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<h2><SPAN name="CHAPTER_III" id="CHAPTER_III"></SPAN>CHAPTER III</h2> <h3>ALIX GOES</h3> <h4>1</h4> <p>It was Sunday next day. Dorothy and Margot conducted a party of wounded soldiers to matins. Mrs. Orme, who thought it time Mademoiselle Verstigel went to Mass again, sent her over to Wonford, where there was a church of her persuasion. She herself had to go up to town to the Sunday club where soldiers' and sailors' families were kept out of the streets and given coffee, news, friendship, music, and the chance to read good books, a chance of which Mrs. Orme, a sanguine person, hoped undiscouraged that they would one day avail themselves. (Hope, faith, and love were in her family. Her sister, Daphne Sandomir, when in England, held study circles of working women to instruct them in the principles which make for permanent peace, and hoped with the same fervour that they would read the books and pamphlets she gave them.)</p> <p>Mr. Orme and John walked over to the links to play golf. Alix, not having either the church, club, or golf habit, and being unfitted for much walking, sat in the wood, tried to paint, and failed. She felt peevish, tired, cross and selfish, and her head ached, as one's head nearly always does after being sick in the night. The pines were no good: stupid trees, the wrong shape. What sort of pictures would one be painting out there? Mud-coloured levels, mud-coloured men, splashes of green here and there ... and red.... And blue sky, or mud-coloured, with shells winging through it like birds, singing, 'Lloyd-Lloyd-Lloyd-Lloyd.'... The sort of picture Basil would be painting and the way he would be painting it she knew exactly. Only probably he wasn't painting at all to-day. It was Sunday-hate day. Whizz-bangs, pom-poms, trench-mortars spinning along and bouncing off the wire trench roof.... Minnie coming along to blow the whole trench inside out ... legs and arms and bits of men flying in the air ... the rest of them buried deep in choking earth ... perhaps to be dug out alive, perhaps dead.... What was it John had said on the balcony—something about a leg ... the leg of a friend ... pulling it out of the chaos of earth and mud and stones which had been a trench ... thinking it led on to the entire friend, finding it didn't, was a detached bit.... Had John cried at the time? Been sick? Probably not; John was a self-contained young man. He had waited till afterwards, when he was asleep.</p> <p>Alix, seeing her friends in scattered bits, seeing worse than that, seeing what John had seen and mentioned with tears, turned the greenish pallor of pale, ageing cheese, and dropped her head in her hands. Painting was off for that morning. Painting and war don't go together.</p> <h4>2</h4> <p>Mrs. Orme came home in the afternoon, tired but still energetic. Mr. Orme and John came in to tea too, with Sunday papers and having seen telegrams about the German offensive being stopped at Ypres. Callers dropped in to tea. They worried John by their questions. They kindly drew out Mademoiselle Verstigel, in French worse than her English.</p> <p>Directly after tea Margot had to hurry away up to town to the canteen. The callers dropped out again, one by one. John and his father went out to smoke in the garden, and to look at young trees. Dorothy went to make a cake for the hospital.</p> <p>Mrs. Orme sorted, filed, and pigeon-holed case-papers about Belgians.</p> <p>Alix, sitting in the window seat, said, 'Aunt Eleanor, I think I'm too far away from the School. I think I'd better go and stay in London, to be nearer.'</p> <p>Mrs. Orme abstracted part of her attention from the Belgians, paused, paper in hand, and looked at her niece with her fine dark kind eyes, that were like her sister's, only different.</p> <p>'Very well, child. You may be right. I'm sorry, though....' She jabbed a paper on the file, and gave more of her attention still. 'Go and stay in London.... But with whom, dear? And what does your mother think?'</p> <p>'Oh, mother,' said Alix, and gave her small, crooked smile. 'Mother won't mind. She never does. I'll write to her about it, any time.... Well, I might be in rooms—alone or with some one else.'</p> <p>'Not alone,' Mrs. Orme said promptly. 'You're not old enough. Twenty-five, is it? You look less. Oh yes, I know girls do it, but I don't like it. I wouldn't let Dorothy or Margot. Who could you share them with? You've not thought of any one especial? It would have to be some one sensible, who'd look after you, or you'd get ill.... Nicholas lives with another man, doesn't he?... Wait: I've just thought of something....' She began rummaging in her desk. 'I've a letter somewhere; I kept it, I know. She looked for it. Alix thought how like she was, as she searched, to her sister Daphne; both were so often looking for papers which they knew they had kept; and both had the same short-sighted frown and graceful bend of the neck.</p> <p>'Here,' said Mrs. Orme, and held up an envelope addressed in a flowing hand—the sort of hand once used by most ladies, but now chiefly by elderly and middle-aged persons of an unliterary habit.</p> <p>'Emily Frampton,' said Mrs. Orme. 'No, you wouldn't know her, but she's a cousin. That is, not a cousin, but married to one. She's the widow of your cousin Laurence, who died fifteen years ago. None of us could think why ... well.' She checked herself. 'She's very nice and kind, Emily Frampton.' But so different, she meant, from their cousin Laurence. This was so. Laurence Frampton had been scholarly, humorous, keen-witted, dry-tongued, and a professor of Greek. Emily Frampton was not; which is sufficient description of her for the moment.</p> <p>'She and her two girls (her own, you know; she was a widow even before she married Laurence) live at Clapton. Violette, Spring Hill, Upper Clapton, N. They're poor; they want some nice person to board with them. She's very kind; you'd be taken care of.' Mrs. Orme puckered her wide, white forehead and looked at Alix as if she were a Belgian with a case-paper. 'Really, till your mother comes back and takes the responsibility, I can't let you go just anywhere.'</p> <p>'Well—' Alix drawled a little, uncertainly. 'I don't <i>like</i> being taken care of, Aunt Eleanor. And they sound dull.'</p> <p>'Well, dear, you must settle. I own I couldn't personally live at—what's the name of the house—Geranium—Pansy—no, Violet—Violette, I mean. Those sort of people are so dreadfully out of the currents; probably know nothing about the war, except that there is one, and....'</p> <p>'Well,' said Alix, more quickly, 'perhaps I'll go there, Aunt Eleanor. I think I will.'</p> <p>'You'll be doing them a kindness,' said Mrs. Orme. 'And of course it will be much more convenient for you than going up to town from here every day. If you like I'll write to Mrs. Frampton to-day. We shall miss you, dear.' She screwed up her eyes affectionately at Alix, and added, 'You don't look well, child. I wish your mother would come home. You miss her.'</p> <p>'It's fun when mother's home,' said Alix. 'But it's quieter when she isn't. Mother's so—so stimulating.'</p> <p>'Oh, very,' said Mrs. Orme, who thought of Mrs. Sandomir as a spoilt, clever, fascinating but wrong-headed younger sister. She couldn't tell Alix how wrong-headed she found her mother, but she added kindly, 'You know, my dear, that I think she is mistaken in her present enterprise, and would be much better at home.'</p> <p>'Most enterprises are mistaken. All, very likely,' said Alix, and her aunt was shocked, thinking she should not be cynical so young.</p> <p>'The child's a funny outcome of Paul Sandomir and Daphne,' she reflected, and returned to her case-papers.</p> <h4>3</h4> <p>John came in. Alix noticed how cheerful and placid he looked, and how his hand, holding his pipe, shook. He sat down and began to talk about the advantages of not digging up one of the lawns for potatoes, which Margot wanted to do. His memories lay behind his watchful eyes, safely guarded. But Alix knew.</p> <p>'I must write to mother,' she said, and left the room.</p> <p>As she went upstairs she met Mademoiselle Verstigel coming down. Her Sunday dress was bright scarlet, with canary-coloured ribbons. She had saved it out of the wreck at home, when all seemed lost, and fled in it, like so many Belgians. She looked at Alix with her round eyes, and they too held memories. Alix stumbled at a stair. Mademoiselle caught her thin arm in her own plump one and saved her from falling. Alix hated the touch; she said, 'Oh, merci,' and gripped her stick tight and hurried on upstairs with her uneven, limping steps. She got into the schoolroom and shut the door.</p> <p>'I must get away,' she said, breathing hard. 'I will go to Violette.'</p> <hr style="width: 65%;" /> <h2><SPAN name="PART_II" id="PART_II"></SPAN>PART II</h2> <h3>VIOLETTE</h3> <hr style="width: 65%;" /> <div style="break-after:column;"></div><br />

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