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Unto Caesar

<h2>CHAPTER V</h2> <div class="epigram">"Cast thy bread upon the waters: for thou shalt find it after many days."—Ecclesiastes xi. 1. </div> The fair-skinned Cheiron up on the rostrum now took over the duties of the disgraced Hun Rhavas. The interlude had caused the crowd to linger on despite the approach of noonday, an hour always devoted, almost sacred, to rest. But now that decorum was once more restored and the work of the sale could be proceeded with in the methodical manner approved by the praefect, interest began to flag. The crowd seemed inclined to wait just a brief while longer in order to see Nola put up on the catasta and to hear the bid of twenty aurei made for her by her mother—a bid which, at the praefect's commands, was to be final and undisputed. Just to see the hammer come clashing down as an epilogue to the palpitating drama was perhaps worth waiting for. The human goods still left for sale after that would have to be held over for a more favourable opportunity. The praefect was preparing to leave. Up on the platform Nola, the daughter of Menecreta, smiled at the world through a few lingering tears. She was very happy now that her golden hair was allowed to stream down her shoulders, and that it was only because the praefect had so ordered it that the low price of twenty aurei would be accepted for her.[Pg 40] "Nola, daughter of Menecreta," shouted Cheiron, the new auctioneer, "aged sixteen years, skilled in the art of healing, and the knowledge of unguents and herbs. Her health is good, her teeth perfect, and her eyes keen for threading the finest needle. Shall we say fifteen aurei for the girl?" He recited his peroration quickly and perfunctorily, like one repeating a lesson, learned from the praefect. "I'll give twenty," rang out Menecreta's voice, clearly and loudly. She, too, had learned her lesson, and learned it well, whilst gratitude and an infinity of joy gave her strength to overcome her natural timidity. "Twenty aurei! twenty aurei! will no one bid more for Nola, the daughter of Menecreta," shouted the auctioneer, hammer in hand, ready to bring it down since no more bidding would be allowed for this piece of goods. "Twenty aurei! no one bids more—no one—no——" "I'll give thirty aurei!" It was a pure, young voice that spoke, the voice of a young girl, mellow and soft-toned as those of a pigeon when it cooes to its mate; but firm withal, direct and clear, the voice of one accustomed to command and even more accustomed to be obeyed. The sound rang from temple to temple right across the Forum, and was followed by silence—the dead silence which falls upon a multitude when every heart stops beating and every breath is indrawn. Cheiron paused, hammer in hand, his lips parted for the very words which he was about to utter, his round open eyes wandering irresolutely from the praefect's face to that of the speaker with the melodious voice. And on the hot noonday air there trembled a long sigh of pain, like the breaking of a human heart.[Pg 41] But the same voice, soft and low, was heard again: "The girl pleases me! What say you, my lord Escanes, is not that hair worthy to be immortalised by a painter's hand?" And preceded by her lictors, who made a way for her through the crowd, Dea Flavia advanced even to the foot of the catasta. And as she advanced, those who were near retreated to a respectful distance, making a circle round her and leaving her isolated, with her tall Ethiopian slaves behind her holding broad leaves of palm above her head to shield her from the sun. Thus was the gold of her hair left in shadow, and the white skin of her face appeared soft and cool, but the sun played with the shimmering folds of her white silk tunic and glinted against the gems on her fingers. Tall, imperious and majestic, Dea Flavia—unconscious alike of the deference of the crowd and the timorous astonishment of the slaves—looked up at Cheiron, the auctioneer, and resumed with a touch of impatience in her rich young voice: "I said that I would bid thirty aurei for this girl!" Less than a minute had elapsed since Dea Flavia's sudden appearance on the scene. Taurus Antinor had as yet made no movement or given any sign to Cheiron as to what he should do; but those who watched him with anxious interest could see the dark frown on his brow grow darker still and darker, until his whole face seemed almost distorted with an expression of passionate wrath. Menecreta, paralysed by this sudden and final shattering of her every hope, uttered moan after moan of pain, and as the pitiful sounds reached the praefect's ears, a smothered oath escaped his tightly clenched teeth. Like some gigantic beast roused from noonday sleep, he straightened his mas[Pg 42]sive frame and seemed suddenly to shake himself free from that state of torpor into which Dea Flavia's unexpected appearance had at first thrown him. He too, advanced to the foot of the catasta and there faced the imperious beauty, whom the whole city had, for the past two years, tacitly agreed to obey in all things. "The State," he said, speaking at least as haughtily as Dea Flavia herself, "hath agreed to accept the sum of twenty aurei for this slave. 'Tis too late now to make further bids for her." But a pair of large blue eyes, cold as the waters of the Tiber and like unto them mysterious and elusive, were turned fully on the speaker. "Too late didst thou say, oh Taurus Antinor?" said Dea Flavia raising her pencilled eyebrows with a slight expression of scorn, "nay! I had not seen the hammer descend! The girl until then is not sold, and open to the highest bidder. Or am I wrong, O praefect, in thus interpreting the laws of Rome?" "This is an exceptional case, Augusta," he retorted curtly. "Then wilt thou expound to me that law which deals with such exceptional cases?" she rejoined with the same ill-concealed tone of gentle irony. "I had never heard of it; so I pray thee enlighten mine ignorance. Of a truth thou must know the law, since thou didst swear before the altar of the gods to uphold it with all thy might." "'Tis not a case of law, Augusta, but one of pity." The praefect, feeling no doubt the weakness of any argument which aimed at coercing this daughter of the Cæsars, prompted too by his innate respect of the law which he administered, thought it best to retreat from his position of haughty arrogance and to make an appeal, since obviously he could not command. Dea Flavia was quick to[Pg 43] note this change of attitude, and her delicate lips parted in a contemptuous smile. "Dost administer pity as well as law, O Taurus Antinor?" she asked coldly. Then, as if further argument from him were of no interest to her, she once more turned to the auctioneer, and said with marked impatience: "I have bid thirty aurei for this girl; art set there slave, to gape at the praefect, or to do thy duty to the State that employs thee? Is there a higher bid for the maid? She pleaseth me, and I'll give sixty or an hundred for her. This is a public auction as by law directed. I appeal to thee, oh Taurus Antinor, to give orders to thy slaves, ere I appeal to my kinsman, the Emperor, for the restoration of a due administration of the law." Those who had cause to know and to fear the praefect's varying moods, were ready to shrink away now from the threatening darkness of his glance. He seemed indeed like some tawny wild beast, chained and scorned, whom a child was teasing from a point of vantage just beyond the reach of his powerful jaws. She was so well within her rights and he so absolutely in the wrong as far as the law was concerned, that he knew at once that he must inevitably give way. If Dea Flavia chose to desire a slave she could satisfy the caprice, since no man's fortune could hold out against her own. This too did the praefect know. He himself was passing rich and would gladly have paid a large sum now, that he might prove the victor in this unequal contest but Dea Flavia had the law and boundless wealth on her side. Taurus Antinor had only his personal authority which had coerced the crowd, but was of no avail against this beautiful woman who defied him openly before the plebs and before his slaves.[Pg 44] "Have no fear, O Dea Flavia," he said, trying to speak calmly, but his voice trembling with the mighty effort at control, "justice hath never yet suffered at my hands. I told thee that 'tis not a case of law here but one of mercy. This girl's mother has toiled for years to save enough money with which to buy the freedom of her child. She hath twenty aurei to command, and the girl is not worth much more than that. The State would have been satisfied, for my own purse would have made up the deficiency. I had bought the girl myself and given her to the mother, but the poor wretch was so proud and happy to buy her child's freedom herself, that I allowed her to make the bid. That is this slave-girl's story, Augusta! Thou seest that the law will not suffer, neither shall the State be defrauded. What thou art prepared to give for the girl that will I make good in the coffers of the State. Art satisfied, I hope! Thou art a woman, and canst mayhap better understand than I did at first when Menecreta threw herself at my knees." His rugged voice softened considerably whilst he spoke, and those who were watching him so anxiously saw the ugly dark frown gradually lighten on his brow. No wonder! since he was just a man face to face with an exceptionally beautiful woman, to whose pity he was endeavouring to make appeal. At all times an easy and a pleasant task, it must have been doubly so now when the object of mercy was so deserving. Taurus Antinor looked straight into the lovely face before him, marvelling when those exquisite blue eyes would soften with their first look of pity. But they remained serene and mysterious, neither avoiding his gaze nor responding to its appeal. The delicately chiselled lips retained their slight curve of scorn. He gave a sign to Menecreta, and she approached, totter[Pg 45]ing like one who is drunken with wine, or who has received a heavy blow on the head. She stood before Dea Flavia, with head trembling like poplar leaves and great hollow eyes fixed in meaningless vacancy upon the great patrician lady. "This is Menecreta, O Dea Flavia," concluded the praefect; "wilt allow her to plead her own cause?" Without replying directly to him, Dea Flavia turned for the first time to the slave-girl on the platform. "Is this thy mother?" she asked. "Yes!" murmured the girl. "Hast a wish that she should buy thy freedom?" "Yes." "That thou shouldst go with her to the hovel which is her home, the only home that thou wouldst ever know? Hast a wish to become the slave of that old woman, whose mind hath already gone wandering among the shadows, and whose body will very shortly go in search of her mind? Hast a wish to spend the rest of thy days scrubbing floors and stewing onions in an iron pot? Or is thy wish to dwell in the marble halls of Dea Flavia's house, where the air is filled with the perfume of roses and violets and tame songbirds make their nests in the oleander bushes? Wouldst like to recline on soft downy cushions, allowing thy golden hair to fall over thy shoulders the while I, mallet or chisel in hand, would make thy face immortal by carving it in marble? The praefect saith thine is a case for pity, then do I have pity upon thee, and give thee the choice of what thy life shall be. Squalor and misery as thy mother's slave, or joy, music, and flowers as mine." Her voice, ever low and musical, had taken on notes of tenderness and of languor. The tears of pity which the praefect had vainly tried to conjure up gathered now in her[Pg 46] eyes as her whole mood seemed to melt in the fire of her own eloquence. Nola hung her head, overwhelmed with shame. She was very young and the great lady very kind and gentle. Her own simple heart, still filled with the selfish desires of extreme youth, cried out for that same life of ease and luxury which the beautiful lady depicted in such tempting colours before her, whilst it shrank instinctively from the poverty, the hard floors, the stewing-pots which awaited her in that squalid hut on the Aventine where her mother dwelt. She hung her head and made no reply, whilst from the group of the young and idle sycophants who had hung on Dea Flavia's honeyed words just as they had done round her litter a while ago, came murmurs of extravagant adulation and well-chosen words in praise of her exquisite diction, her marvellous pity, her every talent and virtue thus freely displayed. Even the crowd stared open-mouthed and agape at this wonderful spectacle of so great a lady stooping to parley with a slave. The praefect alone remained seemingly unmoved; but the expression of hidden wrath had once more crept into his eyes, making them look dark and fierce and glowing with savage impotence; and his gaze had remained fixed on the radiantly beautiful woman who stood there before him in all the glory of her high descent, her patrician bearing, the exquisite charm of her personality, seductive in its haughty aloofness, voluptuous even in its disdainful calm. Neither did Menecreta fall a victim to Dea Flavia's melodious voice. She had listened from a respectful distance, and with the humble deference born of years of bondage, to the honeyed words with which the great lady[Pg 47] deigned to cajole a girl-slave: but when Dea Flavia had finished speaking and the chorus of admiration had died down around her, the freedwoman, with steps which she vainly tried to render firm, approached to the foot of the catasta and stood between the great lady and her own child. She placed one trembling, toil-worn hand on Nola's shoulder and said gently: "Nola, thou hast heard what my lady's grace hath deigned to speak. A humble life but yet a free one awaits thee in thy mother's home on the Aventine; a life of luxurious slavery doth my lady's grace offer thee. She deigns to say that thou alone shalt choose thy way in life. Thou wast born a slave, Nola, and shouldst know how to obey. Obey my lady then. Choose thy future, Nola. The humble and free one which I, thy mother, have earned for thee, or the golden cage in which this proud lady would deign to keep her latest whim in bondage!" Her voice, which at first had been almost steady, died down at the end in a pitiful quiver. It was the last agony of her hopes, the real parting from her child, for even whilst Menecreta's throat was choked with sobs, Nola hung her head and great heavy tears dropped from her eyes upon her clasped hands. The child was crying and the mother understood. She no longer moaned with pain now. The pain was gone; only dull despair remained. Her heart had hungered for the one glad cry of joy: "Mother, I'll come to thee!" It was left starving even through her daughter's tears. But those who watched this unwonted scene could not guess what Dea Flavia felt, for her eyes were veiled by her long lashes, and the mouth expressed neither triumph nor pity. Menecreta now once more tried to steady her[Pg 48] quivering voice; she straightened her weary back and said quite calmly: "My lady's grace has spoken, and the great lords here assembled have uttered words of praise for an exquisite act of pity. My lady's grace hath spoken and hath told the poor slave, Nola, to choose her own life. But I, the humble freedwoman, will speak in my turn to thee, O Dea Flavia of the imperial house of immortal Cæsar, and looking into thine eyes I tell thee that thy pity is but falsehood and thine eloquence naught but cruelty. By thy words thou didst take my child from me as effectually as if thou already hadst bought and paid for her. Look at the child now! She hangs her head and dares not look on me, her mother. Oh! thou didst well choose thy words, oh daughter of imperial Cæsar, for thy honeyed words were like the nectar which hid the poison that hath filtrated into my daughter's heart. Thou hast said it right—her life with me had been one of toil and mayhap of misery, but she would have been content, for she had never dreamed of another life. But now she has heard thee speak of marble halls, of music and of flowers, of a life of ease and of vanity, and never again would that child be happy in her mother's arms. Be content, O Augusta! the girl is thine since thy caprice hath willed it so. Even though she chose her mother now, I would not have her, for I know that she would be unhappy in that lonely hut on the Aventine; and though I have seen much sorrow and endured much misery, there is none greater to bear than the sight of a child's sorrow. Take her, Dea Flavia! thine eloquence has triumphed over a mother's broken heart." Strangely enough, and to the astonishment of all those present, Dea Flavia had listened patiently and silently whilst the woman spoke, and now she said quite gently:[Pg 49] "Nay! thou dost wrong thine own child, Menecreta; see how lovingly she turns to thee!" "Only because in her shallow little heart there has come the first twinge of remorse," replied the woman sadly. "Soon, in the lap of that luxury which thou dost offer her, she will have forgotten the mother's arms in which she weeps to-day." "That's enough," suddenly interposed the praefect harshly. "Menecreta, take thy child; take her, I say. Dea Flavia hath relinquished her to thee. Be not a fool and take the child away!" But with a gesture of savage pride the freedwoman tore herself away from Nola. "No!" she said firmly, "I'll not take her. That proud lady here hath stolen the soul of my child; her body, inert and sad, I'll not have the while her heart longs to be away from me. I'll not have her, I say! let the daughter of Cæsar account to the gods above for her tempting words, her honeyed speech and her lies." "Silence, woman!" ordered Dea Flavia sternly. "Lies, I tell thee, lies," continued the woman who had lost all sense of fear in the depth of her misery; "the life of luxury thou dost promise this child—how long will it last? thy caprice for her—when will it tire? Silence? nay! I'll not be silent," she continued wildly in defiant answer to angry murmurs from the crowd. "Thou daughter of a house of tyrants, tyrant thyself! a slave to thy paltry whims, crushing beneath thy sandalled feet the hearts of the poor and the cries of the oppressed! Shame on thee! shame on thee, I say!" "By the great Mother," said Dea Flavia coldly, "will no one here rid me of this screaming vixen?" But even before she had spoken, the angry murmurs[Pg 50] around had swollen to loud protestations. Before the praefect's lictors could intervene the crowd had pushed forward; the men rushed and surrounded the impious creature who had dared to raise her voice against one of the divinities of Rome: Augusta the goddess. One of Dea Flavia's gigantic Ethiopians had seized Menecreta by the shoulder, another pulled her head back by the hair and struck her roughly on the mouth, but she, with the strength of the vanquished, brought down to her knees, frenzied with despair, continued her agonised cry: "A curse upon thee, Dea Flavia, a curse spoken by the dying lips of the mother whom thou hast scorned!" How she contrived momentarily to free herself from the angry crowd of lictors and of slaves it were impossible to say; perhaps at this moment something in Menecreta's wild ravings had awed their spirit and paralysed their hands. Certain it is that for one moment the freedwoman managed to struggle to her feet and to drag herself along on her knees until her hands clutched convulsively the embroidered tunic of Dea Flavia. "And this is the curse which I pronounce on thee," she murmured in a hoarse whisper, which, rising and rising to higher tones, finally ended in shrieks which reached to the outermost precincts of the Forum. "Dea Flavia, daughter of Octavius Claudius thou art accursed. May thine every deed of mercy be turned to sorrow and to humiliation, thine every act of pity prove a curse to him who receives it, until thou on thy knees, art left to sue for pity to a heart that knoweth it not and findest a deaf ear turned to thy cry. Hear me, ye gods—hear me!... Magna Mater, hear me!... Mother of the stars—hear me!" Superstition, deeply rooted in every Roman heart, held[Pg 51] the crowd enthralled even whilst Menecreta's trembling voice echoed against the marble walls of the temples of the gods whom she invoked. No one attempted to stop her. Dea Flavia's slaves dared not lay a hand on her. It seemed as if Magna Mater herself, the great Mother, had thrown an invisible mantle over the humble freedwoman, shielding her with god-like power. "Menecreta, raise thyself and come away," said a harsh voice in tones of command. The praefect had at last with the vigorous help of his lictors managed to push his way through the crowd. It was he now who attempted to raise the woman from her knees. He sharply bade his own men to silence the woman and to take her away. Dea Flavia had remained silent and still. She had not attempted to interrupt the frenzied woman who called this awful curse upon her; only once, when Menecreta invoked the gods, did a shudder pass through the delicate body, and her heavy lids fell over her blue eyes, as if they were trying to shut out some awful vision which the woman's ravings had conjured up. Then in a sudden her mood seemed to change, her serenity returned, and when the praefect interposed she put out a restraining hand, warning the lictors not to approach. She bent to Menecreta and called her by name, her mellow voice vibrating with tender tones like the chords of the harp that are touched by a master hand, and her blue eyes, veiled with tears, looked down with infinite tenderness on the prostrate figure at her feet. "Menecreta," she said gently, "thy sorrow hath made thee harsh. The gods, believe me, still hold much happiness in store for thee and for thy daughter. See how they refuse to register thy curse which had been impious were[Pg 52] it not the dictate of thy poor frenzied mind. See, Menecreta, how thou didst misjudge me; what I did, I did because I wished to test thy love for thy child. I wished to test its true selflessness. But now I am satisfied and Nola need no longer choose, for she shall have the luxury for which her young heart doth pine, but she shall never by me be deprived of her mother's love." Even while she spoke, Menecreta struggled to her knees. Her wide-open eyes, over which a mysterious veil seemed to be slowly descending, were fixed on the radiant vision above her. But comprehension had not yet reached her mind. Her spirit had not yet been dragged from the hell of despair to this glorious sight of heaven. "Menecreta," continued the gentle voice, "thou shalt come to my house. A free woman, thou shalt be my friend and thy daughter shall be thy happy bondswoman. I'll give thee a little home in which thou shalt dwell with her and draw thy last breath in her arms; there shall be a garden there which she will plant with roses. Thy days and hers will be one continuous joy. Come to me now, Menecreta! Take thy daughter by the hand and come and dwell with her in the little house which my slaves shall prepare for thee." Her face now was almost on a level with that of Menecreta, whose hollow eyes gazed upwards with a look of ecstatic wonder. "Who art thou?" murmured the freedwoman; "there is a film over my eyes—I cannot see—art thou a goddess?" "Nay!" replied Dea Flavia gently, "only a lonely maiden who has no friends e'en in the midst of all her riches. A lonely maid whom thou didst try to curse, asking the gods that her every act of mercy be turned to bitter sorrow. See,[Pg 53] she takes thee to her heart and gives thee back thy daughter, a home and happiness." "My daughter?" murmured Menecreta. "She shall dwell with thee in the house which shall be thine." "A home?" and the trembling voice grew weaker, the hollow eyes more dim. "Aye! in the midst of a garden, with roses and violets all around." "And happiness?" sighed Menecreta. And her head fell back against Dea Flavia's arm; her eyes, now veiled by the film of death gazed, sightless, up at the dome of blue. "Menecreta!" cried Dea Flavia, horror-stricken as she felt the feeble body stiffening against her with the approaching rigidity of death. "Mother!" echoed Nola, striving to smother her terror as she threw herself on her knees. "The woman is dead," said the praefect quietly. <hr style="width: 65%;" /> [Pg 54] <div style="break-after:column;"></div>

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