<SPAN name="startofbook"></SPAN>
<h1>The Three Musketeers</h1>
<h2 class="no-break">By Alexandre Dumas, Père</h2>
<p class="center">
<span class="small-caps">First Volume of the D’Artagnan Series</span></p>
<h2><span>CONTENTS</span></h2>
<table summary="" >
<tr>
<td> <SPAN href="#pref01">AUTHOR’S PREFACE</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap01">Chapter I. THE THREE PRESENTS OF D’ARTAGNAN THE ELDER</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap02">Chapter II. THE ANTECHAMBER OF M. DE TRÉVILLE</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap03">Chapter III. THE AUDIENCE</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap04">Chapter IV. THE SHOULDER OF ATHOS, THE BALDRIC OF PORTHOS AND THE HANDKERCHIEF OF ARAMIS</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap05">Chapter V. THE KING’S MUSKETEERS AND THE CARDINAL’S GUARDS</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap06">Chapter VI. HIS MAJESTY KING LOUIS XIII.</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap07">Chapter VII. THE INTERIOR OF THE MUSKETEERS</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap08">Chapter VIII. CONCERNING A COURT INTRIGUE</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap09">Chapter IX. D’ARTAGNAN SHOWS HIMSELF</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap10">Chapter X. A MOUSETRAP IN THE SEVENTEENTH CENTURY</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap11">Chapter XI. IN WHICH THE PLOT THICKENS</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap12">Chapter XII. GEORGE VILLIERS, DUKE OF BUCKINGHAM</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap13">Chapter XIII. MONSIEUR BONACIEUX</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap14">Chapter XIV. THE MAN OF MEUNG</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap15">Chapter XV. MEN OF THE ROBE AND MEN OF THE SWORD</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap16">Chapter XVI. IN WHICH M. SÉGUIER, KEEPER OF THE SEALS, LOOKS MORE THAN ONCE FOR THE BELL</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap17">Chapter XVII. BONACIEUX AT HOME</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap18">Chapter XVIII. LOVER AND HUSBAND</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap19">Chapter XIX. PLAN OF CAMPAIGN</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap20">Chapter XX. THE JOURNEY</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap21">Chapter XXI. THE COUNTESS DE WINTER</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap22">Chapter XXII. THE BALLET OF LA MERLAISON</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap23">Chapter XXIII. THE RENDEZVOUS</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap24">Chapter XXIV. THE PAVILION</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap25">Chapter XXV. PORTHOS</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap26">Chapter XXVI. ARAMIS AND HIS THESIS</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap27">Chapter XXVII. THE WIFE OF ATHOS</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap28">Chapter XXVIII. THE RETURN</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap29">Chapter XXIX. HUNTING FOR THE EQUIPMENTS</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap30">Chapter XXX. D’ARTAGNAN AND THE ENGLISHMAN</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap31">Chapter XXXI. ENGLISH AND FRENCH</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap32">Chapter XXXII. A PROCURATOR’S DINNER</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap33">Chapter XXXIII. SOUBRETTE AND MISTRESS</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap34">Chapter XXXIV. IN WHICH THE EQUIPMENT OF ARAMIS AND PORTHOS IS TREATED OF</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap35">Chapter XXXV. A GASCON A MATCH FOR CUPID</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap36">Chapter XXXVI. DREAM OF VENGEANCE</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap37">Chapter XXXVII. MILADY’S SECRET</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap38">Chapter XXXVIII. HOW, WITHOUT INCOMMDING HIMSELF, ATHOS PROCURES HIS EQUIPMENT</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap39">Chapter XXXIX. A VISION</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap40">Chapter XL. A TERRIBLE VISION</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap41">Chapter XLI. THE SIEGE OF LA ROCHELLE</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap42">Chapter XLII. THE ANJOU WINE</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap43">Chapter XLIII. THE SIGN OF THE RED DOVECOT</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap44">Chapter XLIV. THE UTILITY OF STOVEPIPES</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap45">Chapter XLV. A CONJUGAL SCENE</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap46">Chapter XLVI. THE BASTION SAINT-GERVAIS</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap47">Chapter XLVII. THE COUNCIL OF THE MUSKETEERS</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap48">Chapter XLVIII. A FAMILY AFFAIR</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap49">Chapter XLIX. FATALITY</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap50">Chapter L. CHAT BETWEEN BROTHER AND SISTER</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap51">Chapter LI. OFFICER</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap52">Chapter LII. CAPTIVITY: THE FIRST DAY</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap53">Chapter LIII. CAPTIVITY: THE SECOND DAY</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap54">Chapter LIV. CAPTIVITY: THE THIRD DAY</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap55">Chapter LV. CAPTIVITY: THE FOURTH DAY</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap56">Chapter LVI. CAPTIVITY: THE FIFTH DAY</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap57">Chapter LVII. MEANS FOR CLASSICAL TRAGEDY</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap58">Chapter LVIII. ESCAPE</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap59">Chapter LIX. WHAT TOOK PLACE AT PORTSMOUTH AUGUST 23, 1628</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap60">Chapter LX. IN FRANCE</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap61">Chapter LXI. THE CARMELITE CONVENT AT BÉTHUNE</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap62">Chapter LXII. TWO VARIETIES OF DEMONS</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap63">Chapter LXIII. THE DROP OF WATER</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap64">Chapter LXIV. THE MAN IN THE RED CLOAK</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap65">Chapter LXV. TRIAL</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap66">Chapter LXVI. EXECUTION</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap67">Chapter LXVII. CONCLUSION</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap68">EPILOGUE</SPAN></td>
</tr>
</table>
<h2><SPAN name="pref01"></SPAN>AUTHOR’S PREFACE</h2>
<p class="pfirst"><span class="dropcap" style="font-size: 3.00em">I</span><span class="dropspan">n</span>
which it is proved that, notwithstanding their names’ ending in <i>os</i> and
<i>is</i>, the heroes of the story which we are about to have the honor to
relate to our readers have nothing mythological about them.</p>
<p class="p2">
A short time ago, while making researches in the Royal Library for my History
of Louis XIV., I stumbled by chance upon the Memoirs of M. d’Artagnan,
printed—as were most of the works of that period, in which authors could
not tell the truth without the risk of a residence, more or less long, in the
Bastille—at Amsterdam, by Pierre Rouge. The title attracted me; I took
them home with me, with the permission of the guardian, and devoured them.</p>
<p>It is not my intention here to enter into an analysis of this curious work; and
I shall satisfy myself with referring such of my readers as appreciate the
pictures of the period to its pages. They will therein find portraits penciled
by the hand of a master; and although these squibs may be, for the most part,
traced upon the doors of barracks and the walls of cabarets, they will not find
the likenesses of Louis XIII., Anne of Austria, Richelieu, Mazarin, and the
courtiers of the period, less faithful than in the history of M. Anquetil.</p>
<p>But, it is well known, what strikes the capricious mind of the poet is not
always what affects the mass of readers. Now, while admiring, as others
doubtless will admire, the details we have to relate, our main preoccupation
concerned a matter to which no one before ourselves had given a thought.</p>
<p>D’Artagnan relates that on his first visit to M. de Tréville, captain of the
king’s Musketeers, he met in the antechamber three young men, serving in the
illustrious corps into which he was soliciting the honor of being received,
bearing the names of Athos, Porthos, and Aramis.</p>
<p>We must confess these three strange names struck us; and it immediately
occurred to us that they were but pseudonyms, under which D’Artagnan had
disguised names perhaps illustrious, or else that the bearers of these borrowed
names had themselves chosen them on the day in which, from caprice, discontent,
or want of fortune, they had donned the simple Musketeer’s uniform.</p>
<p>From that moment we had no rest till we could find some trace in contemporary
works of these extraordinary names which had so strongly awakened our
curiosity.</p>
<p>The catalogue alone of the books we read with this object would fill a whole
chapter, which, although it might be very instructive, would certainly afford
our readers but little amusement. It will suffice, then, to tell them that at
the moment at which, discouraged by so many fruitless investigations, we were
about to abandon our search, we at length found, guided by the counsels of our
illustrious friend Paulin Paris, a manuscript in folio, endorsed 4772 or 4773,
we do not recollect which, having for title, “Memoirs of the Comte de la Fère,
Touching Some Events Which Passed in France Toward the End of the Reign of King
Louis XIII. and the Commencement of the Reign of King Louis XIV.”</p>
<p>It may be easily imagined how great was our joy when, in turning over this
manuscript, our last hope, we found at the twentieth page the name of Athos, at
the twenty-seventh the name of Porthos, and at the thirty-first the name of
Aramis.</p>
<p>The discovery of a completely unknown manuscript at a period in which
historical science is carried to such a high degree appeared almost miraculous.
We hastened, therefore, to obtain permission to print it, with the view of
presenting ourselves someday with the pack of others at the doors of the
Académie des Inscriptions et Belles Lettres, if we should not succeed—a
very probable thing, by the by—in gaining admission to the Académie
Française with our own proper pack. This permission, we feel bound to say, was
graciously granted; which compels us here to give a public contradiction to the
slanderers who pretend that we live under a government but moderately indulgent
to men of letters.</p>
<p>Now, this is the first part of this precious manuscript which we offer to our
readers, restoring it to the title which belongs to it, and entering into an
engagement that if (of which we have no doubt) this first part should obtain
the success it merits, we will publish the second immediately.</p>
<p>In the meanwhile, as the godfather is a second father, we beg the reader to lay
to our account, and not to that of the Comte de la Fère, the pleasure or the
<i>ennui</i> he may experience.</p>
<p>This being understood, let us proceed with our history.</p>
<h2>The Three Musketeers</h2>
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