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<h2> CHAPTER XXIV. RETRIBUTION </h2>
<p>“He thought it was I burned out that, brand; did you notice what he said?”
Val, as frequently happens in times of stress, spoke first of a trivial
matter, before her mind would grasp the greater issues.</p>
<p>“He'll never make it,” said Kent, speaking involuntarily his thought.
“There comes old Jake Bondy, now, down the hill. Still, I dunno—if
Michael takes to the water all right—”</p>
<p>“If the sheriff comes here, what shall we tell him? Shall we—”</p>
<p>“He won't. He's turning off, don't you see? He must have got a sight of
Man from the top of the hill. Michael's tolerably fresh, and Jake's horse
isn't; that makes a big difference.”</p>
<p>Val weakened unexpectedly, as the full meaning of it all swept through her
mind.</p>
<p>“Oh, it's horrible!” she whispered. “Kent, what can we do?”</p>
<p>“Not a thing, only keep our heads, and don't give way to nerves,” he
hinted. “It's something out of our reach; let's not go all to pieces over
it, pal.”</p>
<p>She steadied under his calm voice.</p>
<p>“I'm always acting foolish just at the wrong time—but to think he
could—”</p>
<p>“Don't think! You'll have enough of that to do, managing your own affairs.
All this doesn't change a thing for you. It makes you feel bad—and
for that I could kill him, almost!” So much flashed out, and then he
brought himself in hand again. “You've still got to pack your trunks, and
take the train home, just the same as if this hadn't happened. I didn't
like the idea at first, but now I see it's the best thing you can do, for
the present. After awhile—we'll see about it. Don't look out, if it
upsets you, Val. You can't do any good, and you've got to save your
nerves. Let pull down the shade—”</p>
<p>“Oh, I've got to see!” Perversely, she caught up the field glasses from
the table, drew them from their case, and, letting down the upper window
sash with a slam, focused the glasses upon the river. “He usually crosses
right at the mouth of the coulee—” She swung the glasses slowly
about. “Oh, there he is—just on the bank. The river looks rather
high—oh, your horse doesn't want to go in, Kent. He whirls on his
hind feet, and tried to bolt when Manley started in—”</p>
<p>Kent had been watching her face jealously. “Here, let me take a look, will
you? I can tell—” She yielded reluctantly, and in a moment he had
caught the focus.</p>
<p>“Tell me what you see, Kent—everything,” she begged, looking
anxiously from his face to the river.</p>
<p>“Well, old Jake is fogging along down the coulee—but he ain't to the
river yet, not by a long shot! Ah-h! Man's riding back to take a run in.
That's the stuff—got Michael's feet wet that time, the old freak!
They came near going clean outa sight.”</p>
<p>“The sheriff—is he close enough—” Val began fearfully. “Oh,
we're too far away to do a thing!”</p>
<p>Kent kept his eyes to the glasses. “We couldn't do a thing if we were
right there. Man's in swimming water already. Jake ain't riding in—from
the motions he's ordering Man back.”</p>
<p>“Oh, please let me look a minute! I won't get excited, Kent, and I'll tell
you everything I see—<i>please!</i>” Val's teeth were fairly
chattering with excitement, so that Kent hesitated before he gave up the
glasses. But it seemed boorish to refuse. She snatched at them as he took
them from his eyes, and placed them nervously to her own.</p>
<p>“Oh, I see them both!” she cried, after a second or two. “The sheriff's
got his rifle in his hands—Kent, do you suppose he'd—”</p>
<p>“Just a bluff, pal. They all do it. What—”</p>
<p>Val gave a start. “Oh, he shot, Kent! I saw him take aim—it looked
as if he pointed it straight at Manley, and the smoke—” She moved
the glasses slowly, searching the river.</p>
<p>“Well, he'd have to be a dandy, to hit anything on the water, and with the
sun in his eyes, too,” Kent assured her, hardly taking his eyes from her
face with its varying expression. Almost he could see what was taking
place at the river, just by watching her.</p>
<p>“Oh, there's Manley, away out! Why, your Michael is swimming beautifully,
Kent! His head is high out of the water, and the water is churning like—Oh,
Manley's holding his rifle up over his head—he's looking back toward
shore. I wonder,” she added softly, “what he's thinking about! Manley!
you're my husband—and once I—”</p>
<p>“Draw a bead on that gazabo on shore,” Kent interrupted her faint faring
up of sentiment toward the man she had once loved and loved no more.</p>
<p>Val drew a long breath and turned the glasses reluctantly from the
fugitive. “I don't see him—oh, yes! He's down beside a rock, on one
knee, and he's taking a rest across the rock, and is squinting along—oh,
he can't hit him at that distance, can he, Kent? Would he dare—why,
it would be murder, wouldn't it? Oh-h—<i>he shot again</i>!”</p>
<p>Kent reached up a hand and took the glasses from her eyes with a masterful
gesture. “You let me look,” he said laconically. “I'm steadier than you.”</p>
<p>Val crept closer to him, and looked up into his face. She could read
nothing there; his mouth was shut tight so that it was a stern, straight
line, but that told her nothing. He always looked so when he was intent
upon something, or thinking deeply. She turned her eyes toward the river,
flowing smoothly across the mouth of the coulee. Between, the land lay
sleeping lazily in the hazy sunlight of mid-autumn. The grass was brown,
the rocky outcroppings of the coulee wall yellow and gray and red—and
the river was so blue, and so quiet! Surely that sleepy coulee and that
placid river could not be witnessing a tragedy. She turned her head,
irritated by its very calmness. Her eyes dwelt wistfully upon Kent's
half-concealed face.</p>
<p>“What are they doing now, Kent?” Her tone was hushed.</p>
<p>“I can't—exactly—” He mumbled absently, his mind a mile away.
She waited a moment.</p>
<p>“Can you see—Manley?”</p>
<p>This time he did not answer at all; he seemed terribly far off, as if only
his shell of a body remained with her in the room.</p>
<p>“Why don't you talk?” she wailed. She waited until she could endure no
more, then reached up and snatched the glasses from his eyes.</p>
<p>“I can't help it—I shall go crazy standing here. I've just got to
see!” she panted.</p>
<p>For a moment he clung to the glasses and stared down at her. “You better
not, sweetheart,” he urged gently, but when she still held fast he let
them go. She raised them hurriedly to her eyes, and turned to the river
with a shrinking impatience to know the worst and have it over with.</p>
<p>“E-everything j-joggles so,” she whimpered complainingly, trying vainly to
steady the glasses. He slipped his arms around her, and let her lean
against him; she did not even seem to realize it. Just then she had caught
sight of something, and her intense interest steadied her so that she
stood perfectly still.</p>
<p>“Why, your horse—” she gasped. “Michael—he's got his feet
straight up in the air—oh, Kent, he's rolling over sad over! I can't
see—” She held her breath.</p>
<p>The glasses sagged as if they had grown all at once too heavy to hold. “I—I
thought I saw—” She shivered and hid her face upon one upflung arm.</p>
<p>Kent caught up the glasses and looked long at the river, unmindful of the
girl sobbing wildly beside him. Finally he turned to her, hesitated, and
then gathered her close in his arms. The glasses slid unheeded to the
floor.</p>
<p>“Don't cry—it's better this way, though it's hard enough, God
knows.” His voice was very gentle. “Think how awful it would have been,
Val, if the law had got him. Don't cry like that! Such things are
happening every day, somewhere—” He realized suddenly that this was
no way to comfort her, and stopped. He patted her shoulder with a sense of
blank helplessness. He could make love—but this was not the time for
love-making; and since he was denied that outlet for his feelings, he did
not know what to do, except that he led her to the couch, and settled her
among the cushions so that she would be physically comfortable, at least.
He turned restlessly to the window, looked; out, and then went to the
couch and bent over her.</p>
<p>“I'm going out to the gate—I want to see Jake Bondy. He's coming up
the coulee,” he said. “I won't be far. Poor little girl—poor little
pal, I wish I could help you.” He touched his lips to her hair, so lightly
she could not feel it, and left her.</p>
<p>At the gate he met, not the sheriff, who was riding slowly, and had just
passed through the field gate, but Arline and Hank, rattling up in the
Hawley buck-board.</p>
<p>“Thank the good Lord!” he exclaimed when he helped her from the rig. “I
never was so glad to see anybody in my life. Go on in—she's in there
crying her heart out. Man's dead—the sheriff shot him in the river—oh,
there's been hell to pay out here!”</p>
<p>“My heavens above!” Arline stared up at him while she grasped the
significance of his words. “I knowed he'd hit for here—I followed
right out as quick as Hank could hitch up the team. Did you hear about
Fred—”</p>
<p>“Yes, yes, yes, I know all about it!” Kent was guilty of pulling her
through the gate, and then pushing her toward the house. “You go and do
something for that poor girl. Pack her up and take her to town as quick as
God'll let you. There's been misery enough for her out here to kill a
dozen women.”</p>
<p>He watched until she had reached the porch, and then swung back to Hank,
sitting calmly in the buckboard, with the lines gripped between his knees
while he filled his pipe.</p>
<p>“I can take care of the man's side of this business, fast enough,” Kent
confessed whimsically, “but there's some things it takes a woman to
handle.” He glanced again over his shoulder, gave a huge sigh of relief
when he glimpsed Arline's thin face as she passed the window and knelt
beside the couch, and turned with a lighter heart to meet the sheriff.</p>
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