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<h2> Chapter XLIII </h2>
<h3> The Verdict </h3>
<p>THE place fitted up that day as a court of justice was a grand old hall,
now destroyed by fire. The midday light that fell on the close pavement of
human heads was shed through a line of high pointed windows, variegated
with the mellow tints of old painted glass. Grim dusty armour hung in high
relief in front of the dark oaken gallery at the farther end, and under
the broad arch of the great mullioned window opposite was spread a curtain
of old tapestry, covered with dim melancholy figures, like a dozing
indistinct dream of the past. It was a place that through the rest of the
year was haunted with the shadowy memories of old kings and queens,
unhappy, discrowned, imprisoned; but to-day all those shadows had fled,
and not a soul in the vast hall felt the presence of any but a living
sorrow, which was quivering in warm hearts.</p>
<p>But that sorrow seemed to have made it itself feebly felt hitherto, now
when Adam Bede's tall figure was suddenly seen being ushered to the side
of the prisoner's dock. In the broad sunlight of the great hall, among the
sleek shaven faces of other men, the marks of suffering in his face were
startling even to Mr. Irwine, who had last seen him in the dim light of
his small room; and the neighbours from Hayslope who were present, and who
told Hetty Sorrel's story by their firesides in their old age, never
forgot to say how it moved them when Adam Bede, poor fellow, taller by the
head than most of the people round him, came into court and took his place
by her side.</p>
<p>But Hetty did not see him. She was standing in the same position Bartle
Massey had described, her hands crossed over each other and her eyes fixed
on them. Adam had not dared to look at her in the first moments, but at
last, when the attention of the court was withdrawn by the proceedings he
turned his face towards her with a resolution not to shrink.</p>
<p>Why did they say she was so changed? In the corpse we love, it is the
likeness we see—it is the likeness, which makes itself felt the more
keenly because something else was and is not. There they were—the
sweet face and neck, with the dark tendrils of hair, the long dark lashes,
the rounded cheek and the pouting lips—pale and thin, yes, but like
Hetty, and only Hetty. Others thought she looked as if some demon had cast
a blighting glance upon her, withered up the woman's soul in her, and left
only a hard despairing obstinacy. But the mother's yearning, that
completest type of the life in another life which is the essence of real
human love, feels the presence of the cherished child even in the debased,
degraded man; and to Adam, this pale, hard-looking culprit was the Hetty
who had smiled at him in the garden under the apple-tree boughs—she
was that Hetty's corpse, which he had trembled to look at the first time,
and then was unwilling to turn away his eyes from.</p>
<p>But presently he heard something that compelled him to listen, and made
the sense of sight less absorbing. A woman was in the witness-box, a
middle-aged woman, who spoke in a firm distinct voice. She said, "My name
is Sarah Stone. I am a widow, and keep a small shop licensed to sell
tobacco, snuff, and tea in Church Lane, Stoniton. The prisoner at the bar
is the same young woman who came, looking ill and tired, with a basket on
her arm, and asked for a lodging at my house on Saturday evening, the 27th
of February. She had taken the house for a public, because there was a
figure against the door. And when I said I didn't take in lodgers, the
prisoner began to cry, and said she was too tired to go anywhere else, and
she only wanted a bed for one night. And her prettiness, and her
condition, and something respectable about her clothes and looks, and the
trouble she seemed to be in made me as I couldn't find in my heart to send
her away at once. I asked her to sit down, and gave her some tea, and
asked her where she was going, and where her friends were. She said she
was going home to her friends: they were farming folks a good way off, and
she'd had a long journey that had cost her more money than she expected,
so as she'd hardly any money left in her pocket, and was afraid of going
where it would cost her much. She had been obliged to sell most of the
things out of her basket, but she'd thankfully give a shilling for a bed.
I saw no reason why I shouldn't take the young woman in for the night. I
had only one room, but there were two beds in it, and I told her she might
stay with me. I thought she'd been led wrong, and got into trouble, but if
she was going to her friends, it would be a good work to keep her out of
further harm."</p>
<p>The witness then stated that in the night a child was born, and she
identified the baby-clothes then shown to her as those in which she had
herself dressed the child.</p>
<p>"Those are the clothes. I made them myself, and had kept them by me ever
since my last child was born. I took a deal of trouble both for the child
and the mother. I couldn't help taking to the little thing and being
anxious about it. I didn't send for a doctor, for there seemed no need. I
told the mother in the day-time she must tell me the name of her friends,
and where they lived, and let me write to them. She said, by and by she
would write herself, but not to-day. She would have no nay, but she would
get up and be dressed, in spite of everything I could say. She said she
felt quite strong enough; and it was wonderful what spirit she showed. But
I wasn't quite easy what I should do about her, and towards evening I made
up my mind I'd go, after Meeting was over, and speak to our minister about
it. I left the house about half-past eight o'clock. I didn't go out at the
shop door, but at the back door, which opens into a narrow alley. I've
only got the ground-floor of the house, and the kitchen and bedroom both
look into the alley. I left the prisoner sitting up by the fire in the
kitchen with the baby on her lap. She hadn't cried or seemed low at all,
as she did the night before. I thought she had a strange look with her
eyes, and she got a bit flushed towards evening. I was afraid of the
fever, and I thought I'd call and ask an acquaintance of mine, an
experienced woman, to come back with me when I went out. It was a very
dark night. I didn't fasten the door behind me; there was no lock; it was
a latch with a bolt inside, and when there was nobody in the house I
always went out at the shop door. But I thought there was no danger in
leaving it unfastened that little while. I was longer than I meant to be,
for I had to wait for the woman that came back with me. It was an hour and
a half before we got back, and when we went in, the candle was standing
burning just as I left it, but the prisoner and the baby were both gone.
She'd taken her cloak and bonnet, but she'd left the basket and the things
in it....I was dreadful frightened, and angry with her for going. I didn't
go to give information, because I'd no thought she meant to do any harm,
and I knew she had money in her pocket to buy her food and lodging. I
didn't like to set the constable after her, for she'd a right to go from
me if she liked."</p>
<p>The effect of this evidence on Adam was electrical; it gave him new force.
Hetty could not be guilty of the crime—her heart must have clung to
her baby—else why should she have taken it with her? She might have
left it behind. The little creature had died naturally, and then she had
hidden it. Babies were so liable to death—and there might be the
strongest suspicions without any proof of guilt. His mind was so occupied
with imaginary arguments against such suspicions, that he could not listen
to the cross-examination by Hetty's counsel, who tried, without result, to
elicit evidence that the prisoner had shown some movements of maternal
affection towards the child. The whole time this witness was being
examined, Hetty had stood as motionless as before: no word seemed to
arrest her ear. But the sound of the next witness's voice touched a chord
that was still sensitive, she gave a start and a frightened look towards
him, but immediately turned away her head and looked down at her hands as
before. This witness was a man, a rough peasant. He said:</p>
<p>"My name is John Olding. I am a labourer, and live at Tedd's Hole, two
miles out of Stoniton. A week last Monday, towards one o'clock in the
afternoon, I was going towards Hetton Coppice, and about a quarter of a
mile from the coppice I saw the prisoner, in a red cloak, sitting under a
bit of a haystack not far off the stile. She got up when she saw me, and
seemed as if she'd be walking on the other way. It was a regular road
through the fields, and nothing very uncommon to see a young woman there,
but I took notice of her because she looked white and scared. I should
have thought she was a beggar-woman, only for her good clothes. I thought
she looked a bit crazy, but it was no business of mine. I stood and looked
back after her, but she went right on while she was in sight. I had to go
to the other side of the coppice to look after some stakes. There's a road
right through it, and bits of openings here and there, where the trees
have been cut down, and some of 'em not carried away. I didn't go straight
along the road, but turned off towards the middle, and took a shorter way
towards the spot I wanted to get to. I hadn't got far out of the road into
one of the open places before I heard a strange cry. I thought it didn't
come from any animal I knew, but I wasn't for stopping to look about just
then. But it went on, and seemed so strange to me in that place, I
couldn't help stopping to look. I began to think I might make some money
of it, if it was a new thing. But I had hard work to tell which way it
came from, and for a good while I kept looking up at the boughs. And then
I thought it came from the ground; and there was a lot of timber-choppings
lying about, and loose pieces of turf, and a trunk or two. And I looked
about among them, but could find nothing, and at last the cry stopped. So
I was for giving it up, and I went on about my business. But when I came
back the same way pretty nigh an hour after, I couldn't help laying down
my stakes to have another look. And just as I was stooping and laying down
the stakes, I saw something odd and round and whitish lying on the ground
under a nut-bush by the side of me. And I stooped down on hands and knees
to pick it up. And I saw it was a little baby's hand."</p>
<p>At these words a thrill ran through the court. Hetty was visibly
trembling; now, for the first time, she seemed to be listening to what a
witness said.</p>
<p>"There was a lot of timber-choppings put together just where the ground
went hollow, like, under the bush, and the hand came out from among them.
But there was a hole left in one place and I could see down it and see the
child's head; and I made haste and did away the turf and the choppings,
and took out the child. It had got comfortable clothes on, but its body
was cold, and I thought it must be dead. I made haste back with it out of
the wood, and took it home to my wife. She said it was dead, and I'd
better take it to the parish and tell the constable. And I said, 'I'll lay
my life it's that young woman's child as I met going to the coppice.' But
she seemed to be gone clean out of sight. And I took the child on to
Hetton parish and told the constable, and we went on to Justice Hardy. And
then we went looking after the young woman till dark at night, and we went
and gave information at Stoniton, as they might stop her. And the next
morning, another constable came to me, to go with him to the spot where I
found the child. And when we got there, there was the prisoner a-sitting
against the bush where I found the child; and she cried out when she saw
us, but she never offered to move. She'd got a big piece of bread on her
lap."</p>
<p>Adam had given a faint groan of despair while this witness was speaking.
He had hidden his face on his arm, which rested on the boarding in front
of him. It was the supreme moment of his suffering: Hetty was guilty; and
he was silently calling to God for help. He heard no more of the evidence,
and was unconscious when the case for the prosecution had closed—unconscious
that Mr. Irwine was in the witness-box, telling of Hetty's unblemished
character in her own parish and of the virtuous habits in which she had
been brought up. This testimony could have no influence on the verdict,
but it was given as part of that plea for mercy which her own counsel
would have made if he had been allowed to speak for her—a favour not
granted to criminals in those stern times.</p>
<p>At last Adam lifted up his head, for there was a general movement round
him. The judge had addressed the jury, and they were retiring. The
decisive moment was not far off Adam felt a shuddering horror that would
not let him look at Hetty, but she had long relapsed into her blank hard
indifference. All eyes were strained to look at her, but she stood like a
statue of dull despair.</p>
<p>'There was a mingled rustling, whispering, and low buzzing throughout the
court during this interval. The desire to listen was suspended, and every
one had some feeling or opinion to express in undertones. Adam sat looking
blankly before him, but he did not see the objects that were right in
front of his eyes—the counsel and attorneys talking with an air of
cool business, and Mr. Irwine in low earnest conversation with the judge—did
not see Mr. Irwine sit down again in agitation and shake his head
mournfully when somebody whispered to him. The inward action was too
intense for Adam to take in outward objects until some strong sensation
roused him.</p>
<p>It was not very long, hardly more than a quarter of an hour, before the
knock which told that the jury had come to their decision fell as a signal
for silence on every ear. It is sublime—that sudden pause of a great
multitude which tells that one soul moves in them all. Deeper and deeper
the silence seemed to become, like the deepening night, while the
jurymen's names were called over, and the prisoner was made to hold up her
hand, and the jury were asked for their verdict.</p>
<p>"Guilty."</p>
<p>It was the verdict every one expected, but there was a sigh of
disappointment from some hearts that it was followed by no recommendation
to mercy. Still the sympathy of the court was not with the prisoner. The
unnaturalness of her crime stood out the more harshly by the side of her
hard immovability and obstinate silence. Even the verdict, to distant
eyes, had not appeared to move her, but those who were near saw her
trembling.</p>
<p>The stillness was less intense until the judge put on his black cap, and
the chaplain in his canonicals was observed behind him. Then it deepened
again, before the crier had had time to command silence. If any sound were
heard, it must have been the sound of beating hearts. The judge spoke,
"Hester Sorrel...."</p>
<p>The blood rushed to Hetty's face, and then fled back again as she looked
up at the judge and kept her wide-open eyes fixed on him, as if fascinated
by fear. Adam had not yet turned towards her, there was a deep horror,
like a great gulf, between them. But at the words "and then to be hanged
by the neck till you be dead," a piercing shriek rang through the hall. It
was Hetty's shriek. Adam started to his feet and stretched out his arms
towards her. But the arms could not reach her: she had fallen down in a
fainting-fit, and was carried out of court.</p>
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