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<h1>THE EMPTY SACK</h1>
<h2>BY BASIL KING</h2>
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<h2><SPAN class="toc-backref pginternal" href="#id2">CHAPTER I</SPAN></h2>
<p class="pfirst">"Mr. Collingham will see you in his
office before you go."</p>
<p>Having thus become the Voice of Fate, Miss
Ruddick, shirt-waisted and daintily shod, slipped
away between the pens where clerks were preening
themselves before leaving their desks for the
day.</p>
<p>The old man to whom she had spoken raised
his head in the mild surprise of an ox disturbed
while grazing. He, too, was leaving his desk for
the day, arranging his work with the tidy care
of one for whom pens, ink, and ledgers were the
vital things of life. Finishing his task, his hands
trembled. His smile trembled, too, when a
young man in a neighboring pen called out in
tones which mingled sarcasm with encouragement:</p>
<p>"Good luck, old top! Goin' to get your raise
at last!"</p>
<p>It was what he repeated to himself as he
shuffled after Miss Ruddick. He was obliged to
repeat it in order to steady his step. He was
obliged to steady his step because some fifteen
or twenty pairs of eyes from all the pens in the
office were following him as he went along. It
was the last bit of pride in the man marching
up to face a firing squad.</p>
<p>He had reached the glass door on which the
word "Exit" could be traced in reversed letters,
when a breezy young fellow of twenty startled
him by a sudden clap on the shoulder. The boy
had not come from a pen, but from the more
distant portion of the bank where a line of
tellers' cages faced the public.</p>
<p>"Hello, dad! Tell ma I'll be home for supper.
Off now for a plunge at the gym."</p>
<p>The boy passed on, leaving behind a vision of
gleaming teeth and the echo of gay tones.</p>
<p>Opening a glass door and entering a passageway,
the old man stumbled along it till another
door, standing open, showed Miss Ruddick,
beside her typewriter, assorting her papers before
going home. Miss Ruddick was a competent
woman of thirty-five. She was in her present
position of stenographer-secretary to the head
of the banking house because Mr. Bickley, the
efficiency expert, for whose opinion Mr. Collingham
had a kind of reverence, had selected
her for the job. Miss Ruddick cultivated her
efficiency as another woman cultivates her voice
or another her gift for dancing. Throwing off
the weaknesses that spring from affection and
softness of heart, she had steeled and oiled herself
into a swiftly working, surely judging, and
wholly impersonal business automaton. Ten
years ago she would have felt sorry for a man in
Josiah Follett's predicament. She would have
felt sorry for him now had she not learned to her
cost that sympathy diminished the accuracy of
her work. Now she could turn him off as easily
as an executioner the man condemned to death.</p>
<p>As a matter of fact, she knew that ten minutes
previously the efficiency expert had been closeted
with Mr. Collingham, dealing with this very case.
With her own ears she had heard Mr. Bickley
say:</p>
<p>"You will do as you think best, Mr. Collingham.
Only, I can't help reminding you that
once you admit any principle but that of supply
and demand, business methods are at an end."</p>
<p>Miss Ruddick knew Mr. Collingham's inner
struggle because she had been through it herself;
but she knew, too, that to Mr. Collingham the
efficiency expert was much what his physician
is to a king. His advice may be distasteful, but
it is a command. The most merciful thing now
was rapidity of action, as with the application
of the guillotine. It was mercy, therefore, to
throw open instantly the door of Mr. Collingham's
office, so that Josiah was forced to enter.</p>
<p>He stood meekly, feeling, doubtless, as the
psalmist felt when all the ends of the world had
come upon him. Confusedly he was saying to
himself that all the threads of his laborious life,
from the time when, as a boy in Canada, he had
begun to earn his living at sixteen, till now, when
he was sixty-three, had been drawn together
at just this point, where he was either to get his
raise or else——</p>
<p>The suspense was terrible. As the August
Presence into which he had been ushered was
engaged in examining the contents of a lower
drawer of the flat-topped desk at which It was
seated, It was only partly visible. All Josiah
could see was the shoulder of a portly form, the
edge of a pear-shaped pearl in a plum-colored
tie, and a temple of grizzled hair. The clerk
moved forward, coming to a halt midway between
the door and the desk till the Presence
should recognize his approach by raising Its head.</p>
<p>The Presence didn't quite raise Its head. It
merely glanced upward in a casual, sidelong way,
continuing the inspection of the drawer.</p>
<p>"Well, Follett, I suppose you know what I've
got to say?"</p>
<p>Follett betrayed the fact that he did know.</p>
<p>"Is it the same as you said two years ago,
sir?"</p>
<p>Thus challenged, the Presence lifted itself,
becoming to the full Bradley Collingham, the
distinguished banker, philanthropist, and American
citizen, so widely and favorably known for
his sympathetic personality. The essence of
these traits rang in the appealing quality of his
tone.</p>
<p>"What do you think, Follett? I told you
then that you were not earning your salary.
You haven't been earning it since. What can
I do?"</p>
<p>"I could work harder, sir. I could stay overtime,
when none of the young fellows want to."</p>
<p>"That wouldn't do any good, Follett. It isn't
the way we do business."</p>
<p>"I've been five years with you, sir, and all
my life between one banking house and another,
in this country and Canada. In my humble
way I've helped to build the banking business
up."</p>
<p>"And you've been paid, haven't you? I really
don't see that you've anything to complain of."</p>
<p>There was no severity in this response. It
was made only because the necessities of the case
required it, as Follett had the justice to perceive.</p>
<p>"I'm not complaining, sir. I only don't see
how I'm going to live."</p>
<p>The voice already distressed became more so.</p>
<p>"But that isn't my affair, is it, now? I'm
running a business, not a charitable institution.
It isn't as if you'd been with us twenty or thirty
years. You've shifted about a good deal in
your time——"</p>
<p>"I've had to better myself, sir—with a family."</p>
<p>"Quite so. And once you admit any principle
but that of supply and demand business methods
are at an end. Don't think that this isn't as
hard for me as it is for you, Follett, but——"</p>
<p>"If it was as hard for you as it is for me, sir,
you'd——"</p>
<p>But, the possibilities here being dangerous, the
banker was forced to cut in:</p>
<p>"Besides, you'll get another job. Stairs will
write you any kind of recommendation you ask
for."</p>
<p>"Recommendations won't do me any good, sir,
once I'm fired for old age. That's a worse brand
on you than coming out of jail."</p>
<p>The discussion growing painful, the banker
rose to put an end to it. Even so, he had something
still to say to justify himself.</p>
<p>"It isn't as if I hadn't warned you of this,
Follett. You've had two years in which"—it
was hard to find the right phrase—"in which to
provide for your future."</p>
<p>The clerk was unable to repress a dim, faraway
smile.</p>
<p>"Two years in which to provide for my future—on
forty-five a week! And me with five
mouths to feed, to say nothing of Teddy, who
pays his board!"</p>
<p>The banker found an opening.</p>
<p>"I made a place for him—didn't I, now?—as
soon as he was released from the navy. He
ought to be able to help you."</p>
<p>"He does help, sir, as far as a young fellow
can on eighteen a week with his own expenses to
take care of. But I've two little girls still at
school, and another, my eldest—"</p>
<p>A hint of embarrassment emphasized the
banker's words as he began moving forward to
show his visitor to the door.</p>
<p>"I understand that she's engaged as an artist's
model. That, too, ought to bring you in something."</p>
<p>"I suppose Mr. Robert told you that, sir."</p>
<p>This was inadvertent on Follett's part, and a
mistake. Any other distinguished man would
have stiffened at the use of the name of a member
of his family in a connection like the present one.
Bradley Collingham was admirably temperate
in saying:</p>
<p>"I don't talk of such matters with my son. I
merely understood that your eldest girl was
earning something—"</p>
<p>"She poses six hours a week for Mr. Hubert
Wray, at a dollar an hour."</p>
<p>"She could probably get more engagements.
I hear—I forget who told me—that she's the
type these artist people like to put into their
pictures."</p>
<p>Finding himself obliged to keep step with his
employer, Follett felt as if he was walking to his
soul's dead-march. Only the force of the conventions
in which everybody lives enabled him to
go on making conversation.</p>
<p>"We don't much like the occupation for a
daughter of ours, sir; and, besides, there's lots
who think that being an artist's model isn't
respectable."</p>
<p>"Still, if she can earn good money at it—"</p>
<p>To Collingham's relief, they were at the door,
which he opened significantly and without more
words. Follett looked into the outer world as
represented by Miss Ruddick's office as into an
abyss. For the minute it seemed too awful a
void to step into. When his watery blue eyes
again sought Collingham's face, it was with the
dumb question, "Must I?" which the banker
himself could only meet with Mr. Bickley's
manfulness.</p>
<p>He, too, spoke only with his eyes: "You must,
my poor Follett. There's no help for it. You
and I are both caught up into a vast machine.
I can't act otherwise than as I'm doing, and I
know you don't expect it."</p>
<p>Thus Follett stepped over the threshold and
the door closed behind him. So short a time had
passed since he had gone the other way that Miss
Ruddick was still beside her desk, putting away
her papers. Follett didn't look at her, but she
looked at him, finding herself compelled to hark
back to Mr. Bickley's axioms to check the tears
she couldn't allow to rise.</p>
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