Pleasures of Ignorance

<h3 id="id00120" style="margin-top: 3em">ON KNOWING THE DIFFERENCE</h3> <p id="id00121" style="margin-top: 2em">It was only the other day that I came upon a full-grown man reading with something like rapture a little book—<i>Ships and Seafaring Shown to Children</i>. His rapture was modified however, by the bitter reflection that he had already passed so great a part of his life without knowing the difference between a ship and a barque; and, as for sloops, yawls, cutters, ketches, and brigantines, they were simply the Russian alphabet to him. I sympathise with his regret. It was a noble day in one's childhood when one had learned the names of sailing-vessels, and, walking to the point of the harbour beyond the bathing-boxes, could correct the ignorance of a friend: "That's not a ship. That's a brig." To the boy from an inland town every vessel that sails is a ship. He feels he is being shown a new and bewildering world when he is told that the only ship that has the right to be called a ship is a vessel with three masts (at least), all of them square-rigged. When once he has learned his lesson, he finds an unaccustomed delight in wandering along the dirtiest coal-quay, and recognising the barques by the fact that only two of their three masts are square-rigged, and the brigs by the fact that they are square-rigged throughout—a sort of two-masted ships. Vessels have suddenly become as real to him in their differences as the different sorts of common birds. As for his feelings on the day on which he can tell for certain the upper fore topsail from the upper fore top-gallant sail, and either of these from the fore skysail, the crossjack, or the mizzen-royal, they are those of a man who has mastered a language and discovers himself, to his surprise, talking it fluently. The world of shipping has become articulate poetry to him instead of a monotonous abracadabra.</p> <p id="id00122">It is as though we can know nothing of a thing until we know its name. Can we be said to know what a pigeon is unless we know that it is a pigeon? We may have seen it again and again, with its bottle-shoulders and shining neck, sitting on the edge of a chimney-pot, and noted it as a bird with a full bosom and swift wings. But if we are not able to name it except vaguely as a "bird," we seem to be separated from it by an immense distance of ignorance. Learn that it is a pigeon however, and immediately it rushes towards us across the distance, like something seen through a telescope. No doubt to the pigeon-fancier this would seem but the first lisping of knowledge, and he would not think much of our acquaintance with pigeons if we could not tell a carrier from a pouter. That is the charm of knowledge—it is merely a door into another sort of ignorance. There are always new differences to be discovered, new names to be learned, new individualities to be known, new classifications to be made. The world is so full of a number of things that no man with a grain of either poetry or the scientific spirit in him has any right to be bored, though he lived for a thousand years. Terror or tragedy may overwhelm him, but boredom never. The infinity of things forbids it. I once heard of a tipsy young artist who, on his way home on a beautiful night, had his attention called by a maudlin friend to the stars, where they twinkled like a million larks. He raised his eyes to the heavens, then shook his head. "There are too many of them," he complained wearily. It should be remembered, however, that he was drunk, and that he did not know astronomy. There could be too many stars only if they were all turned out on the same pattern, and made the same pattern on the sky. Fortunately, the universe is the creation not of a manufacturer but of an artist.</p> <p id="id00123">There is scarcely a subject that does not contain sufficient Asias of differences to keep an explorer happy for a lifetime. It would be easy to do nothing but chase butterflies all one's days. It is said that thirteen thousand species of butterflies have been already discovered, and it is suggested that there may be nearly twice as many that have so far escaped the naturalists. After so monstrous a figure, we are not surprised to learn that there are sixty-eight species of butterflies in Great Britain and Ireland. We should be astonished, however, had we not already expended our astonishment on the larger number. How many of us are there who could name even half-a-dozen varieties? We all know the tortoiseshell and the white and the blue—the little blue butterflies that flutter over the gold and red of the cornfields. But the average man does not even know by name such varieties as the Camberwell Beauty, the Dingy Skipper, the Pearl-bordered Fritillary, and the White-letter Hairstreak. As for the moth, are there not as many sorts of moths as there are words in a dictionary? Many men give all the pleasant hours of their lives to learning how to know the difference between one of them and another. One used to see these moth-hunters on windless nights in a Hampstead lane pursuing their quarry fantastically with nets in the light of the lamps. In pursuing moths, they pursue knowledge. This, they feel, is life at its most exciting, its most intense. They regard a man who does not know and is not interested in the difference between one moth and another as a man not yet thoroughly awakened from his pre-natal sleep. And, indeed, one could not conceive a more appalling sort of blank idiocy than the condition of a man who could not tell one thing from another in any department of life whatever. We would rather change lives with a jelly-fish than with such a man. This luxury of variety was not meant to be ignored. We throw ourselves into it with exhilaration as a swimmer plunges into the sea. There are few forms of happiness I know which are more enviable than that of those who have eyes for birds and flowers. How they rejoice on learning that, according to one theory, there are a hundred and three different species of brambles to be found in these islands! They would not have them fewer by a single one. It is extraordinarily pleasant even for one who is mainly ignorant of the flowers and their families to come on two or three varieties of one flower in the course of a country walk. As a boy, he is excited by the difference between the pin-headed and the thrum-headed primrose. As he grows older, he scans the roadside for little peeping things that to a lazy eye seem as like each other as two peas—the dove's foot geranium, the round-leaved geranium and the lesser wild geranium. "As like each other as two peas," we have said: but <i>are</i> two peas like each other? Who knows whether the peas have not the same differences of feature among themselves that Englishmen have? Half the similarities we notice are only the results of our ignorance and idleness. The townsman passing a field of sheep finds it difficult to believe that the shepherd can distinguish between one and another of them with as much certainty as if they were his children. And do not most of us think of foreigners as beings who are all turned out as if on a pattern, like sheep? The further removed the foreigners are from us in race the more they seem to us to be like each other. When we speak of negroes, we think of millions of people most of whom look exactly alike. We feel much the same about Chinamen and even Turks. Probably to a Chinaman all English children look exactly alike, and it may be that all Europeans seem to him to be as indistinguishable as sticks of barley-sugar. How many people think of Jews in this way! I have heard an Englishman expressing his wonder that Jewish parents should be able to pick out their own children in a crowd of Jewish boys and girls.</p> <p id="id00124">Thus our first generalisations spring from ignorance rather than from knowledge. They are true, so long as we know that they are not entirely true. As soon as we begin to accept them as absolute truths, they become lies. One of the perils of a great war is that it revives the passionate faith of the common man in generalisations. He begins to think that all Germans are much the same, or that all Americans are much the same, or that all Conscientious Objectors are much the same. In each case he imagines a lay figure rather than a human being. He may hate his lay figure or he may like it; but, if he is in search of truth, he had better throw the thing out of the window and try to think about a human being instead. I do not wish to deny the importance of generalisations. It is not possible to think or even to act without them. The generalisation that is founded on a knowledge of and a delight in the variety of things is the end of all science and poetry. Keats said that he sought the principle of beauty in all things, and poems are in a sense simply beautiful generalisations. They subject the unclassified and chaotic facts of life to the order of beauty. The mystic, meditating on the One and the Many, is also in pursuit of a generalisation—the perfect generalisation of the universe. And what is science but the attempt to arrange in a series of generalisations the facts of what we are vain enough to call the known world? To know the resemblances of things is even more important than to know the differences of things. Indeed, if we are not interested in the former, our pleasure in the latter is a mere scrap-book pleasure. If we are not interested in the latter, on the other hand, our sense of the former is apt to degenerate into guesswork and assertion and empty phrases. Shakespeare is greater than all the other poets because he, more than anybody else, knew how very like human beings are to each other and because he, more than anybody else, knew how very unlike human beings are to each other. He was master of the particular as well as of the universal. How much poorer the world would have been if he had not been so in regard not only to human beings but to the very flowers—if he had not been able to tell the difference between fennel and fumitory, between the violet and the gillyflower!</p> <h2 id="id00125" style="margin-top: 4em">IX</h2> <div style="break-after:column;"></div><br />