<h2>CHAPTER XII</h2>
<br/>
<div class="first">FROM a distinctly precarious perch—one
foot on the back of a chair, the other on an oak chest—Blake
surveyed the unfurnished <i>salon</i> of the fifth-floor
<i>appartement</i>. His coat was off, in one dusty hand he held a
hammer, in the other a picture, while from between his lips
protruded a brass-headed nail.</div>
<p>"If I drive the nail here, boy, will you be satisfied? Upon my
word, it's the last place I'll try!" He spoke with what dignity and
distinctness he could command, but the effect was lost upon Max,
who, also dusty, also bearing upon his person the evidences of
manual labor, was crouching over a wood fire, intent upon the
contents of a brass coffee-pot.</p>
<p>"Max! Do you hear me?"</p>
<p>"No, I do not hear. Take the nail from your mouth."</p>
<p>"Take it for me! I haven't a hand."</p>
<p>Max left the coffee-pot with some reluctance, crossed the room,
and with the seriousness known only to the enthusiastic amateur in
house-furnishing, removed the nail from Blake's mouth.</p>
<p>"It is a shame! You will spoil your nice teeth."</p>
<p>"What is a tooth or two in such a cause! Have you a
handkerchief?"</p>
<p>"Yes."</p>
<p>"Then, for the love of God, wipe my forehead for me!"</p>
<p>Still without a smile, Max produced a handkerchief that had
obviously played the <i>rôle</i> of duster at an earlier hour
and, passing it over Blake's face, removed the dew of heat, leaving
in its place a long black streak.</p>
<p>"Thanks! I'm cooler now—though probably dirtier!"</p>
<p>"Dirtier! On the contrary, <i>mon ami</i>! You have the most
artistic scar of dust that makes you as interesting as a German
officer! Oh!" His voice rose to a cry of sharp distress, and he ran
back to the fire. "Oh, my coffee! My beautiful coffee! Oh, Ned, it
has over boiled!"</p>
<p>Blake eyed the havoc from his coign of vantage with a philosophy
tinged with triumph.</p>
<p>"Didn't I tell you that coffee-pot was a fraud the very first
day old Bluebeard tried to palm it off on us! You will never
distinguish between beauty and utility."</p>
<p>"Beauty is utility!" Max, in deep distress, was using the
much-taxed handkerchief to wipe the spilt coffee from the
hearth.</p>
<p>"Should be, my boy, but isn't! I say, give me that business to
see to!" Regardless of the picture still dangling from his hand, he
jumped to the ground and strode through a litter of papers, straw,
and packing-cases.</p>
<p>"Give me that rag!" He took the sopping handkerchief and flung
it into a distant corner. "A wisp of this straw is much more
useful—less beautiful, I admit!"</p>
<p>Max glanced up with wide eyes, extremely wistful and youthful in
expression. "I do not believe I care about either the use or the
beauty," he said, plaintively. "I only care that I am hungry and
that my coffee is lost."</p>
<p>"Hungry, boy? Why, bless my soul, you must be starving! What
time is it at all?" Blake pulled out his watch. "Eleven! And we've
been at this hard since eight! Hungry! I should think you are. Look
here! You just sit down!" He pushed aside the many objects that
encumbered the floor, and began impatiently to strip the packing
from a leather arm-chair.</p>
<p>Max laughed a little.</p>
<p>"But, <i>mon cher</i>, I prefer the ground—this nice warm
little corner close to the fire. One day I think I shall have two
cushions, like your Bluebeard of the curio shop, and sit all day
long with my legs crossed, imagining myself a Turk. Like this!" He
drew back against the wall, curling himself up with supple agility,
and smiled into his companion's eyes.</p>
<p>Blake looked down, half amused, half concerned.</p>
<p>"Poor little <i>gamin</i>! Tired and dirty and hungry. Just you
wait!" Nodding decisively, he crossed the room, opened the door
softly, and disappeared.</p>
<p>Left to himself, Max drew farther back into his warm corner and
clasped his hands about his knees. Max was enjoying himself. The
fact was patent in the lazy ease of his pose, in the smile that
hovered about his lips, in the slow, pleased glance that travelled
round and round the bare room and the furniture still standing
ghostly in its packing. It was still the joyful beginning of
things: the clean white paper upon the walls spoke of first hours
as audibly as the bunch of jonquils peeping from a dark corner
spoke of spring. It was still the beginning of things—the
salt before the sweet, the ineffable, priceless moment when life
seems malleable and to be bent to the heart's desire.</p>
<p>One month had passed since his first visit to this fifth floor;
one month since he had entered Paris, armored in his hopes; one
month since Blake had crossed his path.</p>
<p>The smile upon his lips deepened, then wavered to seriousness,
and his gaze turned from the white wall to the fire, where the
flames from the logs spurted copper and blue.</p>
<p>One month. A dream—or a lifetime?</p>
<p>Gazing into the fire, questioning his own fancy, he could scarce
decide which; a dream in the quick moving of events—the swift
viewing of new scenes; a lifetime in alteration of outlook and
environment—the severing and knitting of bonds.</p>
<p>The happy seriousness was still enfolding him, his eyes were
still intent upon the fire, when Blake entered, triumphant,
carrying a coffee-pot, and followed by a demure girl with blonde
hair and delicate pale skin.</p>
<p>"Monsieur is served!"</p>
<p>Max, startled out of his reverie, jumped to his feet.</p>
<p>"What is this? Oh, but you should not! You should not!"</p>
<p>"And why not, in the name of God? If you insist upon having
antique brass coffee-pots, your neighbors must expect to suffer,
eh, Jacqueline?"</p>
<p>The little Jacqueline laughed, shaking her fair head. "Ah, well,
monsieur, it is an art—the keeping of an
establishment—and must be learned like any other!"</p>
<p>"And you think we ought to go to school?"</p>
<p>"I did not say that!" She laid down the loaf of bread, the
butter, and the milk-jug that she was carrying, and took the coffee
from Blake's hands with an air of pretty gravity. "And now,
monsieur, where are the cups?"</p>
<p>Blake turned to Max. "Cups?" he said in English. "I know we
bought something quite unique in the matter of cups, but where the
deuce we put them—For the love of God and the honor of the
family, boy, tell me where they are!"</p>
<p>Max's eyes were shining. "They are in the chest, <i>mon
cher</i>. We put them there for safety as we went out last
night."</p>
<p>"Good! Give me the key."</p>
<p>"The key, <i>mon ami</i>, I have left at the Hôtel
Railleux!"</p>
<p>Consternation spread over Blake's face, then he burst out
laughing and turned to Jacqueline, relapsing into French.</p>
<p>"Monsieur Max would have you to know, mademoiselle, that he
possesses an altogether unusual and superior set of Oriental china,
which he bought from a certain villanous Jew at the corner of the
rue André de Sarte; that for safety he has locked that china
into the artistic and musty dower-chest standing against the wall;
and that for greater safety he has forgotten the key in an antique
hotel near the Gare du Nord!"</p>
<p>He laughed again; Max laughed; the little Jacqueline laughed,
and ran to the door.</p>
<p>"Oh, <i>la! la</i>! What a pair of children!" She flitted out of
the room, returning with two cups, which she set beside the coffee
and the milk.</p>
<p>"And now, messieurs, it is possible you can arrange for
yourselves!" She shot a bright, quizzical look from one to the
other. "I know you would wish me to stay and measure out the milk
and sugar, and it would flatter me to do so, but, unhappily, I have
a dish of some importance upon my own fire, and it is necessary
that one is domestic when one is only a woman—is it not so,
Monsieur Max?" She wrinkled her pretty face into a grimace of
mischief, and nodded as if some idea infinitely amusing, infinitely
profound lurked at the back of her blonde head.</p>
<p>"Good-day, Monsieur Edouard. Good-day, Monsieur Max!"</p>
<p>"Strange little creature!" said Blake, as the door closed upon
her. "Frail as a butterfly, with one capacity to prevent her taking
wing!"</p>
<p>"And that capacity—what is it?" Max had returned to his
former position, and was pouring out the coffee as he crouched
comfortably by the fire.</p>
<p>"The capacity, boy, for the <i>grande passion</i>. Odd that it
should exist in so light a vessel, but these are the secrets of
Nature! There are moments, you know, when this little Jacqueline
isn't laughing at life—rare, I admit, but still
existent—and then you see that the corners of her mouth can
droop. She may live to find existence void, but she'll never live
to find it shallow. Thanks, boy!" He took his cup of coffee, and,
walking to the table, cut a slice of bread, which he carried back
to the fire. "Now, don't say a word! I'm going to make you the
finest bit of toast you ever saw in your life!"</p>
<p>Max, preserving the required silence, watched him make the
toast, carefully balancing the bread on the tip of a knife,
carefully browning, carefully buttering it.</p>
<p>"Now! Taste that, and tell me if there wasn't a great
<i>chef</i> lost in me!"</p>
<p>He carried the toast back to the fire and watched Max eat the
first morsel.</p>
<p>"Nice?"</p>
<p>"Delicious!"</p>
<p>"Ah! Then it's all fair sailing! I'll cut myself a bit of bread
and sit down on my heels like you. There's something in that
Turkish idea, after all! But, as I was saying"—he buttered
his bread and dropped into position beside the boy—"as I was
saying awhile ago, that child next door, with all her innocent air
and her blue eyes, has climbed the slippery stairs and reached the
seventh heaven. And not only reached it herself, mind you, but
dragged that ungainly Cartel with her by the tip of her tiny
finger! Wonderful! Wonderful! Enviable fate!"</p>
<p>Max's eyes laughed. "M. Cartel's?"</p>
<p>"M. Cartel's. Oh, boy, that seventh heaven! Those slippery
steps!"</p>
<p>"And the tip of a tiny finger?" Max was jesting; but Blake, lost
in his own musings, did not perceive it.</p>
<p>"For Cartel—yes!" he said. "For me, no! I think I'd like
the whole hand."</p>
<p>Here Max picked up a tongs and stirred the logs until they
blazed.</p>
<p>"Absurd!" he said. "The tip of a finger or the whole of a hand,
it is all the same! It is a mistake, this love! That old story of
the Garden and the Serpent is as true as truth. Man and Woman were
content to live and adorn the world until one day they espied the
stupid red Apple—and straightway they must eat! Look even at
this Cartel! He is an artist; he might make the world listen to his
music. But, no! He sees a little butterfly, as you call
her—all blonde and blue—and down falls his ambition,
and up go his eyes to the sky, and henceforth he is content to
fiddle to himself and to the stars! Oh, my patience leaves me!"
Again he struck the logs, and a golden shower of sparks flew up the
chimney.</p>
<p>"I don't know!" said Blake, placidly. "I'm not so sure that he
isn't getting the best of it, when all's said and done!"</p>
<p>Max reddened. "You make me angry with this 'I do not know!' and
'I am not so sure!' The matter is like day. You cannot submerge
your personality and yet retain it."</p>
<p>"I don't know! I'd submerge mine to-morrow if I could find an
<i>alter ego</i>!"</p>
<p>"Then, <i>mon cher</i>, you are a fool!"</p>
<p>Blake drank his coffee meditatively. "Some say the fools are
happier than the wise men! I remember a poor fool of a boy at home
in Clare who used to say that he danced every night with the
fairies on the rath, and I often thought he was happier than the
people who listened to him out of pity, and shook their heads and
laughed behind his back!"</p>
<p>Max looked up, and as he looked the anger died out of his
eyes.</p>
<p>"Ned, <i>mon cher</i>, you are very patient with me!"</p>
<p>Blake turned. "What do you mean?"</p>
<p>"What I say—that you are patient. Why is it?"</p>
<p>"Oh, I don't know. I'm fond of you, I suppose."</p>
<p>"I am, then, a good comrade?"</p>
<p>"The best."</p>
<p>"What is it you find in me?"</p>
<p>"I don't know! You are you."</p>
<p>"I amuse you?"</p>
<p>"You do—and more."</p>
<p>"More! In what way more?" Max drew nearer.</p>
<p>"Oh, I don't know! You're as amusing and spirited and generous
as any boy I've known, and yet you're different from any boy. You
sometimes fit into my thoughts almost like a woman might!" He
hesitated, and laughed at his own conceit.</p>
<p>Max, with an odd little movement of haste, drew away again.</p>
<p>"Do not say that, <i>mon ami</i>! Do not think it! I am your
good comrade, that is all."</p>
<p>"Of course you are! Sorry if I hurt your pride."</p>
<p>"You did not. It was not that." With an inexplicable change of
mood Max drew near again, and suddenly slipped his hand through
Blake's arm.</p>
<p>They laughed in unison at the return to amity, and then fell
silent, looking into the fire, watching the blue spurt of the
flames, the feathery curls of ash on the charred logs.</p>
<p>"Ned! Make me one of your stories! Tell me what you are seeing
in the fire!"</p>
<p>Blake settled himself more comfortably.</p>
<p>"Well, boy, I was just seeing a castle," he began in the
accepted manner of the story-teller, and in his pleasant, soothing
voice. "A great big castle on the summit of a mountain, with a
golden flag fluttering in the sunset; and I think it must be the
'Castle of Heart's Desire,' because all up the craggy path that
leads to it there are knights urging their horses—"</p>
<p>"Good!" Max smiled with pleasure and pressed his arm. "Continue!
Continue!"</p>
<p>"Well, they're all sorts of knights, you know," Blake went on in
the dreamy, singsong voice—"fair knights and red knights and
black knights, every one of them in glittering armor, with long
lances, and wonderful devices on their shields—"</p>
<p>"Yes! Yes!"</p>
<p>"—wonderful devices on their shields, and spurs of gold
and silver, and waving plumes of many colors; and the flanks of
their horses—cream-colored and chestnut and black—shine
in the light."</p>
<p>"Continue, <i>mon cher</i>! Continue! I can see them also!" Max,
utterly absorbed, charming as a child, bent forward, staring into
the heart of the fire.</p>
<p>"Well, they mount and mount and mount, and sometimes the great
horses refuse the craggy path and rear, and sometimes a knight is
unseated and the others look back and laugh at his discomfiture and
ride on until they themselves are proved unfit; and so, on and on,
while the way gets steeper and more perilous, and the company
smaller and still smaller, until the sun drops down behind the
mountain and the gold flag flutters as gray as a moth, and in all
the windows of the castle torches spring up to greet the knight who
shall succeed."</p>
<p>"And which is he—the knight who shall succeed?"</p>
<p>"Don't you see him?"</p>
<p>"No! Where is he? Where?"</p>
<p>"Why, there—riding first, on the narrowest verge of the
craggy path! A very young knight with dark hair and a proud
carriage and gray eyes with flecks of gold in them."</p>
<p>For an instant Max gazed seriously into the flames, then turned,
blushing and laughing.</p>
<p>"Ah! But you are laughing at me! What a shame! For a punishment
you shall go straight back to work." He jumped up and handed Blake
his discarded hammer.</p>
<p>Blake looked reluctantly at the hammer, then looked back at the
enticing flame of the logs.</p>
<p>"Oh, very well! Have it your own way!" he said, getting slowly
to his feet. "But if I were you, I'd like to have heard what
awaited the knight in the tapestried chamber of the castle
tower!"</p>
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