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<h1>Bullets & Billets</h1>
<p> </p>
<h2>By Bruce Bairnsfather </h2>
<p> </p>
<h3> 1916 </h3>
<p> </p>
<p> </p>
<h3> TO MY OLD PALS,<br/> "BILL," "BERT," AND "ALF,"<br/> WHO HAVE SAT IN THE MUD WITH ME </h3>
<p> </p>
<p> </p>
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<h2> CONTENTS </h2>
<p><SPAN href="#CH1">CHAPTER I</SPAN><br/>
Landing at Havre—Tortoni's—Follow the tram lines—Orders<br/>
for the Front.<br/></p>
<p><SPAN href="#CH2">CHAPTER II</SPAN><br/>
Tortuous travelling—Clippers and tablets—Dumped at a<br/>
siding—I join my Battalion.<br/></p>
<p><SPAN href="#CH3">CHAPTER III</SPAN><br/>
Those Plugstreet trenches—Mud and rain—Flooded out—A<br/>
hopeless dawn.<br/></p>
<p><SPAN href="#CH4">CHAPTER IV</SPAN><br/>
More mud—Rain and bullets—A bit of cake—"Wind up"—Night<br/>
rounds.<br/></p>
<p><SPAN href="#CH5">CHAPTER V</SPAN><br/>
My man Friday—"Chuck us the biscuits"—Relieved—Billets.<br/></p>
<p><SPAN href="#CH6">CHAPTER VI</SPAN><br/>
The Transport Farm—Fleeced by the Flemish—Riding—Nearing<br/>
Christmas.<br/></p>
<p><SPAN href="#CH7">CHAPTER VII</SPAN><br/>
A projected attack—-Digging a sap—An 'ell of a night—The<br/>
attack—Puncturing Prussians.<br/></p>
<p><SPAN href="#CH8">CHAPTER VIII</SPAN><br/>
Christmas Eve—A lull in hate—Briton cum Boche.<br/></p>
<p><SPAN href="#CH9">CHAPTER IX</SPAN><br/>
Souvenirs—A ride to Nieppe—Tea at H.Q.—Trenches once more.<br/></p>
<p><SPAN href="#CH10">CHAPTER X</SPAN><br/>
My partial escape from the mud—The deserted village—My<br/>
"cottage."<br/></p>
<p><SPAN href="#CH11">CHAPTER XI</SPAN><br/>
Stocktaking—Fortifying—Nebulous Fragments.<br/></p>
<p><SPAN href="#CH12">CHAPTER XII</SPAN><br/>
A brain wave—Making a "funk hole"—Plugstreet Wood—Sniping.<br/></p>
<p><SPAN href="#CH13">CHAPTER XIII</SPAN><br/>
Robinson Crusoe—That turbulent table.<br/></p>
<p><SPAN href="#CH14">CHAPTER XIV</SPAN><br/>
The Amphibians—Fed-up, but determined—The gun parapet.<br/></p>
<p><SPAN href="#CH15">CHAPTER XV</SPAN><br/>
Arrival of the "Johnsons"—"Where did that one go?"—The<br/>
First Fragment dispatched—The exodus—Where?<br/></p>
<p><SPAN href="#CH16">CHAPTER XVI</SPAN><br/>
New trenches—The night inspection—Letter from the<br/>
<i>Bystander</i>.<br/></p>
<p><SPAN href="#CH17">CHAPTER XVII</SPAN><br/>
Wulverghem—The Douve—Corduroy boards—Back at our farm.<br/></p>
<p><SPAN href="#CH18">CHAPTER XVIII</SPAN><br/>
The painter and decorator—Fragments forming—Night on the<br/>
mud prairie.<br/></p>
<p><SPAN href="#CH19">CHAPTER XIX</SPAN><br/>
Visions of leave—Dick Turpin—Leave!<br/></p>
<p><SPAN href="#CH20">CHAPTER XX</SPAN><br/>
That Leave train—My old pal—London and home—The call of<br/>
the wild.<br/></p>
<p><SPAN href="#CH21">CHAPTER XXI</SPAN><br/>
Back from leave—That "blinkin' moon"—Johnson 'oles—Tommy<br/>
and "frightfulness"—Exploring expedition.<br/></p>
<p><SPAN href="#CH22">CHAPTER XXII</SPAN><br/>
A daylight stalk—The disused trench—"Did they see me?"—A<br/>
good sniping position.<br/></p>
<p><SPAN href="#CH23">CHAPTER XXIII</SPAN><br/>
Our moated farm—Wulverghem—The Curé's house—A shattered<br/>
Church—More "heavies"—A farm on fire.<br/></p>
<p><SPAN href="#CH24">CHAPTER XXIV</SPAN><br/>
That ration fatigue—Sketches in request—Bailleul—Baths and<br/>
lunatics—How to conduct a war.<br/></p>
<p><SPAN href="#CH25">CHAPTER XXV</SPAN><br/>
Getting stale—Longing for change—We leave the Douve—On the<br/>
march—Spotted fever—Ten days' rest.<br/></p>
<p><SPAN href="#CH26">CHAPTER XXVI</SPAN><br/>
A pleasant change—Suzette, Berthe and Marthe—"La jeune<br/>
fille farouche"—André.<br/></p>
<p><SPAN href="#CH27">CHAPTER XXVII</SPAN><br/>
Getting fit—Caricaturing the Curé—"Dirty work ahead"—A<br/>
projected attack—Unlooked-for orders.<br/></p>
<p><SPAN href="#CH28">CHAPTER XXVIII</SPAN><br/>
We march for Ypres—Halt at Locre—A bleak camp and meagre<br/>
fare—Signs of battle—First view of Ypres.<br/></p>
<p><SPAN href="#CH29">CHAPTER XXIX</SPAN><br/>
Getting nearer—A lugubrious party—Still nearer—Blazing<br/>
Ypres—Orders for attack.<br/></p>
<p><SPAN href="#CH30">CHAPTER XXX</SPAN><br/>
Rain and mud—A trying march—In the thick of it—A wounded<br/>
officer—Heavy shelling—I get my "quietus!"<br/></p>
<p><SPAN href="#CH31">CHAPTER XXXI</SPAN><br/>
Slowly recovering—Field hospital—Ambulance train—Back in<br/>
England.<br/></p>
<p> </p>
<p> </p>
<SPAN name="ILL"><!-- ILL --></SPAN>
<h2> LIST OF ILLUSTRATIONS </h2>
<p class="figure">
<ANTIMG width-obs="40%" src="img01a.jpg" alt="Bruce Bairnsfather: a photograph" /><br/>
<b>"Bruce Bairnsfather: a photograph"</b></p>
<p class="figure">
<ANTIMG width-obs="45%" src="img02.jpg" alt="The Birth of 'Fragments': Scribbles on the farmhouse walls" /><br/>
<b>"The Birth of "Fragments": Scribbles on the farmhouse walls"</b></p>
<p class="figure">
<ANTIMG width-obs="45%" src="img03.jpg" alt="That Astronomical Annoyance, the Star Shell" /><br/>
<b>That Astronomical Annoyance, the Star Shell, Which Momentarily
Enables You to Scrutinize the Kind of Mud You Are In</b></p>
<p class="figure">
<ANTIMG width-obs="45%" src="img04.jpg" alt="Plugstreet Wood" /><br/>
<b>An Impression of the Famous Bois de Ploegsteet</b></p>
<p class="figure">
<ANTIMG width-obs="45%" src="img05.jpg" alt="A Hopeless Dawn" /><br/>
<b>"A Hopeless Dawn: Rain, Mud, Damp Coke, and Dug-Out Off Down Stream"</b></p>
<p class="figure">
<ANTIMG width-obs="100%" src="img06.jpg" alt="The usual line in Billeting Farms" /><br/>
<b>"The usual line in Billeting Farms: A Three-Sided Red-Tiled Building,
With a Rectangular Smell in the Middle"</b></p>
<p class="figure">
<ANTIMG width-obs="45%" src="img07.jpg" alt="Chuck us the biscuits, Bill. The fire wants mendin'" /><br/>
<b>"Chuck us the biscuits, Bill. The fire wants mendin'"</b></p>
<p class="figure">
<ANTIMG width-obs="45%" src="img08.jpg" alt="Shut that blinkin' door. There's a 'ell of a draught in 'ere" /><br/>
<b>"Shut that blinkin' door. There's a 'ell of a draught in 'ere"</b></p>
<p class="figure">
<ANTIMG width-obs="45%" src="img09.jpg" alt="A Memory of Christmas, 1914" /><br/>
<b>"A Memory of Christmas, 1914: 'Look at this bloke's buttons, 'Arry.
I should reckon 'e 'as a maid to dress 'im."</b></p>
<p class="figure">
<ANTIMG width-obs="45%" src="img10.jpg" alt="The Sentry" /><br/>
<b>What He Doesn't Know About Fire Buckets and the Time the Rum
Comes Up Isn't Worth Knowing</b></p>
<p class="figure">
<ANTIMG width-obs="45%" src="img11.jpg" alt="A Messines Memory: 'Ow about shiftin' a bit further down the road, Fred?" /><br/>
<b>A Messines Memory: "'Ow about shiftin' a bit further down the road, Fred?"</b></p>
<p class="figure">
<ANTIMG width-obs="45%" src="img12.jpg" alt="Old soldiers never die" /><br/>
<b>"Old soldiers never die"</b></p>
<p class="figure">
<ANTIMG width-obs="45%" src="img13.jpg" alt="Photograph of the Author. St. Yvon, Christmas Day, 1914" /><br/>
<b>Photograph of the Author. St. Yvon, Christmas Day, 1914<br/>
Officers, 2nd Lieutenant: 1<br/>
Bairnsfathers, Bruce: 1<br/>
Holes, Shell: 1<br/></b></p>
<p class="figure">
<ANTIMG width-obs="45%" src="img14.jpg" alt="Off 'in' again" /><br/>
<b>Off "in" again</b></p>
<p class="figure">
<ANTIMG width-obs="45%" src="img15.jpg" alt="Poor old Maggie! She seems to be 'avin' it dreadful wet at 'ome!" /><br/>
<b>"Poor old Maggie! She seems to be 'avin' it dreadful wet at 'ome!"</b>
<p class="figure">
<ANTIMG width-obs="45%" src="img16.jpg" alt="The Tin-opener" /><br/>
<b>The Tin-opener</b>
<p class="figure">
<ANTIMG width-obs="45%" src="img17.jpg" alt="Subterranean Voice, Commenting on the Abnormal Activity of the Mortar Across the Way: They're devils to snipe, ain't they, Bill?" /><br/>
<b>Subterranean Voice, Commenting on the Abnormal Activity of the Mortar
Across the Way: "They're devils to snipe, ain't they, Bill?"</b>
<p class="figure">
<ANTIMG width-obs="45%" src="img18.jpg" alt="Old Bill" /><br/>
<b>First Discovered in the Alluvial Deposits of Southern Flanders.<br/>
Feeds Almost Exclusively on Jam and Water Biscuits.<br/>
Hobby: Filling Sandbags, on Dark and Rainy Nights</b>
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<h2> FOREWORD </h2>
<p><i>Down South, in the Valley of the Somme, far
from the spots recorded in this book, I began
to write this story.</i></p>
<p><i>In billets it was. I strolled across the old
farmyard and into the wood beyond. Sitting
by a gurgling little stream, I began, with the
aid of a notebook and a pencil, to record the
joys and sorrows of my first six months in
France.</i></p>
<p style="margin-bottom: 1em;">
<i>I do not claim any unique quality for these
experiences. Many thousands have had the
same. I have merely, by request, made a
record of my times out there, in the way that
they appeared to me</i>.</p>
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BRUCE BAIRNSFATHER.
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