<p><SPAN name="link2H_4_0030" id="link2H_4_0030"></SPAN></p>
<h2> Book Four </h2>
<p><SPAN name="link2HCH0027" id="link2HCH0027"></SPAN></p>
<h2> Chapter XXVII </h2>
<h3> A crisis </h3>
<p>IT was beyond the middle of August—nearly three weeks after the
birthday feast. The reaping of the wheat had begun in our north midland
county of Loamshire, but the harvest was likely still to be retarded by
the heavy rains, which were causing inundations and much damage throughout
the country. From this last trouble the Broxton and Hayslope farmers, on
their pleasant uplands and in their brook-watered valleys, had not
suffered, and as I cannot pretend that they were such exceptional farmers
as to love the general good better than their own, you will infer that
they were not in very low spirits about the rapid rise in the price of
bread, so long as there was hope of gathering in their own corn undamaged;
and occasional days of sunshine and drying winds flattered this hope.</p>
<p>The eighteenth of August was one of these days when the sunshine looked
brighter in all eyes for the gloom that went before. Grand masses of cloud
were hurried across the blue, and the great round hills behind the Chase
seemed alive with their flying shadows; the sun was hidden for a moment,
and then shone out warm again like a recovered joy; the leaves, still
green, were tossed off the hedgerow trees by the wind; around the
farmhouses there was a sound of clapping doors; the apples fell in the
orchards; and the stray horses on the green sides of the lanes and on the
common had their manes blown about their faces. And yet the wind seemed
only part of the general gladness because the sun was shining. A merry day
for the children, who ran and shouted to see if they could top the wind
with their voices; and the grown-up people too were in good spirits,
inclined to believe in yet finer days, when the wind had fallen. If only
the corn were not ripe enough to be blown out of the husk and scattered as
untimely seed!</p>
<p>And yet a day on which a blighting sorrow may fall upon a man. For if it
be true that Nature at certain moments seems charged with a presentiment
of one individual lot must it not also be true that she seems unmindful
unconscious of another? For there is no hour that has not its births of
gladness and despair, no morning brightness that does not bring new
sickness to desolation as well as new forces to genius and love. There are
so many of us, and our lots are so different, what wonder that Nature's
mood is often in harsh contrast with the great crisis of our lives? We are
children of a large family, and must learn, as such children do, not to
expect that our hurts will be made much of—to be content with little
nurture and caressing, and help each other the more.</p>
<p>It was a busy day with Adam, who of late had done almost double work, for
he was continuing to act as foreman for Jonathan Burge, until some
satisfactory person could be found to supply his place, and Jonathan was
slow to find that person. But he had done the extra work cheerfully, for
his hopes were buoyant again about Hetty. Every time she had seen him
since the birthday, she had seemed to make an effort to behave all the
more kindly to him, that she might make him understand she had forgiven
his silence and coldness during the dance. He had never mentioned the
locket to her again; too happy that she smiled at him—still happier
because he observed in her a more subdued air, something that he
interpreted as the growth of womanly tenderness and seriousness. "Ah!" he
thought, again and again, "she's only seventeen; she'll be thoughtful
enough after a while. And her aunt allays says how clever she is at the
work. She'll make a wife as Mother'll have no occasion to grumble at,
after all." To be sure, he had only seen her at home twice since the
birthday; for one Sunday, when he was intending to go from church to the
Hall Farm, Hetty had joined the party of upper servants from the Chase and
had gone home with them—almost as if she were inclined to encourage
Mr. Craig. "She's takin' too much likin' to them folks i' the house
keeper's room," Mrs. Poyser remarked. "For my part, I was never overfond
o' gentlefolks's servants—they're mostly like the fine ladies' fat
dogs, nayther good for barking nor butcher's meat, but on'y for show." And
another evening she was gone to Treddleston to buy some things; though, to
his great surprise, as he was returning home, he saw her at a distance
getting over a stile quite out of the Treddleston road. But, when he
hastened to her, she was very kind, and asked him to go in again when he
had taken her to the yard gate. She had gone a little farther into the
fields after coming from Treddleston because she didn't want to go in, she
said: it was so nice to be out of doors, and her aunt always made such a
fuss about it if she wanted to go out. "Oh, do come in with me!" she said,
as he was going to shake hands with her at the gate, and he could not
resist that. So he went in, and Mrs. Poyser was contented with only a
slight remark on Hetty's being later than was expected; while Hetty, who
had looked out of spirits when he met her, smiled and talked and waited on
them all with unusual promptitude.</p>
<p>That was the last time he had seen her; but he meant to make leisure for
going to the Farm to-morrow. To-day, he knew, was her day for going to the
Chase to sew with the lady's maid, so he would get as much work done as
possible this evening, that the next might be clear.</p>
<p>One piece of work that Adam was superintending was some slight repairs at
the Chase Farm, which had been hitherto occupied by Satchell, as bailiff,
but which it was now rumoured that the old squire was going to let to a
smart man in top-boots, who had been seen to ride over it one day. Nothing
but the desire to get a tenant could account for the squire's undertaking
repairs, though the Saturday-evening party at Mr. Casson's agreed over
their pipes that no man in his senses would take the Chase Farm unless
there was a bit more ploughland laid to it. However that might be, the
repairs were ordered to be executed with all dispatch, and Adam, acting
for Mr. Burge, was carrying out the order with his usual energy. But
to-day, having been occupied elsewhere, he had not been able to arrive at
the Chase Farm till late in the afternoon, and he then discovered that
some old roofing, which he had calculated on preserving, had given way.
There was clearly no good to be done with this part of the building
without pulling it all down, and Adam immediately saw in his mind a plan
for building it up again, so as to make the most convenient of cow-sheds
and calf-pens, with a hovel for implements; and all without any great
expense for materials. So, when the workmen were gone, he sat down, took
out his pocket-book, and busied himself with sketching a plan, and making
a specification of the expenses that he might show it to Burge the next
morning, and set him on persuading the squire to consent. To "make a good
job" of anything, however small, was always a pleasure to Adam, and he sat
on a block, with his book resting on a planing-table, whistling low every
now and then and turning his head on one side with a just perceptible
smile of gratification—of pride, too, for if Adam loved a bit of
good work, he loved also to think, "I did it!" And I believe the only
people who are free from that weakness are those who have no work to call
their own. It was nearly seven before he had finished and put on his
jacket again; and on giving a last look round, he observed that Seth, who
had been working here to-day, had left his basket of tools behind him.
"Why, th' lad's forgot his tools," thought Adam, "and he's got to work up
at the shop to-morrow. There never was such a chap for wool-gathering;
he'd leave his head behind him, if it was loose. However, it's lucky I've
seen 'em; I'll carry 'em home."</p>
<p>The buildings of the Chase Farm lay at one extremity of the Chase, at
about ten minutes' walking distance from the Abbey. Adam had come thither
on his pony, intending to ride to the stables and put up his nag on his
way home. At the stables he encountered Mr. Craig, who had come to look at
the captain's new horse, on which he was to ride away the day after
to-morrow; and Mr. Craig detained him to tell how all the servants were to
collect at the gate of the courtyard to wish the young squire luck as he
rode out; so that by the time Adam had got into the Chase, and was
striding along with the basket of tools over his shoulder, the sun was on
the point of setting, and was sending level crimson rays among the great
trunks of the old oaks, and touching every bare patch of ground with a
transient glory that made it look like a jewel dropt upon the grass. The
wind had fallen now, and there was only enough breeze to stir the
delicate-stemmed leaves. Any one who had been sitting in the house all day
would have been glad to walk now; but Adam had been quite enough in the
open air to wish to shorten his way home, and he bethought himself that he
might do so by striking across the Chase and going through the Grove,
where he had never been for years. He hurried on across the Chase,
stalking along the narrow paths between the fern, with Gyp at his heels,
not lingering to watch the magnificent changes of the light—hardly
once thinking of it—yet feeling its presence in a certain calm happy
awe which mingled itself with his busy working-day thoughts. How could he
help feeling it? The very deer felt it, and were more timid.</p>
<p>Presently Adam's thoughts recurred to what Mr. Craig had said about Arthur
Donnithorne, and pictured his going away, and the changes that might take
place before he came back; then they travelled back affectionately over
the old scenes of boyish companionship, and dwelt on Arthur's good
qualities, which Adam had a pride in, as we all have in the virtues of the
superior who honours us. A nature like Adam's, with a great need of love
and reverence in it, depends for so much of its happiness on what it can
believe and feel about others! And he had no ideal world of dead heroes;
he knew little of the life of men in the past; he must find the beings to
whom he could cling with loving admiration among those who came within
speech of him. These pleasant thoughts about Arthur brought a milder
expression than usual into his keen rough face: perhaps they were the
reason why, when he opened the old green gate leading into the Grove, he
paused to pat Gyp and say a kind word to him.</p>
<p>After that pause, he strode on again along the broad winding path through
the Grove. What grand beeches! Adam delighted in a fine tree of all
things; as the fisherman's sight is keenest on the sea, so Adam's
perceptions were more at home with trees than with other objects. He kept
them in his memory, as a painter does, with all the flecks and knots in
their bark, all the curves and angles of their boughs, and had often
calculated the height and contents of a trunk to a nicety, as he stood
looking at it. No wonder that, not-withstanding his desire to get on, he
could not help pausing to look at a curious large beech which he had seen
standing before him at a turning in the road, and convince himself that it
was not two trees wedded together, but only one. For the rest of his life
he remembered that moment when he was calmly examining the beech, as a man
remembers his last glimpse of the home where his youth was passed, before
the road turned, and he saw it no more. The beech stood at the last
turning before the Grove ended in an archway of boughs that let in the
eastern light; and as Adam stepped away from the tree to continue his
walk, his eyes fell on two figures about twenty yards before him.</p>
<p>He remained as motionless as a statue, and turned almost as pale. The two
figures were standing opposite to each other, with clasped hands about to
part; and while they were bending to kiss, Gyp, who had been running among
the brushwood, came out, caught sight of them, and gave a sharp bark. They
separated with a start—one hurried through the gate out of the
Grove, and the other, turning round, walked slowly, with a sort of
saunter, towards Adam who still stood transfixed and pale, clutching
tighter the stick with which he held the basket of tools over his
shoulder, and looking at the approaching figure with eyes in which
amazement was fast turning to fierceness.</p>
<p>Arthur Donnithorne looked flushed and excited; he had tried to make
unpleasant feelings more bearable by drinking a little more wine than
usual at dinner to-day, and was still enough under its flattering
influence to think more lightly of this unwished-for rencontre with Adam
than he would otherwise have done. After all, Adam was the best person who
could have happened to see him and Hetty together—he was a sensible
fellow, and would not babble about it to other people. Arthur felt
confident that he could laugh the thing off and explain it away. And so he
sauntered forward with elaborate carelessness—his flushed face, his
evening dress of fine cloth and fine linen, his hands half-thrust into his
waistcoat pockets, all shone upon by the strange evening light which the
light clouds had caught up even to the zenith, and were now shedding down
between the topmost branches above him.</p>
<p>Adam was still motionless, looking at him as he came up. He understood it
all now—the locket and everything else that had been doubtful to
him: a terrible scorching light showed him the hidden letters that changed
the meaning of the past. If he had moved a muscle, he must inevitably have
sprung upon Arthur like a tiger; and in the conflicting emotions that
filled those long moments, he had told himself that he would not give
loose to passion, he would only speak the right thing. He stood as if
petrified by an unseen force, but the force was his own strong will.</p>
<p>"Well, Adam," said Arthur, "you've been looking at the fine old beeches,
eh? They're not to be come near by the hatchet, though; this is a sacred
grove. I overtook pretty little Hetty Sorrel as I was coming to my den—the
Hermitage, there. She ought not to come home this way so late. So I took
care of her to the gate, and asked for a kiss for my pains. But I must get
back now, for this road is confoundedly damp. Good-night, Adam. I shall
see you to-morrow—to say good-bye, you know."</p>
<p>Arthur was too much preoccupied with the part he was playing himself to be
thoroughly aware of the expression in Adam's face. He did not look
directly at Adam, but glanced carelessly round at the trees and then
lifted up one foot to look at the sole of his boot. He cared to say no
more—he had thrown quite dust enough into honest Adam's eyes—and
as he spoke the last words, he walked on.</p>
<p>"Stop a bit, sir," said Adam, in a hard peremptory voice, without turning
round. "I've got a word to say to you."</p>
<p>Arthur paused in surprise. Susceptible persons are more affected by a
change of tone than by unexpected words, and Arthur had the susceptibility
of a nature at once affectionate and vain. He was still more surprised
when he saw that Adam had not moved, but stood with his back to him, as if
summoning him to return. What did he mean? He was going to make a serious
business of this affair. Arthur felt his temper rising. A patronising
disposition always has its meaner side, and in the confusion of his
irritation and alarm there entered the feeling that a man to whom he had
shown so much favour as to Adam was not in a position to criticize his
conduct. And yet he was dominated, as one who feels himself in the wrong
always is, by the man whose good opinion he cares for. In spite of pride
and temper, there was as much deprecation as anger in his voice when he
said, "What do you mean, Adam?"</p>
<p>"I mean, sir"—answered Adam, in the same harsh voice, still without
turning round—"I mean, sir, that you don't deceive me by your light
words. This is not the first time you've met Hetty Sorrel in this grove,
and this is not the first time you've kissed her."</p>
<p>Arthur felt a startled uncertainty how far Adam was speaking from
knowledge, and how far from mere inference. And this uncertainty, which
prevented him from contriving a prudent answer, heightened his irritation.
He said, in a high sharp tone, "Well, sir, what then?"</p>
<p>"Why, then, instead of acting like th' upright, honourable man we've all
believed you to be, you've been acting the part of a selfish light-minded
scoundrel. You know as well as I do what it's to lead to when a gentleman
like you kisses and makes love to a young woman like Hetty, and gives her
presents as she's frightened for other folks to see. And I say it again,
you're acting the part of a selfish light-minded scoundrel though it cuts
me to th' heart to say so, and I'd rather ha' lost my right hand."</p>
<p>"Let me tell you, Adam," said Arthur, bridling his growing anger and
trying to recur to his careless tone, "you're not only devilishly
impertinent, but you're talking nonsense. Every pretty girl is not such a
fool as you, to suppose that when a gentleman admires her beauty and pays
her a little attention, he must mean something particular. Every man likes
to flirt with a pretty girl, and every pretty girl likes to be flirted
with. The wider the distance between them, the less harm there is, for
then she's not likely to deceive herself."</p>
<p>"I don't know what you mean by flirting," said Adam, "but if you mean
behaving to a woman as if you loved her, and yet not loving her all the
while, I say that's not th' action of an honest man, and what isn't honest
does come t' harm. I'm not a fool, and you're not a fool, and you know
better than what you're saying. You know it couldn't be made public as
you've behaved to Hetty as y' have done without her losing her character
and bringing shame and trouble on her and her relations. What if you meant
nothing by your kissing and your presents? Other folks won't believe as
you've meant nothing; and don't tell me about her not deceiving herself. I
tell you as you've filled her mind so with the thought of you as it'll
mayhap poison her life, and she'll never love another man as 'ud make her
a good husband."</p>
<p>Arthur had felt a sudden relief while Adam was speaking; he perceived that
Adam had no positive knowledge of the past, and that there was no
irrevocable damage done by this evening's unfortunate rencontre. Adam
could still be deceived. The candid Arthur had brought himself into a
position in which successful lying was his only hope. The hope allayed his
anger a little.</p>
<p>"Well, Adam," he said, in a tone of friendly concession, "you're perhaps
right. Perhaps I've gone a little too far in taking notice of the pretty
little thing and stealing a kiss now and then. You're such a grave, steady
fellow, you don't understand the temptation to such trifling. I'm sure I
wouldn't bring any trouble or annoyance on her and the good Poysers on any
account if I could help it. But I think you look a little too seriously at
it. You know I'm going away immediately, so I shan't make any more
mistakes of the kind. But let us say good-night"—Arthur here turned
round to walk on—"and talk no more about the matter. The whole thing
will soon be forgotten."</p>
<p>"No, by God!" Adam burst out with rage that could be controlled no longer,
throwing down the basket of tools and striding forward till he was right
in front of Arthur. All his jealousy and sense of personal injury, which
he had been hitherto trying to keep under, had leaped up and mastered him.
What man of us, in the first moments of a sharp agony, could ever feel
that the fellow-man who has been the medium of inflicting it did not mean
to hurt us? In our instinctive rebellion against pain, we are children
again, and demand an active will to wreak our vengeance on. Adam at this
moment could only feel that he had been robbed of Hetty—robbed
treacherously by the man in whom he had trusted—and he stood close
in front of Arthur, with fierce eyes glaring at him, with pale lips and
clenched hands, the hard tones in which he had hitherto been constraining
himself to express no more than a just indignation giving way to a deep
agitated voice that seemed to shake him as he spoke.</p>
<p>"No, it'll not be soon forgot, as you've come in between her and me, when
she might ha' loved me—it'll not soon be forgot as you've robbed me
o' my happiness, while I thought you was my best friend, and a
noble-minded man, as I was proud to work for. And you've been kissing her,
and meaning nothing, have you? And I never kissed her i' my life—but
I'd ha' worked hard for years for the right to kiss her. And you make
light of it. You think little o' doing what may damage other folks, so as
you get your bit o' trifling, as means nothing. I throw back your favours,
for you're not the man I took you for. I'll never count you my friend any
more. I'd rather you'd act as my enemy, and fight me where I stand—it's
all th' amends you can make me."</p>
<p>Poor Adam, possessed by rage that could find no other vent, began to throw
off his coat and his cap, too blind with passion to notice the change that
had taken place in Arthur while he was speaking. Arthur's lips were now as
pale as Adam's; his heart was beating violently. The discovery that Adam
loved Hetty was a shock which made him for the moment see himself in the
light of Adam's indignation, and regard Adam's suffering as not merely a
consequence, but an element of his error. The words of hatred and contempt—the
first he had ever heard in his life—seemed like scorching missiles
that were making ineffaceable scars on him. All screening self-excuse,
which rarely falls quite away while others respect us, forsook him for an
instant, and he stood face to face with the first great irrevocable evil
he had ever committed. He was only twenty-one, and three months ago—nay,
much later—he had thought proudly that no man should ever be able to
reproach him justly. His first impulse, if there had been time for it,
would perhaps have been to utter words of propitiation; but Adam had no
sooner thrown off his coat and cap than he became aware that Arthur was
standing pale and motionless, with his hands still thrust in his waistcoat
pockets.</p>
<p>"What!" he said, "won't you fight me like a man? You know I won't strike
you while you stand so."</p>
<p>"Go away, Adam," said Arthur, "I don't want to fight you."</p>
<p>"No," said Adam, bitterly; "you don't want to fight me—you think I'm
a common man, as you can injure without answering for it."</p>
<p>"I never meant to injure you," said Arthur, with returning anger. "I
didn't know you loved her."</p>
<p>"But you've made her love you," said Adam. "You're a double-faced man—I'll
never believe a word you say again."</p>
<p>"Go away, I tell you," said Arthur, angrily, "or we shall both repent."</p>
<p>"No," said Adam, with a convulsed voice, "I swear I won't go away without
fighting you. Do you want provoking any more? I tell you you're a coward
and a scoundrel, and I despise you."</p>
<p>The colour had all rushed back to Arthur's face; in a moment his right
hand was clenched, and dealt a blow like lightning, which sent Adam
staggering backward. His blood was as thoroughly up as Adam's now, and the
two men, forgetting the emotions that had gone before, fought with the
instinctive fierceness of panthers in the deepening twilight darkened by
the trees. The delicate-handed gentleman was a match for the workman in
everything but strength, and Arthur's skill enabled him to protract the
struggle for some long moments. But between unarmed men the battle is to
the strong, where the strong is no blunderer, and Arthur must sink under a
well-planted blow of Adam's as a steel rod is broken by an iron bar. The
blow soon came, and Arthur fell, his head lying concealed in a tuft of
fern, so that Adam could only discern his darkly clad body.</p>
<p>He stood still in the dim light waiting for Arthur to rise.</p>
<p>The blow had been given now, towards which he had been straining all the
force of nerve and muscle—and what was the good of it? What had he
done by fighting? Only satisfied his own passion, only wreaked his own
vengeance. He had not rescued Hetty, nor changed the past—there it
was, just as it had been, and he sickened at the vanity of his own rage.</p>
<p>But why did not Arthur rise? He was perfectly motionless, and the time
seemed long to Adam. Good God! had the blow been too much for him? Adam
shuddered at the thought of his own strength, as with the oncoming of this
dread he knelt down by Arthur's side and lifted his head from among the
fern. There was no sign of life: the eyes and teeth were set. The horror
that rushed over Adam completely mastered him, and forced upon him its own
belief. He could feel nothing but that death was in Arthur's face, and
that he was helpless before it. He made not a single movement, but knelt
like an image of despair gazing at an image of death.</p>
<div style="break-after:column;"></div><br />