<h3 id="id00088" style="margin-top: 3em">CATS</h3>
<p id="id00089" style="margin-top: 2em">The Champion Cat Show has been held at the Crystal Palace, but the
champion cat was not there. One could not possibly allow him to appear
in public. He is for show, but not in a cage. He does not compete,
because he is above competition. You know this as well as I. Probably
you possess him. I certainly do. That is the supreme test of a cat's
excellence—the test of possession. One does not say: "You should see
Brailsford's cat" or "You should see Adcock's cat" or "You should see
Sharp's cat," but "You should see our cat." There is nothing we are
more egoistic about—not even children—than about cats. I have heard
a man, for lack of anything better to boast about, boasting that his
cat eats cheese. In anyone else's cat it would have seemed an inferior
habit and only worth mentioning to the servant as a warning. But
because the cat happens to be his cat, this man talks about its vice
excitedly among women as though it were an accomplishment. It is
seldom that we hear a cat publicly reproached with guilt by anyone
above a cook. He is not permitted to steal from our own larder. But if
he visits the next-door house by stealth and returns over the wall
with a Dover sole in his jaws, we really cannot help laughing. We are
a little nervous at first, and our mirth is tinged with pity at the
thought of the probably elderly and dyspeptic gentleman who has had
his luncheon filched away almost from under his nose. If we were quite
sure that it was from No. 14, and not from No. 9 or No. 11, that the
fish had been stolen, we might—conceivably—call round and offer to
pay for it. But with a cat one is never quite sure. And we cannot call
round on all the neighbours and make a general announcement that our
cat is a thief. In any case the next move lies with the wronged
neighbour. As day follows day, and there is no sign of his irate and
murder-bent figure advancing up the path, we recover our mental
balance and begin to see the cat's exploit in a new light. We do not
yet extol it on moral grounds, but undoubtedly, the more we think of
it, the deeper becomes our admiration. Of the two great heroes of the
Greeks we admire one for his valour and one for his cunning. The epic
of the cat is the epic of Odysseus. The old gentleman with the Dover
sole gradually assumes the aspect of a Polyphemus outwitted—outwitted
and humiliated to the point of not even being able to throw things
after his tormentor. Clever cat! Nobody else's cat could have done
such a thing. We should like to celebrate the Rape of the Dover Sole
in Latin verse.</p>
<p id="id00090">As for the Achillean sort of prowess, we do not demand it of a cat,
but we are proud of it when it exists. There is a pleasure in seeing
strange cats fly at his approach, either in single file over the wall
or in the scattered aimlessness of a bursting bomb. Theoretically, we
hate him to fight, but, if he does fight and comes home with a torn
ear, we have to summon up all the resources of our finer nature in
order not to rejoice on noticing that the cat next door looks as
though it had been through a railway accident. I am sorry for the cat
next door. I hate him so, and it must be horrible to be hated. But he
should not sit on my wall and look at me with yellow eyes. If his eyes
were any other colour—even the blue that is now said to be the mark
of the runaway husband—I feel certain I could just manage to endure
him. But they are the sort of yellow eyes that you expect to see
looking out at you from a hole in the panelling in a novel by Mr Sax
Rohmer. The only reason why I am not frightened of them is that the
cat is so obviously frightened of me. I never did him any injury
unless to hate is to injure. But he lowers his head when I appear as
though he expected to be guillotined. He does not run away: he merely
crouches like a guilty thing. Perhaps he remembers how often he has
stepped delicately over my seed-beds, but not so delicately as to
leave no mark of ruin among the infant lettuces and the
less-than-infant autumn-sprouting broccoli. These things I could
forgive him, but it is not easy to forgive him the look in his eyes
when he watches a bird at its song. They are ablaze with evil. He
becomes a sort of Jack the Ripper at the opera. People tell us that we
should not blame cats for this sort of thing—that it is their nature
and so forth. They even suggest that a cat is no more cruel in eating
robin than we are cruel ourselves in eating chicken. This seems to me
to be quibbling. In the first place, there is an immense difference
between a robin and a chicken. In the second place, we are willing to
share our chicken with the cat—at least, we are willing to share the
skin and such of the bones as are not required for soup. Besides, a
cat has not the same need of delicacies as a human being. It can eat,
and even digest, anything. It can eat the black skin of filleted
plaice. It can eat the bits of gristle that people leave on the side
of their plates. It can eat boiled cod. It can eat New Zealand mutton.
There is no reason why an animal with so undiscriminating a palate
should demand song-birds for its food, when even human beings, who are
fairly unscrupulous eaters, have agreed in some measure to abstain
from them. On reflection, however, I doubt if it is his appetite for
birds that makes the cat with the yellow eyes feel guilty. If you were
able to talk to him in his own language, and formulate your
accusations against him as a bird-eater, he would probably be merely
puzzled and look on you as a crank. If you pursued the argument and
compelled him to moralise his position, he would, I fancy, explain
that the birds were very wicked creatures and that their cruelties to
the worms and the insects were more than flesh and blood could stand.
He would work himself up into a generous idealisation of himself as
the guardian of law and order amid the bloody strife of the
cabbage-patch—the preserver of the balance of nature. If cats were as
clever as we, they would compile an atrocities blue-book about worms.
Alas, poor thrush, with how bedraggled a reputation you would come
through such an exposure! With how Hunnish a tread you would be
depicted treading the lawn, sparing neither age nor sex, seizing the
infant worm as it puts out its head to take its first bewildered peep
at the rolling sun! Cats could write sonnets on such a theme…. Then
there is that other beautiful potential poem, <i>The Cry of the
Snail</i>…. How tender-hearted cats are! Their sympathy seems to be all
but universal, always on the look out for an object, ready to extend
itself anywhere where it is needed, except, as is but human, to their
victims. Yellow eyes or not, I begin to be persuaded that the cat next
door is a noble fellow. It may well be that his look as I pass is a
look not of fear but of repulsion. He has seen me going out among the
worms with a sharp—no, not a very sharp—spade, and regards me as no
better than an ogre. If I could only explain to him! But I shall never
be able to do so. He could no more appreciate my point of view about
worms than I can appreciate his about robins. Luckily, we both eat
chicken. This may ultimately help us to understand one another.</p>
<p id="id00091">On the other hand, part of the fascination of cats may be due to the
fact that it is so difficult to come to an understanding with them. A
man talks to a horse or a dog as to an equal. To a cat he has to be
deferential as though it had some Sphinx-like quality that baffled
him. He cannot order a cat about with the certainty of being obeyed.
He cannot be sure that, if he speaks to it, it will even raise its
eyes. If it is perfectly comfortable, it will not. A cat is obedient
only when it is hungry or when it takes the fancy. It may be a
parasite, but it is never a servant. The dog does your bidding, but
you do the cat's. At the same time, the contrast between the cat and
the dog has often been exaggerated by dog-lovers. They tell you
stories of dogs that remained with their dead masters, as though there
were no fidelity in cats. It was only the other day, however, that the
newspapers gave an account of a cat that remained with the body of its
murdered mistress in the most faithful tradition of the dogs. I know,
again, of cats that will go out for a walk with a human
fellow-creature, as dogs do. I have frequently seen a lady walking
across Hampstead Heath with a cat in train. When you go for a walk
with a dog, however, the dog protects you: when you go for a walk with
a cat, you feel that you are protecting the cat. It is strange that
the cat should have imposed the myth of its helplessness on us. It is
an animal with an almost boundless capacity for self-help. It can jump
up walls. It can climb trees. It can run, as the proverb says, like
"greased lightning." It is armed like an African chief. Yet it has
contrived to make itself a pampered pet, so that we are alarmed if it
attempts to follow us out of the gate into a world of dogs, and only
feel happy when it is purring—rolling on its back and purring as we
rub its Adam's apple—by the fireside. There is nothing that gives a
greater sense of comfort than the purring of a cat. It is the most
flattering music in nature. One feels, as one listens, like a humble
lover in a bad novel, who says: "You do, then, like me—a
little—after all?" The fact that a cat is not utterly miserable in
our presence always comes with the freshness and delight of a
surprise. The happiness of a crowing baby, newly introduced to us, may
be still more flattering, but a cat will get round people who cannot
tolerate babies.</p>
<p id="id00092">It is all the more to be wondered at that a cat, which is such a
master of this conversational sort of music, should ever attempt any
other. There never was an animal less fit to be a singer. Someone—was
it Cowper?—-has said that there are no really ugly voices in nature,
and that he could imagine that there was something to be said even for
the donkey's bray. I should have thought that the beautiful voices in
nature were few, and that most of them could be defended only on the
ground of some pleasant association. Humanity, at least, has been
unanimous in its condemnation of the cat as part of nature's chorus.
Poems have been written in praise of the corncrake as a singer, but
never of the cat. All the associations we have with cats have not
accustomed us to that discordant howl. It converts love itself into a
torment such as can be found only in the pages of a twentieth-century
novel. In it we hear the jungle decadent—the beast in dissolution,
but not yet civilised. When it rises at night outside the window, we
always explain to visitors: "No; that's not Peter. That's the cat next
door with the yellow eyes." The man who will not defend the honour of
his cat cannot be trusted to defend anything.</p>
<h2 id="id00093" style="margin-top: 4em">VI</h2>
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