<h2><SPAN name="CHAPTER_VII" id="CHAPTER_VII"></SPAN>CHAPTER VII</h2>
<h3>HOSPITAL</h3>
<h4>1</h4>
<p>About a week later, Alix and Nonie Maclure went to see Basil Doye in
hospital.</p>
<p>'Hate hospitals, don't you?' Nonie remarked, as they entered its
precincts. 'I've a sister V.A.D.ing here—Peggy, you know her, she's
having a three-months' course—but I've not been to see her yet. I can't
remember her ward; it's a men's surgical, I think. We'll go and find her
afterwards. I don't think she'll be able to stick her three months,
because of her feet. They swell up so; they make the nurses stand all
the time, you know, even when they're doing needlework and things. She
says half the nurses in the hospital have foot and leg diseases. Silly,
isn't it? The V.A.D.'s <i>could</i> sit down sometimes, but they don't like
to when the regulars mayn't. They're unpopular enough as it is. Peggy
asked the staff-nurse in her ward why all the nurses didn't combine and
ask to have the standing-rule altered, but she only said you can't get
hospital rules altered, they <i>are</i> like that. Nurses must be idiots....'</p>
<p>They crossed the court that led to the wing with the officers' wards. It
was dotted with medical students.</p>
<p>'Rabbits,' Nonie considered them. 'All that are left of them, I suppose.
Peggy says they're mostly rather rotters. They have a great time with
the nurses. One of them tried to have a great time with Peggy the other
day, but she wasn't having any.... The Royal Family wing we want, don't
we? Darwin, Lister.... No, that must be men of science. I suppose that's
ours, up those stairs.'</p>
<p>It was one of those hospitals in which the wards are named after persons
socially or intellectually eminent. In the wing Nonie and Alix wanted
the wards were entitled Victoria, Albert Edward, Alexandra, Princess
Mary, George, and so forth. One, named doubtless in happier
international times, was even called Wilhelm. Out of Wilhelm, as they
passed its glass door, came four figures, white-clad from head to foot,
wheeling a stretcher on which lay a round-faced little girl of sixteen,
trying to smile.</p>
<p>'Going down to the theatre,' Nonie whispered. 'Rather shuddery, isn't
it?'</p>
<h4>2</h4>
<p>They entered Albert Edward, which was a small ward of twelve beds, used
just now for officers. It smelt of iodoform. Several of the beds had
visitors round them. Some of the patients were in wheeled chairs,
smoking. One, in bed, was singing, unintelligibly, in a high, shrill
voice. At the table by the centre window two nurses stood, a probationer
and a V.A.D., making swabs and talking. They looked tired, and were very
young. The other two nurses, the staff-nurse and the super, were talking
to two of the patients. They had learnt not to look so tired. Also
perhaps the pleasant excitement of being in Albert Edward bore them up.</p>
<p>The staff-nurse said, 'Mr. Doye? That's his bed over there—nine. He's
up in a chair this afternoon. He's in pretty bad pain most of the time.
They may have to amputate, but the doctor hopes to manage without.'</p>
<p>Alix and Nonie went across the ward to nine, where Mr. Doye, in a brown
dressing-gown, sat in a wheeled chair, smoking a cigarette and talking
to the super, who was rather nice-looking and had auburn hair. In the
next bed lay the singer, with fixed blue eyes and flushed cheeks and a
capeline bandage round his head, carolling German songs in a high,
monotonous voice.</p>
<p>'Quite delirious, poor thing,' the super explained to the visitors. 'His
nerves are all to bits. He was a prisoner, till he got exchanged. And
would you believe it, they'd never taken the shrapnel out of his head;
he went under operation for it here last week.' She moved away,
whispering first to Nonie behind the patient's back, 'He has to be kept
pretty quiet, please; the pain gets bad on and off.'</p>
<p>'Hullo,' said Basil Doye, smiling at them. 'This is great.'</p>
<p>He had a soft, rather quick way of speaking; to-day he was huskier than
usual, perhaps because he was ill. He was long and slim; he had used, in
pre-war days, to lounge and slouch, but possibly did that no more.
Anyhow to-day he merely lay limply in a chair, so they could not judge.
His long pale face and flexible mouth and dark eyebrows were always
moving and changing; so were his rather bright eyes, that kept shading
and glinting from green to hazel. His forehead and rumpled hair were
damp just now, either from the heat or from some other cause. His
bandaged right hand was raised in a sling.</p>
<p>'You do look an old wreck,' said Nonie frankly. 'What did you go and do
it for? A silly way of getting wounded, I call it, playing ball with
bombs.'</p>
<p>'Rotten, wasn't it? But it would have played ball with me if I hadn't.
It was bound to go off in a moment, you see, and I naturally tried to
house it with the foe first; one often can. My mistake, I know. These
little things will happen.... I say, you're the first people I've seen
from the shop. How's it going? Who are the good people this year?'</p>
<p>They began to tell him. He listened, fidgeting, with restless eyes.</p>
<p>'Have a smoke?' he broke in. 'No, I suppose you mustn't here. Sorry;
didn't mean to interrupt....'</p>
<p>They were talking about the exhibition in Grafton Street.</p>
<p>'I must get round there,' he said, 'when I'm not so tied by the leg.'</p>
<p>'How long will they keep you here, d'you imagine?'</p>
<p>'Haven't an earthly. They may be depriving me of a finger or two in a
few days. Or not. They don't seem to know their own minds about it.'</p>
<p>'Good Lord!' murmured Nonie, taken aback. 'I say, don't let them.
You—you'd miss them so.'</p>
<div class="poem"><div class="stanza">
<span class="i0">'Halli, hallo, halli, hallo!<br/></span>
<span class="i0">Bei uns geht's immer so!'<br/></span></div>
</div>
<p>shrilled number eight.</p>
<p>Doye moved impatiently. 'He ought to be taken away, poor beggar.... I
loathe hospitals. People who are ill oughtn't to be with other people in
the same miserable condition; it's too depressing. One wants the
undamaged, as an antidote. That's why visitors are so jolly.' His
restless eyes glanced at Nonie's dark, glowing brilliance in her yellow
frock, and at Alix, pale and cool and thin in green.</p>
<p>'Above all,' he added, 'one wants sanity and normalness and cheeriness,
not people with their nerves in rags, like that poor chap.'</p>
<p>Eight broke out again, half singing, half humming some students'
chorus—</p>
<div class="poem"><div class="stanza">
<span class="i0">'Tra la la, in die Nacht Quartier!'<br/></span></div>
</div>
<p>The auburn-haired nurse came and stood by him for a moment, quieting
him.</p>
<p>'Come now, come now, you must be quiet, you know.'</p>
<p>'Rather a pleasant person, that nurse,' said Doye when she had gone.
'Jolly hair, hasn't she?... Alix,' he added, 'do you know, you don't
look up to much. Is it overwork, or merely the air of London in June?'</p>
<p>'It's the air of hospitals, I expect,' Nonie answered for her. 'She
turned white directly we got into the ward.'</p>
<p>'Beastly places,' Basil agreed.</p>
<p>Alix began to talk, rather fast. She told stories of the other people at
the art school; Nonie joined in, and they made Basil laugh. He talked
too, also fast. His unhurt hand drummed on the arm of his chair; his
forehead grew damper, his eyes shifted about under his black brows. He
talked nonsense, absurdly; they all did. They all laughed, but Basil
laughed most; he laughed too much. He said it was a horrible bore out
there; funny, of course, in parts, but for the most part irredeemably
tedious. And no reason to think it would ever end, except by both sides
just getting too tired of it to go on.... Idiotic business, chucking
bombs over into trenches full of chaps you had no grudge against and who
wished you no ill ... and they chucking bombs at you, much more idiotic
still. The whole thing hopelessly silly....</p>
<p>'Heil'ge Nacht, Heil'ge Nacht,' trilled Eight, with a nightmare of
Christmas on him.</p>
<p>'Oh, damn,' muttered Basil, and got scarlet and then white.</p>
<p>The staff-nurse came to them. She was not auburn-haired, but efficient
and good-looking and dark, with a clear, sharp voice.</p>
<p>'I think your visitors had better go now, Mr. Doye.'</p>
<p>She made signs to them that he was in pain, which they knew before. They
went; he joked as he said good-bye, and they joked back. As they left
the ward, Eight's wild voice rose, in a sad air they knew:</p>
<div class="poem"><div class="stanza">
<span class="i0">'Mein Bi-er und Wei-ein ist fri-isch und klar;<br/></span>
<span class="i0">Mein Töchterlein liegt auf der To-otenbahr....'<br/></span></div>
</div>
<p>'Come now, come now,' admonished Staff.</p>
<h4>3</h4>
<p>On the stairs they met a tall woman with a long pale face and black
hair, and eyes full of green light. She stopped and said to Alix, 'How
do you do? Basil told me you were going to see him to-day, so I left you
a little time. He mustn't have too many at once. He has a lot of pain,
for so slight a thing.... I shall be glad when I can get him away for a
change.'</p>
<p>Her eyes, looking at Alix's pale face, were kind and friendly. She liked
Alix, who was Basil's friend and had stayed with them last summer in the
country. She thought her clever and attractive, if selfish. She hurried
on through the glass door into Albert Edward.</p>
<p>'Mrs. Doye, isn't it?' said Nonie. 'Must have been just like him twenty
years ago.... I say, how sickening, isn't it, people getting smashed up
like that. Poor old Basil. All on edge, I thought, didn't you? What rot
he talked.... I <i>say</i>, if he loses those fingers it will be all U. P.
with his career.... I don't expect he will.' She shot a glance at Alix,
whom she suspected of feeling faint. 'Let's come and find Peggy. I
haven't an earthly where her ward is. It's called after some man of
science.' But there are so many of these, and all so much alike.</p>
<p>'If it was painters,' said Nonie presently, 'I might have remembered.
Who <i>are</i> the men of science?'</p>
<p>'Darwin,' suggested Alix intelligently. 'Galileo. Sir Isaac Newton. Sir
Oliver Lodge. Lots more.'</p>
<p>'Well, let's try this passage.'</p>
<p>They tried it. It led them on and on. It looked wrong, but might be
right, in such a strange world as a hospital, where anything may be
right or wrong and you never know till you try.</p>
<p>They saw at last ahead of them a closed door—not a glass door but a
baize one. From behind it screaming came, wild, shrill, desperate, as if
some one was being hurt to death.</p>
<p>'O Lord!' said Nonie, 'it's the theatre. Look, it's written on the door.
Come away quick. There must be an operation on.'</p>
<p>Beyond the door there was a shuffling and scuffling; it was pushed open,
and two figures muffled in white, like the stretcher-women, dragged out
a Red Cross girl in a faint.</p>
<p>'Fetch her some water,' said one. 'Idiot, why didn't she come out before
she went off? These Red Cross girls—All right, she 's coming round....
I <i>say</i>, you know, you mustn't do that again. People are supposed to
come out of the theatre <i>before</i> they faint, not after. It's an awful
crime.... Is it your first operation? Well, it was silly of them to send
you down to such a bad one. I expect the screaming upset you. She didn't
<i>feel</i> anything, you know.... Here, drink this. You're all right now,
aren't you? I must get back. You'd better go up to your ward and ask
your Sister if you can lie down for a bit.'</p>
<p>Alix and Nonie had retreated down the passage.</p>
<p>'What a place,' Alix was muttering savagely. 'Oh, <i>what</i> a place.'</p>
<p>They came out on a different staircase; fleeing down it they were in a
corridor, long and unhappy and full of hurrying housesurgeons and nurses
and patients' friends (for it was visiting-hour).</p>
<h4>4</h4>
<p>'Huxley,' said Nonie suddenly. 'That's the creature's name.... I say,'
she accosted a fat little nurse with strings, 'where's Huxley, please?'</p>
<p>Huxley was far away. They reached it through many labyrinthine and sad
ways. Through the glass door they saw a keen-faced doctor going from bed
to bed with an attendant group of satellites—medical students, who
laughed at intervals because he was witty, either about the case in hand
or about some other amusing cases this one recalled to his memory, or at
the foolish answers elicited from some student in response to questions.
They were a cheery set, and this doctor was a wit. Every few minutes he
washed his hands. The wardsister companioned him round, and by the
window stood four nurses at attention—the staff-nurse, the probationer,
and two V.A.D.'s with red crosses on their aprons. It was a men's
surgical ward. It was long and light, and had twenty-one beds, and Cot.
Cot was in the middle of the ward. He was three, and had peritonitis of
the stomach, and he sat up on his pillow and wept, and wailed at
intervals, 'Want to do 'ome. Want to do 'ome.'</p>
<p>'You're not the only one, sonny,' number three told him bitterly. 'We
all want that.'</p>
<p>Twenty-one sad faces apathetically testified to his truthfulness.
Twenty-one weary sick men, whose rest had been broken at dawn because
the night-nurses had to wash them all before they went off duty, and
that meant beginning at 3.30 or 4, stared with sad, hollow eyes, and
wanted to go 'ome.</p>
<p>The doctor washed his hands for the last time and went, his satellites
after him. The probationer respectfully opened the door for them. Nonie
and Alix stood back out of the way as they passed, then Nonie's Peggy,
who had seen them long since, came and fetched them in.</p>
<p>'I <i>am</i> glad to see you,' she said.</p>
<p>Nonie said, 'You look dead, my child,' and she returned, 'Oh, it's only
the standing. We're all in the same box. She,' she indicated the
probationer, 'fainted this morning. And the staff-nurse has the most
awful varicose veins. I believe most nurses get them sooner or later.
They <i>ought</i> to be let to sit down when they get a chance, for sewing
and things, but hospital rules are made of wood and iron. The other Red
Crosser and I do sometimes sit, when Sister's out of the ward, but it's
rather bad form really, when the regulars mayn't. Funny places,
hospitals.... I've been getting into rows this morning for not polishing
the brights bright enough. Staff told me they had quite upset Sister.
Sister's very easily upset, unfortunately. Staff's a jolly good sort,
though.... But look here, you must go. It's time for tea-trays; I shall
have to be busy. I'll come round to-night after I'm off, Nonie—if I can
get so far. You've got to go now; Staff's looking at us.'</p>
<p>They went. Staff called wearily to Peggy, 'Go and help Nurse Baker with
trays, will you, dear. And you might take Daddy Thirteen's basin away.
He's done being sick for now, I dare say, and he's going to drop it on
to the floor in a moment.'</p>
<p>Peggy hurried, but was too late. These things will happen sometimes....</p>
<h4>5</h4>
<p>'Hate hospitals, don't you?' said Nonie, as she had said when they
entered. They were going out at the gates now. 'I suppose they have to
be, though.'</p>
<p>'Suppose so,' Alix agreed listlessly.</p>
<p>Then with an effort she threw the hospital off.</p>
<p>'That's over, anyhow. I shan't go again. Let's come and do something
awfully different now.'</p>
<p>They did.</p>
<h4>6</h4>
<p>When Alix got back to Violette, she was met in the little linoleumed
hall by distress and pity, and Mrs. Frampton preparing to break
something to her, with a kind, timid arm round her shoulders.</p>
<p>'Dearie, there was a telegram.... You were out, so we opened it.... Now
you must be ever so brave.'</p>
<p>'No,' said Alix, rigid and leaning on her stick and whitely staring from
narrowed eyes. 'No....'</p>
<p>'Oh, darling child, it's sad news.... I don't know how to tell you....
Dear, you <i>must</i> be brave....'</p>
<p>'Oh, do get on,' muttered Alix, rude and sick.</p>
<p>'Dearie,' Mrs. Frampton was crying into her handkerchief. 'Poor Paul ...
your dear little brother ... dreadfully, badly wounded....'</p>
<p>'Dead,' Alix stated flatly, pulling away and leaning against the wall.</p>
<p>Violette was hot and smelt of food. Florence stumbled up the kitchen
stairs with supper. From a long way off Mrs. Frampton sobbed, 'The Lord
gave, and the Lord hath taken away.... It's the Almighty's will.... The
poor dear boy has died doing his duty and serving his country ... a
noble end, dearie ... not a wasted life....'</p>
<p>'Not a wasted....' Alix said it after her mechanically, as if it was a
foreign language.</p>
<p>'He died a noble death,' said Mrs. Frampton, 'serving his country in her
need.'</p>
<p>Alix was staring at her with blue eyes suddenly dark and distended. The
horror rose and loomed over her, like a great wave towering, just going
to break.</p>
<p>'But—but—but—' she stammered, and put out her hands, keeping it
off—'But he hadn't lived yet....'</p>
<p>Then the wave broke, like a storm crashing on a ship at sea.</p>
<p>'It's a lie,' she screamed. 'Give me the telegram.... It's made up; it's
a damnable lie. The War Office always tells them: every one knows it
does....'</p>
<p>They gave it her, pitifully. She read it three times, and it always said
the same thing. She looked up for some way of escape from it, but found
none, only Violette, hot and smelling of supper, and Mrs. Frampton
crying, and Kate with working face, and Evie sympathetic and moved in
the background, and Florence compassionate with the supper tray, and a
stuffed squirrel in a glass case on the hall table.</p>
<p>Alix shivered and shook as she stood, with passion and sickness and
loss.</p>
<p>'But—but—' she began to stammer again, helplessly, like a bewildered
child—'But he hadn't lived yet....'</p>
<p>Kate said gently, 'He has begun to live now, dear, for ever and ever.'</p>
<p>'World without end, amen,' added Mrs. Frampton, mopping her eyes.</p>
<p>Alix looked past them, at the stuffed squirrel.</p>
<p>'It's just some silly lie of course,' she said, indifferent and quiet,
but still shaking. 'It will be taken back to-morrow.... I shall go to
bed now.'</p>
<p>When Kate brought her up some supper on a tray, she found her lying on
the floor, having abandoned the lie theory, having abandoned all
theories and all words, except only, again and again, 'Paul ... Paul ...
Paul....'</p>
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