<h2><SPAN name="PART_II"></SPAN>PART II</h2><h3><i>THE VORTEX</i></h3><h2><SPAN name="XI"></SPAN>XI</h2>
<br/>
<p>Three years passed. It was the autumn of nineteen-ten. Anthony's
house was empty for the time being of all its children except
Dorothea.</p>
<p>Michael was in the beginning of his last year at Cambridge.
Nicholas was in his second year. He had taken up mathematics and
theoretical mechanics. In the long vacation, when the others went
into the country, he stayed behind to work in the engineering sheds
of the Morss Motor Company. John was at Cheltenham. Veronica was in
Dresden.</p>
<p>Dorothea had left Newnham a year ago, having taken a first-class
in Economics.</p>
<p>As Anthony came home early one evening in October, he found a
group of six strange women in the lane, waiting outside his garden
door in attitudes of conspiracy.</p>
<p>Four of them, older women, stood together in a close ring. The
two others, young girls, hung about near, but a little apart from
the ring, as if they desired not to identify themselves with any
state of mind outside their own. By their low sibilant voices, the
daring sidelong sortie of their bright eyes, their gestures,
furtive and irrepressible, you gathered that there was unanimity on
one point. All six considered themselves to have been
discovered.</p>
<p>At Anthony's approach they moved away, with slow, casual steps,
passed through the posts at the bottom of the lane and plunged down
the steep path, as if under the impression that the nature of the
ground covered their retreat. They bobbed up again, one after the
other, when the lane was clear.</p>
<p>The first to appear was a tall, handsome, bad-tempered-looking
girl. She spoke first.</p>
<p>"It's a damned shame of them to keep us waiting like this."</p>
<p>She propped herself up against Anthony's wall and smouldered
there in her dark, sullen beauty.</p>
<p>"We were here at six sharp."</p>
<p>"When they know we were told not to let on where we meet."</p>
<p>"We're led into a trap," said a grey-haired woman.</p>
<p>"I say, who is Dorothea Harrison?"</p>
<p>"She's the girl who roped Rosalind in. She's all right."</p>
<p>"Yes, but are her people all right?"</p>
<p>"Rosalind knows them."</p>
<p>The grey-haired woman spoke again.</p>
<p>"Well, if you think this lane is a good place for a secret
meeting, I don't. Are you aware that the yard of `Jack Straw's
Castle' is behind that wall? What's to prevent them bringing up
five or six coppers and planting them there? Why, they've only got
to post one 'tee at the top of the lane, and another at the bottom,
and we're done. Trapped. I call it rotten."</p>
<p>"It's all right. Here they are."</p>
<p>Dorothea Harrison and Rosalind Jervis came down the lane at a
leisured stride, their long coats buttoned up to their chins and
their hands in their pockets. Their I gestures were devoid of
secrecy or any guile. Each had a joyous air of being in command, of
being able to hold up the whole adventure at her will, or let it
rip.</p>
<p>Rosalind Jervis was no longer a bouncing, fluffy flapper. In
three years she had shot up into the stature of command. She
slouched, stooping a little from the shoulders, and carried her
pink face thrust forward, as if leaning from a platform to address
an audience. From this salience her small chin retreated delicately
into her pink throat.</p>
<p>"Is Miss Maud Blackadder here?" she said, marshalling her
six.</p>
<p>The handsome girl detached herself slowly from Anthony's
wall.</p>
<p>"What's the point," she said, "of keeping us hanging about like
this--"</p>
<p>"Till <i>all</i> our faces are known to the police--"</p>
<p>"There's a johnnie gone in there who can swear to <i>me</i>. Why
didn't you two turn up before?" said the handsome girl.</p>
<p>"Because," said Dorothea, "that johnnie was my father. He was
pounding on in front of us all up East Heath Road. If we'd got here
sooner I should have had to introduce you."</p>
<p>She looked at the six benevolently, indulgently. They might have
been children whose behaviour amused her. It was as if she had
said, "I avoided that introduction, not because it would have been
dangerous and indiscreet, but because it would have spoiled your
fun for you."</p>
<p>She led the way into the garden and the house and through the
hall into the schoolroom. There they found eleven young girls who
had come much too soon, and mistaking the arrangements, had rung
the bell and allowed themselves to be shown in.</p>
<p>The schoolroom had been transformed into a sort of meeting hall.
The big oblong table had been drawn across one end of it. Behind it
were chairs for the speakers, before it were three rows of chairs
where the eleven young girls sat scattered, expectant.</p>
<p>The six stood in the free space in front of the table and looked
at Rosalind with significance.</p>
<p>"This," said Rosalind, "is our hostess, Miss Dorothea Harrison.
Dorothy, I think you've met Mrs. Eden, our Treasurer. This is our
secretary, Miss Valentina Gilchrist; Miss Ethel Farmer; Miss
Winifred Burstall--"</p>
<p>Dorothy greeted in turn Mrs. Eden, a pretty, gentle woman with a
face of dreaming tragedy (it was she who had defended Rosalind
outside the gate); Miss Valentina Gilchrist, a middle-aged woman
who displayed a large grey pompadour above a rosy face with
turned-back features which, when she was not excited, had an
incredulous quizzical expression (Miss Gilchrist was the one who
had said they had been led into a trap); Miss Ethel Farmer, fair,
attenuated, scholastic, wearing pince-nez with an air of not seeing
you; and Miss Winifred Burstall, weather-beaten, young at fifty,
wearing pince-nez with an air of seeing straight through you to the
other side.</p>
<p>Rosalind went on. "Miss Maud Blackadder--"</p>
<p>Miss Blackadder's curt bow accused Rosalind of wasting time in
meaningless formalities.</p>
<p>"Miss--" Rosalind was at a loss.</p>
<p>The other girl, the youngest of the eight, came forward, holding
out a slender, sallow-white hand. She was the one who had hung with
Miss Blackadder in the background.</p>
<p>"Desmond," she said. "Phyllis Desmond."</p>
<p>She shrugged her pretty shoulders and smiled slightly, as much
as to say, "She forgets what she ought to remember, but it doesn't
matter."</p>
<p>Phyllis Desmond was beautiful. But for the moment her beauty was
asleep, stilled into hardness. Dorothy saw a long, slender,
sallow-white face, between sleek bands of black hair; black eyes,
dulled as if by a subtle film, like breath on a black
looking-glass; a beautiful slender mouth, pressed tight, holding
back the secret of its sensual charm.</p>
<p>Dorothy thought she had seen her before, but she couldn't
remember where.</p>
<p>Rosalind Jervis looked at her watch with a businesslike air;
paper and pencils were produced; coats were thrown on the little
school-desks and benches in the corner where Dorothy and her
brothers had sat at their lessons with Mr. Parsons some twelve
years ago; and the eight gathered about the big table, Rosalind
taking the presidential chair (which had once been Mr. Parsons'
chair) in the centre between Miss Gilchrist and Miss
Blackadder.</p>
<p>Miss Burstall and Miss Farmer looked at each other and Miss
Burstall spoke.</p>
<p>"We understood that this was to be an informal meeting. Before
we begin business I should like to ask one question. I should like
to know what we are and what we are here for?"</p>
<p>"We, Mrs. Eden, Miss Valentina Gilchrist, Miss Maud Blackadder
and myself," said Rosalind in the tone of one dealing reasonably
with an unreasonable person, "are the Committee of the North
Hampstead Branch of the Women's Franchise Union. Miss Gilchrist is
our secretary, I am the President and Miss Blackadder is--er--the
Committee."</p>
<p>"By whom elected? This," said Miss Burstall, "is most
irregular."</p>
<p>Rosalind went on: "We are here to appoint a vice-president, to
elect members of the Committee and enlist subscribers to the Union.
These things will take time."</p>
<p>"<i>We</i> were punctual," said Miss Farmer.</p>
<p>Rosalind did not even look at her. The moment had come to
address the meeting.</p>
<p>"I take it that we are all agreed as to the main issue, that we
have not come here to convert each other, that we all want Women's
Franchise, that we all mean to have it, that we are all prepared to
work for it, and, if necessary, to fight for it, to oppose the
Government that withholds it by every means in our power--"</p>
<p>"By every constitutional means," Miss Burstall amended, and was
told by Miss Gilchrist that, if she desired proceedings to be
regular, she must not interrupt the Chairwoman.</p>
<p>"--To oppose the Government that refuses us the vote, whatever
Government it may be, regardless of party, by <i>every means in our
power</i>."</p>
<p>Rosalind's sentences were punctuated by a rhythmic sound of
tapping. Miss Maud Blackadder, twisted sideways on the chair she
had pushed farther and farther back from the table, so as to bring
herself completely out of line with the other seven, from time to
time, rhythmically, twitching with impatience, struck her own leg
with her own walking-stick.</p>
<p>Rosalind perorated. "If we differ, we differ, not as to our end,
but solely as to the means we, personally and individually, are
prepared to employ." She looked round. "Agreed."</p>
<p>"Not agreed," said Dorothy and Miss Burstall and Miss Farmer all
at once.</p>
<p>"I will now call on Miss Maud Blackadder to speak. She will
explain to those of you who are strangers" (she glanced
comprehensively at the eleven young girls) "the present program of
the Union."</p>
<p>"I protest," said Miss Burstall. "There has been confusion."</p>
<p>"There really <i>has</i>, Rosalind," said Dorothy. "You
<i>must</i> get it straight. You can't start all at sixes and
sevens. I protest too."</p>
<p>"We all three protest," said Miss Farmer, frowning and blinking
in an agony of protest.</p>
<p>"Silence, if you please, for the Chairwoman," said Miss
Gilchrist.</p>
<p>"May we not say one word?"</p>
<p>"You may," said Rosalind, "in your turn. I now call on Miss
Blackadder to speak."</p>
<p>At the sound of her own name Miss Blackadder jumped to her feet.
The walking-stick fell to the floor with a light clatter and crash,
preluding her storm. She jerked out her words at a headlong pace,
as if to make up for the time the others had wasted in
futilities.</p>
<p>"I am not going to say much, I am not going to take up your
time. Too much time has been lost already. I am not a speaker, I am
not a writer, I am not an intellectual woman, and if you ask me
what I am and what I am here for, and what I am doing in the Union,
and what the Union is doing with me, and what possible use I, an
untrained girl, can be to you clever women" (she looked
tempestuously at Miss Burstall and Miss Farmer who did not flinch),
"I will tell you. I am a fighter. I am here to enlist volunteers. I
am the recruiting sergeant for this district. That is the use my
leaders, who should be <i>your</i> leaders, are making of
<i>me</i>."</p>
<p>Her head was thrown back, her body swayed, rocked from side to
side with the violent rhythm of her speech.</p>
<p>"If you ask me why they have chosen <i>me</i> I will tell you.
It's because I know what I want and because I know how to get what
I want.</p>
<p>"I know what I want. Oh, yes, you think that's nothing; you all
think you know what you want. But do you? <i>Do</i> you?"</p>
<p>"Of course we do!"</p>
<p>"We want the vote!"</p>
<p>"Nothing but the vote!"</p>
<p>"<i>Nothing but?</i> Are you quite sure of that? Can you even
say you want it till you know whether there are things you want
more?"</p>
<p>"What are you driving at?"</p>
<p>"You'll soon see what I'm driving at. I drive straight. And I
ride straight. And I don't funk my fences.</p>
<p>"Well--say you all want the vote. Do you know how much you want
it? Do you know how much you want to pay for it? Do you know what
you're prepared to give up for it? Because, if you don't know
<i>that</i>, you don't know how much you want it."</p>
<p>"We want it as much as you do, I imagine."</p>
<p>"You want it as much as I do? Good. <i>Then</i> you're going to
pay the price whatever the price is. <i>Then</i> you're ready to
give up everything else, your homes and your families and your
friends and your incomes. Until you're enfranchised you are not
going to own any <i>man</i> as father, or brother or husband" (her
voice rang with a deeper and stronger vibration) "or lover, or
friend. And the man who does not agree with you, the man who
refuses you the vote, the man who opposes your efforts to get the
vote, the man who, whether he agrees with you or not, <i>will not
help you to get it</i>, you count as your enemy. That is wanting
the vote. That is wanting it as much as I do.</p>
<p>"You women--are you prepared to go against your men? To give up
your men?"</p>
<p>There were cries of "Rather!" from two of the eleven young girls
who had come too soon.</p>
<p>Miss Burstall shook her head and murmured, "Hopeless confusion
of thought. If <i>this</i> is what it's going to be like, Heaven
help us!"</p>
<p>"You really <i>are</i> getting a bit mixed," said Dorothy.</p>
<p>"We protest--"</p>
<p>"Protest then; protest as much as you like. Then we shall know
where we are; then we shall get things straight; then we can begin.
You all want the vote. Some of you don't know how much, but at
least you know you want it. Nobody's confused about that. Do you
know how you're going to get it? Tell me that."</p>
<p>Lest they should spoil it all by telling her Miss Blackadder
increased her vehement pace. "You don't because you can't and
<i>I</i> will tell you. You won't get it by talking about it or by
writing about it, or by sitting down and thinking about it, you'll
get it by coming in with me, coming in with the Women's Franchise
Union, and fighting for it. Fighting women, not talkers--not
writers--not thinkers are what we want!" She sat down, heaving a
little with the ground-swell of her storm, amid applause in which
only Miss Burstall and Miss Farmer did not join. She was now
looking extraordinarily handsome.</p>
<p>Rosalind bent over and whispered something in her ear. She rose
to her feet again, flushed, smiling at them, triumphant.</p>
<p>"Our Chairwoman has reminded me that I came here to tell you
what the program of our Union is. And I can tell you in six words.
It's Hell-for-leather, and it's Neck-or-nothing!"</p>
<p>"Now," said Rosalind sweetly, bowing towards Miss Burstall,
"it's your turn. We should like to know what you have to say."</p>
<p>Miss Burstall did not rise and in the end Dorothea spoke.</p>
<p>"My friend, Miss Rosalind Jervis, assumed that we were all
agreed, not only as to our aims, but as to our policy. She has not
yet discriminated between constitutional and unconstitutional
means. When we protested, she quashed our protest. We took
exception to the phrase 'every means in our power,' because that
would commit us to all sorts of unconstitutional things. It is in
my power to squirt water into the back of the Prime Minister's
neck, or to land a bomb in the small of his back, or in the centre
of the platform at his next public meeting. We were left to
conclude that the only differences between us would concern our
choice of the squirt or the bomb. As some of us here might equally
object to using the bomb or the squirt, I submit that either our
protest should have been allowed or our agreement should not have
been taken for granted at the start.</p>
<p>"Again, Miss Maud Blackadder, in her sporting speech, her heroic
speech, has not cleared the question. She has appealed to us to
come in, without counting the cost; but she has said nothing to
convince us that when our account at our bank is overdrawn, and we
have declared war on all our male friends and relations, and have
left our comfortable homes, and are all camping out on the open
Heath--I repeat, she has said nothing to convince us that the price
we shall have paid is going to get us the thing we want.</p>
<p>"She says that fighters are wanted, and not talkers and writers
and thinkers. Are we not then to fight with our tongues and with
our brains? Is she leaving us anything but our bare fists? She has
told us that she rides straight and that she doesn't funk her
fences; but she has not told us what sort of country she is going
to ride over, nor where the fences are, not what Hell-for-leather
and Neck-or-nothing means.</p>
<p>"We want meaning; we want clearness and precision. We have not
been given it yet.</p>
<p>"I would let all this pass if Miss Blackadder were not your
colour-sergeant. Is it fair to call for volunteers, for raw
recruits, and not tell them precisely and clearly what services
will be required of them? How many" (Dorothy glanced at the eleven)
"realize that the leaders of your Union, Mrs. Palmerston-Swete, and
Mrs. Blathwaite, and Miss Angela Blathwaite, demand from its
members blind, unquestioning obedience?"</p>
<p>Maud Blackadder jumped up.</p>
<p>"I protest. I, too, have the right to protest. Miss Harrison
calls me to order. She tells me to be clear and precise. Will she
be good enough to be clear and precise herself? Will she say
whether she is with us or against us? If she is not with us she is
against us. Let her explain her position."</p>
<p>She sat down; and Rosalind rose.</p>
<p>"Miss Harrison," she said, "will explain her position to the
Committee later. This is an open meeting till seven. It is now five
minutes to. Will any of you here"--she held the eleven with her
eyes--"who were not present at the meeting in the Town Hall last
Monday, hold up your hands. No hands. Then you must all be aware of
the object and the policy and the rules of the Women's Franchise
Union. Its members pledge themselves to help, as far as they can,
the object of the Union; to support the decisions of their leaders;
to abstain from public and private criticism of those decisions and
of any words or actions of their leaders; and to obey orders--not
blindly or unquestioningly, but within the terms of their
undertakings.</p>
<p>"Those of you who wish to join us will please write your names
and addresses on the slips of white paper, stating what kind of
work you are willing to do and the amount of your subscription, if
you subscribe, and hand your slips to the Secretary at the door, as
you go out."</p>
<p>Miss Burstall and Miss Farmer went out. Miss Blackadder
counted--"One--two--"</p>
<p>Eight of the eleven young girls signed and handed in the white
slips at the door, and went out.</p>
<p>"Three--four--"</p>
<p>Miss Blackadder reckoned that Dorothea Harrison's speech had
cost her five recruits. Her own fighting speech had carried the
eleven in a compact body to her side: Dorothea's speech had divided
and scattered them again.</p>
<p>Miss Blackadder hurled her personality at the heads of audiences
in the certainty that it would hit them hard. That was what she was
there for. She knew that the Women's Franchise union relied on her
to wring from herself the utmost spectacular effect. And she did it
every time. She never once missed fire. And Dorothea Harrison had
come down on the top of her triumph and destroyed the effect of all
her fire. She had corrupted five recruits. And, supposing there was
a secret program, she had betrayed the women of the Union to
fourteen outsiders, by giving it away. Treachery or no treachery,
Dorothea Harrison would have to pay for it.</p>
<hr style="width: 25%;">
<p>Everybody had gone except the members of the Committee and
Phyllis Desmond who waited for her friend, Maud Blackadder.</p>
<p>Dorothy remembered Phyllis Desmond now; she was that art-student
girl that Vera knew. She had seen her at Vera's house.</p>
<p>They had drawn round the table again. Miss Blackadder and Miss
Gilchrist conferred in whispers.</p>
<p>"Before we go," said Rosalind, "I propose that we ask Miss
Dorothea Harrison to be our Vice-President."</p>
<p>Miss Gilchrist nodded to Miss Blackadder who rose. It was her
moment.</p>
<p>"And <i>I</i> propose," she said, "that before we invite Miss
Harrison to be anything we ask her to define her position--clearly
and precisely."</p>
<p>She made a sign, and the Secretary was on her feet.</p>
<p>"And first we must ask Miss Harrison to explain <i>how</i> she
became possessed of the secret policy of the Union which has never
been discussed at any open meeting and is unknown to members of the
General Committee."</p>
<p>"Then," said Dorothy, "there <i>is</i> a secret policy?"</p>
<p>"You seem to know it. We have the right to ask <i>how</i> you
know? Unless you invented it."</p>
<p>Dorothy faced them. It was inconceivable that it should have
happened, that she should be standing there, in the old schoolroom
of her father's house, while two strange women worried her. She
knew that her back was to the wall and that the Blackadder girl had
been on the watch for the last half-hour to get her knife into her.
(Odd, for she had admired the Blackadder girl and her fighting
gestures.) It was inconceivable that she should have to answer to
that absurd committee for her honour. It was inconceivable that
Rosalind, her friend, should not help her.</p>
<p>Yet it had happened. With all her platform eloquence Rosalind
couldn't, for the life of her, get out one heroic, defending word.
From the moment when the Gilchrist woman had pounced, Rosalind had
simply sat and stared, like a rabbit, like a fish, her mouth open
for the word that would not come. Rosalind was afraid to stand up
for her. It was dreadful, and it was funny to see Rosalind looking
like that, and to realize the extent of her weakness and her
obstinacy.</p>
<p>Yet Rosalind had not changed. She was still the school-girl
slacker who could never do a stroke of work until somebody had
pushed her into it, who could never leave off working until stopped
by the same hand that had set her going. Her power to go, and to
let herself rip, and the weakness that made her depend on Dorothy
to start her were the qualities that attracted Dorothy to Rosalind
from the beginning. But now she was the tool of the fighting
Suffrage Women. Or if she wasn't a tool, she was a machine; her
brain was a rapid, docile, mechanical apparatus for turning out bad
imitations of Mrs. Palmerston-Swete and the two Blathwaites. Her
air of casual command, half-swagger, half-slouch, her stoop and the
thrusting forward of her face, were copied sedulously from an
admired model.</p>
<p>Dorothy found her pitiable. She was hypnotized by the
Blathwaites who worked her and would throw her away when she was of
no more use. She hadn't the strength to resist the pull and the
grip and the drive of other people. She couldn't even hold out
against Valentina Gilchrist and Maud Blackadder. Rosalind would
always be caught and spun round by any movement that was strong
enough. She was foredoomed to the Vortex.</p>
<p>That was Dorothy's fault. It was she who had pushed and pulled
the slacker, in spite of her almost whining protest, to the edge of
the Vortex; and it was Rosalind, not Dorothy, who had been caught
and sucked down into the swirl. She whirled in it now, and would go
on whirling, under the impression that her movements made it
move.</p>
<p>The Vortex fascinated Dorothy even while she resisted it. She
liked the feeling of her own power to resist, to keep her head, to
beat up against the rush of the whirlwind, to wheel round and round
outside it, and swerve away before the thing got her.</p>
<p>For Dorothy was afraid of the Feminist Vortex, as her brother
Michael had been afraid of the little vortex of school. She was
afraid of the herded women. She disliked the excited faces, and the
high voices skirling their battle-cries, and the silly business of
committees, and the platform slang. She was sick and shy before the
tremor and the surge of collective feeling; she loathed the
gestures and the movements of the collective soul, the swaying and
heaving and rushing forward of the many as one. She would not be
carried away by it; she would keep the clearness and hardness of
her soul. It was her soul they wanted, these women of the Union,
the Blathwaites and the Palmerston-Swetes, and Rosalind, and the
Blackadder girl and the Gilchrist woman; they ran out after her
like a hungry pack yelping for her soul; and she was not going to
throw it to them. She would fight for freedom, but not in their way
and not at their bidding.</p>
<p>She was her brother Michael, refusing to go to the party;
refusing to run with the school herd, holding out for his private
soul against other people who kept him from remembering. Only
Michael did not hold out. He ran away. She would stay, on the edge
of the vortex, fascinated by its danger, and resisting.</p>
<p>But as she looked at them, at Rosalind with her open mouth, at
the Blackadder girl who was scowling horribly, and at Valentina
Gilchrist, sceptical and quizzical, she laughed. The three had been
trying to rush her, and because they couldn't rush her they were
questioning her honour. She had asked them plainly for a plain
meaning, and their idea of apt repartee was to pretend to question
her honour.</p>
<p>Perhaps they really did question it. She didn't care. She
loathed their excited, silly, hurrying suspicion; but she didn't
care. It was she who had drawn them and led them on to this display
of incomparable idiocy. Like her brother Nicholas she found that
adversity was extremely funny; and she laughed.</p>
<p>She was no longer Michael, she was Nicky, not caring, delighting
in her power to fool them.</p>
<p>"You think," she said, "I'd no business to find out?"</p>
<p>"Your knowledge would certainly have been mysterious," said the
Secretary; "unless at least two confidences had been betrayed.
Supposing there had been any secret policy."</p>
<p>"Well, you see, I don't know it; and I didn't invent it; and I
didn't find it out--precisely. Your secret policy is the logical
conclusion of your present policy. I deduced it; that's all.
Anybody could have done the same. Does that satisfy you? (They
won't love me any better for making them look fools!)"</p>
<p>"Thank you," said Miss Gilchrist. "We only wanted to be
sure."</p>
<p>The dinner-bell rang as Dorothy was defining her position.</p>
<p>"I'll work for you; I'll speak for you; I'll write for you; I'll
fight for you. I'll make hay of every Government meeting, if I can
get in without lying and sneaking for it. I'll go to prison for
you, if I can choose my own crime. But I won't give up my liberty
of speech and thought and action. I won't pledge myself to obey
your orders. I won't pledge myself not to criticize policy I
disapprove of. I won't come on your Committee, and I won't join
your Union. Is that clear and precise enough?"</p>
<p>Somebody clapped and somebody said, "Hear, Hear!" And somebody
said, "Go it, Dorothy!"</p>
<p>It was Anthony and Frances and Captain Drayton, who paused
outside the door on their way to the dining-room, and listened,
basely.</p>
<hr style="width: 25%;">
<p>They were all going now. Dorothy stood at the door, holding it
open for them, glad that it was all over.</p>
<p>Only Phyllis Desmond, the art-student, lingered. Dorothy
reminded her that they had met at her aunt Vera Harrison's
house.</p>
<p>The art-student smiled. "I wondered when you were going to
remember."</p>
<p>"I did, but they all called you Desmond. That's what put me
out."</p>
<p>"Everybody calls me Desmond. You had a brother or something with
you, hadn't you?"</p>
<p>"I might have had two. Which? Michael's got green eyes and
yellow hair. Nicky's got blue eyes and black hair."</p>
<p>"It was Nicky--nice name--then."</p>
<p>Desmond's beauty stirred in its sleep. The film of air was
lifted from her black eyes.</p>
<p>"I'm dining with Mrs. Harrison to-night," she said.</p>
<p>"You'll be late then."</p>
<p>"It doesn't matter. Lawrence Stephen's never there till after
eight. She won't dine without him."</p>
<p>Dorothy stiffened. She did not like that furtive betrayal of
Vera and Lawrence Stephen.</p>
<p>"I wish you'd come and see me at my rooms in Chelsea. And bring
your brother. Not the green and yellow one. The blue and black
one."</p>
<p>Dorothy took the card on which Desmond had scribbled an address.
But she did not mean to go and see her. She wasn't sure that she
liked Desmond.</p>
<hr style="width: 25%;">
<p>Rosalind stayed on to dine with Dorothy's family. She was no
longer living with her own family, for Mrs. Jervis was hostile to
Women's Franchise. She had rooms off the Strand, not far from the
headquarters of the Union.</p>
<p>Frances looked a little careworn. She had been sent for to
Grannie's house to see what could be done with Aunt Emmeline, and
had found, as usual, that nothing could be done with her. In the
last three years the second Miss Fleming had become less and less
enthusiastic, and more and more emphatic, till she ceased from
enthusiasm altogether and carried emphasis beyond the bounds of
sanity. She had become, as Frances put it, extremely tiresome.</p>
<p>It was not accurate to say, as Mrs. Fleming did, that you never
knew when Emmeline would start a nervous crisis; for as a matter of
fact you could time her to a minute. It was her habit to wait till
her family was absorbed in some urgent affair that diverted
attention from her case, and then to break out alarmingly. Dorothy
was generally sent for to bring her round; but to-day it was
Dorothy who had important things on hand. Aunt Emmeline had scented
the Suffrage meeting from afar, and had made arrangements
beforehand for a supreme crisis that would take all the shine out
of Dorothy's affair.</p>
<p>When Frances said that Aunt Emmy had been tiresome again,
Dorothy knew what she meant. For Aunt Emmy's idea was that her
sisters persecuted her; that Edie was jealous of her and hated her;
that Louie had always trampled on her and kept her under; that
Frances had used her influence with Grannie to spoil all her
chances one after another. It was all Frances's fault that Vera
Harrison had come between her and Major Cameron; Frances had
encouraged Vera in her infamous intrigue; and between them they had
wrecked two lives. And they had killed Major Cameron.</p>
<p>Since Ferdie's death Emmeline Fleming had lived most of the time
in a sort of dream in which it seemed to her that these things had
really happened.</p>
<p>This afternoon she had been more than usually tiresome. She had
simply raved.</p>
<p>"You should have brought her round to the meeting," said
Dorothy, "and let her rave there. I'd back Aunt Emmeline against
Maud Blackadder. I wish, Rosalind, you'd leave off making faces and
kicking my shins. You needn't worry any more, Mummy ducky. I'm
going to rope them all into the Suffrage Movement. Aunt Edie can
distribute literature, Aunt Louie can interrupt like anything, and
Aunt Emmeline can shout and sing."</p>
<p>"I think, Dorothy," said Rosalind with weak bitterness, "that
you might have stuck by me."</p>
<p>The two were walking down East Heath Road to the tram-lines
where the motor buses started for Charing Cross.</p>
<p>"It was you who dragged me into it, and the least you could do
was to stick. Why didn't you keep quiet instead of forcing our
hands?"</p>
<p>"I couldn't keep quiet. I'll go with you straight or I won't go
with you at all."</p>
<p>"You know what's the matter with you? It's your family. You'll
never be any good to us, you'll never be any good to yourself till
you've chucked them and got away. For years--ever since you've been
born--you've simply been stewing there in the family juice until
you're soaked with it. You oughtn't to be living at home. You ought
to be on your own--like me."</p>
<p>"You're talking rot, Rosalind. If my people were like yours I'd
have to chuck them, I suppose; but they're not. They're
angels."</p>
<p>"That's why they're so dangerous. They couldn't influence you if
they weren't angels."</p>
<p>"They don't influence me the least little bit. I'd like to see
them try. They're much too clever. They know I'd be off like a shot
if they did. Why, they let me do every mortal thing I please--turn
the schoolroom into a meeting hall for your friends to play the
devil in. That Blackadder girl was yelling the house down, yet they
didn't say anything. And your people aren't as bad as you make out,
you know. You couldn't live on your own if your father didn't give
you an allowance. I like Mrs. Jervis."</p>
<p>"Because she likes you."</p>
<p>"Well, that's a reason. It isn't the reason why I like my own
mother, because she doesn't like me so very much. That's why she
lets me do what I like. She doesn't care enough to stop me. She
only really cares for Dad and John and Nicky and Michael."</p>
<p>Rosalind looked fierce and stubborn.</p>
<p>"That's what's the matter with all of you," she said.</p>
<p>"What is?"</p>
<p>"Caring like that. It's all sex. Sex instinct, sex feeling.
Maud's right. It's what we're up against all the time."</p>
<p>Dorothy said to herself, "That's what's the matter with
Rosalind, if she only knew it."</p>
<p>Rosalind loved Michael and Michael detested her, and Nicky
didn't like her very much. She always looked fierce and stubborn
when she heard Michael's name.</p>
<p>Rosalind went on. "When it comes to sex you don't revolt. You
sit down."</p>
<p>"I do revolt. I'm revolting now. I go much farther than you do.
I think the marriage laws are rotten; I think divorce ought to be
for incompatibility. I think love isn't love and can't last unless
it's free. I think marriage ought to be abolished--not yet,
perhaps, but when we've become civilized. It will be. It's bound to
be. As it is, I think every woman has a right to have a baby if she
wants one. If Emmeline had had a baby, she wouldn't be devastating
us now."</p>
<p>"That's what you think, but it isn't what you feel. It's all
thinking with you, Dorothy. The revolt goes on in your brain.
You'll never do anything. It isn't that you haven't the courage to
go against your men. You haven't the will. You don't want to."</p>
<p>"Why should I? What do they do? Father and Michael and Nicky
don't interfere with me any more than Mother does."</p>
<p>"You know I'm not thinking of them. They don't really
matter."</p>
<p>"Who are you thinking of then? Frank Drayton? You needn't!"</p>
<p>It was mean of Rosalind to hit below the belt like that, when
she knew that <i>she</i> was safe. Michael had never been brought
against her and never would be. It was disgusting of her to imply
that Dorothy's state of mind was palpable, when her own (though
sufficiently advertised by her behaviour) had received from
Michael's sister the consecration of silence as a secret, tragic
thing.</p>
<p>They had reached the tram-lines.</p>
<p>At the sight of the Charing Cross `bus Rosalind assumed an air
of rollicking, adventurous travel.</p>
<p>"My hat! What an evening! I shall have a ripping ride down.
Don't say there's no room on the top. Cheer up, Dorothy!"</p>
<p>Which showed that Rosalind Jervis was a free woman, suggested
that life had richer thrills than marrying Dorothy's brother
Michael, and fixed the detested imputation securely on her
friend.</p>
<p>Dorothy watched her as she swung herself on to the footboard and
up the stair of the motor bus. There was room on the top. Rosalind,
in fact, had the top all to herself.</p>
<hr style="width: 25%;">
<p>As Dorothy crossed the Heath again in the twilight she saw
something white on the terrace of her father's house. Her mother
was waiting for her.</p>
<p>She thought at first that Aunt Emmeline had gone off her head
and that she had been sent for to keep her quiet. She gloried in
their dependence on her. But no, that wasn't likely. Her mother was
just watching for her as she used to watch for her and the boys
when they were little and had been sent across the Heath to
Grannie's house with a message.</p>
<p>And at the sight and memory of her mother Dorothy felt a
childish, sick dissatisfaction with herself and with her day, and
an absurd longing for the tranquillity and safety of the home whose
chief drawback lately had been that it was too tranquil and too
safe. She could almost have told her mother how they had all gone
for her, and how Rosalind had turned out rotten, and how beastly it
had all been. Almost, but not quite. Dorothy had grown up, and she
was there to protect and not to be protected. However agreeable it
might have been to confide in her mother, it wouldn't have
done.</p>
<p>Frances met her at the garden door. She had been crying.</p>
<p>"Nicky's come home," she said.</p>
<p>"Nicky?"</p>
<p>"He's been sent down."</p>
<p>"Whatever for?"</p>
<p>"Darling, I can't possibly tell you."</p>
<p>But in the end she did.</p>
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