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Jew of Malta, The

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<h1> THE JEW OF MALTA. </h1> <h2> By Christopher Marlowe </h2> <h3> Edited By The Rev. Alexander Dyce </h3> The Famous Tragedy of The Rich Iew of Malta. As it was playd before the King and Qveene, in His Majesties Theatre at White-Hall, by her Majesties Servants at the Cock-pit. Written by Christopher Marlo. London; Printed by I. B. for Nicholas Vavasour, and are to be sold at his Shop in the Inner-Temple, neere the Church. 1633. 4to. TO MY WORTHY FRIEND, MASTER THOMAS HAMMON, of GRAY'S INN, ETC. This play, composed by so worthy an author as Master Marlowe, and the part of the Jew presented by so unimitable an actor as Master Alleyn, being in this later age commended to the stage; as I ushered it unto the court, and presented it to the Cock-pit, with these Prologues and Epilogues here inserted, so now being newly brought to the press, I was loath it should be published without the ornament of an Epistle; making choice of you unto whom to devote it; than whom (of all those gentlemen and acquaintance within the compass of my long knowledge) there is none more able to tax ignorance, or attribute right to merit. Sir, you have been pleased to grace some of mine own works 1 with your courteous patronage: I hope this will not be the worse accepted, because commended by me; over whom none can claim more power or privilege than yourself. I had no better a new-year's gift to present you with; receive it therefore as a continuance of that inviolable obligement, by which he rests still engaged, who, as he ever hath, shall always remain, Tuissimus, Tho. Heywood. id="linknoteref-2">2 <hr /> <h2> THE PROLOGUE SPOKEN AT COURT. </h2> Gracious and great, that we so boldly dare ('Mongst other plays that now in fashion are) To present this, writ many years agone, And in that age thought second unto none, We humbly crave your pardon. We pursue The story of a rich and famous Jew Who liv'd in Malta: you shall find him still, In all his projects, a sound Machiavill; And that's his character. He that hath past So many censures id="linknoteref-3">3 is now come at last To have your princely ears: grace you him; then You crown the action, and renown the pen. <h2> EPILOGUE SPOKEN AT COURT. </h2> It is our fear, dread sovereign, we have bin name="linknoteref-4" id="linknoteref-4">4 Too tedious; neither can't be less than sin To wrong your princely patience: if we have, Thus low dejected, we your pardon crave; And, if aught here offend your ear or sight, We only act and speak what others write. <h2> THE PROLOGUE TO THE STAGE, AT THE COCK-PIT. </h2> We know not how our play may pass this stage, But by the best of poets id="linknoteref-5">5 in that age THE MALTA-JEW had being and was made; And he then by the best of actors id="linknoteref-6">6 play'd: In HERO AND LEANDER id="linknoteref-7">7 one did gain A lasting memory; in Tamburlaine, This Jew, with others many, th' other wan The attribute of peerless, being a man Whom we may rank with (doing no one wrong) Proteus for shapes, and Roscius for a tongue,— So could he speak, so vary; nor is't hate To merit in him id="linknoteref-8">8 who doth personate Our Jew this day; nor is it his ambition To exceed or equal, being of condition More modest: this is all that he intends, (And that too at the urgence of some friends,) To prove his best, and, if none here gainsay it, The part he hath studied, and intends to play it. <h2> EPILOGUE TO THE STAGE, AT THE COCK-PIT. </h2> In graving with Pygmalion to contend, Or painting with Apelles, doubtless the end Must be disgrace: our actor did not so,— He only aim'd to go, but not out-go. Nor think that this day any prize was play'd; name="linknoteref-9" id="linknoteref-9">9 Here were no bets at all, no wagers laid: name="linknoteref-10" id="linknoteref-10">10 All the ambition that his mind doth swell, Is but to hear from you (by me) 'twas well. <div style="break-after:column;"></div>

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