, whenever
the family spoke of it, she would stand
with forepaws planted apart, and head hanging
dejectedly, aware that no terms could be scathing
enough fully to cover her guilt.</p>
<p>And here was Teddy in the same state of mind.
Pansy had learned that the great race could
suffer; but she hadn't supposed that it could
get into scrapes like herself. All she could do on
second thoughts was to creep forward timidly,
raise herself on her hind legs, with her paws
against his shin, and tell him that whatever the
trouble was she had been through it all.</p>
<p>He paid her no attention because, as he looked
into the living room, Gladys was seated at a
table, crying, her hands covering her face. At
the same time Gussie was peacocking up and
down the room, saying things to her little sister
that were apparently not comforting. Now that
Gussie, at Madame Corinne's request, had "put
up" her hair, her great beauty was apparent.
Her face had not the guileless purity of Jennie's,
but it had more intellectual vigor and much
more fire.</p>
<p>Gladys was Teddy's pet, as she was her
father's. Of the three girls, she was the plain
one, a little red-haired, snub-nosed thing, with
some resemblance to Pansy, and a heart of gold.
Teddy went over and laid his hand on her fiery
crown.</p>
<p>"Say, poor little kiddie, what's the matter?"</p>
<p>"It's my feet," Gladys moaned.</p>
<p>"And she thinks that learning the millinery
at three-fifty per is all jazz and cat-step,"
Gussie declared, grandly. "Well, let her try it
and see. She's welcome. My soul and body!
Corinne would blow her across the river when
she got into a temper. I say that if you're a
cash girl you've got to take the drawbacks of a
cash girl, and what's the use of kicking? If
you're on your feet, you're on your feet. Rub
'em with oil and buck up. That's what I say."</p>
<p>"It's all very well for you to talk, spit-cat,"
Gladys retorted. "All you've got to do is to
play with ribbons as if you were dressing a doll.
If you had to run like Pansy every time some
stuck-up thing calls, '<em class="italics">Ca-ash!</em>'—"</p>
<p>Gussie undulated her person and her outstretched
arms in sheer joy of the dancing step
as she strutted up and down.</p>
<p>"That's right, old girl. Blame it on me.
I'm always the one that's in the wrong in this
house. If Master Teddy lets a glass fall and
breaks it, as he did last night, I pushed it out of
his hand on purpose, though I'm in the next
room. All the same, I say, 'Buck up,' and I
don't care who says different. Sniffing won't
cure your feet or give you a brother like Fred
Inglis who can pay for a woman to do all the
heavy work, and his mother hardly lifting a
hand."</p>
<p>Teddy passed on to the kitchen to see if his
mother was there.</p>
<p>She was seated at a table with a ham bone
before her, and from it was paring the last rags
of the meat. He tried to take his old-time tone
of gayety.</p>
<p>"Hello, ma! At it again? What are you giving
us for supper? Something good, I'll bet."</p>
<p>Lizzie went on working without lifting her
eyes. She didn't even smile. Teddy sensed
something new in the way of care, as Pansy
had sensed it in him. He stood at a little
distance, waiting for the look that had never
failed to welcome him, but which this time
didn't come.</p>
<p>"What's the matter, ma? Has anything gone
wrong?"</p>
<p>Putting down the ham, Lizzie raised her eyes,
though with no light in them.</p>
<p>"It's nothing so very wrong, dear, but I
haven't told your sisters because it's no use to
worry them if—"</p>
<p>"What is it, ma? Out with it."</p>
<p>She told him. If it was necessary to go without
a hot meal between Wednesday and Saturday,
of course it could be done; but even on
Saturday the gas people would demand fifteen
dollars on account before the gas would be
turned on again. There were just two possibilities:
The father might come home with the news
that he had found a job, or Teddy might have—she
didn't believe it, but he had talked of saving
for a new suit of clothes—Teddy might have
fifteen dollars laid away.</p>
<p>He turned his back and walked out of the
kitchen. He did it so significantly that it seemed
to the mother there could be only one meaning
to the act. He had saved the money and resented
being robbed of it. She knew he was
something of a coxcomb, and had always been
proud that he could look so neat. He had only
two suits, a common one and a best one, but
even the common one was as brushed and pressed
and stylish as if he had a valet. Nevertheless,
his great activity and his love of rough-and-tumble
skylarking made him hard on clothes in
the sense of wear, and the common one was
growing shiny at the seams and thin where there
was most attrition. A new suit was an urgent
necessity; so that if he had a few dollars put
away toward getting it, it would be no wonder if
it hurt him to be asked to give them up.</p>
<p>But Teddy had no few dollars put away.
When the fund for the new suit could be counted
otherwise than in pennies, some special need had
always swept it into the family treasury. Teddy
had let it go without a sigh. He would have let
it go without a sigh to-day, only that he had
nothing saved. Being naturally of a loving, care-taking
disposition, it meant more to him that
Gussie or Gladys should have a new pair of shoes
than that he should be able to emulate Fred
Inglis in ordering a suit at Love's.</p>
<p>Having left the kitchen, he did not go farther
than the living room, where, Gussie having
taken herself upstairs, Gladys was drying her
eyes. He merely walked to the end of the room,
his hands in his pockets, as he stared above one
of the hydrangea trees into Indiana Avenue.
The windows being open, the voices of playing
children mingled with the even-song of birds.
To Teddy, there was mockery in these cheerful
sounds. There was mockery in the westering
May sunshine, mockery in the groups of girls,
bareheaded and arm in arm, as they strolled
toward Palisade Walk; mockery in the ruddy-faced
men who watered their shrubs and grass;
mockery in the aproned women who came to
windows or doors in the intervals of preparing
supper. It all spoke of a homey comfort and
content, with no bluff behind it. In the Follett
house all was bluff—and misery.</p>
<p>Somehow, for reasons he couldn't fathom, the
cutting off of the gas from the range seemed the
last humiliation. In the matter of food, if one
thing was too dear, you could eat another. So
it was in the whole round of essentials in living.
You could get a substitute or you could go without.
But for heat there was no substitute, and
you couldn't go without it. It ranked with
clothes and shelter as a necessity even among
savages. And yet here they were, a civilized
family, living in a civilized house, in a suburb
of New York, deprived of what even Micmacs
could have at will. It was one of the happenings
that could never have been foreseen as
possibilities.</p>
<p>His hands being in his pockets, Teddy fingered
the twenty-dollar bill. He did this unconsciously, merely because it was there. It did
occur to him to wish it was his own; but his
wishes went no farther.</p>
<p>They had gone no farther when he swung on
his heel to go back to the kitchen. He must tell
his mother that he didn't have fifteen dollars put
away. He hadn't done so at once merely because
his emotions had been too strong for him.</p>
<p>He pulled his burly figure down the length of
the room as one who has to drag himself along.
If he had only been Fred Inglis, he would have
handed his mother a sheaf of bills with instructions
to buy all she wanted. Why couldn't he,
Teddy Follett, do the same? He was, as Gussie
phrased it, a great big fellow of twenty-one—and
his value was only eighteen per. He had
proved that to his own satisfaction, for in secretly
trying to unearth a better place he had
been offered less than he got at Collingham &
Law's.</p>
<p>What were the shackles that bound him?
Were they of his own creation, or were they
forced on him by the world outside? He was as
industrious as his father had been, and, except
for a tendency to do his work with a broad grin,
just as wholehearted. If good intentions had
commercial value, both father and son should
have been rated high; but here was his father
a bit of old junk, while he himself, having
reached man's estate, having served his country,
having tacitly offered himself to the limit of his
strength, was rewarded with a wage on which he
could hardly live, to say nothing of helping
others live.</p>
<p>Madly, wildly, these thoughts churned in his
mind as he lurched down the room toward the
kitchen, while Pansy watched him with a look
into which she was putting all her soul.</p>
<p>He knew what he would say. He would say:
"Ma, it's no go. I haven't a red cent. We've
got to eat cold and wash cold till Saturday, anyhow.
We'll not look farther ahead than that.
When Saturday comes, we'll see."</p>
<p>But, on the threshold of the kitchen, he saw
something which brought a new sensation. In
free fights while in the navy he had thought he
had seen red; but he had never seen red like this.
He had never supposed it possible that this torrent
of wrath, tenderness, and pity should rise
within himself, a fountain spouting at the same
time both sweet water and bitter.</p>
<p>His mother was seated at the table, crying.
The ham bone was before her, the rags of meat
on the plate, and the knife on top of them. But
she, like Gladys a few minutes previously, had
covered her face with her hands, while her
shoulders rocked.</p>
<p>In all his twenty-one years Teddy had never
seen his mother cry. He had cried; the girls
had cried; his father had very nearly cried; but
his mother never. The strong spirit had grieved
in strong ways, but not in this way. Now it
seemed as if all the griefs she had laid up since
the days when she was Lizzie Scarborough had
heaped themselves to the point at which these
strange, harsh, unnatural tears were their only
assuagement.</p>
<p>Teddy was down on his knees beside her, his
arm flung round her neck.</p>
<p>"Ma! Good old ma! Dear old ma! Don't
cry! For God's sake don't cry! Stop <em class="italics">crying</em>,
ma!" he shouted, in an imploring passion as
strange, harsh, and unnatural as her own.
"Here's the money I had saved for my new
clothes. Take it and go and pay something on
the gas bill. There! There! Stop! For God's
sake! For your little boy's sake! I love you,
ma. Only stop! There! That's better! Calm
down, ma! Everything will be all right, and I'll—I'll
get the new clothes by and by."</p>
<p>But in his heart he was saying, "To hell with
Collingham & Law's!" as he laid the bill before
her.</p>
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