<h2 class="gap3 chaphead"><SPAN name="XVII" id="XVII"></SPAN>XVII</h2>
<h2 class="chaphead">The Last Tryst</h2>
<div class="sidenote">A Double
Self</div>
<p>The shrill voices in the sitting-room rose
higher and higher. Since the day
Grandmother had read the article upon
"Woman's Birthright" to Matilda, the subject
of Mrs. Lee's hair had, as it were, been drowned
in cucumber milk. When Rosemary came in
from the kitchen, they appealed to her by
common consent.</p>
<p>"Rosemary, have you ever heard of anybody
taking a stool and a pail and goin' out
to milk the cucumbers before breakfast?"
This from Aunt Matilda.</p>
<p>"Rosemary, ain't you seen the juice of wild
cucumbers when they spit their seeds out and
ain't it just like milk, only some thicker?"
This from Grandmother.</p>
<p>"I don't know," Rosemary answered, mechanically.
The queer sense of a double self
persisted. One of her was calm and content,
the other was rebellious—and hurt.</p>
<p>"Humph!" snorted Grandmother.</p>
<p>"Humph!" echoed Aunt Matilda<span class="pagenum"><SPAN name="Page_246" id="Page_246">[Pg 246]</SPAN></span></p>
<div class="sidenote">Going for
the Paper</div>
<p>"It's Thursday," Grandmother reminded
her, "and I heard the mail train come in some
time ago. You'd better leave the sweepin'
an' go and get my paper."</p>
<p>"Yes, do," Aunt Matilda chimed in, with a
sneer. "I can't hardly wait for this week's
paper, more'n the other sufferin' five million
can. Maybe there'll be a pattern for a cucumber
milkin' stool in this week's paper;
somethin' made out of a soap-box, with
cucumber leaves and blossoms painted on it
with some green and yellow house paint that
happens to be left over. And," she continued,
"they'd ought to be a pail too, but I reckon
a tin can'll do, for the cucumbers I've seen so
far don't look as if they'd be likely to give
much milk. We can paint the can green and
paste a picture of a cucumber on the outside
from the seed catalogue. Of course I ain't
got any freckles, but there's nothin' like havin'
plenty of cucumber milk in the house, with
hot weather comin' on."</p>
<p>Grandmother surveyed Matilda with a penetrating,
icy stare. "You've got freckles on
your mind," she said. "Rosemary, will you go
to the post-office and not keep me waiting?"</p>
<p>The girl glanced at her brown gingham
dress, and hesitated.</p>
<p>"You're clean enough," Grandmother observed,
tartly. "Anybody'd think you had a
beau waitin' for you somewheres."<span class="pagenum"><SPAN name="Page_247" id="Page_247">[Pg 247]</SPAN></span></p>
<div class="sidenote">Young
People's
Calls</div>
<p>She flushed to her temples, but did not
speak. Her face was still red when she went
out, wearing a brown straw hat three Summers
old.</p>
<p>"The paper says," Grandmother continued,
"that a blush is becomin' to some women, but
Rosemary ain't one that looks well with a
red face. Do you suppose she has got a
beau?"</p>
<p>"Can't prove it by me," Matilda sighed,
looking pensively out of the window. "That
Marsh boy come to see her once, though."</p>
<p>"He didn't come again, I notice, no more'n
the minister did."</p>
<p>"No," Matilda rejoined, pointedly, with a
searching glance at Grandmother, "and I
reckon it was for the same reason. When
young folks comes to see young folks, they
don't want old folks settin' in the room with
'em all the time, talkin' about things they
ain't interested in."</p>
<p>"Young folks!" snorted Grandmother.
"You was thirty!"</p>
<p>"That ought to be old enough to set alone
with a man for a spell, especially if he's a
minister."</p>
<p>"I suppose you think," the old lady returned,
swiftly gathering her ammunition for a final
shot, "that the minister was minded to
marry you. I've told you more 'n once
that you're better off the way you are.<span class="pagenum"><SPAN name="Page_248" id="Page_248">[Pg 248]</SPAN></span>
Marriage ain't much. I've been through it
and I know."</p>
<div class="sidenote">Face to
Face</div>
<p>With that, she sailed triumphantly out of
the room, closing the door with a bang which
had in it the sound of finality. Poor Miss
Matilda gazed dreamily out of the window,
treasuring the faint, fragrant memory of her
lost romance. "If Rosemary has got a beau,"
she said to herself, "I hope she won't let Ma
scare him away from her."</p>
<p>At the post-office, Rosemary met Alden,
face to face. She blushed and stammered
when he spoke to her, answered his kindly
questions in monosyllables, and, snatching
<i>The Household Guardian</i> from the outstretched
hand of the postmaster, hurried away.</p>
<p>Presently he overtook her. "Please, Rosemary,"
he said, "give me just a minute. I
want to talk to you. I haven't seen you for
a long time."</p>
<p>"Yes?" She stopped, but could not raise
her eyes to his face.</p>
<p>"I can't talk to you here. Come on up the
hill."</p>
<p>"When?" The girl's lips scarcely moved
as she asked the question.</p>
<p>"Now. Please come."</p>
<p>"I'll—I'll have to go home first, with
this," she replied, indicating the paper. "Then
I'll come."</p>
<p>"All right. I'll go on ahead and wait for<span class="pagenum"><SPAN name="Page_249" id="Page_249">[Pg 249]</SPAN></span>
you. Shall I tie the red ribbon to the tree?"
He spoke thoughtlessly, meaning only to be
pleasant, but the girl's eyes filled. She shook
her head decisively and neither of them spoke
until they reached the corner where she must
turn.</p>
<div class="sidenote">Waiting
for
Rosemary</div>
<p>"Good-bye," she said.</p>
<p>"Auf wiedersehen," he replied, lifting his
hat. "Don't be long."</p>
<p>Always, before, it had been Rosemary who
waited for him. Now he sat upon the log,
leaning back against the tree, listening to
the chatter of the squirrels and the twitter
of little birds in the boughs above him. It
was not yet noon, and the sunlight made
little dancing gleams of silver-gilt on the
ground between the faint shadows of the
leaves. He waited for her in a fever of
impatience, for in his pocket he had a letter
for Edith, addressed in a dashing masculine
hand.</p>
<p>Not so long ago, in this same place, he had
asked Rosemary to marry him. Now he must
ask her to release him, to set him free from
the bondage he had persisted in making for
himself. He made a wry face at the thought,
unspeakably dreading the coming interview
and, in his heart, despising himself.</p>
<p>Rosemary did not keep him waiting long.
When she came, she was flushed and breathless
from the long climb—and something more.<span class="pagenum"><SPAN name="Page_250" id="Page_250">[Pg 250]</SPAN></span>
She sank down upon the seat he indicated—her
old place.</p>
<div class="sidenote">The Hour
of
Reckoning</div>
<p>"It's been a long time since we were here
last," Alden observed, awkwardly.</p>
<p>"Has it?" The grey eyes glanced at him
keenly for a moment, then swiftly turned
away.</p>
<p>"I've—I've wanted to see you," Alden
lied.</p>
<p>"I've wanted to see you," she flashed
back, telling the literal truth.</p>
<p>Alden sighed, for there was tremulous passion
in her tone—almost resentment. He had
treated her badly, considering that she was
his promised wife. She had been shamefully
neglected, and she knew it, and the hour of
reckoning had come.</p>
<p>For the moment he caught at the straw the
situation seemed to offer him. If they should
quarrel—if he could make her say harsh things,
it might be easier. Instantly his better self
revolted. "Coward!" he thought. "Cad!"</p>
<p>"I've wanted to see you," Rosemary was
saying, with forced calmness, "to tell you
something. I can't marry you, ever!"</p>
<p>"Why, Rosemary!" he returned, surprised
beyond measure. "What do you mean?"</p>
<p>The girl rose and faced him. He rose, too,
awkwardly stretching out his hand for hers.
She swerved aside, and clasped her hands
behind her back.<span class="pagenum"><SPAN name="Page_251" id="Page_251">[Pg 251]</SPAN></span></p>
<div class="sidenote">It's All a
Mistake</div>
<p>"I mean what I said; it's plain enough,
isn't it?"</p>
<p>"Yes," he answered, putting his hands in
his pockets, "it's perfectly plain. If I've
done anything to hurt or offend you in any
way, I—I'm sorry." So much was true.
He was sorry for Rosemary and had never
been more so than at that very moment.
"You'll give me a reason, won't you?" he
continued.</p>
<p>"Reason?" she repeated, with a bitter
laugh. "Oh, I have plenty of reasons!"
His heart sank for a moment, then went on,
evenly. "It's all a mistake—it's never been
anything but a mistake. I couldn't leave
Grandmother and Aunt Matilda, you know.
They need me, and I shouldn't have allowed
myself to forget it."</p>
<p>"Yes," Alden agreed, quickly, "I suppose
they do need you. I was selfish, perhaps."</p>
<p>Hot words came to her lips but she choked
them back. For an instant she was tempted
to tell him all she had seen and heard a few
days before, to accuse him of disloyalty, and
then prove it. Her face betrayed her agitation,
but Alden was looking out across the valley, and
did not see. In his pocket the letter for Edith
lay consciously, as though it were alive.</p>
<p>"It isn't that you don't love me, is it?"
he asked, curiously. His masculine vanity
had been subtly aroused.<span class="pagenum"><SPAN name="Page_252" id="Page_252">[Pg 252]</SPAN></span></p>
<div class="sidenote">They Part</div>
<p>Rosemary looked him straight in the face.
She was white, now, to the lips. "Yes," she
lied. "It is that more than anything else."</p>
<p>"Why, my dear girl! I thought——"</p>
<p>"So did I. We were both mistaken, that
is all."</p>
<p>"And you really don't love me?"</p>
<p>"Not in the least."</p>
<p>Alden laughed—a little mirthless, mocking
laugh. It is astonishing, sometimes, how
deeply a man may be hurt through his vanity.
Rosemary had turned away, and he called
her back.</p>
<p>"Won't you kiss me good-bye?" he asked,
with a new humility.</p>
<p>Then Rosemary laughed, too, but her laugh
was also mirthless. "No," she answered, in
a tone from which there was no appeal. "Why
should I?" Before he realised it, she was
gone.</p>
<p>He went back to the log and sat down to
think. This last tryst with Rosemary had
been a surprise in more ways than one. He
had been afraid that she would be angry, or
hurt, and she had been neither. He had come
to ask for freedom and she had given it to
him without asking, because she could not leave
Grandmother and Aunt Matilda, and because
she did not love him. He could understand
the first reason, but the latter seemed very
strange. Yet Rosemary had looked him<span class="pagenum"><SPAN name="Page_253" id="Page_253">[Pg 253]</SPAN></span>
straight in the face and he had never known
her to lie. He had a new emotion toward her;
not exactly respect, but something more than
that.</p>
<div class="sidenote">A Letter
for Edith</div>
<p>Then, with a laugh, he straightened his
shoulders. He had what he wanted, though
it had not come in the way he thought it would.
If he had been obliged to ask her to release
him, he would have felt worse than he did now.
The letter in his pocket, heavy with portent,
asserted itself imperiously. He hurried home,
feeling very chivalrous.</p>
<p>Edith, cool and fresh in white linen, with
one of the last of the red roses thrust into her
belt, was rocking on the veranda, with a book
in her lap which she had made no pretence
of reading. Two or three empty chairs were
near her, but Madame was nowhere to be seen.
Alden handed her the letter. "I'm free!"
he said, exultantly.</p>
<p>Edith smiled, then, with shaking hands,
tore open the letter. Alden eagerly watched
her as she turned the closely written pages,
but her face was inscrutable. She read every
word carefully, until she reached the signature.
Then she looked up.</p>
<p>"I'm not," she said, briefly. She tossed
the letter to him, and went into the house.
He heard her light feet upon the stairs and
the rustle of her skirts as she ascended. Perfume
persisted in the place she had just left<span class="pagenum"><SPAN name="Page_254" id="Page_254">[Pg 254]</SPAN></span>—the
rose at her belt, the mysterious blending
of many sweet odours, and, above all, the
fragrance of Edith herself.</p>
<div class="sidenote">Alden
Reads the
Letter</div>
<p>"It's nonsense," he murmured, looking
after her. All her quixotic notions of honour
would eventually yield to argument—of course
they would. Yet his heart strangely misgave
him as he read the letter.</p>
<p>"My dear Edith," it began.</p>
<p>"Your letter has somewhat surprised me,
and yet I cannot say I feel that I don't deserve
it. Since you have been away I have been
doing a good deal of thinking. Of course you
and I haven't hit it off very well together,
and, as I can see no point where you have
failed me, I realise that it must be my fault
and that I have failed you.</p>
<p>"I wish you had talked to me about it,
instead of going away, and yet, even as I write
the words, I see how impossible it would have
been, for we haven't been in the habit of
talking things over since the first year we were
married. Gradually the wall of silence and
reserve has grown up between us, but while you,
with the quicker insight of a woman, have
seen it growing, I haven't realised it until it
was completed.</p>
<p>"Your offering me my freedom has made
me wonder what my life would be without
you. No one has ever filled your place to me,
or ever will. I may have seemed careless,<span class="pagenum"><SPAN name="Page_255" id="Page_255">[Pg 255]</SPAN></span>
thoughtless—indeed, I have been both, and
constantly, but always in the background has
been the knowledge that you were there—that
I could depend upon you.</p>
<div class="sidenote">The
Husband's
Point of
View</div>
<p>"It may seem like a trite and commonplace
thing to say, but upon my word and honour,
Edith, I haven't meant to fail you, as I see
I have in a thousand ways. I'm sorry, deeply
sorry, but I know that the words will not mean
much to you.</p>
<p>"Since I first saw you, there's never been
any woman in the world for me but you, and
there never will be, even though you should
cast me off as I deserve. If you can make up
your mind to come back to me and let me
try again, I'll do my best to make you happy—to
consider you instead of myself.</p>
<p>"Men are selfish brutes at the best, and I
don't claim to be any better than the average,
but all I'm asking for now is a chance to make
myself worthy of you—to be the sort of husband
a woman like you should have.</p>
<p>"Please let me hear from you very soon.</p>
<p style="margin-left:40%;">"Your loving husband,</p>
<p style="margin-left:50%;">"W. G. L."</p>
<p>Alden read it again, though he did not need
to—he had understood every word of it the
first time. Then he folded it, slowly and
precisely, and put it into the torn envelope.
He tapped on the arm of the chair for a<span class="pagenum"><SPAN name="Page_256" id="Page_256">[Pg 256]</SPAN></span>
moment with the edge of the envelope, then,
mechanically, put it into his pocket.</p>
<div class="sidenote">Effect
upon
Alden</div>
<p>A robin, in a maple tree beyond him, piped
his few notes with unbearable intensity. Discordant
chirps assailed his ears from the
lattice where the climbing rose put forth its
few last blooms. Swaying giddily in a crazy
pattern upon the white floor of the veranda,
was the shadow of the rose, the plaything of
every passing wind. He remembered the
moonlight night which might have been either
yesterday or in some previous life, as far as
his confused perceptions went, when Edith
had stood with the rose in her hand, and the
clear, sharply-defined shadow of it had been
silhouetted at her feet.</p>
<p>All his senses seemed mercilessly acute.
Some of the roses were almost dead and the
sickening scent of them mingled with the
fragrance of those that had just bloomed.
It made him dizzy—almost faint.</p>
<p>The maid announced luncheon, but food,
or the sight of his mother were among the
last things he desired, just then. Affecting
not to hear, he went out, got a boat, and rowed
far up the river alone.</p>
<p>When he was utterly exhausted, he shipped
the oars and let himself drift back, pushing
out from shore now and then when the current
brought him too near. He knew, with crushing
certainty, that Edith would not be swerved<span class="pagenum"><SPAN name="Page_257" id="Page_257">[Pg 257]</SPAN></span>
from her chosen path by argument—but he
could at least try.</p>
<div class="sidenote">A Silent
Function</div>
<p>White-faced and weary, he went to his room
when he reached home, lay down, and tried
to sleep, but sleep would not come. He
seemed to have come to a point of absolute
bodily suspension, neither to hunger nor thirst
nor sleep again. It was, in a way, like a clock,
that ticks steadily, though the hands are
definitely fixed at a certain hour and will not
move.</p>
<p>He forced himself to dress for dinner and
to go down at the proper time. Madame was
waiting, but Edith was late. When she
appeared, she was in the white linen gown
she had worn all day, with the withered rose
in her belt. It was the first evening she had
not dressed for dinner and she at once apologised
to Madame.</p>
<p>"I'm sorry," she said, "but it seemed impossible
to make the effort to-night. You'll
forgive me, won't you?"</p>
<p>"Of course," Madame returned sweetly.</p>
<p>"Of course," Alden echoed. His voice
sounded distant and his eyes were dull.</p>
<p>As dinner bade fair to be a silent function,
Madame turned to Edith with the first question
that came into her mind.</p>
<p>"What have you been doing all the afternoon?"</p>
<p>"Packing," replied Edith, with dry lips.<span class="pagenum"><SPAN name="Page_258" id="Page_258">[Pg 258]</SPAN></span></p>
<div class="sidenote">Nothing to
Say</div>
<p>"Or rather, getting ready to pack." She did
not look at Alden, but at Madame, with a wan
little smile that made the old lady's heart
suddenly very tender toward her.</p>
<p>"My dear! We'll miss you so."</p>
<p>"I know," Edith murmured, "and I shall
miss you—more than words may say, but I
have to go." She drained the glass of water
at her plate, then added: "My husband wants
me to come back. He has written to say so."</p>
<p>"Then," said Madame, "I suppose you
will have to go."</p>
<p>"I suppose so," repeated Edith, parrot-like.</p>
<p>Alden's eyes never swerved from Edith's
white face. In their depths was the world-old
longing, the world-old appeal, but never
for the fraction of an instant did Edith trust
herself to look at him.</p>
<p>When they rose from the table, Edith went
back to her room immediately, murmuring
an excuse. Alden watched her despairingly
until the hem of her white gown was lost at the
turn of the stairs. Then he sat down with the
paper, but he could not read, for the words
zig-zagged crazily along the page.</p>
<p>Madame understood and sincerely pitied
them both, but there seemed to be nothing
to say. She leaned back in her chair, with her
eyes closed, pretending to be asleep, but, in
reality, watching Alden as he stared vacantly
at the paper he held in his shaking hands.<span class="pagenum"><SPAN name="Page_259" id="Page_259">[Pg 259]</SPAN></span></p>
<div class="sidenote">Poor
Comfort</div>
<p>At last he rose and went out upon the
veranda. Madame started from her chair,
then forced herself to lean back again, calmly.
She heard the scraping of his chair as he moved
it along the veranda, out of the way of the
light that came through the open window.
For a long time there was silence.</p>
<p>Longing to comfort him and unable to endure
it longer, Madame went out, softly. He did
not hear her step, for his head was bowed upon
his hands. From a room above Edith's light
streamed out afar into the sweet darkness,
drawing toward it all the winged wayfarers of
the night.</p>
<p>Madame slipped her arm around his shoulders,
and bent down to him. "Dear," she
said brokenly, "she's married."</p>
<p>Alden drew a quick, shuddering breath,
and freed himself roughly from the tender
clasp. "I know it, Mother," he cried, in a
voice vibrant with pain. "For God's sake,
don't remind me of that!"</p>
<p><span class="pagenum"><SPAN name="Page_260" id="Page_260">[Pg 260]</SPAN></span></p>
<div style="break-after:column;"></div><br />