<p><SPAN name="link2HCH0011" id="link2HCH0011"></SPAN></p>
<h2> Chapter XI </h2>
<h3> In the Cottage </h3>
<p>IT was but half-past four the next morning when Dinah, tired of lying
awake listening to the birds and watching the growing light through the
little window in the garret roof, rose and began to dress herself very
quietly, lest she should disturb Lisbeth. But already some one else was
astir in the house, and had gone downstairs, preceded by Gyp. The dog's
pattering step was a sure sign that it was Adam who went down; but Dinah
was not aware of this, and she thought it was more likely to be Seth, for
he had told her how Adam had stayed up working the night before. Seth,
however, had only just awakened at the sound of the opening door. The
exciting influence of the previous day, heightened at last by Dinah's
unexpected presence, had not been counteracted by any bodily weariness,
for he had not done his ordinary amount of hard work; and so when he went
to bed; it was not till he had tired himself with hours of tossing
wakefulness that drowsiness came, and led on a heavier morning sleep than
was usual with him.</p>
<p>But Adam had been refreshed by his long rest, and with his habitual
impatience of mere passivity, he was eager to begin the new day and subdue
sadness by his strong will and strong arm. The white mist lay in the
valley; it was going to be a bright warm day, and he would start to work
again when he had had his breakfast.</p>
<p>"There's nothing but what's bearable as long as a man can work," he said
to himself; "the natur o' things doesn't change, though it seems as if
one's own life was nothing but change. The square o' four is sixteen, and
you must lengthen your lever in proportion to your weight, is as true when
a man's miserable as when he's happy; and the best o' working is, it gives
you a grip hold o' things outside your own lot."</p>
<p>As he dashed the cold water over his head and face, he felt completely
himself again, and with his black eyes as keen as ever and his thick black
hair all glistening with the fresh moisture, he went into the workshop to
look out the wood for his father's coffin, intending that he and Seth
should carry it with them to Jonathan Burge's and have the coffin made by
one of the workmen there, so that his mother might not see and hear the
sad task going forward at home.</p>
<p>He had just gone into the workshop when his quick ear detected a light
rapid foot on the stairs—certainly not his mother's. He had been in
bed and asleep when Dinah had come in, in the evening, and now he wondered
whose step this could be. A foolish thought came, and moved him strangely.
As if it could be Hetty! She was the last person likely to be in the
house. And yet he felt reluctant to go and look and have the clear proof
that it was some one else. He stood leaning on a plank he had taken hold
of, listening to sounds which his imagination interpreted for him so
pleasantly that the keen strong face became suffused with a timid
tenderness. The light footstep moved about the kitchen, followed by the
sound of the sweeping brush, hardly making so much noise as the lightest
breeze that chases the autumn leaves along the dusty path; and Adam's
imagination saw a dimpled face, with dark bright eyes and roguish smiles
looking backward at this brush, and a rounded figure just leaning a little
to clasp the handle. A very foolish thought—it could not be Hetty;
but the only way of dismissing such nonsense from his head was to go and
see WHO it was, for his fancy only got nearer and nearer to belief while
he stood there listening. He loosed the plank and went to the kitchen
door.</p>
<p>"How do you do, Adam Bede?" said Dinah, in her calm treble, pausing from
her sweeping and fixing her mild grave eyes upon him. "I trust you feel
rested and strengthened again to bear the burden and heat of the day."</p>
<p>It was like dreaming of the sunshine and awaking in the moonlight. Adam
had seen Dinah several times, but always at the Hall Farm, where he was
not very vividly conscious of any woman's presence except Hetty's, and he
had only in the last day or two begun to suspect that Seth was in love
with her, so that his attention had not hitherto been drawn towards her
for his brother's sake. But now her slim figure, her plain black gown, and
her pale serene face impressed him with all the force that belongs to a
reality contrasted with a preoccupying fancy. For the first moment or two
he made no answer, but looked at her with the concentrated, examining
glance which a man gives to an object in which he has suddenly begun to be
interested. Dinah, for the first time in her life, felt a painful
self-consciousness; there was something in the dark penetrating glance of
this strong man so different from the mildness and timidity of his brother
Seth. A faint blush came, which deepened as she wondered at it. This blush
recalled Adam from his forgetfulness.</p>
<p>"I was quite taken by surprise; it was very good of you to come and see my
mother in her trouble," he said, in a gentle grateful tone, for his quick
mind told him at once how she came to be there. "I hope my mother was
thankful to have you," he added, wondering rather anxiously what had been
Dinah's reception.</p>
<p>"Yes," said Dinah, resuming her work, "she seemed greatly comforted after
a while, and she's had a good deal of rest in the night, by times. She was
fast asleep when I left her."</p>
<p>"Who was it took the news to the Hall Farm?" said Adam, his thoughts
reverting to some one there; he wondered whether SHE had felt anything
about it.</p>
<p>"It was Mr. Irwine, the clergyman, told me, and my aunt was grieved for
your mother when she heard it, and wanted me to come; and so is my uncle,
I'm sure, now he's heard it, but he was gone out to Rosseter all
yesterday. They'll look for you there as soon as you've got time to go,
for there's nobody round that hearth but what's glad to see you."</p>
<p>Dinah, with her sympathetic divination, knew quite well that Adam was
longing to hear if Hetty had said anything about their trouble; she was
too rigorously truthful for benevolent invention, but she had contrived to
say something in which Hetty was tacitly included. Love has a way of
cheating itself consciously, like a child who plays at solitary
hide-and-seek; it is pleased with assurances that it all the while
disbelieves. Adam liked what Dinah had said so much that his mind was
directly full of the next visit he should pay to the Hall Farm, when Hetty
would perhaps behave more kindly to him than she had ever done before.</p>
<p>"But you won't be there yourself any longer?" he said to Dinah.</p>
<p>"No, I go back to Snowfield on Saturday, and I shall have to set out to
Treddleston early, to be in time for the Oakbourne carrier. So I must go
back to the farm to-night, that I may have the last day with my aunt and
her children. But I can stay here all to-day, if your mother would like
me; and her heart seemed inclined towards me last night."</p>
<p>"Ah, then, she's sure to want you to-day. If mother takes to people at the
beginning, she's sure to get fond of 'em; but she's a strange way of not
liking young women. Though, to be sure," Adam went on, smiling, "her not
liking other young women is no reason why she shouldn't like you."</p>
<p>Hitherto Gyp had been assisting at this conversation in motionless
silence, seated on his haunches, and alternately looking up in his
master's face to watch its expression and observing Dinah's movements
about the kitchen. The kind smile with which Adam uttered the last words
was apparently decisive with Gyp of the light in which the stranger was to
be regarded, and as she turned round after putting aside her
sweeping-brush, he trotted towards her and put up his muzzle against her
hand in a friendly way.</p>
<p>"You see Gyp bids you welcome," said Adam, "and he's very slow to welcome
strangers."</p>
<p>"Poor dog!" said Dinah, patting the rough grey coat, "I've a strange
feeling about the dumb things as if they wanted to speak, and it was a
trouble to 'em because they couldn't. I can't help being sorry for the
dogs always, though perhaps there's no need. But they may well have more
in them than they know how to make us understand, for we can't say half
what we feel, with all our words."</p>
<p>Seth came down now, and was pleased to find Adam talking with Dinah; he
wanted Adam to know how much better she was than all other women. But
after a few words of greeting, Adam drew him into the workshop to consult
about the coffin, and Dinah went on with her cleaning.</p>
<p>By six o'clock they were all at breakfast with Lisbeth in a kitchen as
clean as she could have made it herself. The window and door were open,
and the morning air brought with it a mingled scent of southernwood,
thyme, and sweet-briar from the patch of garden by the side of the
cottage. Dinah did not sit down at first, but moved about, serving the
others with the warm porridge and the toasted oat-cake, which she had got
ready in the usual way, for she had asked Seth to tell her just what his
mother gave them for breakfast. Lisbeth had been unusually silent since
she came downstairs, apparently requiring some time to adjust her ideas to
a state of things in which she came down like a lady to find all the work
done, and sat still to be waited on. Her new sensations seemed to exclude
the remembrance of her grief. At last, after tasting the porridge, she
broke silence:</p>
<p>"Ye might ha' made the parridge worse," she said to Dinah; "I can ate it
wi'out its turnin' my stomach. It might ha' been a trifle thicker an' no
harm, an' I allays putten a sprig o' mint in mysen; but how's ye t' know
that? The lads arena like to get folks as 'll make their parridge as I'n
made it for 'em; it's well if they get onybody as 'll make parridge at
all. But ye might do, wi' a bit o' showin'; for ye're a stirrin' body in a
mornin', an' ye've a light heel, an' ye've cleaned th' house well enough
for a ma'shift."</p>
<p>"Makeshift, mother?" said Adam. "Why, I think the house looks beautiful. I
don't know how it could look better."</p>
<p>"Thee dostna know? Nay; how's thee to know? Th' men ne'er know whether the
floor's cleaned or cat-licked. But thee'lt know when thee gets thy
parridge burnt, as it's like enough to be when I'n gi'en o'er makin' it.
Thee'lt think thy mother war good for summat then."</p>
<p>"Dinah," said Seth, "do come and sit down now and have your breakfast.
We're all served now."</p>
<p>"Aye, come an' sit ye down—do," said Lisbeth, "an' ate a morsel;
ye'd need, arter bein' upo' your legs this hour an' half a'ready. Come,
then," she added, in a tone of complaining affection, as Dinah sat down by
her side, "I'll be loath for ye t' go, but ye canna stay much longer, I
doubt. I could put up wi' ye i' th' house better nor wi' most folks."</p>
<p>"I'll stay till to-night if you're willing," said Dinah. "I'd stay longer,
only I'm going back to Snowfield on Saturday, and I must be with my aunt
to-morrow."</p>
<p>"Eh, I'd ne'er go back to that country. My old man come from that
Stonyshire side, but he left it when he war a young un, an' i' the right
on't too; for he said as there war no wood there, an' it 'ud ha' been a
bad country for a carpenter."</p>
<p>"Ah," said Adam, "I remember father telling me when I was a little lad
that he made up his mind if ever he moved it should be south'ard. But I'm
not so sure about it. Bartle Massey says—and he knows the South—as
the northern men are a finer breed than the southern, harder-headed and
stronger-bodied, and a deal taller. And then he says in some o' those
counties it's as flat as the back o' your hand, and you can see nothing of
a distance without climbing up the highest trees. I couldn't abide that. I
like to go to work by a road that'll take me up a bit of a hill, and see
the fields for miles round me, and a bridge, or a town, or a bit of a
steeple here and there. It makes you feel the world's a big place, and
there's other men working in it with their heads and hands besides
yourself."</p>
<p>"I like th' hills best," said Seth, "when the clouds are over your head
and you see the sun shining ever so far off, over the Loamford way, as
I've often done o' late, on the stormy days. It seems to me as if that was
heaven where there's always joy and sunshine, though this life's dark and
cloudy."</p>
<p>"Oh, I love the Stonyshire side," said Dinah; "I shouldn't like to set my
face towards the countries where they're rich in corn and cattle, and the
ground so level and easy to tread; and to turn my back on the hills where
the poor people have to live such a hard life and the men spend their days
in the mines away from the sunlight. It's very blessed on a bleak cold
day, when the sky is hanging dark over the hill, to feel the love of God
in one's soul, and carry it to the lonely, bare, stone houses, where
there's nothing else to give comfort."</p>
<p>"Eh!" said Lisbeth, "that's very well for ye to talk, as looks welly like
the snowdrop-flowers as ha' lived for days an' days when I'n gethered 'em,
wi' nothin' but a drop o' water an' a peep o' daylight; but th' hungry
foulks had better leave th' hungry country. It makes less mouths for the
scant cake. But," she went on, looking at Adam, "donna thee talk o' goin'
south'ard or north'ard, an' leavin' thy feyther and mother i' the
churchyard, an' goin' to a country as they know nothin' on. I'll ne'er
rest i' my grave if I donna see thee i' the churchyard of a Sunday."</p>
<p>"Donna fear, mother," said Adam. "If I hadna made up my mind not to go, I
should ha' been gone before now."</p>
<p>He had finished his breakfast now, and rose as he was speaking.</p>
<p>"What art goin' to do?" asked Lisbeth. "Set about thy feyther's coffin?"</p>
<p>"No, mother," said Adam; "we're going to take the wood to the village and
have it made there."</p>
<p>"Nay, my lad, nay," Lisbeth burst out in an eager, wailing tone; "thee
wotna let nobody make thy feyther's coffin but thysen? Who'd make it so
well? An' him as know'd what good work war, an's got a son as is the head
o' the village an' all Treddles'on too, for cleverness."</p>
<p>"Very well, mother, if that's thy wish, I'll make the coffin at home; but
I thought thee wouldstna like to hear the work going on."</p>
<p>"An' why shouldna I like 't? It's the right thing to be done. An' what's
liking got to do wi't? It's choice o' mislikings is all I'n got i' this
world. One morsel's as good as another when your mouth's out o' taste.
Thee mun set about it now this mornin' fust thing. I wonna ha' nobody to
touch the coffin but thee."</p>
<p>Adam's eyes met Seth's, which looked from Dinah to him rather wistfully.</p>
<p>"No, Mother," he said, "I'll not consent but Seth shall have a hand in it
too, if it's to be done at home. I'll go to the village this forenoon,
because Mr. Burge 'ull want to see me, and Seth shall stay at home and
begin the coffin. I can come back at noon, and then he can go."</p>
<p>"Nay, nay," persisted Lisbeth, beginning to cry, "I'n set my heart on't as
thee shalt ma' thy feyther's coffin. Thee't so stiff an' masterful, thee't
ne'er do as thy mother wants thee. Thee wast often angered wi' thy feyther
when he war alive; thee must be the better to him now he's gone. He'd ha'
thought nothin' on't for Seth to ma's coffin."</p>
<p>"Say no more, Adam, say no more," said Seth, gently, though his voice told
that he spoke with some effort; "Mother's in the right. I'll go to work,
and do thee stay at home."</p>
<p>He passed into the workshop immediately, followed by Adam; while Lisbeth,
automatically obeying her old habits, began to put away the breakfast
things, as if she did not mean Dinah to take her place any longer. Dinah
said nothing, but presently used the opportunity of quietly joining the
brothers in the workshop.</p>
<p>They had already got on their aprons and paper caps, and Adam was standing
with his left hand on Seth's shoulder, while he pointed with the hammer in
his right to some boards which they were looking at. Their backs were
turned towards the door by which Dinah entered, and she came in so gently
that they were not aware of her presence till they heard her voice saying,
"Seth Bede!" Seth started, and they both turned round. Dinah looked as if
she did not see Adam, and fixed her eyes on Seth's face, saying with calm
kindness, "I won't say farewell. I shall see you again when you come from
work. So as I'm at the farm before dark, it will be quite soon enough."</p>
<p>"Thank you, Dinah; I should like to walk home with you once more. It'll
perhaps be the last time."</p>
<p>There was a little tremor in Seth's voice. Dinah put out her hand and
said, "You'll have sweet peace in your mind to-day, Seth, for your
tenderness and long-suffering towards your aged mother."</p>
<p>She turned round and left the workshop as quickly and quietly as she had
entered it. Adam had been observing her closely all the while, but she had
not looked at him. As soon as she was gone, he said, "I don't wonder at
thee for loving her, Seth. She's got a face like a lily."</p>
<p>Seth's soul rushed to his eyes and lips: he had never yet confessed his
secret to Adam, but now he felt a delicious sense of disburdenment, as he
answered, "Aye, Addy, I do love her—too much, I doubt. But she
doesna love me, lad, only as one child o' God loves another. She'll never
love any man as a husband—that's my belief."</p>
<p>"Nay, lad, there's no telling; thee mustna lose heart. She's made out o'
stuff with a finer grain than most o' the women; I can see that clear
enough. But if she's better than they are in other things, I canna think
she'll fall short of 'em in loving."</p>
<p>No more was said. Seth set out to the village, and Adam began his work on
the coffin.</p>
<p>"God help the lad, and me too," he thought, as he lifted the board. "We're
like enough to find life a tough job—hard work inside and out. It's
a strange thing to think of a man as can lift a chair with his teeth and
walk fifty mile on end, trembling and turning hot and cold at only a look
from one woman out of all the rest i' the world. It's a mystery we can
give no account of; but no more we can of the sprouting o' the seed, for
that matter."</p>
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