<h3 id="id00171" style="margin-top: 3em">IN THE TRAIN</h3>
<p id="id00172" style="margin-top: 2em">It is said that travelling by train is to be made still more
uncomfortable. I doubt if there is a man of sufficient genius in the
Government to accomplish this. Are not the trains already merely
elongated buses without the racing instincts of the bus? Have they not
already learned to crawl past mile after mile of backyard and back
garden at such a snail's pace that we have come to know like an old
friend every disreputable garment hung out on the clothes-lines of a
score of suburbs? Do they not stand still at the most unreasonable
places with the obstinacy of an ass? Stations, the names of which used
to be an indistinguishable blur as we swept past them as on a
swallow's wing, have now become a part of the known world, and have as
much attention paid to them as though they were Paris or Vienna.
Equality has not yet been established among men, but it has been
established among stations. There never was such a democracy of
frightfulness.</p>
<p id="id00173">We seldom see a station which has about it the air of permanence.
There are, I believe good historical reasons why there are no Tudor
stations or Queen Anne stations to be found in the country. Still, I
know of no reason why so many stations should look as though they had
been built hurriedly to serve the needs of a month, like a travelling
show in a piece of waste ground. Not that the railway station has any
of the gaudy detail of the travelling show. It resembles it only in
its dusty and haphazard setting. It is more like a builder's or a
tombstone-maker's yard. The very letters in which the name of the
station is printed are often of a deliberate ugliness. No newspaper
would tolerate letters of such an ugliness in its headlines. They
stare at one vacuously, joylessly. It is said that the village of
Amberley is known to the natives as "Amberley, God help us!" How many
stations look at us from their name-plates with that "God help us!"
air! What I should like to see would be a name-plate that would seem
to announce to us in passing: "Glasgow, thank God!" or whatever the
name of the station may be. I have never yet discovered a merry
station. Here and there a station-master has done his best to make the
place attractive by planting geraniums in the form of letters to spell
the name of the place on a neighbouring embankment. But these things
remind one of the flowers on a grave. And the people who walk up and
down the platform, their noses cold in the wind, are hardly more
cheerful than undertakers' men. Even the porters in their green
trousers, who roll the milk-cans along the platform to the luggage-van
with an energy and a clatter that would satisfy the ambition of any
healthy child, do not look merry. There was one cheerful porter who
used to welcome you like a host, and make a jest as he clipped your
railway ticket—"Just to lighten your load, sir!"—but the Government
had him removed and put to mind gates at a crossing where he would not
be able to speak to the passengers. As a rule, however, nobody looks
as if he liked being in a railway station or would stop there if he
could go anywhere else. I trust the Ministry of Reconstruction will
see to it that the railway stations of the country are rebuilt and
vivified. One does not really wish to stop at any station at all
except one's own station. But if one has to do so, let the stations be
made more amusing.</p>
<p id="id00174">Unfortunately, it is not only the frequent stops that have made
railway travelling almost ideally uncomfortable. The Government seems
also to have hired a staff of workers to impregnate the seats of the
carriages with dust and to scatter all the dust that can be spared in
these exiguous days on the floors. They have also a gang of old and
wheezy gentlemen who travel up and down the line all day shutting the
windows. This work is sometimes deputed to women. They are forbidden
to say "May I?" or "Do you mind?" or to make use of any civil
expression that might mollify the traveller sitting by the window. It
is part of their instructions to reach past him with an air of
independence and to have the window shut and the book that he is
reading knocked out of his hand before he has time to see what has
happened. Some day someone will write a book about the alteration of
English manners that took place during the Great War. I believe the
alteration is largely due to these Government hirelings whose duty it
is to make railway travel a burden and never to say "Please" or "Thank
you."</p>
<p id="id00175">Even now, however, there are compensations. In the morning the shadows
are long, and, as one rattles north among the water-meadows, the
flying plumes of the engine leave a procession of melting silhouettes
on the fields to the west. Rooks oar their way towards their homes
with long twigs in their beaks. Horses go through the last days of
their kingship dragging ploughs and harrows over the fields with slow
and monotonous tread. Here a hill has been ploughed into a sea of
little brown waves. Further on a meadow is already bright with the
green of winter-sown corn. The country has never been so laboured
before. Chalk and sand and brown earth and red are all being turned up
and broken and bathed in the sun and wind. Adam has begun to delve
again. There is the urgency of life in fields long idle. It is not
that the fields have become populous. One sees many laboured fields,
but little labour. The occasional plough-horse, however, brings
strength into the stillness. How noble a figure of energy he makes!</p>
<p id="id00176">As for us who sit in the railway train, we do not look at him much. We
are all either reading papers or talking. Two old men, bearded and
greasy-coated, tramps of a bygone era, sit opposite one another and
neither read nor talk. One of them is blear-eyed and coughs, and has
an unclean moustache. All his friend ever says to him is: "Clean your
nose," making an impatient gesture. A young man in a bowler hat and
spectacles, who smokes a pipe in inward-drawn lips, discusses the
Labour situation with some acquaintances. "They would be all right,"
he explains, "if it wasn't for the Labour leaders. You know what a
Labour leader is. He's a chap that never did an honest day's work in
his life. He finds it pays better to jaw than to work, and I don't
blame him. After all, it's human nature. Every man's out to do the
best for himself, isn't he?" "Your nose—blow your nose," mumbled the
tramp across the carriage. "Take Australia," continues the young man;
"they've had Labour Governments in Australia. What good did they do
for the working man? Did they satisfy him? Why, there were more
strikes in Australia under the Labour Government than there ever had
been before." "Did you hear that, Johnny?" I heard another voice
saying. "A tame rabbit was sold Sat'day in Guildford market for
twelve-and-sixpence!" "How did they know it was a tame one?" "Ah, now
you're asking!" A man looked up from <i>The Morning Post</i> with interest
in his face. "Why," he said, "is a tame rabbit considered to be better
eating than a wild one?" It was explained to him that wild rabbits
were often kept for a long time after they were killed, and were
therefore regarded as more dangerous. Otherwise, the tame rabbit had
no point of superiority. "What do <i>you</i> say, Johnny?" Johnny had a fat
face and no eyelashes, and wore a muffler instead of a collar. "I say,
give me a wild one." The man with <i>The Morning Post</i> went on to talk
about rabbits and the price at which he had sold them. At intervals,
during everything he said, Johnny kept nodding and saying, with a
smile of relish: "Give me a wild one!" He said it even when the talk
had drifted altogether away from rabbits. He went on repeating it to
himself in lower tones, as though at last he had found a thought that
suited him. "Municipalisation means jobbery," said the young man with
the bowler hat; "look at the County Council tramways." "Give me a wild
one," said Johnny, in a dreamy whisper; "I say, give me a wild one."
"Why, it stands to reason, if you have a friend, and you see a chance
of shovin' him into a job at the public expense, you'll do it, won't
you?" said the young man, addressing the reader of <i>The Morning Post</i>,
who merely cleared his throat nervously in answer. "It's human
nature," said the young man. "Give me a wild one" whispered Johnny.
"I'm afraid there's going to be trouble in Ireland," the man with <i>The
Morning Post</i> turned the subject. The young man was ready for him.
"There will always be trouble in Ireland," he said, with what the
novelists describe as a curl of his lip, "so long as Ireland exists."
The tramp continued to mumble about the condition of his friend's
nose, Johnny relapsed into silence, and the young man made the man
with <i>The Morning Post</i> tremble by a horrible picture of what the
country would be like under a Labour Government. "It would be all
U.P.," he said firmly; "all up…." Who would travel in such days if
he could possibly avoid it?</p>
<h2 id="id00177" style="margin-top: 4em">XV</h2>
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